Writers have long been attracted to boxing. Hemingway, Mailer, Algren, Plimpton, Oates, and many others have stepped into the ring--at least in spirit--to give voice to an otherwise wordless sport, to celebrate that "sweet science," and to bear witness to its romance and tragedy. In this acclaimed book, hailed by Norman Mailer as an "impressive event," we are brought for the first time into the ring for a close-up look at the "manly art" through the eyes of Jose Torres, a man who was a great boxer himself. When former light-heavyweight world champion Torres traded in his gloves for a typewriter, boxing finally found its eyewitness.
In the classic "Sting Like a Bee," Torres turns his well-trained eye on one of the most celebrated and controversial athletes of all time: Muhammad Ali. In this penetrating view of Ali and the world of prizefighting, told by a true insider and "boxing's Renaissance man," Torres delivers exciting and explicit accounts of all of Ali's major fights with the cool authenticity of one who has lived it.

What separates the chaos of fighting from the coherent ritual of boxing? According to author David Scott, it is a collection of aesthetic constructions, including the shape of the ring, the predictable rhythm of timed rounds, the uniformity of the boxers' glamorous attire, and the stylization of the combatants' posture and punches. In "The Art and Aesthetics of Boxing," Scott explores the ways in which these and other aesthetic elements of the sport have evolved over time. Scott comprehensively addresses the rich dialogue between boxing and the arts, suggesting that boxing not only possesses intrinsic aesthetic qualities but also has inspired painters, graphic designers, surrealist poets, and modern writers to identify, expand, and respond to the aesthetic properties of the sport. Divided into three parts, the book moves from a consideration of the evolution and intrinsic aesthetics of boxing to the responses to the sport by cubist and futurist painters and sculptors, installation artists, poster designers, photographers, and, finally, surrealist poets and modernist writers. With distinctive illustrations and photographs in nine short chapters, Scott creates a visual as well as a textual narrative that supplements and concretely demonstrates the deep, dynamic relationship between the art of boxing and the world of art and literature.

Peter Maher, a Galway born, and Dublin reared fighter, laid a strong claim on sport's greatest prize, The Heavyweight Championship of the world, in the 1890's. For over ten years he was a top contender and his popularity was such that he was arguably the most famous sportsman in America at the turn of the Twentieth century. This popularity stemmed from his prodigious punching power, good looks and affable, good-natured and easy-going manner.
He mixed with everybody from Presidents like Teddy Roosevelt and William McKinley to Wild West icons Wyatt Earp, Bat Masterson and Judge Roy Bean and a multitude in between. Yet today he is virtually unknown except to the anoraks of the boxing world. This book attempts to address this situation. It traces his career from the amateur days in Dublin, deals with all his big fights in the United States and the famous contest for the World Title against Bob Fitzsimmons in Mexico. It charts his downward spiral until his death in 1940 in Baltimore. The book also contains a records section where the career records of some forty of his opponents are published, some for the first time and most at least revised with corrections and additions. The book also contains many photographs from the period and attempts by the use of contemporaneous newspaper reports to accurately portray the man and his times.

No sport offers more allure and repulsion than the inviting and abrasive world of boxing. Starting on the mean streets of 1950s Chicago, this collection of essays moves into a close reflection of the boxing world up through the glitz of today's boxing circuit.

For Ted Sares, boxing is more than a sparring match between two combatants violently punching each another. It is a visceral experience that reaches in all directions, from his childhood memories of visiting the Chicago rings with his father to today's all-out-fight demeanor of Juan Manuel Marquez and Manny Pacquiao. At the same time tender and brutal, triumphant and tragic, in the end these pieces are about the last man standing and the hope for fair judgment between the victor and the defeated.

"Boxing Is My Sanctuary" is a collection of essays that explores both sides of a sport that is colored with paradox. Between the violent and affectionate, the barbaric and the civilized, Sares finds a ringside refuge in the midst of the sights, sounds, and smells that define boxing.

No sport offers more allure and repulsion than the inviting and abrasive world of boxing. Starting on the mean streets of 1950s Chicago, this collection of essays moves into a close reflection of the boxing world up through the glitz of today's boxing circuit.

For Ted Sares, boxing is more than a sparring match between two combatants violently punching each another. It is a visceral experience that reaches in all directions, from his childhood memories of visiting the Chicago rings with his father to today's all-out-fight demeanor of Juan Manuel Marquez and Manny Pacquiao. At the same time tender and brutal, triumphant and tragic, in the end these pieces are about the last man standing and the hope for fair judgment between the victor and the defeated.

"Boxing Is My Sanctuary" is a collection of essays that explores both sides of a sport that is colored with paradox. Between the violent and affectionate, the barbaric and the civilized, Sares finds a ringside refuge in the midst of the sights, sounds, and smells that define boxing.

