This pivotal history of the kings of Sparta not only describes their critical leadership in war, but also documents the waxing and waning of their social, political, and religious powers in the Spartan state. The Spartans have seemingly never gone out of interest, serving as mythic icons who exemplify fearlessness and an unwillingness to give in against impossible odds. Yet most are unaware of the true nature of the Spartan leaders-the fact that the kings maintained their position of power for 600 years by their willingness to compromise, even if it meant giving up some of their power, for example. Organized in a logical and chronological order, Leonidas and the Kings of Sparta: Mightiest Warriors, Fairest Kingdom describes the legendary origins of the dual kingship in Sparta, documents the many reigning eras of the kings, and then concludes with the time when the kingship was abolished six centuries later. The book examines the kings' roles in war and battle, in religion, in the social life of the city, and in formulating Spartan policy both at home and abroad. No other book on Sparta has concentrated on describing the role of the kings-and their absolutely essential contributions to Spartan society in general. Numerous translations by the author of original sources Chronology history from the Dorian Invasion (ca. 1000 BC) to the last king of Sparta (mid-2nd century BC) Illustrations of the kings of Sparta, gods, and heroes, as well as diagrams of battles and family trees Maps of Laconia, the Peloponnesus, and Greece A bibliography containing ancient and modern sources for Sparta

Primitive art is inseparable from primitive consciousness and can be correctly understood only with the correct socio-cultural context. This book examines the ancient art of Siberia as part of the integral whole of ancient society.

What is one of the best ways to successfully predict the future? Winston Churchill believed that the further back you look, the further forward you are likely to be able to see. This intriguing book is testimony to this idea. It looks back two thousand years to the Roman Empire to help us to see into our own future. We imagine the Roman Empire as being a world very distant from ours, so distant that we may think we have nothing to learn from them. That however would be a mistake. The causes of the triumphs and disasters of our times are much the same as those of the Roman Empire. The Romans were people like us and the wisest of their great men and women were as wise as the best of ours. Unfortunately, the most foolish of theirs were just as the foolish as the worst of ours. Pugnare is the first historical account of the Roman Empire written from a practical business perspective. It is also about people, because business is about people. We can learn a lot from their behaviour, from their successes and failures.

Dynamic Reading examines the reception history of Epicurean philosophy through a series of eleven case studies, which range chronologically from the latter days of the Roman Republic to late twentieth-century France and America. Rather than attempting to separate an original Epicureanism from its later readings and misreadings, this collection studies the philosophy together with its subsequent reception, focusing in particular on the ways in which it has provided terms and conceptual tools for defining how we read and respond to texts, artwork, and the world more generally. Whether it helps us to characterize the "swerviness" of literary influence, the transformative effects of philosophy, or the "events" that shape history, Epicureanism has been a dynamic force in the intellectual history of the West. These essays seek to capture some of that dynamism.

Symposion is the Greek word for 'drinking together'-the social institution of reclining on couches and enjoying the pleasures of wine, sex, and song. Although the Greeks learned the rituals of communal drinking from the Near East, they turned them into a way of life entirely their own, such that for the male revellers they were elevated into a conception of euphrosyne (bliss), the highest form of pleasure. The symposion became a focal point of Greek aristocratic art and culture in the archaic age, proclaimed in poetry and the visual arts, while its structures affected the Greek attitude to life in all its aspects, from the perception of politics, society, philosophy, and psychology, to attitudes towards sexuality, death, and religion. Even when the symposion began to lose its dominance in the classical democratic city state, it was never abandoned, but continued throughout the Hellenistic age and was transmitted through trade and cultural contact to the Etruscans, the Romans, and throughout the Mediterranean. One of the longest surviving works from antiquity is an encyclopaedia of Greek drinking customs compiled in the third century AD, and we can still trace the remnants of this sympotic culture today: the story of Greek pleasure thus lies both at the heart of antiquity and of the western history and conception of pleasure, and even now continues to resonate down the ages. Oswyn Murray's research on ancient Greek drinking customs, beginning in 1983, ignited a major new field of research in archaeology, art history, Greek literature, and Greek history and established him as an expert in the field. This volume consolidates his unrivalled contribution by gathering together the numerous essays on sympotic subjects that he has written over a span of thirty years, and charting half a lifetime of thought on a theme on which he has had a shaping influence.

