The 17th-century Brahmatulyasarani is a rich repository of information about Indian mathematical astronomy and its genres of scientific writing in Sanskrit. This painstaking critical edition, translation, and technical analysis of the work includes detailed technical background about its content and relation to the seminal 12th-century astronomical handbook Karanakutuhala. This book explores important contextual information about the role and study of numerical tables in pre-modern astronomy, as well as the many challenges arising from critically editing numerical data in the Indian astral sciences.

In The Impact of the Roman Empire on The Cult of Asclepius Ghislaine van der Ploeg offers an overview and analysis of how worship of the Graeco-Roman god Asclepius adapted, changed, and was disseminated under the Roman Empire. It is shown that the cult enjoyed a vibrant period of worship in the Roman era and by analysing the factors by which this religious changed happened, the impact which the Roman Empire had upon religious life is determined. Making use of epigraphic, numismatic, visual, and literary sources, van der Ploeg demonstrates the multifaceted nature of the Roman cult of Asclepius, updating current thinking about the god.

The complete text of Clough's edition of Plutarch's Lives; containing fifty lives and eighteen comparisons.

Cassius Dio: The Impact of Violence, War, and Civil War is part of a renewed interest in the Roman historian Cassius Dio. This volume focuses on Dio's approaches to foreign war and stasis as well as civil war. The impact of war on Rome as well as on the history of Rome has long be recognised by scholars, and adding to that, recent years have seen an increasing interest in the impact of civil war on Roman society. Dio's views on violence, war, and civil war are an inter-related part of his overall project, which sought to understand Roman history on its own historical and historiographical terms and within a long-range view of the Roman past that investigated the realities of power.

Cylinder seals were important instruments in the Ancient Near East, and were used in Mesopotamia from the beginning of the third millennium BCE to the fifth century BCE. This volume presents an analysis of 1000 cylinder seals (including 70 that are not yet published) from the Old Babylonian period, including the Isin and Larsa dynasties, and uses this analysis as well as data from written texts of the period to answer questions relating to the seal cutters and the production of the seals.

One of the most celebrated of Plato's ideas was that if human society was ever to function successfully then philosophers would need to become kings, or kings philosophers. In a perfect state, therefore, philosophic wisdom should be wedded to political power.In antiquity, who were or aspired to be philosopher-kings? What was their understanding of wisdom and the limits of knowledge? What influence have they had on periods beyond antiquity? This volume focuses on Plato and his contemporaries; Alexander the Great and his Hellenistic successors; Marcus Aurelius and the 'good emperors'; Moses, Solomon and early Hebrew leaders; and Julian the Apostate, the last of the pagans. In conclusion it looks at the re-emergence of the Platonic ideal in important moments of European history, such as the Enlightenment. The theme of the philosopher-king is significant for Greco-Roman antiquity as a whole, and this work is unique in detailing the development of an idea through major periods of Greek and Roman history, and beyond.>

The Pharsalia: Dramatic Episodes of the Civil Wars is a Roman epic poem. The narrative is about the civil war between Julius Caesar and the Roman Senate led by Pompey the Great. The title Pharsalia refers to the Battle of Pharsalus in 48BC, in northern Greece, although the poem was probably not titled this originally. Caesar decisively defeated Pompey in Pharsalus. This poem is considered to be the best epic poem of the Silver Age of Latin literature. It was originally written in Latin, in approximately A.D. 61-65, by the Roman poet Lucan, and probably left unfinished upon his death in A.D. 65. This edition contains line numbers and footnotes.

