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Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Nature in art, still life, landscapes & seascapes > Botanical art
Chickadees amid cherry blossoms, peacocks nestled in wisteria branches, sleeping owls against a moonlit night sky and majestic cranes diving in the ocean waves-these are some of the transcendent pleasures offered in this exquisite collection of plates bound in an accordion style format that honors the Japanese bookbinding tradition. Every major artist of this genre is included-from Keisai, Keibun and Hokusai to Hiroshige and Koson-as the history of Japanese printmaking unfolds in stunning detail. An introductory booklet explores the centuries long role that nature has played in Japanese art, from Chinese influenced works of the Kano school, which depicted the bird as a Buddhist symbol, through to the ukiyo-e, when artists strove to capture fleeting moments of pure joy. Fans of Japanese art, lovers of birds, and anyone who enjoys beautiful depictions of the natural world will cherish this sumptuous, satisfying volume of earthly delights.
This stunning series of pocketbooks from Kew offers a snapshot into the diverse and beautiful world of plants. Kew Pocketbooks: Carnivorous Plants lavishly showcases 40 botanical paintings of these deadly beauties. Carnivorous plants are deadly beauties that trap, kill and consume everything from insects, spiders and crustaceans to lizards and mice, luring their prey in with specialised hairs, sweet nectar, bright colours, or the convenience of a toilet. 40 stunning botanical pairings of this extraordinary group are showcased here, including the famous Venus flytrap, as well as pitcher plants and sundews.
A unique guide that will teach complete beginners how to paint a beautiful floral watercolour in just one weekend. Beginners recognise that they need to acquire basic painting skills - but at the same time they are eager to produce their first finished painting. This popular 'weekend' formula allows them to do both in a limited amount of time - to build skills gradually and to produce an attractive, frameable painting that they can hang on their walls by the end of the weekend. The author starts by introducing the materials required, and then leads readers through a series of watercolour technique exercises designed to provide a basic grounding in the skills needed for this subject area. This instruction is followed by six weekend projects for painting a range of popular floral subjects: a single flower; a group of white flowers; an indoors still life; an outdoors close-up; autumn flowers; and wild flowers in the landscape. Each course starts with practice exercises to be completed on the Saturday; readers are then ready to complete the full watercolour painting on the Sunday. Clear instructions accompany step-by-step photographs throughout, and technical information is given in special feature boxes.
The Botanical Illustrator's Handbook takes a closer look at how to accurately portray the riches of the botanical world. It tackles and explains many of the difficulties that artists encounter so they can extend and expand their choice of subject matter. Written by a respected artist and drawing on her wealth of experience, it offers new insights and a fresh approach to the wonders of botanical illustration. Topics covered include: advice on the labelling and quality of paper, and choice of pencils, paints and brushes; techniques for the mixing and handling of greens; chapters on magnification, managing detail and using scale bars; and finally, instructions for using perspective techniques, and painting complex structures such as pine cones and umbellifers, and tricky details such as hairs.
'This is an extraordinary book.' Review of Jean Haines' Atmospheric Watercolours in The Artist Magazine 'It simply dazzles on the page and makes you want to grab your brushes and get going straight away.' Review of Jean Haines' Atmospheric Watercolours in The Leisure Painter Jean Haines is arguably one of the world's most accomplished and inspirational artists, and in this, her fifth book, she explores one of her most beloved subjects - flowers. Taking inspiration from her own beautiful garden in the English countryside where she lives, Jean takes you on an artistic journey that not only teaches you how to create gorgeous paintings, but also shares with you the joy to be gained from the simple act of painting flowers. In this beautiful book, Jean explains with passion and enthusiasm how to loosen up your painting style and include just enough detail in your paintings to portray the essence of flowers, bringing them to life on the paper and infusing them with vibrancy and energy. She shares unreservedly the materials and techniques she uses, provides a wealth of expert tips and advice, and guides you step-by-step through numerous studies and projects. Throughout the book there are many glorious examples of Jean's paintings of a dazzling variety of flowers, providing an abundance of inspiration for artists of all abilities. Jean uses Daniel Smith materials in this book but other materials can be used to achieve similar results.
