This practical introduction to botanical illustration is formed of ten graded lessons, where each teaches you new skills to build upon the last. From mushrooms to orchids to hawthorn berries and leaves; once you've completed these lessons in drawing and painting botanical subjects, you will have all the techniques you need in order to tackle far more complex arrangements. An experienced teacher of botanical illustration, Valerie Price shows even the uninitiated illustrator how to produce accurate and beautiful results, with her step-by-step instructions on how to tackle each individual project. With advice on topics including accurate drawing, measuring and recording your subject, right the way through to preparing a well-composed botanical plate, this book covers everything you need to know to get ahead in botanical illustration.

In pursuit of both knowledge and delight, the craft of botanical illustration has always required not only meticulous draftsmanship but also a rigorous scientific understanding. This new edition of a TASCHEN classic celebrates the botanical tradition and talents with a selection of outstanding works from the National Library of Vienna, including many new images. From Byzantine manuscripts right through to 19th-century masterpieces, through peonies, callas, and chrysanthemums, these exquisite reproductions dazzle in their accuracy and their aesthetics. Whether in gently furled leaves, precisely textured fruits, or the sheer beauty and variety of colors, we celebrate an art form as tender as it is precise, and ever more resonant amid our growing awareness of our ecological surroundings and the preciousness of natural flora. About the series TASCHEN is 40! Since we started our work as cultural archaeologists in 1980, TASCHEN has become synonymous with accessible publishing, helping bookworms around the world curate their own library of art, anthropology, and aphrodisia at an unbeatable price. Today we celebrate 40 years of incredible books by staying true to our company credo. The 40 series presents new editions of some of the stars of our program-now more compact, friendly in price, and still realized with the same commitment to impeccable production.

This stunning series of pocketbooks from Kew offers a snapshot into the diverse and beautiful world of plants. Kew Pocketbooks: Wildflowers lavishly showcases a meadow's worth of familiar plants in 40 botanical paintings. Kew Pocketbooks: Wildflowers is a celebration of the natural bounty around us, offering a meadow's worth of familiar plants including foxgloves, poppies, dandelion, ivy, daisy, bluebells and orchids, and many more. 40 delightful botanical paintings from the Kew archives depict these classic plants.

An essential reference, this gorgeous book documents the magnificent botanical prints produced by notable artists of the 17th through the turn of the 20th centuries. Celebrated artists include Basil Besler, Maria Sybilla Merian, Mark Catesby, Georg Ehret, George Brookshaw, Robert John Thornton, Pierre Joseph Redoute, and many others. Illustrated with over 300 full-color images of original and valuable botanical prints, this book fills a void in the literature, as few good botanical references remain in print. The text recounts the fascinating lives and passions of the artists and their patrons, the technical advances in printmaking, and the history and cultural influences that shaped the depiction of flowers, plants, and trees. Also discussed are many variables affecting the values of original antique botanical prints including condition, rarity, historical significance, and aesthetic appeal. A range of prices is included to guide you in your collecting and a section on framing, displaying, and proper storage makes this an indispensable reference. A fascinating book for collectors of botanical prints, gardeners, and those interested in the history of flowers.

Revered by gardeners the world over since they were first introduced into cultivation from Asia over 300 years ago, magnolias have lost none of their allure, with many new introductions beautifying gardens worldwide. Magnolias in Art and Cultivation is the first illustrated book on magnolias and contains information on all species and around 100 hybrids. With over 150 botanical paintings, artist Barbara Oozeerally captures these plants in breathtakingly beautiful detail; described by botanical art collector Dr Shirley Sherwood as 'an extraordinary series of important and beautiful plant portraits'. The informative and authoritative text by Jim Gardiner accompanies these paintings and provides a variety of information about magnolias, including their cultivation; together with Stephen A. Spongberg's full botanical descriptions. This is a truly unique volume which will be sought after by gardener and artist alike! Some of the paintings from the book will be exhibited in the Shirley Sherwood Gallery of Botanical Art at Kew, 15 January - August 2014.