Rome's wars delivered great wealth to the conquerors, but how did this affect politics and society on the home front? In Power and Public Finance at Rome, James Tan offers the first examination of the Roman Republic from the perspective of fiscal sociology and makes the case that no understanding of Roman history is complete without an appreciation of the role of economics in defining political interactions. Examining how imperial profits were distributed, Tan explores how imperial riches turned Roman public life on its head. Rome's lofty aristocrats had traditionally been constrained by their dependence on taxpayer money. They relied on the state to fund wars, and the state in turn relied on citizens' taxes to fuel the war machine. This fiscal chain bound the elite to taxpayer consent, but as the spoils of Empire flooded into Rome, leaders found that they could fund any policy they chose without relying on the support of the citizens who funded them. The influx of wealth meant that taxation at home was ended and citizens promptly lost what bargaining power they had enjoyed as a result of the state's reliance on their fiscal contributions. With their dependence on the taxpayers loosened, Rome's aristocratic leaders were free to craft a fiscal system which prioritized the enrichment of their own private estates and which devoted precious few resources to the provision of public goods. In six chapters on the nature of Rome's imperialist enrichment, on politics during the Punic Wars and on the all-important tribunates of the Gracchi, Tan offers new conceptions of Roman state creation, fiscal history, civic participation, aristocratic pre-eminence, and the eventual transition to autocracy.

This collection of essays on the Byzantine culture of war in the period between the 4th and the 12th centuries offers a new critical approach to the study of warfare as a fundamental aspect of East Roman society and culture in Late Antiquity and the Middle Ages. The book's main goal is to provide a critical overview of current research as well as new insights into the role of military organization as a distinct form of social power in one of history's more long-lived empires. The various chapters consider the political, ideological, practical, institutional and organizational aspects of Byzantine warfare and place it at the centre of the study of social and cultural history. Contributors are Salvatore Cosentino, Michael Gru nbart, Savvas Kyriakidis, Tilemachos Lounghis, Christos Makrypoulias, Stamatina McGrath, Philip Rance, Paul Stephenson, Yannis Stouraitis, Denis Sullivan, and Georgios Theotokis. See inside the book.

Art, History, and the Historiography of Judaism in Roman Antiquity explores the complex interplay between visual culture, texts, and their interpretations, arguing for an open-ended and self-aware approach to understanding Jewish culture from the first century CE through the rise of Islam. The essays assembled here range from the "thick description" of Josephus's portrayal of Bezalel son of Uri as a Roman architect through the inscriptions of the Dura Europos synagogue, Jewish reflections on Caligula in color, the polychromy of the Jerusalem temple, new-old approaches to the zodiac, and to the Christian destruction of ancient synagogues. Taken together, these essays suggest a humane approach to the history of the Jews in an age of deep and long-lasting transitions-both in antiquity, and in our own time. "Taken as a whole, Fine's book exhibits the value of bridging disciplines. The historiographical segments integrated throughout this volume offer essential insights that will inform any student of Roman and late antiquity." Yael Wilfand, Hebrew University, Review of Biblical Literature, 2014.

Written by an international cast of experts, The Materiality of Text showcases a wide range of innovative methodologies from ancient history, literary studies, epigraphy, and art history and provides a multi-disciplinary perspective on the physicality of writing in antiquity. The contributions focus on epigraphic texts in order to gauge questions of their placement, presence, and perception: starting with an analysis of the forms of writing and its perception as an act of physical and cultural intervention, the volume moves on to consider the texts' ubiquity and strategic positioning within epigraphic, literary, and architectural spaces. The contributors rethink modern assumptions about the processes of writing and reading and establish novel ways of thinking about the physical forms of ancient texts.