Botanical Illustration is an introduction to the marrying of art and science in the aesthetic and accurate portrayal of plant material. This book builds on the work of illustrators of the past, ranging from Elizabeth Blackwell, whose drawings helped to release her husband from debtors' prison, through to the exceptional scientific drawings of Beatrix Potter. It deals with the practical art and the related botany of the subject. Topics covered include an introduction to basic botany; preparation of plant material for drawing; use of pencil, watercolour, coloured pencil and pen and ink; suggested topics for further study and, finally, correcting mistakes and finishing touches.
The Golden Age of Botanical Art brings together the stories of the intrepid explorers - some of whom became botanical artists by default - and the many professional artists who recorded the flora that they discovered on their travels and expeditions. From some of the earliest attempts at art to the plant hunters of the nineteenth and twentieth centuries, the images produced in the study of plants have held a fascination for all those who love nature. Truly global in its scope, this beautifully illustrated book moves across centuries and continents looking at the artistry of China and India, delving into the sketchbooks of explorers in the Himalayas and following the voyages of those who discovered new worlds and new species as far apart as Russia and South America. Alongside special features on key figures in the botanical art world, The Golden Age of Botanical Art highlights the work of some of the great names of botanical art, including Ehret and Bauer. Included within is a host of rarely published and previously unpublished images from the Royal Botanical Gardens in Kew, as well as an outline on how what might have been a pastime for some also made a significant contribution to our understanding of the world and the glories of nature.
Marianne North was a remarkable Victorian traveller and painter, who traversed the globe recording the world's flora with her paintbrush and writing her experiences in her journal. In 1879 she offered her painting collection numbering over 800 to the Royal Botanic Gardens, Kew, and at her own expense built a gallery to house them. Marianne stayed closely involved with the project, painting beautiful decorative motifs on the interior door panels and surrounds. For the first time, this unique and stunning book brings together all of Marianne North's Kew collection. The paintings are arranged geographically as they appear in the Gallery, and Marianne's original titles are included alongside each painting. With an introduction by Christopher Mills, former Head of Kew's Library, Art and Archives. This is a beautiful gift souvenir in celebration of a stunning body of work.
Floral morphology is key for understanding floral evolution and plant identification. Floral diagrams are two-dimensional representations of flowers that replace extensive descriptions or elaborate drawings to convey information in a clear and unbiased way. Following the same outline as the first edition, this comprehensive guide includes updated and relevant literature, represents the latest phylogeny, and features 28 new diagrams. Diagrams are presented in the context of the most recent classifications, covering a variety of families and illustrating the floral diversity of major groups of plants. A strong didactic tool for observing and understanding floral structures, these diagrams are the obvious counterpart to any genetic study in flowering plants and to the discussion of major adaptations and evolutionary trends of flowers. This book is invaluable for researchers and students working on plant structure, development and systematics, as well as being an important resource for plant ecologists, evolutionary botanists and horticulturists.
Now available in a new, large single volume with an appendix also listing the modern plant names, this classic collection by "the Audubon of botany" features more than 250 exquisite reproductions of Walcott's celebrated watercolors of wildflower life in the United States of America and Canada. Published in association with the Smithsonian Institution What does it take to paint a wildflower that blooms for a single day in a deep forest? For Mary Vaux Walcott, it involved spending up to seventeen hours a day out of doors with her paintbox to capture the shape, movement, and colors of delicate petals and leaves. Originally published in 1925 to enormous acclaim in five, oversized volumes, Walcott's sketches introduced the diversity and beauty of North American plants to the general public. A selection of some of the most stunning illustrations are now available in a single volume, these illustrations have lost none of their beauty or realism. Walcott's technique involved precise attention to detail, color, light, and perspective. Her art can also be appreciated as the work of a woman scientist battling the prejudices against her sex of the day. She was an intrepid explorer, skilled geologist, and generous benefactor to the Smithsonian Institution at a time when women's accomplishments were often overlooked or misattributed. As inspirational and informative as they are a pleasure for the eyes, this bouquet of nature's fleeting gifts is a lasting treasure of botanic and scientific artistry.