The Florilegium Society at The Royal Botanic Gardens Sydney was formed in 2005 to create a unique collection of contemporary botanical paintings of significant plants that represent the history of the living collections of the Royal Botanic Gardens and Domain Trust. This beautifully produced book is a celebration of 200 years of the Royal Botanic Gardens, Sydney, showcasing the botanical richness of these Gardens through the eyes of 64 exceptional Australian and international botanical artists. The stunning botanical paintings are presented chronologically according to the date of each species' introduction to the Royal Botanic Garden, Sydney and its Blue Mountains Garden, Mt Tomah and the Australian Garden, Mt Annan. With paintings of indigenous Australian plants as well as more exotic species from Asia, the Americas, Africa and Europe, The Florilegium truly reflects the diversity of the three Gardens. Each painting is accompanied by a botanical description written by Louisa Murray and a historic overview by Colleen Morris detailing the discovery of the featured species, its historic and cultural significance and introduction to the Gardens. With a foreword by Dr Shirley Sherwood OBE, preface by Dr Brett Summerell, RBG Sydney Director of Science and Conservation, and an introductory essay by Beverly Allen. The accompanying exhibition of the same name runs from February - August 2018 in the Shirley Sherwood Gallery of Botanical Art, Royal Botanic Gardens, Kew. 'The standard of the plant portraits is so high and the text so illuminating that this will make a memorable book.' Dr Shirley Sherwood OBE

This is an illustrated volume that presents a selection of the manuscripts, herbals, and printed botanical texts from the Rare Book Collection at Dumbarton Oaks. Representing pivotal works in the intellectual history of Europe from the 16th to the 20th centuries, these drawings, books, and manuscripts are among the most significant materials conserved in the Rare Book Reading Room.

Marianne North was a remarkable Victorian traveller and painter, who traversed the globe recording the world's flora with her paintbrush and writing her experiences in her journal. In 1879 she offered her painting collection numbering over 800 to the Royal Botanic Gardens, Kew, and at her own expense built a gallery to house them. Marianne stayed closely involved with the project, painting beautiful decorative motifs on the interior door panels and surrounds. For the first time, this unique and stunning book brings together all of Marianne North's Kew collection. The paintings are arranged geographically as they appear in the Gallery, and Marianne's original titles are included alongside each painting. With an introduction by Christopher Mills, former Head of Kew's Library, Art and Archives. This is a beautiful gift souvenir in celebration of a stunning body of work.

Jan Hendrix is a Dutch-born, Mexico-based contemporary artist. His work is all about observation and analysis; nature and its diff erent ways of representing and telling extended stories, often in a non- linear narrative. Based on an exhibition at Kew Gardens, this book is a visual report of Hendrix's multiple visits to the Kamay Botany Bay Area of New South Wales, Australia, made over a 20-year period. Beautiful and thought-provoking works convey his response to the fragile, changing landscape, under constant threat of fi re and destruction. His work also draws on first collections of plants at Kamay Botany Bay documented by botanists Joseph Banks, Daniel Solander and Sydney Parkinson as part of the HMS Endeavour expedition in 1770. Supporting texts by Art Historian Dawn Ades, CEO of the Bundanon Trust Deborah Ely, and filmmaker Michael Leggett contextualise the work of the artist. With a foreword by Kew Director Richard Deverell.

Winner of the 2019 Outstanding Academic Titles award in Choice, a publishing unit of the Association of College & Research Libraries (ACRL) Why Look at Plants? proposes a thought-provoking and fascinating look into the emerging cultural politics of plant-presence in contemporary art. Through the original contributions of artists, scholars, and curators who have creatively engaged with the ultimate otherness of plants in their work, this volume maps and problematizes new intra-active, agential interconnectedness involving human-non-human biosystems central to artistic and philosophical discourses of the Anthropocene. Plant's fixity, perceived passivity, and resilient silence have relegated the vegetal world to the cultural background of human civilization. However, the recent emergence of plants in the gallery space constitutes a wake-up-call to reappraise this relationship at a time of deep ecological and ontological crisis. Why Look at Plants? challenges readers' pre-established notions through a diverse gathering of insights, stories, experiences, perspectives, and arguments encompassing multiple disciplines, media, and methodologies.