Originally published in 1915, this is a memoir of Eugene Corri's career as a boxing referee. He refereed all the top fights of the day and speaks at length of both the fights themselves and the boxers who fought them, all of whom he knew well. Well-illustrated with black and white photographs, this is a fascinating glimpse into a vanished era. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include - The Lucky-Tub of Memory - The Carpentier-Gunboat Smith Fight - Barbardier Wells, with a Word or Two about Carpentier - Robert Fitzsimmons - Willie Ritchie and Freddy Welsh - Matt Wells, Sereant Basham, and Johnny Summers - Wilde The Wizard - Some Boxing Storeys - More Boxing Storeys - Boxing in the War

In 1892, while training for his historic fight with Gentleman Jim Corbett, undefeated heavyweight boxing champion John L. Sullivan wrote "Reminiscences of a 19th Century Gladiator," a summation of his extraordinary life and career. In the book, the "Boston Strong Boy" shares with the reader the story of his humble origins and the obstacles, both legal and personal, that he had to overcome to become the most famous boxer of the 19th century. This deluxe edition of the book contains additional material including never-before-included photographs, newspaper accounts, and interviews.

In 1888, William Edwards wrote "The Art of Boxing and Manual of Training" with the help of his friend and former ring opponent, Arthur Chambers. One of the earliest American books on the subject, "The Art of Boxing and Manual of Training" features detailed boxing techniques as well as tips on diet and exercise. The book also includes the various rules governing ringcraft, most notably the American Fair-Play Rules. The inclusion of these rules resulted in the book's inclusion in a landmark 1895 Supreme Court case pitting the state of Louisiana against boxing in New Orleans. This deluxe edition contains additional material including William Edwards' obituary and newspaper reports of the Louisiana court case.

The author of "The Text Book of Boxing" returns with a companion book on the art of Ringcraft, or boxing within the ring under the rules of the sport. Written by Great Britain's finest pugilist, "Ringcraft" is a must-have for boxing historians. Ringcraft contains over 30 photographs, detailed instructions on boxing techniques and ring-based strategy, as well as Driscoll's insights on the art of boxing. This deluxe edition contains additional material including news media reports of Driscoll's final fight.

"Boxing In The Shadows" is the story of many great Black fighters throughout the past century and puts their accomplishments within the context of the era that they fought in. This book is the seventh book that Mr. Donelson has written or co-written. Mr. Donelson has written on a variety of subjects over the past three decades and been published in newspapers and publications, Mr. Donelson is a leading observer of the boxing scene as well as a member of the International Boxing Research Organization, the leading boxing historical society.

About Mr. Donelson, Ringsports.com Rusty Rubin writes, "Tom Donelson is an outstanding scribe in describing the world of boxing. This is why I asked Mr. Donelson to co-authored our book, Billy Soose, "The Champion that Time Forgot.""

"The Text Book of Boxing" is one of the most important boxing books of all time. First published in 1914 and written by England's finest fighter, "The Text Book of Boxing" is a master class in the manly art of pugilism. This boxing manual contains over 40 photographs and detailed instructions on the proper execution of boxing techniques for both offense and defense. ***** This deluxe edition contains a newspaper report of the 1909 fight between Jim Driscoll and Abe Attell. ***** "Peerless" Jim Driscoll was born in Cardiff, Wales in 1881 and began his boxing career in 1901. He is considered by many to be the best pound-for-pound fighter of all time. During his illustrious boxing career, he earned the title of featherweight champion of the world and won the coveted Lonsdale Belt. ***** "Driscoll was the king of all boxers. From Driscoll, by a close study of his ways, I learned the wisdom of always leading with the left hand; he taught me much about stance, and how to time my blows so that they would have all the weight of my body behind them." Georges Carpentier

Advance Praise

"The Fight of the Century brings back memories of a different and troubled time both in sports and in our country. It is vividly reported and a perfect example of the old saying that the genius is in the details."

--John Feinstein

"The Fight of the Century just floats like a butterfly and sings like a canary. Arkush recaptures the period of the late '60s when America was in a quandary about Vietnam, Ali's refusal to be drafted, about Smokin' Joe Frazier's claim on the heavyweight title, and the amazing build-up to this great fight. I saw the fight and remember the intensity in Madison Square Garden; people were fainting in the aisles. The electricity of that fight buzzes through this book."

--Phil Jackson

"Ali-Frazier I was the greatest sports event I ever saw or ever expect to see. With his landscape portrait of the men and their times, Michael Arkush takes us again to that historic moment in Madison Square Garden when two of boxing's proudest warriors began their blood feud."

--Dave Kindred, author of Sound and Fury: Two Powerful Lives, One Fateful Friendship

"Arkush not only gives us the inside story on one of the century's signature sporting events, he frames it politically and socially. I was there, and now I know much more about what happened. This is flesh and blood and history."