Have you ever thought of citrus fruits as celestial bodies, angelically suspended in the sky? Perhaps not, but J. C. Volkamer (1644-1720) did-commissioning an extravagant and breathtaking series of large-sized copperplates representing citrons, lemons, and bitter oranges in surreal scenes of majesty and wonder. Ordering plants by post mostly from Italy, Germany, North Africa, and even the Cape of Good Hope, the Nuremberg merchant Volkamer was a devotee of the fragrant and exotic citrus at a time when such fruits were still largely unknown north of the Alps. His garden came to contain a wide variety of specimens, and he became so obsessed with the fruits that he commissioned a team of copperplate engravers to create 256 plates of 170 varieties of citrus fruits, many depicted life size, published in a two-volume work. The first volume appeared in 1708, with the impressively lengthy title The Nuremberg Hesperides, or: A detailed description of the noble fruits of the citron, lemon and bitter orange; how these may be correctly planted, cared for and propagated in that and neighboring regions. In both volumes, Volkamer draws on years of hands-on experience to present a far-reaching account of citrus fruits and how to tend them-from a meticulous walk-through of how to construct temporary orangeries, glasshouses, and hothouses for growing pineapples to commentary on each fruit variety, including its size, shape, color, scent, tree or shrub, leaves, and country of origin. In each plate, Volkamer pays tribute to the verdant landscapes of Northern Italy, his native Nuremberg, and other sites that captured his imagination. From Genovese sea views to the Schoenbrunn Palace, each locale is depicted in the same exceptional detail as the fruit that overhangs it. We witness branches heavy with grapefruits arching across a sun-bathed yard in Bologna and marvel at a huge pineapple plant sprouting from a South American town. The result is at once a fantastical line-up of botanical beauty and a highly poetic tour through the lush gardens and places where these fruits grew.Few colored sets of Volkamer's work are still in existence today. This publication draws on the two recently discovered hand-colored volumes in the city of Furth's municipal archive in Schloss Burgfarrnbach. The reprint also includes 56 newly discovered illustrations that Volkamer intended to present in a third volume.
Treasures of Botanical Art reveals the history of botanical painting, its beauty and science, with works from two renowned collections and over one hundred significant artists, dating from the late 1400s through to today. Paintings featured from the Kew collection include works by well-known artists the Bauer brothers, Redoute, Ehret, Fitch, Lilian Snelling and Margaret Mee as well as many lesser known artists. Contemporary works are featured from the Sherwood collection by a host of international artists. Over 200 stunning botanical paintings are showcased in this gift book, accompanied with informative text on the origins, history and relevance of botanical art, as well as information on the plants themselves. Biographies of over 120 artists are provided at the end of the book, revealing the historical and international background of this genre. 'Two of the best botanical minds come together in this beautifully illustrated book...the illustrations, from the Kew Collection, are breath-taking and the text wonderfully informative'. Oxford Times 'This book is a tribute both to Shirley Sherwood and to Kew, and should be bought by everyone with an interest in botanical illustration'. Curtis's Botanical Magazine
The art of Makoto Azuma uses flowers and plants as its starting point, but juxtaposes their timeless yet transient beauty with an incredibly diverse range of striking settings. In a series of sculptures, installations and interactive events, he delights in blurring the boundaries between nature and artifice. Azuma founded the floral atelier Jardins des Fleurs in 2002, taking commissions from private clients as well as brands and corporations, both in Japan and all over the world. His parallel career as an artist began in 2005 and involves creating and exhibiting artworks that turn flowers and plants into a medium for self-expression. In 2008, Azuma founded AMKK (Azuma Makoto Kaju Kenkyujo), a group specializing in experimental floral creation, with the aim of seeking new forms of botanical beauty and new ways to exhibit them. His works have travelled the globe, from barren deserts to frozen expanses, from thousands of feet below the sea to the very edge of space. Featuring more than sixty projects captured in breathtaking photography, this beautiful book is the most comprehensive showcase of Azuma's art ever published.