This stunning new series of pocketbooks from Kew offer a snapshot into the diverse and beautiful world of plants. Each book lavishly showcases choice examples from individual plant groups or collections, beginning with the popular plant groups Palms and Cacti. The Library, Art and Archives at Kew is one of the most extensive botanical libraries in the world, with the oldest item dating back to the 1370s. In this new pocketbook series from Kew, each book presents 40 botanical paintings from the collection, illustrating the variety within each plant group, as well as the diversity of the collection and artistic styles. An introductory chapter by a Kew expert provides an overview of palms, and extended captions accompany each painting. The luxury finish on these books make them a must-have gift item, printed on uncoated paper and with a cloth and foil finish.

This is the story of Marianne North, an unmarried middle-aged Victorian lady of comfortable means, set off in 1871 on her first expedition to make a pictorial record of the tropical and exotic plants of the world. Marianne produced more than 800 paintings which are housed in a special gallery at Kew. Now in second edtion, this book provides an overview of her paintings and the Marianne North Gallery (built under her patronage) where almost all her paintings hang, the history of the gallery and its architecture and its restoration. The beautiful gift book details Marianne's life and travels, fully illustrated throughout with her stunning botanical paintings. This second edition of the bestseller features updated information and the new format allows Marianne's paintings to be reproduced on a larger scale.

"A Delicate Art" highlights the paintings and photography of six artists in Alberta who with passion and long moments of observation have made an inspired contribution to wildflower art. Covering a period of one hundred years to the present, the story behind these creators Mary Schaffer Warren, Mary Vaux Walcott, William Copeland McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also told. A blend of biography, botanical and regional art history and commentary by the artists themselves about their treasured subject, "A Delicate Art" is intended for the lay reader and is accompanied by sumptuous reproductions of the artwork and an alluring overall design that will appeal to anyone interested in art, mountain-life and gardening.

Thanks to the ICT economy, today's world is witnessing a progressive process of transfer and movement from a society founded on the production of merchandise and material goods made by man to a new society driven by sciences and knowledge. This new society utilises human intelligence in an attempt to solve cultural problems, to support activities, to rationalize performance, to plan, to program, and to elaborate strategies and projects for the future.This book, thus, proposes a multifaceted framework where contemporary art, biology, the digital, geology, technology, physiology, chemistry and philosophy enter into debate and complete one another. It revolves around a number of questions which are logically interconnected, such as, "What is bio-art?" "Can a laboratory artist manipulate living things, make complex hybridizations, and give birth to chimeras that would coexist with human beings?" "Do we have the right to use them?" Should we authorize research that will allow the development of these techniques, prohibit it, or finance it?" "Do we have the right to create embryos for transplantation or injection?"

44 botanical artists from all over the world, create 120 original artworks.

The traditional medium of botanical art is given a new lens with the aim to ultimately connect the reader to a bigger picture - one in which the intricate relationship between ourselves, the natural environment, plants and their pollinators is revealed. Expect meticulous detailing of floral structures, bursting seed pods, brightly coloured beetles, foraging ants, floating pollen and striped field mice...coupled with scientific facts and narrative stories about each plant.

This is a florilegium immersed in the natural world, informed by ecology and the fragility of our botanical heritage. Each chapter includes an up-front ‘Wunderkammer’ of artists' notes, colour swatches, working drawings and archeological details, revealing a glimpse into the creative process and ancient origins of the area.

A unique marriage of art, natural science and storytelling is used to share the treasures of our botanical heritage, diversity and sustainability featuring flowers, their pollinators and the landscapes in which they are found, as well as artists’ notes, working drawings and archeological finds bringing each chapter to life.

Found on a narrow coastal belt on the southern tip of Africa, GROOTBOS is a private nature reserve dedicated to protecting, rehabilitating and conserving the indigenous flora and fauna of the Cape floristic kingdom. The flats, slopes and valleys of Grootbos are a microcosm of the extraordinary botanical diversity that characterizes the region, one of the most species-rich habitats in the world.