Why were the stars so important in Rome? Their literary presence far outweighs their role as a time-reckoning device, which was in any case superseded by the synchronization of the civil and solar years under Julius Caesar. One answer is their usefulness in symbolizing a universe built on "intelligent design." Predominantly in ancient literature, the stars are seen as the gods' graffiti in the ordered heaven. Moreover, particularly in the Roman world, divine and human governance came to be linked, with one striking manifestation of this connection being the predicted enjoyment of a celestial afterlife by emperors. Aratus' Phaenomena, which describes the layout of the heavens and their effect, through weather, on the lives of men, was an ideal text for expressing such relationships: its didactic style was both accessible and elegant, and it combined the stars with notions of divine and human order. In especially the late Republic extending until the age of Christian humanism, the impact of this poem on the literary environment is out of all proportion to its relatively modest size and the obscurity of its subject matter. It was translated into Latin many times between the first century BC and the Renaissance, and carried lasting influence outside its immediate genre. Aratus and the Astronomical Tradition answers the question of Aratus' popularity by looking at the poem in the light of Western cosmology. It argues that the Phaenomena is the ideal vehicle for the integration of astronomical 'data' into abstract cosmology, a defining feature of the Western tradition. This book embeds Aratus' text into a close network of textual interactions, beginning with the text itself and ending in the sixteenth century, with Copernicus. All conversations between the text and its successors experiment in some way with the balance between cosmology and information. The text was not an inert objet d'art, but a dynamic entity which took on colors often contradictory in the ongoing debate about the place and role of the stars in the world. In this debate Aratus plays a leading, but by no means lonely, role. With this study, students and scholars will have the capability to understand this mysterious poem's place in the unique development of Western cosmology.

In ancient Egypt, one of the primary roles of the king was to maintain order and destroy chaos. Since the beginning of Egyptian history, images of foreigners were used as symbols of chaos and thus shown as captives being bound and trampled under the king's feet. The early 18th dynasty (1550-1372 BCE) was the height of international trade, diplomacy and Egyptian imperial expansion. During this time new images of foreigners bearing tribute became popular in the tombs of the necropolis at Thebes, the burial place of the Egyptian elite. This volume analyses the new presentation of foreigners in these tombs. Far from being chaotic, they are shown in an orderly fashion, carrying tribute that underscores the wealth and prestige of the tomb owner. This orderliness reflects the ability of the Egyptian state to impose order on foreign lands, but also crucially symbolises the tomb owner's ability to overcome the chaos of death and achieve a successful afterlife. Illustrated with colour plates and black-and-white images, this new volume is an important and original study of the significance of these images for the tomb owner and the functioning of the funerary cult.

Initially coined by art historians in the second half of the nineteenth century to denote an ambivalent artistic style and period, 'Orientalizing' has been invariably used to describe a phenomenon, a revolution, or a movement. Regional developments and innovations in the ancient Mediterranean have been explained by reference to an Orient, the metaphorical bazaar containing the artistic opulence and social sophistication that spread to the West and changed it. "Debating Ancient Orietalization" brings together papers presented at a symposium held in Oxford in 2002 to debate the theme of ancient Orientalization. The volume reassesses the concept of Orientalizing, questioning whether it is valid to interpret Mediterranean-wide processes of change in the Late Bronze and Early Iron Ages by the term Orientalization. Like the ancient Mediterranean itself, the list of contributors is multicultural, and their contributions multidisciplinary, combining various strands of archaeological and textual evidence with different methodological approaches.

David L. Thurmond's From Vines to Wines in Classical Rome is the first general handbook on winemaking in Rome in over 100 years. In this work, Thurmond surveys the biology of the vine, the protohistory, history, viticulture, winemaking, distribution and modes of consumption of wine in classical Rome. He uses a close reading of the relevant Latin texts along with a careful survey of relevant archaeology and comparative practices from modern viticulture and oenology to elucidate this essential element of Roman culture.

Traces the anthropological and ethnological theories of the ancient Greeks and Romans from the creation of the world to the invention of the Americas. In ancient Greek and Roman thinking, whether the world is flat or spherical it will have imaginary boundaries and liminal areas where the norms of nature and culture are thought to break down. Analogies are constantly drawn between 'primitive' peoples at the 'edges of the world' and 'primitive' people in prehistory. Distance, both in time and space, leads to difference, and the idea that strange things happen out there or happened back then dominates Greek and Roman thinking on other cultures. This book examines ancient ideas of the creation of the world, the beginnings of life and origin of species, humans and animals, utopias and blessed islands, and 'barbarian' cultures beyond the Mediterranean world, before going on to trace the influence of ancient anthropological and ethnological thought on the Middle Ages and the Renaissance. We begin with primordial chaos and end with the invention of the Americas, taking in on the way many strange creatures, among them the noble or ignoble savages of Britain, Gaul and Ireland, the Man-faced Ox-creatures of Empedocles, the Dog-heads of India, the Amazons, Centaurs, Columbus, and the Tupinamba of Brazil.