First published as an oversized clothbound volume in 2009, Botanica Magnifica has received widespread acclaim from the scientific and artistic communities. In the words of an ARTnews critic, Singer's flowers and plants, photographed "in large scale and exquisite detail, emerge from the shadows in a manner evocative of Old Master paintings." Now Abbeville is to offer this masterwork of botanical photography as a pocket-sized hardcover book, in their trademarked Tiny Folio format. Mirroring the design of the larger edition, this little volume is organised into five alphabetically arranged sections: (I) Orchidaceae, presenting the full diversity of orchids; (II) Florilegium, portraying the complexity and beauty of flowers; (III) Proteus, illustrating plant forms perfectly adapted for survival; (IV) Zingiberaceae, a tribute to the fascinating ginger family and (V) Botanicus, a selection of beautiful and bizarre specimens from the Smithsonian's research collection. Each pictured plant is accompanied by a clear and accessible description of its botany, geography, history, and conservation. With its marvellous reproductions and fascinating text, the Tiny Folio of Botanica Magnifica is a charming miniature version of one of the most impressive volumes of natural history ever published.
Colours of Nature is the perfect companion for anyone who is puzzled by the seemingly unpredictable behaviour of the paints on their palette, as well as those who would like their watercolour paintings to look fresher and livelier. In this new paperback edition, the author has tested more than 150 artists' watercolour paints from six manufacturers, and the results of this exhaustive testing are included here, along with recommendations for the best colours in the palette sections at the end of each chapter. This beautifully illustrated book guides the reader through a world of colours and exquisite flowers and fruit, explaining simple concepts and more advanced colour-mixing theory while exploring the serendipity and beauty of wet-in-wet watercolour painting.
This stunning series of pocketbooks from Kew offers a snapshot into the diverse and beautiful world of plants. Each book lavishly showcases choice examples from individual plant groups or collections, and in this pocketbook a selection of plants are showcased from Honzu Zufu, a Japanese 17th century multi-volume manual of medicinal plants with a unique botanical style. Published to coincide with the new Japan festival at Kew Gardens in October 2020. The Library, Art and Archives at Kew is one of the most extensive botanical libraries in the world, with the oldest item dating back to the 1370s. In this pocketbook series from Kew, each book presents 40 botanical paintings from the collection, illustrating the variety within each plant group, as well as the diversity of the collection and artistic styles. An introductory chapter by a Kew expert provides an overview of the plant group or theme, and extended captions accompany each painting. The luxury finish on these books make them a must-have gift item, printed on uncoated paper and with a cloth and foil finish.
*An exciting approach to botanical illustration featuring exotic and extraordinary plant specimens. *Striking plants, flowers, fruits and vegetables provide new challenges in colour, texture and form. *Stunning finished paintings accompany simple instructions and step-by-step projects for a beautiful book that both guides and inspires.Strange and unusual specimens have never been more accessible - as more and more exotic fruit and vegetables appear regularly in our shopping baskets and our florists fill with flowers from every corner of the globe, this practical and beautiful guide to capturing strange and striking plants on paper has never been more timely. There is something for beginners and more experienced botanical illustrators alike, whether you wish to paint more familiar bananas, pineapples and other exotic fruits that are now widely available, or more complex orchids and even carnivorous plants.Acclaimed artists Rosie Martin and Meriel Thurstan (authors of the bestselling Contemporary Botanical Illustration and Botanical Illustration Course) run the popular botanical painting course at the Eden Project and are thus uniquely placed for this exciting take on the genre.The unusual colours and complex textures of exotic plants present a new challenge to the botanical artist, but this book guides you through each stage of the painting process with plenty of exercises and step-by-step projects. Fantastically illustrated with worksheets, colour swatches, sketches and stunning finished paintings this practical and inspirational guide is a must-have for botanical artists of all levels.
This is the story of Marianne North, an unmarried middle-aged Victorian lady of comfortable means, set off in 1871 on her first expedition to make a pictorial record of the tropical and exotic plants of the world. Marianne produced more than 800 paintings which are housed in a special gallery at Kew. Now in second edtion, this book provides an overview of her paintings and the Marianne North Gallery (built under her patronage) where almost all her paintings hang, the history of the gallery and its architecture and its restoration. The beautiful gift book details Marianne's life and travels, fully illustrated throughout with her stunning botanical paintings. This second edition of the bestseller features updated information and the new format allows Marianne's paintings to be reproduced on a larger scale.
