"Swankyswigs" were introduced by Kraft (R) Foods in 1933. These fun and colorfully decorated glass tumblers held Kraft's cheese products. They were an immediate sales success and their popularity never ebbed. Today they are an avidly sought collectible. This new book chronicles the history of Swankyswigs and offers 230 color illustrations of nearly every style produced, from flowers to sailboats. Also included are several look-alikes . Descriptions and variation lists, and captions with vital information and the current value of the Swankyswigs in today's market make this an important book for the glass collectors library as well as a delight to the eye.

One of the early twentieth centurys most prolific potteries, the S.A. Weller Pottery Company, of Zanesville, Ohio, produced art pottery and artwares reflecting the major art movements of the day, including Arts and Crafts, Art Nouveau, and Art Deco. Here, over 520 striking color images display the broad array of wares produced by Weller from 1895 to 1948, including such well-known lines as Art Nouveau, Aurelian, Coppertone, Dickens Ware, Eocean, Forest, Hudson, Louwelsa, Sicard, and Woodcraft. This sweeping survey includes a sampling of hand decorations by many of the companys respected artists and also illustrates the highly varied, innovative glaze treatments employed over the years on a wide range of decorative items.\nThe carefully researched text includes a history of the firm, a fascinating review of how changing art movements and public demands influenced the pottery, a detailed bibliography, helpful listing of all known Weller line names, and complete index. Values for the wares displayed are found in the captions. An essential reference for Weller enthusiasts and all who are passionate about ceramics!

A book that will guide you when you are in the process of buying or appraising Sandwich glass is the most important tool you can own. This book is one of a series of guide books that describes every type of glass that was produced in Sandwich, Massachusetts. It uses the original plates of glass photos and the identification numbers form Volume 3 of The Glass Industry in Sandwich, a larger book by the same authors. (Volumes 3 and 4 are available, and Volumes 1 and 2 are in preparation.) This makes cross references much easier. In order to make this series of guides compact and light in weight, the photos from Volume 3 have been divided into two smaller guides. This one contains the complete chapters on witch balls, covered containers, toys (miniatures) and the creations of Nicholas Lutz. Another guide, available now, contains vases, colognes and stoppers. The extensive categorization and illustration of Sandwich glass should make this guide valuable for field use.The prices in this guide reflect the market at the time of publication. They will be periodically updated in a separate price guide available from the publishers.

This handy pocket guide illustrates and prices over a thousand Jadite and Delphite household glassware pieces, including many rarities. Most of the pieces shown were produce by Anchor Hocking, McKee, or Jeannette Glass companies from 1930-1970. Kitchenware, dinnerware, and household accessories are illustrated in color, with current prices for the extremely popular Jadite and its more elusive blue counterparts, including both Delphite and Chaline. Additionally Fire-King's opaque blue dinnerware lines are included.

This new book is the first in English on this fascinating and increasingly popular military collectible. The main purpose of this book is to provide the reader with accurate information to aid in translating, determining the origin, value and history of the Japanese military Sake cups. Sake cups were commissioned by naval troops, pilots, tank crews, supply crews, infantrymen, cavalrymen, telegraph and railroad engineers with an innumerable variation of colors and designs. Each cup is a mini time capsule with the owner's name and regiment inscribed, enabling the collector to search for the background and history of the soldier who once drank a victory toast, or a farewell toast with these very cups. It is hoped the book will foster a greater understanding and appreciation for this little known field of Japanese militaria/art collecting.

The Glass Industry in Sandwich is a five volume series of books presenting a factual account of glass produced by the glass companies that were located in Sandwich, Massachusetts, between 1825 and 1922. Included are color photos of over 2300 Sandwich glass objects that have been thoroughly researched and authenticated by Sandwich glass experts Raymond E. Barlow and Joan E. Kaiser, who have worked together for twenty-two years. Recognized by the antiques industry as the "Bible" in its field, this magnificent set of books has become a trusted reference used by glass curators of major museums as well as by early American glass collectors, antiques dealers and auctioneers. Each photo is accompanied by dimensions, approximate time of production, and captions that detail methods of manufacture and sources of documentation. Comparisons are made between objects manufactured in Sandwich glass houses and objects produced in foreign and other American factories. This final volume contains 283 color photos of a variety of objects, from very fine cut and engraved ware to household, commercial, and scientific necessities that came under the heading of "general assortment" when they were marketed in the 1800's. A supplement to Volumes One, Two, Three and Four features objects that were not available for study at the time the books were written. A roster of 1500 employees and their occupations is included as an aid to documentation. There are still bargains to be had for as little as $10 as illustrated by the little-known or previously undocumented pieces pictured in this volume. Extremely rare articles have increased in value to as much as $35,000. Authorities Raymond E. Barlow and Joan E. Kaiser present to you a compendium of glass identifiable and collectable as Sandwich glass. A price guide is available that lists prices for each piece in clear and assorted colors, and updates the prices listed in previously published Barlow-Kaiser price guides.

