Materials And Apparatus - Varieties And Defects Of Glass - Devitrification - Annealing Glass - Blowpipe And Bellows - Light - Arrangement Of Exercises - General Operations - Cutting - Bending - Constricting And Flanging Tubing - Methods Of Rotation And Blowing - Elementary Exercises - Joining Two Pieces Of Tubing Of The Same Diameters - Blowing Bulbs - Advanced Exercises - Sealing A Tube Through Another Tube: The Gas Washing Tube - Suction Pump - And Kjeldahl Trap - Modified Methods And Special Operations - Capillary Tubing - Glass Rod - Mending Stopcocks - Closed Circuits Of Tubing - Spirals - Ground Joints - Sealing In Platinum Wire - Sealing Vacuum Tubes - Closed Tubes For Heating Under Pressure - And Sixty Recipes For Flint Glass Making, With Index

The American Wholesale Corporation (AWC) was a Baltimore, Maryland based business which was originally established in 1881 as the Baltimore Bargain House. They sold everything imaginable to retailers throughout the United States. The AWC was one of two wholesale corporations that ruled the wholesale market throughout the late 1800s and into the early 1900s. Over time, both companies would begin creating lavish catalogs numerous times each year in order to present fresh merchandise to retailers and to offer incentives to retailers to purchase particular items. Early catalogs, such as the ones included in this book, were completely hand drawn with incredible detail. Exquisite detail and vibrant colors were used to catch the eye of retailers. This volume contains two AWC Baltimore Price Reducer catalogs. The first is a spring catalog from March 1919 and the second is a Christmas catalog from December 1926. This volume contains only the glassware and pottery sections of these catalogs.

1916. Early American scenes and history pictured in the pottery of the time with a supplementary chapter describing the celebrated Collection of Presidential China in the White House and a complete checking list of known examples of Anglo-American Pottery. Features over 200 illustrations. Contents: Part I The Country and the Cities of Early America; Part II The American Nation-Builders and Their Work; and Supplementary Chapters.

A brief history of the commemorative decanters produced to promote the Greater Greensboro Open (Wyndham Championship) from 1972 until 1982. This book details the way in which the bottles were used to market the golf tournament during the 1970's and beyond. It includes dozens of photos and interviews that bring these collectible decanters to life. A GGO Thing also details the move from Sedgefield to Forest Oaks and back again as seen through the stories told by each decanter. A must read for any golf fan.

This exhibition catalogue features 20 exquisite pieces of Chinese works of art, with the majority dated from the Song dynasty. Exhibited items include a Neolithic period pottery bottle; Machange-type Neolithic Period jars; Northern Song to Jin Dynasty June ware of Li-type tripod censer; a bubble-bowl with blue glaze and splashes; Northern Song Jun-type sky blue-glazed plate with everted rim and rose-purple splashes, Qingliangsi Ware; a celadon glazed lobed candlestick, Longquan ware; a sky-blue glazed ware dropper carved with peony design, Yaozhou Ware; a persimmon-red glazed saucer, Ding ware; white glazed small cup, Xing ware; paper-mallet vase with iron-rust splashes, Cizhou ware; porcelain child-shaped pillow, Changzhi ware. Text in English and Chinese.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A collection of ten wide-ranging papers from a session on ceramics at the 2002 EAA Thessaloniki conference and from the e-journal Studia Vasorum (2002) on the subject of ceramic studies. The contributors present both theoretical and case study driven papers including those looking at ceramics from late prehistoric north-west Iberia, the Chalcolithic Lower Danube region, Bronze Age Eurasia, Bronze Age north-west Italy, northern Etruria and Greece.

Originally published in 1916, Old Glass And How To Collect It is an easy to understand pocket guide to the fascinating and beautiful world of antique glassware. Styles including Early English, Bristol and Nailsea and Irish glass are described and illustrated, whilst J Sydney Lewis offers advice for the novice glass collector drawn from his extensive experience in the antiques trade. Packed with expert knowledge and many amusing and insightful anecdotes, Old Glass And How To Collect It is essential reading for anyone considering glass collecting as a hobby, or for those with an interest in design, art history or engraving. It offers a window onto an era of breathtaking craftsmanship, one where everyday objects became works of art.

