Exploring the representations of the war dead in early Greek mythology, particularly the Homeric poems and the Epic Cycle, alongside iconographic images on black-figure pottery and the evidence of funerary monuments adorning the graves of early Athenian elites, this book provides much-needed insight into the customs associated with the war dead in Archaic Athens. It is demonstrated that this period had remarkably little in common with the much-celebrated institutions of the Classical era, standing in fact much closer to the hierarchical ideals enshrined in the epics of Homer and early mythology. While the public burial of the war dead in Classical Athens has traditionally been a subject of much scholarly interest, and the origins of the procedures described by Thucydides as patrios nomos are still a matter of some debate, far less attention has been devoted to the Athenian war dead of the preceding era. This book aims to redress the imbalance in modern scholarship and put the spotlight on the Athenian war dead of the Archaic period. In addition, the book deepens our understanding of the processes which led to the establishment of first public burials and the Classical customs of patrios nomos, shedding significant light on the military, cultural and social history of Archaic Athens. Challenging previous assumptions and bringing new material to the table, the book proposes a number of new ways to investigate a period where many 'ancestral customs' were thought to have their roots.

The rediscovery in the fifteenth century of Lucretius' De rerum natura was a challenge to received ideas. The poem offered a vision of the creation of the universe, the origins and goals of human life, and the formation of the state, all without reference to divine intervention. It has been hailed in Stephen Greenblatt's best-selling book, The Swerve, as the poem that invented modernity. But how modern did early modern readers want to become? This collection of essays offers a series of case studies which demonstrate the sophisticated ways in which some readers might relate the poem to received ideas, assimilating Lucretius to theories of natural law and even natural theology, while others were at once attracted to Lucretius' subversiveness and driven to dissociate themselves from him. The volume presents a wide geographical range, from Florence and Venice to France, England, and Germany, and extends chronologically from Lucretius' contemporary audience to the European Enlightenment. It covers both major authors such as Montaigne and neglected figures such as Italian neo-Latin poets, and is the first book in the field to pay close attention to Lucretius' impact on political thought, both in philosophy - from Machiavelli, through Hobbes, to Rousseau - and in the topical spin put on the De rerum natura by translators in revolutionary England. It combines careful attention to material contexts of book production and distribution with close readings of particular interpretations and translations, to present a rich and nuanced profile of the mark made by a remarkable poem.

Diodoros of Sicily's book XIX is the main source for the history of the Diadochoi, Alexander the Great's Successors, from 317 to 311 BCE. With the first full-scale commentary on this text in any language Alexander Meeus offers a detailed and reliable guide to the complicated historical narrative and the fascinating ethnographic information transmitted by Diodoros, which includes the earliest accounts of Indian widow burning and Nabataean culture. Studying both history and historiography, this volume elucidates a crucial stage in the creation of the Hellenistic world in Greece and the Near East as well as the confusing source tradition. Diodoros, a long neglected author indispensable for much of our knowledge of Antiquity, is currently enjoying growing scholarly interest. An ample introduction discusses his historical methods and sheds light on his language and style and on the manuscript transmission of books XVII-XX. By negotiating between diametrically opposed scholarly opinions a new understanding of Diodoros' place in the ancient historiographical tradition is offered. The volume is of interest to scholars of ancient historiography, Hellenistic history, Hellenistic prose and the textual transmission of the Bibliotheke.

Guatemala emerged from the clash between Spanish invaders and Maya cultures that began five centuries ago. The conquest of these "rich and strange lands," as Hernan Cortes called them, and their "many different peoples" was brutal and prolonged. ""Strange Lands and Different Peoples"" examines the myriad ramifications of Spanish intrusion, especially Maya resistance to it and the changes that took place in native life because of it.
The studies assembled here, focusing on the first century of colonial rule (1524-1624), discuss issues of conquest and resistance, settlement and colonization, labor and tribute, and Maya survival in the wake of Spanish invasion. The authors reappraise the complex relationship between Spaniards and Indians, which was marked from the outset by mutual feelings of resentment and mistrust. While acknowledging the pivotal role of native agency, the authors also document the excesses of Spanish exploitation and the devastating impact of epidemic disease. Drawing on research findings in Spanish and Guatemalan archives, they offer fresh insight into the Kaqchikel Maya uprising of 1524, showing that despite strategic resistance, colonization imposed a burden on the indigenous population more onerous than previously thought.
Guatemala remains a deeply divided and unjust society, a country whose current condition can be understood only in light of the colonial experiences that forged it. Affording readers a critical perspective on how Guatemala came to be, ""Strange Lands and Different Peoples" "shows the events of the past to have enduring contemporary relevance.

With an in-depth exploration of rule by a single man and how this was seen as heroic activity, the title challenges orthodox views of ruling in the ancient world and breaks down traditional ideas about the relationship between so-called hereditary rule and tyranny. It looks at how a common heroic ideology among rulers was based upon excellence, or arete, and also surveys dynastic ruling, where rule was in some sense shared within the family or clan. Heroic Rulers examines reasons why both personal and clan-based rule was particularly unstable and its core tension with the competitive nature of Greek society, so that the question of who had the most arete was an issue of debate both from within the ruling family and from other heroic aspirants. Probing into ancient perspectives on the legitimacy and legality of rule, the title also explores the relationship between ruling and law. Law, personified as 'king' (nomos basileus), came to be seen as the ultimate source of sovereignty especially as expressed through the constitutional machinery of the city, and became an important balance and constraint for personal rule. Finally, Heroic Rulers demonstrates that monarchy, which is generally thought to have disappeared before the end of the archaic period, remained a valid political option from the Early Iron Age through to the Hellenistic period.