During the 1940s, the Anchor Hocking Glass Company, of Lancaster, Ohio, introduced a colorful kitchenware line known as Fire-King. This pocket-size guide offers a brief history, with over 200 full color photographs, updated market values, and index. Colorful examples of dinnerware, mugs, a myriad of mixing bowls from splash proof to Swedish Modern styles are featured along with a large selection of kitchenware and ovenware. Copper lustre, jade-ite, sapphire blue, and turquoise blue glasswares are all well represented.

Here at last is a thorough guide of the most collected dinnerware. In one volume this book provides an excellent survey of the best companies and their most popular lines. The important California companies, including the Wallace China Company, Catalina Pottery, B.J. Brock & Co., and Gladding, McBean & Co. along with other companies nationwide including the Crooksville Art Pottery Co., Frankoma, and the Hall China Company, are among the many potteries represented. The contributions of famous designers such as Ben Seibel, Russel Wright, Eva Zeisel, and Sascha Brastoff are explored. Extensive research has uncovered new information on many of the companies and designers. Over 300 clear photos, extracts from catalogs and advertisements, historical photos, and a well-documented text will help to identify dinnerware, to trace changing technological and design trends, and to showcase an industry in its heyday. As the journey to uncover and identify all the American produced dinnerware from the twentieth century continues, this book serves as an important milestone and an important reference.

This is the first publication in a single work of all known Chester punch marks, and continues the tradition of the standard volumes of Jackson, Grimwade, Culme and Pickford. It is also the first time that the twentieth-century Chester marks have been published. It is produced in dictionary format, in alphabetical order from 1570, the date of the earliest known mark, to 1962 at which time the Chester assay office was closed. The authors, both members of the silver society, were given unlimited access to the Chester assay office records covering 1686 to 1962, and to the Chester Goldsmith's Company records dating from the 16th century. The compendium has four sections. The preface provides an historical background and details of all extant records and copper plates. Part 1 is devoted to assay office marks, with a full set of date letter tables to assist the reader in dating wares. Part 2 covers nearly 10,000 entries for makers' marks, including pictograms and monograms. Finally, the appendices inclu

The Rookwood pottery, founded in Cincinnati, Ohio, produced experimental decorated and commercial pottery from 1880 until 1967. This new book stands ahead of all other references by offering the most complete understanding of Rookwood products, and it places Rookwood's glaze lines in the context of the pottery's history. Author Anita Ellis conclusively explains the Decorated Wares, especially those made after 1915 which have always been problematic, and categorizes and defines the Commercial Ware for the first time. The book is unique in offering the most complete set of Rookwood pottery, potter and decorator marks; a thorough glossary of terms; and all the glaze lines. Over 200 beautiful color photographs of the elegant Rookwood pottery shapes illustrate the glaze lines. A values reference and charts of the talented decorators are included.

This is the most comprehensive book written on Lefton China to date. What makes this book stand apart is the extensive price guide section containing company identification numbers, descriptions, and current prices for more than 7,600 different items made by the prolific Geo. Zoltan Lefton Company of Chicago, Illinois. Lefton collectors will also welcome the examples shown of over one hundred Lefton patterns, enabling quick identification of related pieces. A unique feature is the section describing and illustrating the popular Lefton Collections, including Colonial Village, Historic American Lighthouses, Li'l Country Folk, Roadside U.S.A., and Tasha Tudor to name just a few. A company history, display of manufacturing marks, and over 360 color photographs of Lefton's figurines, boxes, plates, planters, teapots, vases, and more--including items never before published--round out this colorful and useful presentation.

Pottery and Porcelain Restoration is a practical guide for amateurs to the craft of the professional restorer. With over 360 photographs, it explains the simplest, safest and ethical techniques that are recommended today and - essentially - do not further damage your pieces. Written with clear practical detail, it explains the full process and gives unique insight into the delicate job of the ceramic restorer. This new book introduces the history of pottery and porcelain, and gives an account of the methods and ethics of ceramic restoration; it gives a complete list and details of materials and equipment, and particularly advises on the best choice of glues; it describes the full restoration process, from preparation and cleaning to gluing and modelling, and finally to painting and gilding and provides step-by-step instructions for gluing multiple breaks, filling chips and large missing areas, as well as making lids, teapot spouts, hands, leaves, fingers and handles. Restoration examples are illustrated such as making Beswick horse legs, replacing missing handles on a Chinese jug and painting a Clarice Cliff jug and, finally, vital tricks of the trade are shared throughout and useful tips to setting up a workshop are given.

