With the increasing disappearance of stained glass in medieval churches, the surviving wood carvings on church misericords and bench ends are extremely important in providing an insight into the medieval mind. The carved images were often used to convey the messages of the Christian faith in the Middle Ages but they were not just concerned with religion and religious symbols - they also told stories of mythology, humour and satire, showing illustrations of everyday life and people. This book outlines the history of church seating and discusses the craftsmen and the influences behind their work. Using illustrations, the author then explains the subject matter of these wood carvings, revealing how one can discover so much about medieval life - the spiritualism, moralism and the wit - within the carvings still found in churches today.

Join the thousands of paperfolders woldwide who enjoy this marvelous pastime.

Cleve Taylor has traded chaps and spurs for a rod and reel with this new carving book. He captures the foibles and follies of fishermen in four basswood figures, and reveals the subtle secrets of facial expression. Clear instructions take the carver through each step of the project from the initial pattern layout to the final painting and mounting of the finished figure. Over 235 color photographs clearly illustrate the instructions. A photo gallery at the end of the book shows several fishermen caught in situations every fisherman will quickly recognize. This is a perfect book for the intermediate to advanced carver and an inspiring challenge to beginners.

English Gothic Misericord Carvings: History from the Bottom Up by Betsy Chunko-Dominguez is the first book to move beyond textual dependence and traditional iconographic analysis when examining misericords. It likewise builds the most thorough discussion to date of the relationship between the misericord's several potential audiences - including patron, craftsman, occupant of the seat, and modern viewer. Beyond the bounds of misericord studies, there are implications here for study of the relationship between center and margin in late medieval art; and, indeed, what constitutes 'center' and 'margin' as conceptual realms. Ultimately, this book attempts both to re-integrate the study of misericords into the study of Gothic art in general, and to re-center them in relation to our understanding of late medieval culture.

Art, war, carnival or cult — masks have two sides: They conceal and hide, and at the same time create new personalities, strange and captivating at once. So, too, do masks reveal world views of time and place: cult masks from Africa, mediaeval knight helmets, fantasy masks of famous film heroes like Darth Vader, or gas masks and VR glasses as modern functional objects. In this new photo book, Russian photographer Olga Michi traces our millennia-old fascination with masks. Her expressive pictures place the masks centre-stage, creating a new, surrealistic aesthetic. With fascinating texts on each mask’s cultural-historical significance, this high-quality photo book delights, informs, and ignites the imagination. Text in English, French, German, and Russian.

The sea-faring odyssey of Noah, his family, and the world's animals collected two-by-two is well known to young and old. David Sabol brings the story to life with a series of lively and expressively carved and painted animals and characters. David introduces his readers to the use of the traditional carving and realistic coloring techniques which give his carvings a distinctive design, personality, and charm. Step-by-step techniques for carving Noah's wife or one of several animals native to North America. The combination of clear explanation and color photos make each step easy to follow. Patterns include: Mrs. Noah, two turkeys, pumas, rabbits, foxes, raccoons, skunks, and opossums. This new book will provide hours of pleasure for all carvers from novice to professionals, giving them varied and exciting challenges and beautifully detailed results that will please them.

During the early years of the nation, the eagle was adopted as the symbol of America. From that time to this it has been a favorite subject of carvers. It has adorned buildings, signs, furniture, and boats. It has carried banners of E. Pluribus Unum and Happy New Year. And it is cherished still. In this new book Paul White takes the carver through the process of carving a large traditional bald eagle. Beginning with the gluing of the boards and sculpting and ending with a helpful description of gold leafing, Paul explains each step in detail. For those who wish to get right to the carving he also explains the use of commercially prepared blanks. A measured drawing of the project is included, as well as a gallery of variations. A wonderful book for carvers of all abilities.

After the great success of Santa and His Friends, Tom Wolfe presents a group of traditional Santas that have been found in American Art, literature, and advertising since the 1860s and have a warm place in the imaginations of children and the memories of adults. With easy to follow, step-by-step instructions accompanied by full color photos, this is a great book for the beginning and intermediate carver.

The premier work of author-carver Ron Ransom. He offers instructions for three specific versions of Santa Claus and many other variations, as well as painting instructions. Rons illustrations serve as an impetus for the carver to approach his own work with freedom. His Old World Santas are great symbols of happiness and goodness.

Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waals 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a mans sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society. This book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.

Wood carvers now have patterns and complete instructions for making life-like images of a Cardinal bird, trotting horse, standing deer, and an iIndian with headdress neckerchief slide. These projects are taught in this third volume of the successful Carver's Handbook series through 78 step-by-step pictures and carefully written instructions. 27 clear color photographs show each stage of painting for these popular projects. Mr. Pergrin shares his teaching experience and award-winning carving skills to enable craftsmen of all levels of experience to make their own fine carvings.

Originally published during the early part of the twentieth century, the Cambridge Manuals of Science and Literature were designed to provide concise introductions to a broad range of topics. They were written by experts for the general reader and combined a comprehensive approach to knowledge with an emphasis on accessibility. Brasses by J. S. M. Ward was first published in 1912. The book contains an engaging guide to monumental brasses, with information on historical classification and numerous illustrative figures.