This volume provides a detailed, lemmatic, literary commentary on Demosthenes' speech Against Androtion. It is the first study of its kind since the nineteenth century, filling a significant gap in modern scholarship. The Greek text of the speech is accompanied by a facing English translation, making the work more accessible to a wide scholarly audience. It also includes an extensive introduction covering key historical, socio-political, and legal issues. The speech was delivered in a graphe paranomon (a public prosecution for introducing an illegal decree) which was brought against Androtion, a well-established Athenian public speaker and intellectual. Demosthenes composed Against Androtion for Diodoros, the supporting speaker in this trial and an active political figure in the mid-fourth century. In her commentary, Ifigeneia Giannadaki illuminates the legal, socio-political, and historical aspects of the speech, including views on male prostitution and the relationship between sex and politics, complex aspects of Athenian law and procedure, and Athenian politics in the aftermath of the Social War. Giannadaki balances the analysis of important historical and legal issues with a special emphasis on elucidating Demosthenes' rhetorical strategy and argumentation.

This book surveys current archaeological and historical thinking about the dimly understood characteristics of daily life in Great Britain during the fifth and sixth centuries. Arthurian legends are immensely popular and well known despite the lack of reliable documentation about this time period in Britain. As a result, historians depend upon archaeologists to accurately describe life during these two centuries of turmoil when Britons suffered displacement by Germanic immigrants. Daily Life in Arthurian Britain examines cultural change in Britain through the fifth and sixth centuries-anachronistically known as The Dark Ages-with a focus on the fate of Romano-British culture, demographic change in the northern and western border lands, and the impact of the Germanic immigrants later known as the Anglo-Saxons. The book coalesces many threads of current knowledge and opinion from leading historians and archaeologists, describing household composition, rural and urban organization, food production, architecture, fashion, trades and occupations, social classes, education, political organization, warfare, and religion in Arthurian times. The few available documentary sources are analyzed for the cultural and historical value of their information. Presents maps and illustrations of Britain during the relevant time periods Includes a bibliography of major print and quality internet resources accessible to the public Provides an index of key concepts, sites, historic persons, events, and materials Contains an appendix on the nature of archaeological evidence

The History of Ancient Israel: A Guide for the Perplexed provides the student with the perfect guide to why and how the history of this most contested region has been studies, and why it continues to be studied today. Philip R. Davies, one of the leading scholars of Ancient Israel in recent years, begins by examining the relevance of the study of Ancient Israel, giving an overview of the sources and issues facing historians in approaching the material. Davies then continues by looking at the various theories and hypotheses that scholars have advanced throughout the 20th century, showing how different approaches are presented and in some cases how they are both underpinned and undermined by a range of ideological perspectives. Davies also explains the rise and fall of Biblical Archaeology, the 'maximalist/minimalist' debate. After this helpful survey of past methodologies Davies introduces readers to the current trends in biblical scholarship in the present day, covering areas such as cultural memory, the impact of literary and social scientific theory, and the notion of 'invented history'. Finally, Davies considers the big question: how the various sources of knowledge can be combined to write a modern history that combines and accounts for all the data available, in a meaningful way. This new guide will be a must for students of the Hebrew Bible/Old Testament.

This groundbreaking book attempts a fully contextualized reading of the poetry written by Pindar for Hieron of Syracuse in the 470s BC. It argues that the victory odes and other occasional songs composed by Pindar for the Sicilian tyrant were part of an extensive cultural program that included athletic competition, coinage, architecture, sanctuary dedication, city foundation, and much more. In the tumultuous years following the Persian invasion of Greece in 480, elite Greek leaders and their cities struggled to capitalize on the Greek victory and to define themselves as free peoples who triumphed over the threat of Persian monarchy. Pindar's victory odes are an important contribution to Hieron's goal of panhellenic pre-eminence, redescribing contemporary tyranny as an instantiation of golden-age kingship and consonant with best Greek tradition. In a delicate process of cultural legitimation, the poet's praise deploys athletic victories as a signs of more general preeminence. Three initial chapters set the stage by presenting the history and culture of Syracuse under the Deinomenid tyrants, exploring issues of performance and patronage, and juxtaposing Hieron to rival Greek leaders on the mainland. Subsequent chapters examine in turn all Pindar's preserved poetry for Hieron and members of his court, and contextualizes this poetry by comparing it to the songs written for Hieron by Pindar's poetic contemporary, Bacchylides. These odes develop a specifically "tyrannical " mythology in which a hero from the past enjoys unusual closeness with the gods, only to bring ruin on him or herself by failing to manage this closeness appropriately. Such negative exemplars counterbalance Hieron's good fortune and present the dangers against which he must (and does) protect himself by regal virtue. The readings that emerge are marked by exceptional integration of literary interpretation with the political/historical context.

Athenian comedy is firmly entrenched in the classical canon, but imperial authors debated, dissected and redirected comic texts, plots and language of Aristophanes, Menander, and their rivals in ways that reflect the non-Athenocentric, pan-Mediterranean performance culture of the imperial era. Although the reception of tragedy beyond its own contemporary era has been studied, the legacy of Athenian comedy in the Roman world is less well understood. This volume offers the first expansive treatment of the reception of Athenian comedy in the Roman Empire. These engaged and engaging studies examine the lasting impact of classical Athenian comic drama. Demonstrating a variety of methodologies and scholarly perspectives, sources discussed include papyri, mosaics, stage history, epigraphy and a broad range of literature such as dramatic works in Latin and Greek, including verse satire, essays, and epistolary fiction.