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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes > Botanical art
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Kew Pocketbooks: Palms
(Hardcover)
Royal Botanic Gardens Kew; Introduction by William Baker, Olwen M. Grace
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R283
R260
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This stunning new series of pocketbooks from Kew offer a snapshot
into the diverse and beautiful world of plants. Each book lavishly
showcases choice examples from individual plant groups or
collections, beginning with the popular plant groups Palms and
Cacti. The Library, Art and Archives at Kew is one of the most
extensive botanical libraries in the world, with the oldest item
dating back to the 1370s. In this new pocketbook series from Kew,
each book presents 40 botanical paintings from the collection,
illustrating the variety within each plant group, as well as the
diversity of the collection and artistic styles. An introductory
chapter by a Kew expert provides an overview of palms, and extended
captions accompany each painting. The luxury finish on these books
make them a must-have gift item, printed on uncoated paper and with
a cloth and foil finish.
This beautifully illustrated book is the first practical
step-by-step guide to using coloured pencils in botanical painting
and is written by Ann Swan, one of the top exponents of the genre.
Water-soluble and oil-based coloured pencils are becoming
increasingly popular for botanical painting as they are easier to
use than traditional watercolour and are more forgiving, yet they
produce the same stunning effects. They are especially suitable for
the accuracy needed to paint in the botanical style of
illustration. In this book Ann Swan gives helpful advice on all
aspects of working with coloured pencils, including the techniques
you will have to master - underpainting, layering and burnishing.
She also demontrates how to mix and build up colour, and how to add
those finishing touches that will complete your painting
successfully. Several full step-by-step demonstrations are included
to show how these techniques are put into practice. The book
concludes with a gallery of coloured pencil works by the author,
students of botanical painting and other professional botanical
painters, providing a wonderful source of reference and
inspiration.
Fern Fever (or Pteridomania, to give it its official name), hit
Britain between 1837 and 1914 and peaked between 1840 and 1890.
Although in previous centuries ferns played an important role in
customs and folklore, it was only in this period that they were
coveted for aesthetic reasons and that man's passion for them
reached its zenith.
The craze for collecting ferns reached such epidemic proportions
that it affected the very existence of some species. The fern craze
started to gather momentum in the 1840s; books and magazines
maintained that fern growing was a hobby that anyone could enjoy as
ferns would grow in the glazed fernery, garden, shady yard, window
box or even indoors in Wardian Cases. The mania also spread from
the living plant to depicting it in architecture and the decorative
arts. Even roads, villas and terraced houses were named after the
fern.
This book, the first to deal exclusively with the subject for
nearly forty years, looks at the how the craze developed, the ways
in which ferns were incorporated into garden and home, and the
spread of the fern through Victorian material and visual culture.
Treasures of Botanical Art reveals the history of botanical
painting, its beauty and science, with works from two renowned
collections and over one hundred significant artists, dating from
the late 1400s through to today. Paintings featured from the Kew
collection include works by well-known artists the Bauer brothers,
Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as
many lesser known artists. Contemporary works are featured from the
Sherwood collection by a host of international artists. Over 200
stunning botanical paintings are showcased in this gift book,
accompanied with informative text on the origins, history and
relevance of botanical art, as well as information on the plants
themselves. Biographies of over 120 artists are provided at the end
of the book, revealing the historical and international background
of this genre. 'Two of the best botanical minds come together in
this beautifully illustrated book...the illustrations, from the Kew
Collection, are breath-taking and the text wonderfully
informative'. Oxford Times 'This book is a tribute both to Shirley
Sherwood and to Kew, and should be bought by everyone with an
interest in botanical illustration'. Curtis's Botanical Magazine
An essential reference, this gorgeous book documents the
magnificent botanical prints produced by notable artists of the
17th through the turn of the 20th centuries. Celebrated artists
include Basil Besler, Maria Sybilla Merian, Mark Catesby, Georg
Ehret, George Brookshaw, Robert John Thornton, Pierre Joseph
Redoute, and many others. Illustrated with over 300 full-color
images of original and valuable botanical prints, this book fills a
void in the literature, as few good botanical references remain in
print. The text recounts the fascinating lives and passions of the
artists and their patrons, the technical advances in printmaking,
and the history and cultural influences that shaped the depiction
of flowers, plants, and trees. Also discussed are many variables
affecting the values of original antique botanical prints including
condition, rarity, historical significance, and aesthetic appeal. A
range of prices is included to guide you in your collecting and a
section on framing, displaying, and proper storage makes this an
indispensable reference. A fascinating book for collectors of
botanical prints, gardeners, and those interested in the history of
flowers.
This is an illustrated volume that presents a selection of the
manuscripts, herbals, and printed botanical texts from the Rare
Book Collection at Dumbarton Oaks. Representing pivotal works in
the intellectual history of Europe from the 16th to the 20th
centuries, these drawings, books, and manuscripts are among the
most significant materials conserved in the Rare Book Reading Room.
Very little is known about The Green Florilegium. Neither signed
nor dated, it is generally attributed to the German painter Hans
Simon Holtzbecker and originates from the library at Gottorp Castle
in Schleswig, on the border of Germany and Denmark. The album now
resides at the Statens Museum for Kunst in Copenhagen. Recently the
book was painstakingly restored, allowing the delicate
illustrations to come to new life in their original colors. This
beautiful and affordable volume reproduces the original work of 400
botanical illustrations in its entirety. It also includes an
introductory essay and captions with basic information on each
flower. This lovely book is a must-have for lovers of botanical
illustration and a sublime example of the art of conservation.
Revered by gardeners the world over since they were first
introduced into cultivation from Asia over 300 years ago, magnolias
have lost none of their allure, with many new introductions
beautifying gardens worldwide. Magnolias in Art and Cultivation is
the first illustrated book on magnolias and contains information on
all species and around 100 hybrids. With over 150 botanical
paintings, artist Barbara Oozeerally captures these plants in
breathtakingly beautiful detail; described by botanical art
collector Dr Shirley Sherwood as 'an extraordinary series of
important and beautiful plant portraits'. The informative and
authoritative text by Jim Gardiner accompanies these paintings and
provides a variety of information about magnolias, including their
cultivation; together with Stephen A. Spongberg's full botanical
descriptions. This is a truly unique volume which will be sought
after by gardener and artist alike! Some of the paintings from the
book will be exhibited in the Shirley Sherwood Gallery of Botanical
Art at Kew, 15 January - August 2014.
"A Delicate Art" highlights the paintings and photography of six
artists in Alberta who with passion and long moments of observation
have made an inspired contribution to wildflower art. Covering a
period of one hundred years to the present, the story behind these
creators Mary Schaffer Warren, Mary Vaux Walcott, William Copeland
McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also
told. A blend of biography, botanical and regional art history and
commentary by the artists themselves about their treasured subject,
"A Delicate Art" is intended for the lay reader and is accompanied
by sumptuous reproductions of the artwork and an alluring overall
design that will appeal to anyone interested in art, mountain-life
and gardening.
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