In The History of the Destruction of Troy, Dares the Phrygian boldly claimed to be an eyewitness to the Trojan War, while challenging the accounts of two of the ancient world's most canonical poets, Homer and Virgil. For over a millennium, Dares' work was circulated as the first pagan history. It promised facts and only facts about what really happened at Troy - precise casualty figures, no mention of mythical phenomena, and a claim that Troy fell when Aeneas and other Trojans betrayed their city and opened its gates to the Greeks. But for all its intrigue, the work was as fake as it was sensational. From the late antique encyclopedist Isidore of Seville to Thomas Jefferson, The First Pagan Historian offers the first comprehensive account of Dares' rise and fall as a reliable and canonical guide to the distant past. Along the way, it reconstructs the central role of forgery in longstanding debates over the nature of history, fiction, criticism, philology, and myth, from ancient Rome to the Enlightenment.

Herodotus' Histories is a fascinating account of the interactions between the Greeks and their powerful Near-Eastern neighbours. In it he explores the long-term causes for the Persian invasions of Greece in the early fifth century BCE, a momentous event both for the development of Greek civilization and for the beginnings of historiography, and traces the rise of the Persians as rulers of a large multi-ethnic empire whose lands and cultures are vividly described. This first surviving history is a tapestry of brilliant and entertaining narratives, but it also addresses profoundly serious concerns, such as the advantages and failings of different forms of government, the role of religion and morality in public life, and encounters with different cultures. This collection - the first of two volumes - is dedicated to the historical component of the Histories and includes important previously published essays, some translated into English for the first time, which discuss Herodotus' historical method, sources, narrative art, literary antecedents, intellectual background, and political ideology. The introduction contains an account of Herodotus' life and times, as well as a survey of recent scholarship designed as a guide for contextualizing the selected articles according to the range of approaches they represent.

Although a great deal of historical work has been done in the past decade on Roman triumphs, defeats and their place in Roman culture have been relatively neglected. Why should we investigate the defeats of a society that almost never lost a war? In Triumph in Defeat, Jessica H. Clark answers this question by showing what responses to defeat can tell us about the Roman definition of victory. First opening with a general discussion of defeat and commemoration at Rome and then following the Second Punic War from its commencement to its afterlife in Roman historical memory through the second century BCE, culminating in the career of Gaius Marius, Clark examines both the successful production of victory narratives within the Senate and the gradual breakdown of those narratives. The result sheds light on the wars of the Republic, the Romans who wrote about these wars, and the ways in which both the events and their telling informed the political landscape of the Roman state. Triumph in Defeat not only fills a major gap in the study of Roman military, political, and cultural life, but also contributes to a more nuanced picture of Roman society, one that acknowledges the extent to which political discourse shaped Rome's status as a world power. Clark's work shows how defeat shaped the society whose massive reputation was-and still often is-built on its successes.

The formula 'for the life of' is often found in votive inscriptions, cast in Aramaic and other languages, which originate from the Syrian-Mesopotamian desert and adjacent areas and which roughly date from the first three centuries A.D. They belong to objects like statues and altars that usually were erected in temples and other structures with a ritual or sacred function. The inscriptions establish a relationship between the dedicator and one or more beneficiaries, those persons for whose life the dedication was made.
Since the social context evidently bears on both the meaning of the inscriptions as well as the status of the dedications, this volume deals with the nature of the relationships and the socio-religious function the dedications perform.

How do you contend with Josephus's interpretation of events when undertaking historical inquiry? Taking as a test case the presentation of Judaea in the first century CE, McLaren argues that existing scholarship fails to achieve conceptual independence from Josephus. It simply repeats Josephus's presentation of a society engulfed in an escalating turmoil that allegedly culminated in the revolt of 66-70 CE. A new strategy is offered here by applying a case-study approach and formulating open-ended questions. In so doing, McLaren calls for an entirely fresh appraisal of the situation in Judaea and other areas where Josephus serves as a major source.

This anthology of sixteen seminal studies of Homer's Iliad offers essential insights into the poem's artistry and cultural background. Two of the contributions have been translated for this volume and others have been revised and updated. An authoritative introduction sets the papers in context and explores significant connections between them. All Greek is translated and a glossary of Greek terms is provided.

