This book develops a new energetic/thermodynamic basis for the cyclic nature of civilizations. The growth of a civilization is due to the ability of the civilization to acquire and utilize resources for growth. The theory developed turns out to be identical to Blaha's previously developed theory, which successfully matches the history of 50+ civilizations. The energetic/thermodynamic theory appears in studies of superorganisms such as ant and bee colonies as well as other organisms including colonies of microbes. It also appears in theories of predator-prey populations such as wolves and rabbits. The consideration of superorganisms, predator-prey population cyclicity, and human civilization cyclicity suggests that there is an underlying unity in Nature in the growth of large groups of organisms and leads to the conclusion that civilizations are superorganisms. Thus this new model of civilizations is called SuperCivilizations. The book begins by overviewing superorganisms including some exciting new evidence for microbial superorganisms on land and in the deep sea. Subsequently we discuss almost all of the known human civilizations within the framework of this theory. We also consider the Richardson theory of arms races and show that Richardson's equations are identical to those of our energetic/thermodynamic model of civilization dynamics. With a suitable choice of parameters the arms race theory has cyclic solutions (as well as the exponential solutions studied by Richardson) that describe the dynamics of armaments growth in the United States - Russia confrontations from 1981 - 2010. The book also describes a program for the exploration and the colonization of the Solar System and a new means of travel to the stars and galaxies with a view towards the development of a space civilization. The probable effects on contemporary human civilizations of meeting an alien civilization are also described in detail. Because of a close analogy with Newtonian dynamics, and realizing that chance plays a major role in human history, the book also develops a probabilistic theory of civilization dynamics. The cyclic theory of civilizations is also generalized to a civilization theory for populations with three interconnected population segments: a dominant minority/leadership, followers, and external immigrants. This generalized theory leads to the cyclic theory of civilizations under reasonable conditions.

When the Romans adopted Greek literary genres, artistic techniques, and iconographies, they did not slavishly imitate their models. Rather, the Romans created vibrant and original literature and art. The same is true for philosophy, though the rich Roman philosophical tradition is still too often treated as a mere footnote to the history of Greek philosophy. This volume aims to reassert the significance of Roman philosophy and to explore the "Romanness" of philosophical writings and practices in the Roman world. The contributors reveal that the Romans, in their creative adaptation of Greek modes of thought, developed sophisticated forms of philosophical discourse shaped by their own history and institutions, concepts and values-and last, but not least, by the Latin language, which nearly all Roman philosophers used to express their ideas. The thirteen chapters-which are authored by an international group of specialists in ancient philosophy, Latin literature, and Roman social and intellectual history-move from Roman attitudes to and practices of philosophy to the great late Republican writers Cicero and Lucretius, then onwards to the early Empire and the work of Seneca the Younger, and finally to Epictetus, Apuleius, and Augustine. Using a variety of approaches, the essays do not combine into one grand narrative but instead demonstrate the diversity and originality of the Roman philosophical discourse over the centuries.

Paul and the Gentile Problem provides a new explanation for the apostle Paul's statements about the Jewish law in his letters to the Romans and Galatians. Paul's arguments against circumcision and the law in Romans 2 and his reading of Genesis 15-21 in Galatians 4:21-31 belong within a stream of Jewish thinking which rejected the possibility that gentiles could undergo circumcision and adopt the Jewish law, thereby becoming Jews. Paul opposes this solution to the gentile problem because he thinks it misunderstands how essentially hopeless the gentile situation remains outside of Christ. The second part of the book moves from Paul's arguments against a gospel that requires gentiles to undergo circumcision and adoption of the Jewish law to his own positive account, based on his reading of the Abraham Narrative, of the way in which Israel's God relates to gentiles. Having received the Spirit (pneuma) of Christ, gentiles are incorporated into Christ, who is the singular seed of Abraham, and, therefore, become materially related to Abraham. But this solution raises a question: Why is it so important for Paul that gentiles become seed of Abraham? The argument of this book is that Paul believes that God had made certain promises to Abraham that only those who are his seed could enjoy and that these promises can be summarized as being empowered to live a moral life, inheriting the cosmos, and having the hope of an indestructible life.

