Ever since its launch in 1959 the original Mini has been a stalwart of the motor racing scene. Even today, there is a bewildering array of formulae that it can compete in. This book explains how to prepare a historic mini to the original pre-1966 Appendix K standard, which provides the racer with the largest choice of national and international events to compete in. The contents include regulations and safety; sourcing a suitable car; every aspect of preparation including body, engine, transmission, electrics and ancillaries; setting up and race preparation and testing and racing.

Sprint Car Hall of Famer Kramer Williamson began his 45-year professional career as a grassroots racer from Pennsylvania and became one of the most successful and beloved professional drivers of all time. Drawing on interviews with those who knew him best, this first ever biography of Williamson covers his life and career, from his humble beginnings racing the legendary #73 Pink Panther car in 1968 to his fatal crash during qualifying rounds at Lincoln Speedway in 2013.

Composites have been around since ancient civilisations began making bricks from clay and straw. Glass fibre, carbon fibre and aramid fibres - to name but three - are recent innovations, yet today there are few competition cars that don't have at least some components made out of one or more of these materials. However, while it is well known that glass fibre technology can be used in the home workshop, what may not be so widely realised is that more advanced fibres also lend themselves to DIY methods.This revised edition of Competition Car Composites starts by examining the materials and methods that can be used, explaining basic 'wet' and 'dry' laminating techniques, pattern making and mould construction, and the design and manufacture of components. It then goes on to cover material and technology upgrades, and how more advanced materials can be exploited to achieve improved properties and reduced weight. The use of thermoplastic materials, resin infusion methods, and, especially, 'pre-pregs' in the home workshop, are also discussed, as are the composite techniques used by top racecar constructors.

Brian Redman is one of very few notable British racing drivers whose racing life has yet to be put on record in book form. Now that is about to be rectified. Packed with photographs, Redman's memoir is a vivid account of his varied racing exploits, with special focus on the period 1968-73 when he won major sports car races in Ford GT40s, Porsche 908s and 917s, and Ferrari 312PBs. Highly readable, and at times both humorous and poignant, this is a very personal book that will be welcomed by this popular and highly respected driver's legions of fans.

The history of the Mercedes provides the thread for this book that narrates the early history of automobile racing from the beginnings in 1895 until the First World War in 1915 when racing temporarily ceased. The book focuses on the races themselves, the drivers and mechanics, the engineers in the background and the technical progress of the cars. Automobile racing had its origins in Paris, and French marques and the Automobile Club de France were dominating the scene. But in 1901 a foreign troublemaker emerged, the Mercedes. This German machine was to play a leading role, its career and evolution becoming an image of the whole period. The individuals who built and drove these early racers laid the foundation of a new industry, conceived the modern, high-performance engine, and gave magic to a series of races, which drew ever more spectators and thrilled entire nations. This richly illustrated history answers many questions from this time in automotive history. Early chapters discuss the marketing of the original Daimler engine in France, the position and influence of Emil Jellinek and Wilhelm Maybach, and the great town-to-town and Gordon Bennett races. Later chapters focus on the French Grand Prix, the great crisis of 1909, the voiturette movement, the Mercedes and Benz successes in America, including the record attempts of the Blitzen Benz, and the role of Ernest Henry in the development of the revolutionary Peugeot. Final chapters describe the career of the 4.5-litre Mercedes and its impact on future designs.

This book covers Joan Newton Cuneo's life and her role (from 1905 to 1915) as the premier female racer in the United States and spokeswoman for women drivers and good roads. Beginning with her family history and marriage to Andrew Cuneo, it traces their life in New York society, the birth of their children, and Joan's growing interest in automobile touring and racing and partnership with Louis Disbrow, her racing mechanic. The book covers Joan's experiences in three Glidden Tours, including her notes on the experience, her first races, and her rivals. It also looks at the growth and change of automobile culture and the battle for control of racing between the AAA, ACA, and the AAMA, which ends in the banishing of women racers shortly after Joan's greatest racing victories at New Orleans (in 1909). The book then follows Joan's attempts to continue racing, the end of her marriage, her move to the Upper Peninsula, and her remarriage and death. The book also includes a chapter on her female rivals in racing and touring.