This book provides valuable and relevant up to date information about the embossed and related range of Carlton Ware. We have concentrated on the Carlton Ware produced from the 1930's onwards and the contents of this book provide a comprehensive source of information on shape numbers and names of Carlton Ware.

Originally published in 1910, English Table Glass provides an easy to understand introduction to the fascinating and beautiful world of antique English glassware. Covering from the sixteenth to the eighteenth century, photographs and descriptions highlight many examples of breathtaking craftsmanship, from wine glasses with air-twist stems to exquisitely engraved decanters and sugar-bowls. An expert of his time, Percy Bate's advice for the collector - including how to spot fakes - still holds true today, making English Table Glass essential reading for those considering glass collecting as a hobby, or for anyone with an interest in antiques, design, art history or engraving.

Geoffrey Richards is a State of Maine man who grew up in the small community of Fairfield Center, Fairfield Maine. In work, his tools have been budgets and Boards of Education, as a bottle hound his tools are a potato digger, brush cutters, camp saw, spade, and a good pair of gloves.

Text extracted from opening pages of book: The Collector's Hand-Book ON POTTERY af PORCELAIN HV WILLIAM CHAFFERS REVISED AN1* CONSIDERABLY AUGMENTED BY FREDERICK LITCHFIELD The Collector's Hand-Book OK flarfts anli Konoramg on POTTERY ftP PORCELAIN Of the Renaissance and Modern Periods SELECTED FROM HIS LARGER WORK ( EIGHTH EDITION) KNTITI. KO 41 fHarfas anto fHcmagrams on )

Oxbow says: In 1956, D. B. Harden published his 'Glass Vessels of Britain and Ireland AD400-1000', noting that Kent had by far the most surviving vessels with 171. Winifred Stephens' study updates Harden's survey of glass vessels from Kent, taking account of vessels found since 1956, as well as those previously noted as lost and those that have been restored from disparate fragments. The vessels included date from the end of the Roman period, c. mid-5th century, to the end of the 7th century. Her discussion of the different vessel types and their distribution is concise (37 pages) with the larger part of the volume consisting of appendices listing museum collections, missing/lost vessels, and an update of vessels found since the completion of this study.

This is a collection of papers researched and written by Francis Buckley and originally published in the Journal of the Society of Glass Technology in the 1920s. Each chapter gives details of glass making factories around the UK from the late 17th century to the early 19th. John Houghton, an eminent member of the Royal Society, wrote a series of Letters to Parliament under the general title of "Husbandry and Trade Improvement." Letter Number 198, dated 15th May 1696 listed all the glass works in England and Wales which were working at that time, around 90 in total. Buckley probably used Houghton's listing for his research, it is an obvious starting point, most of the glassworks in Houghton's list are mentioned along with many more. The additional ones are glassworks that were built after 1696, in fact in some of his papers Buckley continues into the early part of the 19th Century. There are also glassworks listed for areas not covered by Houghton for example Cumberland and many parts of Yorkshire, and Scotland. One of the fascinations of Buckley's papers is that he not only lists his references, he actually states what they are, giving additional information to that in the main text.

Black & White Edition. The only pottery & porcelain identification guide written in English that explores the rich history of one of Europe's most important ceramics producing centers, the city of Faenza. Faenza, from which the world of art coined the term faience, was home to such past greats as the Minardi Brothers, Pietro Melandri, Carlo Zauli and Riccardo Gatti and is now the home of the most important ceramics art museum in the world as well as the largest international ceramics competition on the planet. Unlike most identification guides this book brings the artists to life, explores their character and their world. It goes beyond dry facts and dates and offers its readers the opportunity to understand their collections in historical and human terms. With more than 125 ceramics marks and almost 100 photographs covering the 19th, 20th & 21st centuries, in a format similar to our first Italian pottery guide, the collector will find a wealth of information and a fascinating trip through time and art.