This commentary discusses Aeschylus' play Agamemnon (458 BC), which is one of the most popular of the surviving ancient Greek tragedies, and is the first to be published in English since 1958. It is designed particularly to help students who are tackling Aeschylus in the original Greek for the first time, and includes a reprint of D. L. Page's Oxford Classical Text of the play.
The introduction defines the place of Agamemnon within the Oresteia trilogy as a whole, and the historical context in which the plays were produced. It discusses Aeschylus' handling of the traditional myth and the main ideas which underpin his overall design: such as the development of justice and the nature of human responsibility; and it emphasizes how the power of words, seen as ominous speech-acts which can determine future events, makes a central contribution to the play's dramatic momentum. Separate sections explore Aeschylus' use of theatrical resources, the role of the chorus, and the solo characters. Finally there is an analysis of Aeschylus' distinctive poetic style and use of imagery, and an outline of the transmission of the play from 458 BC to the first printed editions.

Collecting documents culled from the writings of ancient Greek and Roman authors, this book provides a glimpse of what life was like in ancient times and illustrates the relevance of these long-ago civilizations to modern life. Voices of Ancient Greece and Rome: Contemporary Accounts of Daily Life sheds light on various aspects of Greek and Roman daily life by examining excerpts from the works of ancient authors who wrote about these topics. Written to help readers truly understand what life within an ancient civilization was like, each entry is preceded by background information and followed by thought-provoking questions. This book covers fascinating topics such as domestic life, employment, housing, food and clothing, sports and games, public safety, education, health care, politics, and religion. Each chapter contains several relevant documents excerpted from the writings of ancient authors accompanied by background information, reading and thought questions, bibliographical data, and suggestions for further reading. An introductory essay to the volume, a guide for evaluating original sources, and bio-notes on the ancient authors are also included. As with other volumes in the Greenwood Voices of an Era series, this book contains much more than just a series of documents: it provides the information and tools that will promote critical thinking and support the research process. Over 40 documents, excerpted from the writings of ancient Greek and Roman authors, such as Plutarch's description of the banishment from Athens of a just man A timeline of the ancient Greco-Roman world provides a chronology of important events A glossary containing descriptions/definitions of many Greek and Roman words and terms, such as "strategos"

Published for the first time in this book is the History of the Governors of Egypt by Abu Umar Muhammad ibn Yusuf al-Kindi (d. 870). Edited from a single manuscript by Nicholas Koenig, this study is as close as possible to a critical edition when only one manuscript survives.

"This book is the true story of my (Art Winstanley) involvement in the Denver Police scandal of the early 1960s. I was the first policeman arrested and the first to be sent to the Colorado Stated Penitentiary in Canon City in the largest case of police corruption in U.S. history"--Back cover.

Arab messengers played a vital role in the medieval Islamic world and its diplomatic relations with foreign powers. An innovative treatise from the tenth century (Rusul al-Mulik, Messengers of Kings) is perhaps the most important account of the diplomacy of the period, and it is here translated into English for the first time. Rusul al-Mulik draws on examples from the Qur'an and other sources which extend from the period of al- jihiliyya to the time of the Abbasid caliph al-Mu'tasim (218-227/833-842).

In the only medieval Arabic work which exists on the conduct of messengers and their qualifications, the author Ibn al-Farri rejects jihadist policies in favor of quiet diplomacy and a pragmatic outlook of constructive realpolitik. Rusul al-Mulik is an extraordinarily important and original contribution to our understanding of the early Islamic world and the field of International Relations and Diplomatic History.

In recent decades literary approaches to drama have multiplied: new historical, intertextual, political, performative and metatheatrical, socio-linguistic, gender-driven, transgenre-driven. New information has been amassed, sometimes by re-examination of extant literary texts and material artifacts, at other times from new discoveries from the fields of archaeology, epigraphy, art history, and literary studies. The Oxford Handbook of Greek and Roman Comedy marks the first comprehensive introduction to and reference work for the unified study of ancient comedy. From the birth of comedy in Greece to its end in Rome, from the Hellenistic diffusion of performances after the death of Menander to its artistic, scholarly, and literary receptions in the later Roman Empire, no topic is neglected. 41 essays spread across Greek Comedy, Roman Comedy, and the transmission and reception of Ancient comedy by an international team of experts offer cutting-edge guides through the immense terrain of the field, while an expert introduction surveys the major trends and shifts in scholarly study of comedy from the 1960s to today. The Handbook includes two detailed appendices that provide invaluable research tools for both scholars and students. The result offers Hellenists an excellent overview of the earliest reception and creative reuse of Greek New Comedy, Latinists a broad perspective of the evolution of Roman Comedy, and scholars and students of classics an excellent resource and tipping point for future interdisciplinary research.