On a bright October morning in 1904, thousands of people flocked to Nassau County on rural Long Island to witness the first international motor sports competition in America: the newly created Vanderbilt Cup. By 1906, the number of spectators multiplied to a quarter million and America's place in motor racing history was assured. In 1908, the Vanderbilt Cup was joined by a second international competition, the International Grand Prize, the first grand prix held outside France. By 1913, the Indianapolis 500 would supplant the Vanderbilt Cup and Grand Prize as America's preeminent race, forever turning mainstream America's attention away from road racing and toward the oval tracks then proliferating around the country. Concentrating on the years between 1904 and 1916 and featuring a wealth of photographs, this book examines the early and relatively unknown history of American motor racing. Beginning with an overview of motor racing history, it covers the French origins of the sport and the first international competitions such as the annual Gordon Bennett Cup and the ill-fated Paris to Madrid race. The primary focus is on America's first three races of international stature: the Vanderbilt Cup, the International Grand Prize and the Indianapolis 500. Compiled in great part from contemporary sources such as newspaper accounts and automotive journals, the book covers not only these races, but also the ways in which each spurred development of the American automobile industry, making it at last a true competitor for that of Europe.

A fascinating insider's look at life behind-the-scenes at Formula One. 'An essential read' AUTOSPORT 'A must for the real inside story' FORMULA 1 RACING 'Recommended for anyone interested in F1 on the inside' MOTORING NEWS Formula One Grand Prix mechanic Steve Matchett takes the reader on a compelling journey through his life in the pit-lane, from his beginnings as a young apprentice, through his time at Ferrari and BMW to his later success with Benetton. He gives eye-witness views of the great drivers, including Michael Schumacher, Nigel Mansell, Alain Prost and Ayrton Senna. He also talks of key Benetton personalities, and explains how the team was transformed into a strong, competitive organisation, winning three World Championships. His determination and frustration in trying - and eventually succeeding - to break into the high-pressure world of Formula One leaps off the page.

This is a compelling and moving sports drama, played out in the bloody arena of highly dangerous Grand Prix motor racing of the fifties. It is a real-life story that matches the excitement and suspense of the very best fiction. It is definitely a must-read for all motor racing fans. This story is arguably the most compelling and moving sports drama of all time. It matters because it is a testament to the eternal values of friendship, honesty of purpose and self sacrifice. It is played out in the bloody arena of highly dangerous Grand Prix motor racing of the fifties, an age in which the drivers were still amateurs and the sport controllers and team owners as yet untainted by the corruption of big money. It is as inspiring as it is tragic. In 1976 I was commissioned by BBC TV to write a film about Mike Hawthorn, the first British world motor racing champion. It was never made. The reason? The facts of his life and death were then unclear. Had I known what they were it would have catapulted the drama into the bracket of classical tragedy. Despite research I found myself faced with a well kept secret. During the following thirty five years I kept returning to it, but still failed to penetrate that mystery. Until now. This true story is driven by suspense as the hero is faced with a dreadful dilemma. Rarely does a real life story, as that of Mike Hawthorn, match the best of fiction. ONE GLORIOUS HOUR does just that. Set in 1958 he is one of the four man Ferrari motor racing team in Grand Prix. And he is favourite to become Britain's first world motor racing champion. And he is dying.