First book to document in detal the last 150 years of the Wedgwood story.

The intriguing history behind the simple, tasteful designs and eye-catching color of Alamo pottery - a classic mid-century modern American pottery - is told definitively for the first time. The author skillfully takes us back in time to tell us of the dream and the men behind that dream that created Alamo Pottery, of their failures that led to great success and of great success that spawned greed and disintegration. This book contains a description of the process by which Alamo pottery was made along with descriptions and photographs of the art ware. Included also, is a guide on how to distinguish Alamo pottery from similar forms of art ware, such as Gilmer pottery, and how to identify the rare and unmarked pieces of Alamo pottery. Copies of Alamo Pottery and Gilmer Pottery catalogs are presented. Collectors and dealers, in particular, will benefit from the Price Guide which features a color photograph of each piece of pottery identified by its model number and dimensions.. The author's years of research, which included conversations and communications with principals of the company, bring to the public this clear, easy-to-read, complete guide. Collectors, dealers, and readers interested in mid-century modern American pottery as well as Texas history will find this book an invaluable resource and a delightful read.

This edition was originally published in 1914 and contains excellent reproductions of upwards of 5000 marks and monograms from many different countries. The meaning of many of the marks are also given with the approximate dates when the different factories flourished

The 1st Identification Guide Of Late 19th & Early 20th c. Italian Pottery & Porcelain Marks for English-Speaking Collectors. Praised by collectors & dealers internationally as an essential guide, it's been included in the traveling library of Antiques Roadshow & received a glowing review in NEAJ, July 2005. Mr. Wendell Garrett, Senior VP of Sotheby's & Editor at Large of The Magazine Antiques said in a personal note to the authors "I am most impressed. The book is comprehensive in scope, scholarly in research, beautiful in its illustrations, and clear in its writing. Everyone interested in ceramics -- collectors, curators, scholars and students should have a copy on his or her shelf." (6/13/05) For the very first time information on more than 120 Italian factories, studios, artists & over 300 identified marks becomes readily accessible to those who can't read Italian, making this Guide indispensable for the collector.

1916. Early American scenes and history pictured in the pottery of the time with a supplementary chapter describing the celebrated Collection of Presidential China in the White House and a complete checking list of known examples of Anglo-American Pottery. Features over 200 illustrations. Contents: Part I The Country and the Cities of Early America; Part II The American Nation-Builders and Their Work; and Supplementary Chapters.

When Julian Harrison Toulouse's Fruit Jars was published in 1969, it was called "remarkable," "scholarly," "encyclopedic," and the "definitive book on fruit jars and seals." Newly reprinted in 2005, it is available for a new generation of bottle collectors. Fruit Jars details the types of containers used for canning fruit, lists jars alphabetically with markings found on the jars and denotes embossing, color, shape, closure and base markings. It also includes a listing of fruit jar manufacturers as well as a chronological listing of dated jars, line drawings, and makers' marks.

The book, originally published in 1904, includes the marks used by factories, patterns, workmen, or decorators in America to the time of this book's original printing. The first attempt to describe the marks of American potters was made by Edwin Barber in his Pottery and Porcelain of the United States in 1893. In that book, less than 100 varieties, found principally in earlier wares, were described. Prior to that time, none of the manuals on potter's marks contained any reference to the United States.

With contemporary advertising and sales catalogues as its sources, this book represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Wurttembergische Metallwarenfabrik AG (WMF) at Geislingen/ Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called "Unika pieces", indicating that they were one-of-a-kind) as well as lines in mass-produced art glas (Ikora and Myra). First presented to the public to great acclaim at the Wurttembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector's items. Ikora and Myra Glass by WMF not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made as imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Unika, Ikora or Myra glass.