Over 150 lines of solid-colored dinnerware were produced in the United States from 1930 to 2000. This book focuses on the most popular lines from four major and five minor companies. Homer Laughlin's Fiesta; Taylor, Smith and Taylor; Knowles's Lu-Ray; and Mr. Clemens lines led in popularity. Behind them came Zephyr, Georgette, Sevilla, Romany and Rancho, and Camwood Ivory lines. Each of these companies is fully discussed, with their marks, colors and items identified and valued for today's antiques market.

Warwick China Company has produced some of the most unique and exciting collectible objects found on the market today. For years, collectors have searched for their favorite pieces, and can now delight in this new guide written just for them. Filled with interesting facts and over 300 beautiful color photos of vases, tankard sets, dinnerware and more, this book gives insight into the operations and achievements at Warwick, located in Wheeling, West Virginia. Humorous stories and experiences of former employees are retold by the author, making this an enjoyable and unique reference work. The complete price guide is easy to use and aids the reader and collector in accurately pricing his or her own special finds. Based on first-hand knowledge, this book is an excellent source of information and provides valuable insight into the history of the Warwick China Company.

Beautiful color photographs of over 1,000 paperweights bring to life the authors' passion for collecting these art treasures made of glass and crystal, color and imagination. Paperweights from the 1840s to the 1980s are displayed. The history, development, production techniques, and informative histories of the paperweight makers, glass studios, and independent artists are presented, along with hints for collectors. Museum information, a helpful bibliography, and tips for the care of paperweights round out this enjoyable book, which is packed with stunning artwork for those who love beautiful things.

Decorated peanut butter glasses were made in the 1950s to sell commercially produced peanut butter. The glasses were printed with colorful painted images of flowers, birds, dogs, and specialty images. Most of the images were identified by a label, such as the name of the flower depicted. Their bright colors have attracted a host of collectors. Here is the long-awaited 2nd edition of the ever-popular Peanut Butter Glasses! This expanded edition features more than 100 previously unlisted peanut butter glasses and an extensive look at peanut butter glasses manufactured by companies other than Boscul. Most importantly, current values are provided for these beautiful glasses that are clearly pictured in full color. Check off boxes assist collectors in maintaining personal inventories! New information, new tumblers, and new prices...all in this new 2nd edition! This book catalogs the known decorations by showing both front and back views of each glass. Nearly 1100 color photographs and identifying text tell the whole story. The pictures are arranged alphabetically and a value range is supplied with each piece for easy reference.

Personalized shaving mugs of barber supply catalog quality are what collectors want and what drives this exciting, interesting hobby. This new book concentrates on this beautiful pieces of folk art, in a way that collectors will love and historians will cherish. Filled with beautiful color photographs from some of the most wonderful collections in the world, this book captures and pleases the eye. Besides the mugs, there are examples of the barber bottles and cabinetry that made the historical barbershop one the centers of late nineteenth and early twentieth century America. Important tips for collectors are included, as well as a guide to values. These will help the collector avoid costly mistakes and build a collection of which he or she can be proud.

Over 580 marvelous color photographs never seen before in previous publications display hundreds of Shelley China*TM tableware pieces, tea and coffee sets, vases, and much more, in shapes and patterns much desired by the collecting community. A detailed review of the manufacture of the fine English bone china produced by Shelley Potteries*TM and its predecessors of England's famous Staffordshire potting district is provided in the engaging text, along with a guide to detecting damaged items, a pattern and shape index, and a listing of current market values in the captions. This book is a welcome addition to the collection of any admirer of fine china and strengthens the library of every dedicated Shelley collector.

A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other artforms and culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid to late twentieth-century potters and their liberation from the legacy of groups such as the Arts and Crafts movement. The experimental techniques and rethinking of form in the work of exponents such as Lucie Rie, Bernard Leach, and Hans Coper - whose reference points were drawn from Asia, Africa, India and the Middle East as much as from their own heritage - continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator of Ceramics at the Victoria and Albert Museum, London, provides all lovers of ceramics - collectors, practitioners, historians and those interested in modern and contemporary art and crafts - with the historical context, documenting this shift in the medium into an expressive, and sometimes interventionist, art form.