On a cold February day in 1979, when most of the Northeast was snowed in by a blizzard, NASCAR entered the American consciousness with a dramatic telecast of the Daytona 500. It was the first 500-mile race to be broadcast live on national television and featured the heroes and legends of the sport racing on a hallowed track. With one of the wildest finishes in sports history--a finish that was just the start of the drama--everything changed for what is now America's second most popular sport.
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HE CRASHED ME SO I CRASHED HIM BACK is the story of an emerging sport trying to find its feet. It's the story of how Bobby Allison, Donnie Allison, Cale Yarborough, Richard Petty, Dale Earnhardt, Darrell Waltrip, A.J. Foyt, and Kyle Petty came together in an unforgettable season that featured the first nationally televised NASCAR races. There were rivalries--even the sibling kind--and plenty of fistfights, feuds, and frenzied finishes. Rollicking and full of larger-than-life characters, HE CRASHED ME SO I CRASHED HIM BACK is the remarkable tale of the birth of modern stock-car racing.

The hugely entertaining, and extremely candid, autobiography of one of the most colourful characters in motor sport Eddie Jordan gave Michael Schumacher his first drive, and helped groom a whole series of drivers early in their careers, including Damon Hill and Johnny Herbert. But he funded his first move into motor sport by selling smoked salmon well past its sell-by date to rugby fans leaving Lansdowne Road; when stopped for speeding by a policeman, he ended up selling him his car. Jordan set up his own team, and moved into Formula One at the end of the 1980s. It wasn't long before the team began to pick up podium finishes, and in 1998 won its first race - a remarkable achievement on a comparatively small budget. The following year was even better, but sadly this was to be the peak, as the search for more finance and legal battles with sponsors hit hard. Eventually, in January 2005 he sold the team. AN INDEPENDENT MAN goes behind the scenes to reveal the true personalities of the drivers Jordan worked with, and his battles with Bernie Ecclestone. It shows how, when so much money is involved, nothing is ever simple. His has been a life lived to the full, and his account is packed full of superb stories, colourful adventures and revealing tales.

Sam Moses, a motorsports writer for "Sports Illustrated," was assigned to go racing and write about what happened. "Fast Guys, Rich Guys, and Idiots" is a personal odyssey that peers over the cliff of change and into the pit of obsession. From small-time races to glittery grands prix, it lays bare the greed, lust, and desperation of every driver for time behind the wheel and a faster car. It explains the perfectionism behind taking a turn at the limit and describes the intoxicating thrill of stealing down the Daytona backstraight at nearly two hundred miles an hour. The core of Moses's story takes place in the heartland of stock car racing, there he finds a spot on a team in Ether, North Carolina. The team's owner is a tough Louisiana oil man, its crew chief a lanky, laconic Texan, and its number-one driver a hairy-chested leadfoot who learned fast driving on backwoods Georgia roads, delivering beauty supplies in his Mustang. Crashes echo throughout the tale that follows, five of them the author's own.

This portfolio of reports tells how the Land Speed Record was raised from 231.46 mph in 1930 to 368.85 mph in 1939. Featured are articles on Kaye Don's Silver Bullet, Sir Malcolm Campbell's Blue Birds, George Eyston's Thunderbolt and John Cobb's Railton. Foreword by David Tremayne.

This portfolio of reports tells how the Land Speed Record was raised from 369 mph to 394 mph by John Cobb in the Railton Mobil Special. Also featured are record attempts by Donald Campbell in Bluebird, Mickey Thompson in Challenger I, Craig Breedlove in 'Spirit of America', and much more. Expert comments by David Tremayne.

In a nation that worships the automobile for the freedom, style, and status that it confers, the Indianapolis 500, run on or near Memorial Day eighty-seven times, is an annual rite of passage celebrating Americans' love affair with speed. Indy recounts the drivers (677 men and 3 women) who have gone to Indianapolis in the past ninety-five years to live their dreams, staking their lives on the outcome. It highlights the faces in the crowd: hardworking Americans, tinhorn celebrities, hookers, movie stars, gate-crashers, and five American presidents. Terry Reed focuses his narrative on the track's four quarter-mile-long turns, each the site of triumphs (including those of such multiple winners as Billy Vukovich, A. J. Foyt, and Helio Castroneves); grisly deaths (at least sixty-six, including three unrelated men of the same unusual last name who died in the same turn but in different decades); and bizarre heroics (like the sans souci French driver who downed champagne throughout the 1913 Indy 500 and still won). Reed also examines Indy's confluence of racing and aeronautics (World War I flying ace Eddie Rickenbacker once owned the track) and the impact upon the event of such forces as segregation, gender politics, food, fads, publicity stunts, world-class partying, and tasteless pop culture. Indy takes readers on an entertaining, full-throttle ride through the history of one of the world's most famous races and one of America's most hallowed rituals. It is the definitive account of the crown jewel of American motorsports.