This book presents the results of a major project carried out by a team from the Universidad Autonoma de Madrid and the 14th Ephorate of Prehistoric and Classical Antiquities at Lamia. The book gives a full picture of a extensive area of Greece known as Epicnemidian Locris, on which very little has been studied and published in the past. Its relevance in historical times was due to its natural environment and mainly on the pass at Thermopylae, which marked the physical boundary between central/northern Greece and the south, being the scene of repeated conflicts. The book offers a a complete picture of what Epicnemidian Locris was like in the past: its geography, topography, frontiers and the ancient settlements of the region.

Continuing the narrative from Volume One of: From Bharata to India, this second volume spans the years from the Muslim conquests down to the present era.

The Volume begins by contrasting the stifling theocracy of the Abrahamic religions (Judaism and Christianity), and of Islam, to the pristine ideation of compassion, love and universal wellbeing inherent in the Vedic world. The forced conversion of "pagan" peoples and their places of worship was consequently institutionalized by intolerance, savagery, barbarism, cruelty, and unparalleled brutality.

This cultural and religious Invasion shook the very foundations of the Vedic patrimony as the native Hindus adapted Alien lifestyles where Vedic values were repackaged as European and/ or Islamic. Consequently, the modern Indians began to despise what had once been their own legacy, the Cradle of civilization, and embraced imported modes of behavior. The transformed, native polity, supported by foreign vested interests, exploited their own country even more than the alien invaders.

As the Western world frees itself from the shackles of Middle Age conformism and depravity, this second volume concludes that the eternal values of Vedic Bharata are to inspire the nascent Civilization of tomorrow. Eastern introspection will replace, then, the Western tradition of a 'wholly other' divinity.

The first two centuries AD are conventionally thought of as the "golden age" of the Roman Empire, yet Italy in this period has often been seen as being in a state of decline and even crisis. This book investigates the relationships between city and countryside in Italy in the early Empire, using evidence from literary texts and inscriptions, and the wealth of data derived from archaeological field surveys over recent years. Looking at individual towns and regions as well as at the broader picture, and stressing the diversity of situations across Italy, John R. Patterson examines how changing patterns of building and benefaction in the cities were related to developments in the country, and underlines the resourcefulness of the cities, both large and small, in seeking to maintain and develop their civic traditions.

When the Greek historian PLUTARCH (c. 46 A.D. 120 A.D.) set out to tell the tales of the famous figures from Greek and Roman history, he was more concerned with illuminating their characters than enumerating their deeds, more interested in exploring their moral failings and triumphs than in listing their conquests. The result: Plutarch s Lives. Though Plutarch is known to have taken some liberties with his Lives his comparisons of certain Greek and Roman figures are often more fanciful than strictly accurate his words are, in many instances, the only sources of information that have survived for some personages. And in the aggregate, his radical approach to biography exerted a profound influence on the literature to come, particularly throughout the Renaissance and Enlightenment. Shakespeare lifted some passages verbatim from the Lives, and other writers inspired by Plutarch range from James Boswell to Alexander Hamilton to Cotton Mather. Ralph Waldo Emerson called the Lives a bible for heroes. Across the five volumes, Plutarch explores the stories of such notables as: Romulus Pericles Coriolanus Pyrrhus Lysander Pompey Alexander Caesar Cicero Antony and others. Cosimo is proud to present these handsome new editions, based on the classic 17th-century translations by English poet and playwright JOHN DRYDEN (1631 1700), and revised and edited in the 19th century by Oxford scholar ARTHUR HUGH CLOUGH (1819 1861).