The Gallic Wars were a series of military campaigns waged by the Roman proconsul Julius Caesar against several Gallic tribes. They lasted from 58 BC to 50 BC and culminated in the decisive Battle of Alesia in 52 BC, in which a complete Roman victory resulted in the expansion of the Roman Republic over the whole of Gaul. The wars paved the way for Julius Caesar to become the sole ruler of the Roman Republic. The Gallic Wars are described by Julius Caesar himself in this book, which was originally titled Commentarii de Bello Gallico. It is a pertinent and only slightly tendentious, and altogether the most important historical source regarding the conflict. This updated edition contains the translated text along with introductions by Bob Carruthers and Thomas de Quincey.

This volume approaches the topic of mobility in Southeast Europe by offering the first detailed historical study of the land route connecting Istanbul with Belgrade. After this route that diagonally crosses Southeast Europe had been established in Roman times, it was as important for the Byzantines as the Ottomans to rule their Balkan territories. In the nineteenth century, the road was upgraded to a railroad and, most recently, to a motorway. The contributions in this volume focus on the period from the Middle Ages to the present day. They explore the various transformations of the route as well as its transformative role for the cities and regions along its course. This not only concerns the political function of the route to project the power of the successive empires. Also the historical actors such as merchants, travelling diplomats, Turkish guest workers or Middle Eastern refugees together with the various social, economic and cultural effects of their mobility are in the focus of attention. The overall aim is to gain a deeper understanding of Southeast Europe by foregrounding historical continuities and disruptions from a long-term perspective and by bringing into dialogue different national and regional approaches.

The question of 'identity' arises for any individual or ethnic group when they come into contact with a stranger or another people. Such contact results in the self-conscious identification of ways of life, customs, traditions, and other forms of society as one's own specific cultural features and the construction of others as characteristic of peoples from more or less distant lands, described as very 'different'. Since all societies are structured by the division between the sexes in every field of public and private activity, the modern concept of 'gender' is a key comparator to be considered when investigating how the concepts of identity and ethnicity are articulated in the evaluation of the norms and values of other cultures. The object of this book is to analyze, at the beginning Western culture, various examples of the ways the Greeks and Romans deployed these three parameters in the definition of their identity, both cultural and gendered, by reference to their neighbours and foreign nations at different times in their history. This study also aims to enrich contemporary debates by showing that we have yet to learn from the ancients' discussions of social and cultural issues that are still relevant today.

This book investigates Hellenistic popular religion through an interdisciplinary study of terracotta figurines of Egyptian deities, mostly from domestic contexts, from the trading port of Delos. A comparison of the figurines' iconography to parallels in Egyptian religious texts, temple reliefs, and ritual objects suggests that many figurines depict deities or rituals associated with Egyptian festivals. An analysis of the objects' clay fabrics and manufacturing techniques indicates that most were made on Delos. Additionally, archival research on unpublished notes from early excavations reveals new data on many figurines' archaeological contexts, illuminating their roles in both domestic and temple cults. The results offer a new perspective on Hellenistic reinterpretations of Egyptian religion, as well as the relationship between "popular" and "official" cults.

Alongside the works of the better-known classical Greek dramatists, the tragedies of Lucius Annaeus Seneca have exerted a profound influence over the dramaturgical development of European theatre. The Senecan Aesthetic surveys the multifarious ways in which Senecan tragedy has been staged, from the Renaissance up to the present day: plundered for neo-Latin declamation and seeping into the blood-soaked revenge tragedies of Shakespeare's contemporaries, seasoned with French neoclassical rigour, and inflated by Restoration flamboyance. In the mid-eighteenth century, the pincer movement of naturalism and philhellenism began to squeeze Seneca off the stage until August Wilhelm Schlegel's shrill denunciation silenced what he called its 'frigid bombast'. The Senecan aesthetic, repressed but still present, staged its return in the twentieth century in the work of Antonin Artaud, who regarded Seneca as 'the greatest tragedian of history'. This volume restores Seneca to a canonical position among the playwrights of antiquity, recognizing him as one of the most important, most revered, and most reviled, and in doing so reveals how theory, practice, and scholarship have always been interdependent and inseparable.