As soon as there were automobiles, there was racing. The first recorded race, an over road event from Paris to Rouen, France, was organized by the French newspaper Le Petit Journal in 1894. Seeing an opportunity for a similar event, Hermann H. Kohlsaat?publisher of the Chicago Times-Herald?sponsored what was hailed as the ?Race of the Century, ? a 54-mile race from Chicago's Jackson Park to Evanston, Illinois, and back. Frank Duryea won in a time of 10 hours and 23 minutes, of which 7 hours and 53 minutes were actually spent on the road. Race cars and competition have progressed continuously since that time, and today's 200 mph races bear little resemblance to the event Duryea won. This work traces American auto racing through the 20th century, covering its significant milestones, developments and personalities. Subjects included are: Bill Elliott, dirt track racing, board track racing, Henry Ford, Grand Prix races, Dale Earnhardt, the Vanderbilt Cup, Bill France, Gordon Bennett, the Indianapolis Motor Speedway, the Mercer, the Stutz, Duesenberg, Frank Lockhart, drag racing, the Trans Am, Paul Newman, vintage racing, land speed records, Al Unser, Wilbur Shaw, the Corvette, the Cobra, Richard Petty, NASCAR, Can Am, Mickey Thompson, Roger Penske, Mario Andretti, Jeff Gordon, and Formula One. Through interviews with participants and track records, this text shows where, when and how racing changed. It describes the growth of each different form of auto racing as well as the people and technologies that made it ever faster.

A great bargain for so much information! This impressive portfolio provides contemporary articles covering Colin Chapman's sports racers, produced between 1951 and 1965, drawn from international motoring journals.
Models include the Mk. III, VI, VIII, IX, X, XI, Fifteen, Seventeen, Nineteen, Twenty Three, Thirty and Forty, with marque introductions by Lotus historian Graham Capel.

Filled cover-to-cover with race previews and reports from St. Jovite; Mosport; Bridgehampton; Laguna Seca; Riverside; Las Vegas; Edmonton; Texas; Watkins Glen; Mid Ohio; Michigan; and Elkhart Lake.

Who are today's hot rodders? Where do they come from, what do they value, and why? Do gearheads and old metal have any place in tomorrow's transportation landscape? What will be left behind? What will be carried forward? Over an eight year period, gearhead/geographer David Miller crisscrossed America in his home-built 1958 Chevy Apache custom truck interviewing hot rodders who are thoughtful and passionate about what they do, willing to speculate about why they do it and about what lies ahead. This book is a collection of their stories and a celebration of how they roll. It is a testament to what will be lost unless rodders can defy the trend towards mechanical cluelessness, anonymous vehicle styling, driverless vehicles, and a "get back in line and wait to be served" mentality that increasingly permeates our transportation landscape.

Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more. Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and an abusive alcoholic father, he never fully escaped the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver. For fans of Robbins, NASCAR, and classic country music, Twentieth Century Drifter: The Life of Marty Robbins is a revealing portrait of this well-loved, restless entertainer, a private man who kept those who loved him at a distance.