The Glass Industry in Sandwich is a five volume series of books presenting a factual account of glass produced by the glass companies that were located in Sandwich, Massachusetts, between 1825 and 1922. Included are color photos of over 2300 Sandwich glass objects that have been thoroughly researched and authenticated by Sandwich glass experts Raymond E. Barlow and Joan E. Kaiser, who have worked together for twenty-two years. Recognized by the antiques industry as the "Bible" in its field, this magnificent set of books has become a trusted reference used by glass curators of major museums as well as by early American glass collectors, antiques dealers and auctioneers. Each photo is accompanied by dimensions, approximate time of production, and captions that detail methods of manufacture and sources of documentation. Comparisons are made between objects manufactured in Sandwich glass houses and objects produced in foreign and other American factories. This final volume contains 283 color photos of a variety of objects, from very fine cut and engraved ware to household, commercial, and scientific necessities that came under the heading of "general assortment" when they were marketed in the 1800's. A supplement to Volumes One, Two, Three and Four features objects that were not available for study at the time the books were written. A roster of 1500 employees and their occupations is included as an aid to documentation. There are still bargains to be had for as little as $10 as illustrated by the little-known or previously undocumented pieces pictured in this volume. Extremely rare articles have increased in value to as much as $35,000. Authorities Raymond E. Barlow and Joan E. Kaiser present to you a compendium of glass identifiable and collectable as Sandwich glass. A price guide is available that lists prices for each piece in clear and assorted colors, and updates the prices listed in previously published Barlow-Kaiser price guides.

This reprint of twelve 1972-1983 Blenko Glass Company catalogs is the third in the trilogy covering Blenko's early and middle years. 1983 marks the beginning of the late period when the label was changed. Glass items from the early years of the 1940s through the 1960s have been the most popular with collectors of Blenko Glass, but interest in 1970s items is awakening. Some pieces from the 1970s are already commanding high prices in the secondary markets both on-line and in person. The catalogs are reproduced in their entirety, and a guide to current values for the items is included. John Nickerson and Don Shepherd were staff designers responsible for all of the newly-introduced glass in these catalogs. This volume catalogs their creativity and and its roots in the work of their predecessors, Winslow Anderson, Wayne Husted, and Joel Myers. For the collector and the historian, this is important and interesting information.

Here is the first illustrated retrospective of the storied evolution and continental acceptance of the porcelain pipe. The history of these beautiful pipes is covered in over 145 brilliant photos and detailed, informative text, from their revolutionary introduction as early objets d'art to their eventual eclipse as twentieth century kitsch. While the history, manufacture, and use of clay, meerschaum, and briar tobacco pipes have been thoroughly documented, the authors have now crafted a chronicle about porcelain tobacco pipes. This pipe originated with an eighteenth-century, European design developed in France and in Germany and its production spanned roughly 250 years. Porcelain pipes for student life, sporting coats of arms, commemorating military campaigns, adorned with a wide range of flora and fauna, and much more are illustrated and described. Whether you are a pipe smoker, pipe collector, or someone who appreciates antique and vintage porcelain objects, this vivid narrative is a fascinating read.

Chintz ceramics were introduced in the late 19th century, and rose to great heights of popularity in the first half of the 20th century as they were exported around the world. This classic work, now in its third edition, is better than ever for dealers and collectors. The brilliant floral bouquets adorning chintz ceramics are displayed in nearly 500 gorgeous color photographs. The major English chintz manufacturers, Royal Winton, James Kent, Lord Nelson, Shelley, Crown Ducal, and Empire, are discussed and many examples of their chintz wares are identified and shown. Over one hundred patterns are amply illustrated, including the popular DuBarry, Rosalynde, and Summertime patterns. Lesser known firms and American importers are also explored, along with the Japanese manufacturers of hand-painted chintz. Manufacturers' marks are identified and dated. A value guide is included with newly updated prices.

Initially promoted as "the answer to the housewife's prayer," the gleaming chromium, brass, and copper houseware specialties of the Chase Brass & Copper Co. today stand as icons of American Art Deco style. This book chronicles the entire Specialty line produced by Chase from 1930 to 1942 and profiles the industrial designers who made it possible, including such pioneers as Lurelle Guild, Walter Von Nessen, Russel Wright, and Harry Laylon. An essential reference for Deco collectors, this book features 650 full-color catalog and historical photos, vintage advertising, a complete cross-reference listing, and a price guide. This in-depth look at the unique Chase blend of practicality and streamlined modern design will appeal to all admirers of twentieth-century decorative arts.

283 color photos of American Sandwich glass objects, including fine cut, etched and engraved ware; household, commercial, and scientific glassware; and bottles marketed in the 1800s. A supplement features objects not available when the other 4 volumes in this series were written. A roster of 1500 employees and their occupations is fascinating. Items from $10 to $35,000.