In Sophene, Gordyene, and Adiabene, M. Marciak offers the first-ever comprehensive study of the history and culture of these three little-known countries of Northern Mesopotamia (3rd century BCE - 7th century CE). The book gives an overview of the historical geography, material culture, and political history of each of these countries. Furthermore, the summary offers a regional perspective by describing the history of this area as a subject of the political and cultural competition of great powers. This book answers both a recent growth of interest in ancient Mesopotamia as the frontier area, as well as the urgent need for documentation of the cultural heritage of a region that has recently become subject to the destructive influence of sectarian violence.

Holinshed's Chronicles, famous as the source for the stories in many Shakespeare's plays, such as King Lear and Cymbeline, were written in the sixteenth century as a collaborative effort, but consistently sustain a lively and highly readable style. A wide variety of sources were used, and carefully noted, but with little critical examination. This volume contains the first four books of the Historie of England, from the time of the Flood to the end of Roman rule and includes much that is the stuff of legend. For ease of reading, it has been typeset in a modern font, but all the original spellings and marginal notes have been preserved.

The passions were a topic of widespread interest in antiquity, as has been shown by the recent interest and research in the emotions in Greek and Roman literature. Until now, however, there has been very little focus on love elegy or its relation to contemporary philosophical positions. Yet Roman love elegy depends crucially upon the passions: without love, anger, jealousy, pity, and fear, elegy could not exist at all. The Elegiac Passion provides the first investigation of the ancient representation of jealousy in its Roman context, as well as its significance for Roman love elegy itself. The poems of Propertius, Tibullus, and Ovid are built upon the presumed existence of a love triangle involving poet, mistress, and rival: the very structure of elegy thus creates an ideal scenario for the arousal of jealousy.
This study begins by examining the differences between the elegiac treatment of love and that of philosophy, whether Stoic or Epicurean. Ruth Caston uses the main chapters to address the depiction of jealousy in the love relationship and explores in detail the role of the senses, the role of readers--both those internal and external to the poems--, and the use of violence as a response to jealousy. Elegy provides a multi-faceted perspective on jealousy that gives us details and nuances of the experience of jealousy not found elsewhere in ancient literature. She argues that jealousy turns centrally on the question of fides. The fear of broken obligations and the consequent lack of trust are relevant not only to the love affair that forms the subject of these poems but to many other relationships represented in elegy as well. Overall, she demonstrates that jealousy is not merely the subject matter of elegy: it creates and structures elegy's various generic features. Jealousy thus provides a much more satisfying explanation for the specific character of Roman elegy than the various theories about its origins that have typically been put forward.

This textbook is endorsed by OCR and supports the specification for A-Level Classical Civilisation (first teaching September 2017). It covers Components 31 and 34 from the 'Beliefs and Ideas' Component Group: Greek Religion by Athina Mitropoulos and Julietta Steinhauer Democracy and the Athenians by Tim Morrison and James Renshaw Why was worshipping the gods so important to ancient Greek life? To what extent did Greeks question religious belief? How and why did the Athenians invent democracy? How does Athenian democracy compare with democracy today? Drawing on modern scholarship and using a wide variety of illustrations, this book guides A-Level students to a greater understanding of these issues. It explores the fundamental features of Greek religion, as well as its major centres such as Delphi and Olympia. It then moves on to analyse the development and workings of Athenian democracy, as well as reflecting on ancient critiques of it, both celebratory and critical. The ideal preparation for the final examinations, all content is presented by experts and experienced teachers in a clear and accessible narrative. Ancient literary and visual sources are described and analysed, with supporting images. Helpful student features include study questions, quotations from contemporary scholars, further reading, and boxes focusing in on key people, events and terms. Practice questions and exam guidance prepare students for assessment. A Companion Website is available at www.bloomsbury.com/class-civ-as-a-level.