For four years, early in the last century, the Fairmount Park Motor Races were run on an eight-mile course in Philadelphia's West Fairmount Park. They drew half a million spectators the first year, but surprisingly they have been overlooked as part of automobile racing history and as part of the history of Philadelphia. In contrast to other racing events, such as the Vanderbilt Cup, there were never any serious injuries and not a single death, but after four years of spectacular racing, the event was banned, with safety concerns cited. Opening with a brief look at automobile racing prior to 1908, the book covers the events leading up to the first race. It discusses the proposal to have a race in Fairmount Park and the reasons why Philadelphia, and the park in particular, was such an unlikely place. Both the on-track action of the races and the off-track events that affected them are described. Dr. J. William White's successful crusade, following the 1911 outing, to stop the races is examined, as are attempts to revive the race in the following six years, including Philadelphia's attempt to compete with Indianapolis by constructing a two-mile oval speedway, and the city's eventual exit from automobile racing.

Buddhism and NASCAR. By using Buddhism as a lens to examine NASCAR racing - and NASCAR as a means to illustrate Buddhist teachings, ""Buddha on the Backstretch"" provides a unique new perspective on the field of sports and spirituality. Not aimed solely at either Buddhists or race fans, the work's message of self-improvement via popular culture serves as a Zen and the Art of Motorcycle Maintenance for a new generation. ""Buddha on the Backstretch"" considers mindfulness, handling setbacks, patience, discipline, heightened awareness, impermanence, equanimity, and how we face death. The work looks at why we need heroes, and how we can take a hero's story and use it for our own growth. Like an anthropologist, the author can take a story about loose radiator bolts and red North Carolina clay and tease out of it three different Buddhist elements of mindfulness. The aim is to show readers how to examine all facets of culture and all the people around them, and be able to find, in seemingly unlikely places, profound lessons on how to live. If the student is truly ready, then a NASCAR driver can be as profound a teacher as a guru in robes, and a serene Buddhist teaching as lively and colorful as a weekend at the track. The first work by an imaginative and quirky new author, ""Buddha on the Backstretch"" will alter the way you see the world, help you see wisdom everywhere and find the joy in the daily spiritual practice that is Life.

Driving a race car at speeds approaching 200 mph is a specialized skill that takes years to master, and it's not for the faint of heart. Some drivers are better at it than others, while others aren't quite as good as their reputation. Anyone who has ever sat in the grandstands at a race or watched their favorite driver get unfairly bumped during a crucial moment at a NASCAR event on TV has made his or her own judgments. Fans know that tempers can flare and controversies erupt on any turn, on the straightaway, or in the pits. While fans continue to debate the relative merits of their favorite drivers, ESPN.com's premier motor sports writer Terry Blount now brings some needed clarity and perspective to America's biggest spectator sport, rating drivers, teams, cars, and tracks, and "bluntly" lets readers know which are overrated and which are underrated in a new book that's bound to further the debate and stir up more controversy. If your favorite driver is listed as overrated, chances are you won't like it, but if your guy is a choice for underrated, you'll love it. It's an all-fun but in-depth look at the opinionated discussions fans have in their living rooms every week-end: "That guy isn't as good as people think" Or, "That driver is way better than where he finished." Did the reputation match the results? Was the performance better than the perception? And how much of a factor was the car? Evaluating driver skills is a whopping task, even for the most knowledgeable folks in the sport. But Blount is one of the most qualified analysts, and well up to the task of trying to separate fact from fiction, reputation from reality, and equipment from talent. Along with rating drivers, TheBlount Report also rates a vast array of the NASCAR world from speedways to races and rules to records. It's all up for debate. So fasten your seatbelt and enjoy...it may get a bit bumpy along the way but it's well worth the ride.

Morgan, a quintisentially British car maker, has raced on and off at Le Mans since the early 1960s. The Malvern-based car manufacturer, famous world wide for its 1930s-styled sports cars, came screaming into the 21st century with the Aero 8 model in 2002 and it was successfully raced at le Mans, winning its class in 2003. against adversity, of true British grit and determination with an old-style racing team and cars capable of being driven to the race track, just like the good old days.