Blake's only wood engravings, made near the end of his life for a school edition of Virgil, are among his most lyrical and enduringly influential creations. This is their first publication as a stand-alone book, with the original text of Ambrose Philips' version of the first Eclogue of Virgil.

Songbird Carving is a unique book that can be appreciated on two levels: first, as a step-by-step set of instructions, with exquisite photographs and hand-drawn illustrations covering techniques of carving, texturing, painting and mounting of five songbird projects; second, as a work of art unto itself. The five songbird projects featured are the Black-capped Chickadee, Tufted titmouse, American Goldfinch, House Wren, and Catbird. To complement the instructions there are chapters on tools and supplies, the basics of carving song birds, and the birds habitats. The carefully organized text and clear step-by-step illustrations provided an unsurpassed guide to this form of carving.

Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.

Italian Renaissance 'plaquettes' are often stored and displayed as a homogeneous category or genre in museum collections due to their apparently uniform small relief format. This has resulted in a scholarly literature that has concentrated largely on connoisseurship and taken the form of catalogues, thereby both responding to and propagating the myth of this classification. However, what is often forgotten, or buried deep in scattered catalogue entries, is that during the Renaissance this small relief format was regularly mass-produced and employed extensively in a variety of different contexts. Far from being a homogeneous category, plaquettes were originally viewed as many separate types of object, including pieces for personal adornment, liturgical objects, domestic artefacts, and models for architecture and painting. For the Renaissance consumer, the commission of a hat badge with a personal motto, the purchase of an off-the-shelf inkwell or the acquisition of a small relief for his study were separate concerns. The aim of this book is to redress the balance by examining these reliefs in terms of their use, alongside broader issues regarding the status of such objects within visual, scholarly and artistic culture from the fifteenth century to the early sixteenth.

Step-by-step instructions for carving an amusing golfing figure from wood, painting it, and displaying it. Full of original personality and a spark of wit, the design will delight all who encounter it. Other patterns make up a foursome, with a color gallery illustrating all.

This book explores the ways in which medieval Christians sought to memorialize the deceased: with tombs, cenotaphs, altars and other furnishings connected to a real or symbolic burial site. Reverent memorial for the dead was the inspiration for the production of a significant category of artworks during the Middle Ages - artworks aimed as much at the laity as at the clergy, and intended to maintain, symbolically, the presence of the dead. Memoria, the term that describes the formal, liturgical memory of the dead, also includes artworks intended to house and honour the deceased. A dozen essays analyze strategies for commemoration from the 4th - 15th century: the means by which human memory could be activated or manipulated through the interaction between monuments, their setting, and the visitor. Building upon from the growing body of literature on memory in the Middle Ages, the collection focuses on the tomb monument and its context as a complex to define what is to be remembered, to fix memory, and to facilitate recollection. The papers were originally presented at the 1994 meetings of the College Art Association, the International Congresses of Medieval Studies at Western Michigan University, Kalamazoo, and the University of Leeds, England, in 1995.

Learn to create delightful wooden Santas destined to be treasured family heirlooms. With a combination of over 280 color photographs, a minimal set of carving tools, and easily followed instructions, Paul Bolinger carefully guides the reader step-by-step through rough and detail carving techniques. Camille Bolinger, Paul's wife, demonstrates the oil painting techniques used to bring the carved Santas to life. The text is followed by a gallery of the Bolingers' heirloom Santas destined to fire the imagination of every carver who sees them. Novices and old hands alike will enjoy this book.

The 16th century bronze plaques from the kingdom of Benin are among the most recognized masterpieces of African art, and yet many details of their commission and installation in the palace in Benin City, Nigeria, are little understood. The Benin Plaques, A 16th Century Imperial Monument is a detailed analysis of a corpus of nearly 850 bronze plaques that were installed in the court of the Benin kingdom at the moment of its greatest political power and geographic reach. By examining European accounts, Benin oral histories, and the physical evidence of the extant plaques, Gunsch is the first to propose an installation pattern for the series.

Tom Wolfe goes back to basics. With easy to follow, step-by-step instructions, Tom helps the novice carver bring life to a block of wood. With a single knife Tom carves a relining country figure and teaches the basic methods of woodcarving. Each cut is illustrated with a full-color photograph, an important visual aid to learning this fun craft. These projects are simple and fun. The new carver will find that the mysteries of this art quickly disappear and that they can quickly learn the skills they need to create a nice piece of art.

Carving is an area of woodworking that has wide appeal and can start as simply as whittling figures with a pocket knife. Since the cost of entry is so low, many people are willing to give it a try. But some people are put off by the conflicting information about what tools to buy, how to sharpen them, and by the bewildering range of carving styles. This book, with its common-sense approach to tools and sharpening, and its broad survey of the many styles is the perfect introduction for the novice carver. The projects will help the beginner become familiar with the tools and learn skills while trying a variety of carving styles to see which suits him best. The projects range from the traditional to the contemporary and reflect the tastes of today's woodcarvers.

Detailed instructions, illustrations for carving animals, flowers, figures, more. Tips on tools, techniques, painting, finishing, exhibiting.