Exploring the political ideology of Republicanism under the Roman emperors of the first century AD, Sam Wilkinson puts forward the hypothesis that there was indeed opposition to the political structure and ideology of the rulers on the grounds of Republicanism. While some Romans wanted a return to the Republic, others wanted the emperor to ensure his reign was as close to Republican moral and political ideology as possible. Analysing the discourse of the period, the book charts how the view of law, morality and behaviour changed under the various Imperial regimes of the first century AD. Uniquely, this book explores how emperors could choose to set their regime in a more Republican or more Imperial manner, thus demonstrating it was possible for both the opposition and an emperor to be Republican. The book concludes by providing evidence of Republicanism in the first century AD which not only created opposition to the emperors, but also became part of the political debate in this period.

In April, 2008, an international colloquium was held at the University of Heidelberg-the fourth convocation of a group of scholars (with some rotating members) who gathered to discuss the status of Judah and the Judeans in the exilic and postexilic periods. The goal of this gathering was specifically to address the question of national identity in the period when many now believe this very issue was in significant foment and development, the era of the Persian/Achaemenid domination of the ancient Near East. This volume contains most of the papers delivered at the Heidelberg conference, considering the matter under two rubrics: (1) the biblical evidence (and the diversity of data from the Bible); and (2) the cultural, historical, social, and environmental factors affecting the formation of national identity. Contributors: K. Schmid, J. Schaper, A. C. Hagedorn, C. Nihan, J. Middlemas, D. Rom-Shiloni, J. Woehrle, Y. Dor, K. Southwood, D. N. Fulton, P.-A. Beaulieu, L. E. Pearce, D. Redford, A. Lemaire, J. F. Quack, B. Becking, R. G. Kratz, O. Tal, J. Blenkinsopp, R. Albertz, J. L. Wright, D. S. Vanderhooft, M. Oeming, and A. Kloner. Earlier volumes in the series of conferences are: Judah and the Judeans in the Neo-Babylonian Period, Judah and the Judeans in the Persian Period, and Judah and the Judeans in the in the Fourth Century B.C.E.

Aelius Aristides' Hieroi Logoi present a unique first-person narrative from the ancient world-a narrative that seems at once public and private, artful and naive. While scholars have embraced the Logoi as a rich source for Imperial-era religion, politics, and elite culture, the style of the text has presented a persistent stumbling block to literary analysis. Setting this dream-memoir of illness and divine healing in the context of Aristides' professional concerns as an orator, this book investigates the text's rhetorical aims and literary aspirations. At the Limits of Art argues that the Hieroi Logoi are an experimental work. Incorporating numerous dream accounts and narratives of divine cure in a multi-layered and open text, Aristides works at the limits of rhetorical convention to fashion an authorial voice that is transparent to the divine. Reading the Logoi in the context of contemporary oratorical practices, and in tandem with Aristides' polemical orations and prose hymns, the book uncovers the professional agendas motivating this unusual self-portrait. Aristides' sober view of oratory as a sacred pursuit was in conflict with a widespread contemporary preference for spectacular public performance. In the Hieroi Logoi, Aristides claims a place in the world of the Second Sophistic on his own terms, offering a vision of his professional inspiration in a style that pushes the limits of literary convention.

An influential view of ecphrasis--the literary description of art objects--chiefly treats it as a way for authors to write about their own texts without appearing to do so, and even insist upon the aesthetic dominance of the literary text over the visual image. However, when considering its use in ancient Roman literature, this interpretation proves insufficient. The Captor's Image argues for the need to see Roman ecphrasis, with its prevalent focus on Hellenic images, as a site of subtle, ongoing competition between Greek and Roman cultures. Through close readings of ecphrases in a wide range of Latin authors--from Plautus, Catullus, and Horace to Vergil, Ovid, and Martial, among others--Dufallo contends that Roman ecphrasis reveals an ambivalent receptivity to Greek culture, an attitude with implications for the shifting notions of Roman identity in the Republican and Imperial periods. Individual chapters explore how the simple assumption of a self-asserting ecphrastic text is called into question by comic performance, intentionally inconsistent narrative, satire, Greek religious iconography, the contradictory associations of epic imagery, and the author's subjection to a patron. Visual material such as wall painting, statuary, and drinkware vividly contextualizes the discussion. As the first book-length treatment of artistic ecphrasis at Rome, The Captor's Image resituates a major literary trope within its hybrid cultural context while advancing the idea of ecphrasis as a cultural practice through which the Romans sought to redefine their identity with, and against, Greekness.