--Robert Lipsyte

"The Fight of the Century transcends the mere sports story. In Michael Arkush's capable hands, this classic duel and its surrounding pressures and personalities show us where we have been as a society and where we are going. It is a story that truly stands for a place and time. It is a fully engrossing read."

--Michael Connelly, #1 New YorkTimes bestselling author

"Never is a long time, but there'll never be another cosmic boxing event like Ali-Frazier I. Michael Arkush brings alive that melodrama with all its political-social implications, wheeling and dealing, hyping and hitting."

--Larry Merchant, author and boxing commentator

"A richly detailed history of Ali and Frazier's first big fight and the social and political forces at play. A great read."

--Ron Shelton, director of Bull Durham and Tin Cup

In 1892, "Gentleman" James J. Corbett defeated John L. Sullivan to become the heavyweight champion of the world. Using his own "scientific boxing" techniques, Corbett delivered a blistering lesson to the previously unbeatable Sullivan, ending the fight with a knockout in the 21st round. With Corbett's win, a new era in boxing began. ***** Corbett is considered by many to be the "father of modern boxing" for being the first person to apply scientific principles to the art of pugilism. In "Scientific Boxing," the creator of such boxing innovations as the "left hook" distills his scientific methodology into an accessible manual of boxing techniques. This classic book contains sections on fundamental boxing techniques, fouling techniques, and the various boxing rules of his time. ***** This deluxe edition of "Scientific Boxing" contains additional photos and an added account of the fight between Corbett and Sullivan. ***** James J. Corbett (1866-1933) held the title of heavyweight champion from 1892 to 1897. He was the first to win the title under the Marquis of Queensberry rules. College educated, Corbett was also an actor, writer, and boxing coach. ***** "Corbett marked the turning point in ring history, replacing mauling sluggers with the new school of faster, scientific boxers." Bob Burrill, "Who's Who in Boxing"

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

The most bizarre world championship fight in boxing history was staged on St. Patrick's Day 1923, in war-torn Dublin. The winner in the ring, Mike McTigue, went on to run with gunmen, gangsters and racketeers in Jazz Age New York. A Bloody Canvas: The Mike McTigue Story tells the story of how Michael Francis McTigue left Kilnamona, Co. Clare, to seek fame and fortune in the United States, only for circumstances to bring him back to Dublin where he would win one of the strangest world title fights in boxing history. Set partly against the background of the Irish Civil War, it also tells of a bitterly divided people who managed to set aside their differences for twenty rounds of boxing before the guns started firing and the mines started exploding once more. But primarily, A Bloody Canvas is a biography. It tells how an ageing journeyman fighter found himself to be the right Irishman, in the right place at the right time. This is the saga of an underdog boxer laced with wrenching danger and a panoramic sense of life from late eighteenth-century rural Ireland to the Civil War, to the heady days of the Jazz Age in New York and the desperation of the Great Depression.

Originally published in 1915, this is a memoir of Eugene Corri's career as a boxing referee. He refereed all the top fights of the day and speaks at length of both the fights themselves and the boxers who fought them, all of whom he knew well. Well-illustrated with black and white photographs, this is a fascinating glimpse into a vanished era. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. Contents Include - The Lucky-Tub of Memory - The Carpentier-Gunboat Smith Fight - Barbardier Wells, with a Word or Two about Carpentier - Robert Fitzsimmons - Willie Ritchie and Freddy Welsh - Matt Wells, Sereant Basham, and Johnny Summers - Wilde The Wizard - Some Boxing Storeys - More Boxing Storeys - Boxing in the War

This yearbook, which provides a behind-the-scenes look at professional boxing, is intended to encourage young people to set high goals in life and, more importantly, to conquer those goals - no matter which sport or profession you choose in life. The photographs and interviews inside were compiled between April 2003 and April 2004, during a significant period in modern boxing: Rising trainer James "Buddy" McGirt led Antonio "Magic Man" Tarver to a stunning knockout of Roy Jones Jr., marking the end of an era for a pound - for - pound king. Buddy continues to train Antonio - the light heavyweight champion - in Vero Beach, Florida, the scene of this book. Inside you will find helpful advice from champions and witness the preparation that goes into a championship prizefight!

Hall of Fame middleweight prizefighter John Edward Kelly, better known as Nonpareil Jack Dempsey, was one of the most popular athletes in the United States during the late 19th century. To many observers, Dempsey is one of the greatest pound-for-pound fighters in ring history. Inside the ropes, he was fearless, poised, quick, agile, and had terrific punching power with both hands. His story is rich-full of amazing highs and terrible lows. He was a poor immigrant Irish boy who scaled great heights to become one of this nation's first sports celebrities. He became a household name, wealthy and popular. But much too soon, it all came crashing down. His violent profession, alcoholism, mental illness, and tuberculosis left little to recognize of the valiant hero of so many battles.