In 1923, not long after oil had started gushing from northern Montana fields, real-estate sales in nearby Shelby were declining, dimming the little town's prospects of becoming the "Tulsa of the West." Then the mayor's son dreamed up a marketing ploy: offer to host heavyweight champion Jack Dempsey's next fight. What began as a publicity stunt soon spiraled into a civic drama unlike any Montana had ever seen-or ever would again. Shelby's Folly tells this story in full for the first time. Against the background of boom-and-bust Montana history, the folly of Shelby's would-be promoters unfolds in colorful detail. It took months to persuade Dempsey's conniving manager, Jack "Doc" Kearns, to sign a $300,000 contract. With less than two months before the July 4th fight, the town still had no stadium and no accommodations for tens of thousands of expected fans. Jason Kelly describes the promoters' desperate measures and their disastrous results, from the first inkling of the idea to the bitter end of the fifteen-round boxing match. Shelby residents identified with the underdog challenger, Tommy Gibbons, who went toe-to-toe with the champion in an atmosphere crackling with tension. Nerves were so frayed that a holiday firecracker exploding in the arena sent shockwaves of fear through the crowd. A soap opera of financial intrigue and chicanery, Shelby's Folly chronicles how Big Sky ambition and the scheming mind of Doc Kearns collided to produce one of the most preposterous series of events in boxing history. Watch the Shelby's Folly book trailer on YouTube.

Boxing lost a true warrior and gentleman of the ring when the mayor of Managua, Nicaragua, Alexis Argüello, died in 2009. To millions in Nicaragua and around the world, Argüello was an iconic figure, a willing role model, and a shining light in a nation that places its sports figures on pedestals. Beloved Warrior explores the extraordinary rise, fall, and rebirth of this great fighter. With a career that began in 1968 in Managua, Argüello overcame early losses, including a knockout in his debut. He went on to win three world titles, relinquishing them only by moving up in weight class. While boxing until 1995 and reaping luxury and fame, Argüello never forgot his people. Using his skills and power, "El Flaco Explosivo" (The Explosive Thin Man) earned his lofty status as one of the most celebrated Latin American boxers ever. While Argüello's devotion to the sport cannot be challenged, questions about the man still remain. How did he rise from the streets of Managua to become one of the greatest fighters in the world? What happened to him after he fought Aaron Pryor, whom many considered the greatest 140-pounder in history? How was he affected by his time spent fighting against the Sandinistas? And finally, what is the story behind his mysterious death less than eight months after he won Managua's mayoral election? Despite Argüello’s notorious losses to Pryor, his remarkable career as an unforgettable fighter lives on in his fans’ memories. As Christian Giudice illustrates, Argüello’s status as a hero both in and out of the ring will forever remain intact.

"Knockout: The Boxer and Boxing in American Cinema" is the first book-length study of the Hollywood boxing film, a popular movie entertainment since the 1930s, that includes such classics as "Million Dollar Baby," "Rocky," and "Raging Bull." The boxer stands alongside the cowboy, the gangster, and the detective as a character that shaped America's ideas of manhood. Leger Grindon relates the Hollywood boxing film to the literature of Jack London, Ernest Hemingway, and Clifford Odets; the influence of ring champions, particularly Joe Louis and Muhammad Ali; and controversies surrounding masculinity, race, and sports.

"Knockout" breaks new ground in film genre study by focusing on the fundamental dramatic conflicts uniting both documentary and fictional films with compelling social concerns. The boxing film portrays more than the rise and fall of a champion; it exposes the body in order to reveal the spirit. Not simply a brute, the screen boxer dramatizes conflicts and aspirations central to an American audience's experience. This book features chapters on the conventions of the boxing film, the history of the genre and its relationship to famous ring champions, and self-contained treatments of thirty-two individual films including a chapter devoted to Raging Bull.

"It didn't occur to me until fairly late in the work that I was writing a book about the beginnings of a national celebrity culture. By 1860, a few boxers had become heroes to working-class men, and big fights drew considerable newspaper coverage, most of it quite negative since the whole enterprise was illegal. But a generation later, toward the end of the century, the great John L. Sullivan of Boston had become the nation's first true sports celebrity, an American icon. The likes of poet Vachel Lindsay and novelist Theodore Dreiser lionized him Dreiser called him 'a sort of prize fighting J. P. Morgan' and Ernest Thompson Seton, founder of the Boy Scouts, noted approvingly that he never met a lad who would not rather be Sullivan than Leo Tolstoy." from the Afterword to the Updated Edition

Elliott J. Gorn's The Manly Art tells the story of boxing's origins and the sport's place in American culture. When first published in 1986, the book helped shape the ways historians write about American sport and culture, expanding scholarly boundaries by exploring masculinity as an historical subject and by suggesting that social categories like gender, class, and ethnicity can be understood only in relation to each other.

This updated edition of Gorn's highly influential history of the early prize rings features a new afterword, the author's meditation on the ways in which studies of sport, gender, and popular culture have changed in the quarter century since the book was first published. An up-to-date bibliography ensures that The Manly Art will remain a vital resource for a new generation."