This book is the first monograph devoted to the life, work, and thought of Palladius of Helenopolis (ca. 362-420), an important witness of Christianity in late antiquity. Palladius' Dialogue on the Life of St. John Chrysostom and his Lausiac History are key sources for our knowledge of John Chrysostom's downfall and of the Origenist controversy, and they both provide rich information concerning many notable ecclesiastical personalities such as John Chrysostom, Theophilus of Alexandria, Jerome, Evagrius of Pontus, Melania the Elder, Isidore of Alexandria, and the Tall Brothers.
Demetrios S. Katos employs late antique theories of judicial rhetoric and argumentation, theories whose significance is only now becoming apparent to late antique scholars, to elicit new insights from the Dialogue regarding the controversy that resulted in the death of John Chrysostom. He also demonstrates that the Lausiac History deliberately promoted to the imperial court of Pulcheria a spiritual theology that was indebted to his guide Evagrius and more broadly to the legacy of Origen, despite Jerome's recent attacks against both. Palladius emerges from this account not merely as a peripatetic monk, his own preferred self-portrait that has prevailed in most modern accounts, but as an ecclesiastical statesman who passionately supported both the causes and ideas of his associates in the most pressing controversies of his day.
The study will also be valuable for scholars of late antiquity working in the areas of asceticism, spirituality, pilgrimage, hagiography, and early Christian constructions of gender, for all of which Palladius' works are important sources.

The study of Regal and Republican Rome presents a difficult and yet exciting challenge. The extant evidence, which for the most part is literary, is late, sparse, and difficult, and the value of it has long been a subject of intense and sometimes heated scholarly discussion. This volume provides students with an introduction to a range of important problems in the study of ancient Rome during the Regal and Republican periods in one accessible collection, bringing together a diverse range of influential papers. Of particular importance is the question of the value of the historiographical evidence (i.e. what the Romans themselves wrote about their past). By juxtaposing different and sometimes incompatible reactions to the evidence, the collection aims to challenge its readers and invite them to join the debate, and to assess the ancient evidence and modern interpretations of it for themselves.

Holinshed's Chronicles, famous as the source for the stories in many Shakespeare's plays, such as King Lear and Cymbeline, were written in the sixteenth century as a collaborative effort, but consistently sustain a lively and highly readable style. A wide variety of sources were used, and carefully noted, but with little critical examination. This volume contains the first four books of the Historie of England, from the time of the Flood to the end of Roman rule and includes much that is the stuff of legend. For ease of reading, it has been typeset in a modern font, but all the original spellings and marginal notes have been preserved.

In this innovative study, Erica Fox Brindley examines how, during the period 400 BCE-50 CE, Chinese states and an embryonic Chinese empire interacted with peoples referred to as the Yue/Viet along its southern frontier. Brindley provides an overview of current theories in archaeology and linguistics concerning the peoples of the ancient southern frontier of China, the closest relations on the mainland to certain later Southeast Asian and Polynesian peoples. Through analysis of warring states and early Han textual sources, she shows how representations of Chinese and Yue identity invariably fed upon, and often grew out of, a two-way process of centering the self while de-centering the other. Examining rebellions, pivotal ruling figures from various Yue states, and key moments of Yue agency, Brindley demonstrates the complexities involved in identity formation and cultural hybridization in the ancient world, and highlights the ancestry of cultures now associated with southern China and Vietnam.

Paul and the Gentile Problem provides a new explanation for the apostle Paul's statements about the Jewish law in his letters to the Romans and Galatians. Paul's arguments against circumcision and the law in Romans 2 and his reading of Genesis 15-21 in Galatians 4:21-31 belong within a stream of Jewish thinking which rejected the possibility that gentiles could undergo circumcision and adopt the Jewish law, thereby becoming Jews. Paul opposes this solution to the gentile problem because he thinks it misunderstands how essentially hopeless the gentile situation remains outside of Christ. The second part of the book moves from Paul's arguments against a gospel that requires gentiles to undergo circumcision and adoption of the Jewish law to his own positive account, based on his reading of the Abraham Narrative, of the way in which Israel's God relates to gentiles. Having received the Spirit (pneuma) of Christ, gentiles are incorporated into Christ, who is the singular seed of Abraham, and, therefore, become materially related to Abraham. But this solution raises a question: Why is it so important for Paul that gentiles become seed of Abraham? The argument of this book is that Paul believes that God had made certain promises to Abraham that only those who are his seed could enjoy and that these promises can be summarized as being empowered to live a moral life, inheriting the cosmos, and having the hope of an indestructible life.

Exploring the political ideology of Republicanism under the Roman emperors of the first century AD, Sam Wilkinson puts forward the hypothesis that there was indeed opposition to the political structure and ideology of the rulers on the grounds of Republicanism. While some Romans wanted a return to the Republic, others wanted the emperor to ensure his reign was as close to Republican moral and political ideology as possible. Analysing the discourse of the period, the book charts how the view of law, morality and behaviour changed under the various Imperial regimes of the first century AD. Uniquely, this book explores how emperors could choose to set their regime in a more Republican or more Imperial manner, thus demonstrating it was possible for both the opposition and an emperor to be Republican. The book concludes by providing evidence of Republicanism in the first century AD which not only created opposition to the emperors, but also became part of the political debate in this period.

Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day: plundered for neo-Latin declamation and seeping into the blood-soaked revenge tragedies of Shakespeare's contemporaries, seasoned with French neoclassical rigour, and inflated by Restoration flamboyance. In the mid-eighteenth century, the pincer movement of naturalism and philhellenism began to squeeze Seneca off the stage until August Wilhelm Schlegel's shrill denunciation silenced what he called its 'frigid bombast'. The Senecan aesthetic, repressed but still present, staged its return in the twentieth century in the work of Antonin Artaud, who regarded Seneca as 'the greatest tragedian of history'. This volume restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled, and in doing so reveals how theory, practice, and scholarship have always been interdependent and inseparable.

Community and Communication: Oratory and Politics in Republican Rome brings together nineteen international contributions which rethink the role of public speech in the Roman Republic. Speech was an integral part of decision-making in Republican Rome, and oratory was part of the education of every member of the elite. Yet no complete speech from the period by anyone other than Cicero survives, and as a result the debate on oratory, and political practice more widely, is liable to be distorted by the distinctive features of Cicero's oratorical practice. With careful attention to a wide range of ancient evidence, this volume shines a light on orators other than Cicero, and considers the oratory of diplomatic exchanges and impromptu heckling and repartee alongside the more familiar genres of forensic and political speech. In doing so, it challenges the idea that Cicero was a normative figure, and highlights the variety of career choices and speech strategies open to Roman politicians. The essays in the volume also demonstrate how unpredictable the outcomes of oratory were: politicians could try to control events by cherry-picking their audience and using tried methods of persuasion, but incompetence, bad luck, or hostile listeners were constant threats.

When the Romans adopted Greek literary genres, artistic techniques, and iconographies, they did not slavishly imitate their models. Rather, the Romans created vibrant and original literature and art. The same is true for philosophy, though the rich Roman philosophical tradition is still too often treated as a mere footnote to the history of Greek philosophy. This volume aims to reassert the significance of Roman philosophy and to explore the "Romanness" of philosophical writings and practices in the Roman world. The contributors reveal that the Romans, in their creative adaptation of Greek modes of thought, developed sophisticated forms of philosophical discourse shaped by their own history and institutions, concepts and values-and last, but not least, by the Latin language, which nearly all Roman philosophers used to express their ideas. The thirteen chapters-which are authored by an international group of specialists in ancient philosophy, Latin literature, and Roman social and intellectual history-move from Roman attitudes to and practices of philosophy to the great late Republican writers Cicero and Lucretius, then onwards to the early Empire and the work of Seneca the Younger, and finally to Epictetus, Apuleius, and Augustine. Using a variety of approaches, the essays do not combine into one grand narrative but instead demonstrate the diversity and originality of the Roman philosophical discourse over the centuries.

Economic archaeology and ancient economic history have boomed the past decades. The former thanks to greatly enhanced techniques to identify, collect, and interpret material remains as proxies for economic interactions and performance; the latter by embracing the frameworks of new institutional economics. Both disciplines, however, still have great difficulty talking with each other. There is no reliable method to convert ancient proxy-data into the economic indicators used in economic history. In turn, the shared cultural belief-systems underlying institutions and the symbolic ways in which these are reproduced remain invisible in the material record. This book explores ways to bring both disciplines closer together by building a theoretical and methodological framework to evaluate and integrate archaeological proxy-data in economic history research. Rather than the linear interpretations offered by neoclassical or neomalthusian models, we argue that complexity economics, based on system theory, offers a promising way forward.

The Greek word eoikos can be translated in various ways. It can be used to describe similarity, plausibility or even suitability. This book explores the philosophical exploitation of its multiple meanings by three philosophers, Xenophanes, Parmenides and Plato. It offers new interpretations of the way that each employs the term to describe the status of his philosophy, tracing the development of this philosophical use of eoikos from the fallibilism of Xenophanes through the deceptive cosmology of Parmenides to Plato's Timaeus. The central premise of the book is that, in reflecting on the eoikos status of their accounts, Xenophanes, Parmenides and Plato are manipulating the contexts and connotations of the term as it has been used by their predecessors. By focusing on this continuity in the development of the philosophical use of eoikos, the book serves to enhance our understanding of the epistemology and methodology of Xenophanes, Parmenides and Plato's Timaeus.

Walking served as an occasion for the display of power and status in ancient Rome, where great men paraded with their entourages through city streets and elite villa owners strolled with friends in private colonnades and gardens. In this first book-length treatment of the culture of walking in ancient Rome, Timothy O'Sullivan explores the careful attention which Romans paid to the way they moved through their society. He employs a wide range of literary, artistic, and architectural evidence to reveal the crucial role that walking played in the performance of social status, the discourse of the body and the representation of space. By examining how Roman authors depict walking, this book sheds new light on the Romans themselves not only how they perceived themselves and their experience of the world, but also how they drew distinctions between work and play, mind and body, and republic and empire."

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.