Botanical and scientific illustration share many common themes - the meticulous observation, the crucial composition, the precision of rendering and the accuracy of colour are all intrinsic to this niche genre of art. In this beautiful book, Sarah Jane Humphrey explains the techniques of the botanical artist but also introduces ideas for scientific illustration, so that the illustrator has a fuller understanding when rendering the natural world. Detailed instruction on all aspects of illustration is given, from application and materials to research and field trips. There is practical advice on using monochrome and colour theory to bring your illustration to life. Illustrated with over 200 of the author's exquisite illustrations, it is an invaluable companion for both beginners and experienced artists, as well as a source of inspiration and joy.
This book contains lessons that are developed in a basic step-by-step process that builds in complexity. All demonstrations feature the delicate, exquisitely rendered, botanically accurate work of the author. A thorough immersion in the art of botanical drawing, this book will attract both aspiring and more experienced artists seeking scientific accuracy and the illusion of 3-dimension in their botanical artwork. Based on author Wendy Hollender's classroom demonstrations at the New York Botanical Garden, "Botanical Drawing in Color" is grounded in the basic principles of drawing as they apply to the botanical forms of plants and flowers. Coloured pencil techniques and colour theory are introduced to help artists create realistic forms and naturalistic colours. An emphasis is placed on close observation of plants and their life cycle, so that readers can deepen their understanding of the natural world.
Unattainable North Korean Art curates a collection of paintings from fifty-eight artists from the Democratic People's Republic of Korea ("DPRK"). Centring on the theme of nature, the paintings portray geographical sites and citizens of DPRK. Art and literature feature as a poignant role in inspiring the DPRK people to contribute to the development of DPRK, the collection not only exhibits the artistic skills of the artists, but offers an opportunity to discover DPRK from the people's perspective.
Close-up photos of plump apricots, juicy mangoes, crisp lettuce ... these are familiar to us all through cookery books and garden guides. But seeing fruit and vegetables as detailed art, viewed through eighteenth-century eyes, is something very different - and more interesting. Thanks to intrepid explorers and plant-hunters, Britain and the rest of Europe have long enjoyed a wide and wonderful array of fruit and vegetables. Some wealthy households even created orangeries and glasshouses for tender exotics and special pits in which to raise pineapples, while tomatoes, sweetcorn and runner beans from the New World expanded the culinary repertoire. This wealth of choice attracted interest beyond the kitchen and garden. In the 1730s, a prosperous Bavarian apothecary produced the first volume of a comprehensive A to Z of all available plants, meticulously documented, and lavishly illustrated by botanical artists. 'A Cornucopia of Fruit & Vegetables' is a glimpse into his world. It features exquisite illustrations of the edible plants in his historic treasury, allowing us to enjoy the sight of swan-necked gourds and horned lemons, smile at silkworms hovering over mulberries and delight at the quirkiness of 'strawberry spinach' ... a delicious medley of garden produce and exotics that will capture the imagination of gardeners and art-lovers alike.
This stunning series of pocketbooks from Kew offers a snapshot into the diverse and beautiful world of plants. Each book lavishly showcases choice examples from individual plant groups or collections, and this new title showcases Japanese plants, from chrysanthemums, to cherry blossom, camellia and maples. Published to coincide with the new Japan festival at Kew Gardens in October 2020. The Library, Art and Archives at Kew is one of the most extensive botanical libraries in the world, with the oldest item dating back to the 1370s. In this pocketbook series from Kew, each book presents 40 botanical paintings from the collection, illustrating the variety within each plant group, as well as the diversity of the collection and artistic styles. An introductory chapter by a Kew expert provides an overview of the plant group or theme, and extended captions accompany each painting. The luxury finish on these books make them a must-have gift item, printed on uncoated paper and with a cloth and foil finish. |
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