He was the first black heavyweight champion in history, the most celebrated-and most reviled-African American of his age. In "Unforgivable Blackness, the prizewinning biographer Geoffrey C. Ward brings to vivid life the real Jack Johnson, a figure far more complex and compelling than the newspaper headlines he inspired could ever convey. Johnson battled his way from obscurity to the top of the heavyweight ranks and in 1908 won the greatest prize in American sports-one that had always been the private preserve of white boxers. At a time when whites ran everything in America, he took orders from no one and resolved to live as if color did not exist. While most blacks struggled just to survive, he reveled in his riches and his fame. And at a time when the mere suspicion that a black man had flirted with a white woman could cost him his life, he insisted on sleeping with whomever he pleased, and married three. Because he did so the federal government set out to destroy him, and he was forced to endure a year of prison and seven years of exile. Ward points out that to most whites (and to some African Americans as well) he was seen as a perpetual threat-profligate, arrogant, amoral, a dark menace, and a danger to the natural order of things.
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Unforgivable Blackness is the first full-scale biography of Johnson in more than twenty years. Accompanied by more than fifty photographs and drawing on a wealth of new material-including Johnson's never-before-published prison memoir-it restores Jack Johnson to his rightful place in the pantheon of American individualists.

"From the Hardcover edition.

'To be legendary you got to have heart... Ray's heart was bigger than all the rest' Muhammad Ali SUGAR RAY LEONARD was one of the greatest boxers ever. An artist and a showman he was always willing to take the difficult fight: his gruelling encounters with Roberto Duran, Thomas Hearns and Marvin Hagler have become legendary. Ray's autobiography takes you into the ring - with the mind games, brutality and euphroia. But, outside of the ring, Ray's biggest opponent was himself. From early domestic violence and sexual abuse to a blur of fame, sex, greed, drink and drug addiction at the height of his career that cost him so much, The Big Fight is a remarkable portrait of the rise, fall and final redeption of a true fighter in every sense.

In this poignant, deeply moving book, Muhammad Ali shares the beliefs he has come to live by and which he has passed on to his children. Some of the wisdom is his own; some comes from the teachings of true Islam, from his spiritual studies, and from people he has met in the course of his extraordinary life. Here, as he recalls his relatively impoverished early days as a young warrior in Louisville, Kentucky, and his meteoric rise to fame as Heavyweight Champion of the World, a title he won three times, he tells of the many battles he won and lost, both inside and outside the ring, his conversion to Islam in the 1960s and the many life lessons he learned along the way. Now, working tirelessly as a worldwide ambassador for peace, he talks of the damage caused when religion is used to tear people apart, the essential need for unity in this troubled world, and how his faith sustains him on this, the most important journey of his life - the journey to forgiveness and peace. includes a selection of exclusive photographs) All draws upon his rich reserve of notes, tapes and journals, and writes with compassion, warmth and, of course, humour on how we can liberate mind, body and spirit when we pursue and embrace the one essential truth - love. As he says, 'It is after I retired from boxing that my true work began. I have embarked on a journey to love.'

Each year, readers, writers, and critics alike look forward to Thomas Hauser's newest collection of articles about the contemporary boxing scene. Reviewing his 2019 collection, Booklist proclaimed, 'It's hard to think of another sports journalist who knows more about his or her sport of choice. As it does every year, Hauser's anthology laps the field. The man is a treasure.' Staredown continues this tradition of excellence with inside reporting from the dressing room before some of last year's biggest fights, in-depth investigations into corruption in boxing, and more. Hauser also moves beyond the norm to explore incidents like street fights and examine boxing's storied history in new and creative ways.

"The masterful art of chess, Kung-fu sword play, and the sweet science of boxing are all hip-hop expressions that connect us universally. Beatboxing tells the story. It's razor sharp."—Masta Killa, Wu-Tang Clan “I love how Todd Snyder's brain works. Like him, I love hip hop, and I love boxing. But I've never seen someone tie them together so well, detailing their shared history, the way each impacted the other and the personalities involved. Beatboxing is written with such tethering, with that kind of impact and insight. It might be my favorite sports book—since the last one Snyder wrote.� —Greg Bishop, Sports Illustrated Step into a world of rap moguls turned fight promoters, boxers turned rappers, and rappers turned boxers. From Mike Tyson to Tupac, from Roy Jones Jr. to J Prince, explore how a cultural collision forever altered the relationship between music, race, sports, and politics. Daryl McDonald of Run-DMC once said that the rhyme Float like a butterfly, sting like a bee! The hands can’t hit what the eyes can’t see! was hip-hop’s most famous lyric. Muhammad Ali’s poetic brilliance and swagger—ignited by hype man Bundini Brown—gave hip-hop artists the template from which they forged their identities and performed their art. Hip-hop’s impact on boxing, on the other hand, has not been explored. Until now. In Beatboxing, Todd Snyder uncovers the unique connection between hip-hop and the sweet science, tracing a grassroots cultural movement from its origins in the South Bronx to its explosion across the globe and ultimately into the charged environment of the prize ring. Featuring interviews with champion fighters and music legends, this is the definitive book about an enduring phenomenon and is a must-read for boxing and hip-hop fans alike.