The winner of the 2006 IPPY Award for best non-fiction book from the South (presented by the Independent Publishers Association), the Mojo Triangle tells the true story--at long last--of the birth of the blues, rock 'n' roll, country and jazz! Draw a straight line from New Orleans to Nashville, then over to Memphis and back down to New Orleans, following the curves of the Mississippi River, and you have the Mojo Triangle, a phrase coined by the author in the early 2000's. "So much of what has been written about the music of the South is untrue," says Dickerson. "I wanted to set the record straight and put the development of the music in perspective. The Mojo Triangle is a land area in which all of America's original roots music was created: country, blues, jazz, and rock 'n' roll. How did this music come about? What is there about the Mojo Triangle that has contributed to the creation of so much original music?" The book points out that although the music itself was created in the geographical area defined by the Mojo Triangle, the two portals through which the various musical components entered and then morphed into the finished products were Natchez, Mississippi and Nashville, Tennessee, with the Natchez Trace serving as the main artery. Based on interviews with the recording artists, musicians, producers and songwriters who created and performed the music, it traces the development of the music from the early 1800s up to the present day. There is probably no author in history who has interviewed as many music legends and musicians as the author--and the reader benefits from that experience in a big way. Among the music legends who participate are: Al Green, Johnny Cash, Jerry Lee Lewis, Stevie Ray Vaughan, B.B. King, Carl Perkins, Carla Thomas, Rufus Thomas, Chet Atkins, Ike Turner, Jack Clement, Marty Stuart, Mose Allison, Rita Coolidge, Roy Orbison, Scotty Moore, Tammy Wynette, Vince Gill, Waylon Jennings, Garth Brooks, Chips Moman, Billy Sherrill, Bobby "Blue" Bland, Jimme Vaughan, Willie Mitchell, Booker T. & the MGs, Bobby Womack, Estelle Axton, Dave Edmunds, Pinetop Perkins, Bobbie Gentry, and the list goes on and on. This incredible book, which contains rare photographs, some of which were taken by the author himself, not only allows the music greats themselves to express themselves about the music they made famous, it explains for the first time the development of America's music.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.

Development Drowned and Reborn is a "Blues geography" of New Orleans, one that compels readers to return to the history of the Black freedom struggle there to reckon with its unfinished business. Reading contemporary policies of abandonment against the grain, Clyde Woods explores how Hurricane Katrina brought long-standing structures of domination into view. In so doing, Woods delineates the roots of neoliberalism in the region and a history of resistance. Written in dialogue with social movements, this book offers tools for comprehending the racist dynamics of U.S. culture and economy. Following his landmark study, Development Arrested, Woods turns to organic intellectuals, Blues musicians, and poor and working people to instruct readers in this future-oriented history of struggle. Through this unique optic, Woods delineates a history, methodology, and epistemology to grasp alternative visions of development. Woods contributes to debates about the history and geography of neoliberalism. The book suggests that the prevailing focus on neoliberalism at national and global scales has led to a neglect of the regional scale. Specifically, it observes that theories of neoliberalism have tended to overlook New Orleans as an epicenter where racial, class, gender, and regional hierarchies have persisted for centuries. Through this Blues geography, Woods excavates the struggle for a new society.

Easy Riders, Rolling Stones delves into the history of twentieth-century American popular music to explore the emergence of 'road music'. This music - blues, R'n'B and rock - took shape at pivotal moments in this history, and was made by artists and performers who were, in various ways, seekers after freedom. Whether journeying across the country, breaking free from real or imaginary confines, or in the throes of self-invention, these artists incorporated their experiences into scores of songs about travel and movement, as well as creating a new kind of road culture. Starting in the Mississippi Delta and tracking the emblematic routes and highways of road music, John Scanlan's fascinating new account explores the music and the life of movement it so often represented, identifying 'the road' as the key to an existence that was uncompromising. Scanlan explores how the image became an inspiration for musicians like Jim Morrison and Bob Dylan, and how these musicians also drew stimulus from a Beat movement that was equally enthralled with the possibilities of travel.The author goes on to relate how the quintessential American concepts of freedom and travel influenced English bands such as the Rolling Stones and Led Zeppelin. These bands may have been foreigners in the us, but they also found their spiritual home there - of blues and rock'n'roll - and glimpsed the possibility of a new kind of existence, on the road.Easy Riders, Rolling Stones is an entertaining, rich account of a key strand of American music history, and will appeal to both road music fans and music scholars who want to 'head out on the highway'.