This book provides a detailed classification of all the varieties of dumps, and is unequalled as a collector's guide to these unique English folk art antiques. This book is the most complete guide to English bottle glass dumps, doorstops and paperweights ever published. It contains almost 500 colour photographs ranging from Kilner bubble dumps from the 1830s, to elaborate floral ornaments and sulphide inclusions from the early 1900s. Of particular interest to the serious collector will be the 15 examples of rare garnitures (sets of three dumps), several examples of very rare Redfearn weights, an exceptionally large variety of sulphide inclusions, dumps with coloured glass centres to their flowers, flowers with blue or gold petals, and many other rarities and curiosities. There are examples in green, turquoise, blue, amber and amethyst glass. The book includes information on dump damage and restoration, and how to assess and value dumps, together with a price guide.

An extravagant array of miniature perfume bottles fills these full-color pages, pure rapture for those who love scent, beautiful glasswork, and the mystique of the truly elegant. While collectors of full-sizes perfume bottles have always found a place for a few choice "minis" on their shelves, these are a growing trend to specialize in these little beauties in their own right. From the Victorian era through the beginning of the 20th century, from the world wars through the 1990s, this book has it all! Over 600 brilliant photographs show every detail and each bottle is identified by fragrance, perfumer, size, and era. Significant glassmakers are discussed, and their works are identified. This book has bottle-by-bottle guide to current market values.

Through photographs and anecdotes, Broadway author and director Mark Bramble presents the vast collection of antique tea caddies he and his late mother assembled over more than 5 decades of collecting. Explore the historical and societal atmospheres that engendered such varied styles of caddies and how interest in these treasures, created for storing tea, coincided with the competitive search for the formula to make "true" porcelain. The history behind the tea caddy reinforces the overlap between art and functionality, and how the culture of artistic creation is a random blend of geography, sociology, talent, and luck. In this generous volume, collectors are treated to an endearing reflection on a lifetime hobby of mother and son, whose collection encompasses centuries of worldwide artistic creation.

The glassware made by Bryce, Higbee & Company of Pittsburgh is known for its beauty and quality, yet is misunderstood by even the most knowledgeable collectors. Using original sources, this definitive resource shatters many myths and corrects misconceptions that have persisted for over half a century. The history of the company and the marketing of glassware in the late nineteenth and early twentieth centuries is discussed as well as the difference between the products of Bryce, Higbee & Company and J.B. Higbee Glass Company. Also featured is information on the intended use of the multitude of items made during the Early American Pattern Glass (EAPG) era and lists of items in tableware patterns and novelties made by Bryce, Higbee & Company. Liberally illustrated with more than 500 original catalog images and photos of glassware, this is sure to be a valuable resource for all lovers of glass.

Here is the reference guide to modern Fiesta*TM ceramic tableware that collectors have asked for! Over 480 beautiful color photographs display Fiesta line ceramics produced by the Homer Laughlin China Company*TM since 1986. Table and kitchenware items, lamps, vases, decal decorated Fiesta, children's wares, the Fiesta 2000*TM line, prototypes, test pieces, sample items, and the rare Raspberry Bowl are all presented here. Additionally, the engaging text recounts the work of Jonathan Perry, Homer Laughlin's art director during Fiesta's reintroduction. It provides useful tips for new collectors, values with the captions, additional price tables for ware not displayed, a bibliography, and an index. This book will be welcomed by every Fiesta enthusiast!

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Illustrated with over 690 brilliant color and black and white photos, the engaging text takes readers through the Mid-century Modern glass made in America. The book is divided into two sections, the first on glass manufacturers and the second on glass decorators and designers. Glass manufacturers covered include Bischoff, Blenko, Cambridge, Duncan & Miller, Erickson, Fenton, Fostoria, A.H. Heisey, Morgantown, Paden City, Seneca, and many more. Glass decorators and designers include Stan Fistick, Fred Press, Gay Fad, Ben Seibel, Russel Wright, and Eva Zeisel, among others. Cold glass decorations displayed include painting, decals, cutting, etching, and all other surface decoration. The beautiful wares, in a range of colors and crystal, covered include giftware, stemware, and tableware. Among the giftware items are beautiful vases, candy dishes, smoking items, and all other items not intended for tabletop use. Textured tumblers are also found among the drinkware explored. This book is a must for anyone who appreciates beautiful glass.

Stained glass has long been a part of domestic architecture, but in the late 1800s its popularity soared. In part, this was due to new manufacturing techniques and distribution networks, but also it caught the imagination of Victorian, Art Nouveau, and Arts and Crafts designers around the world. Here over 350 examples of architectural stained glass span several countries and many years. The styles range from Victorian intricacy to the geometry of the Prairie School. This second edition includes etched glass and beveled constructions, in addition to leaded windows. Each piece is illustrated in color, with dimensions and current market values. Today, stained glass, both old and new, is again finding its way into the home. It makes a delightful accent in a transom or a glorious complete wall. This book will help readers understand and appreciate many varieties of old stained glass, and will inspire new work by artists.

A lavishly illustrated collector's volume, this book is a wonderful introduction to the historic and ever-popular line of Wedgwood ceramics called Jasper Ware. The bas-reliefs on matte porcelain grounds make these products instantly recognizable. Featuring fine pieces from private and museum collections, it has been written especially for novice and moderately advanced collectors and concentrates on pieces produced mostly from the mid-nineteenth to the early twentieth centuries. Included are chapters on Wedgwood Jasper history, colors, and marks as well as supplements about Wedgwood Jasper jewelry and the classical mythology used for the bas-relief figures. A significant portion of the book illustrates many of the hundreds of shapes that Wedgwood produced, including biscuit barrels, bud vases, candlesticks, cruet sets, bowls, inkwells, and jardinieres, to name only a few. Over 500 vivid photographs illustrate these shapes, and detailed information as well as current values are included in each caption. This is an important book about a time period in Wedgwood Jasper history that has not been researched before. It will be a welcomed addition to the library of all Wedgwood Jasper enthusiasts.

Here is the first illustrated retrospective of the storied evolution and continental acceptance of the porcelain pipe. The history of these beautiful pipes is covered in over 145 brilliant photos and detailed, informative text, from their revolutionary introduction as early objets d'art to their eventual eclipse as twentieth century kitsch. While the history, manufacture, and use of clay, meerschaum, and briar tobacco pipes have been thoroughly documented, the authors have now crafted a chronicle about porcelain tobacco pipes. This pipe originated with an eighteenth-century, European design developed in France and in Germany and its production spanned roughly 250 years. Porcelain pipes for student life, sporting coats of arms, commemorating military campaigns, adorned with a wide range of flora and fauna, and much more are illustrated and described. Whether you are a pipe smoker, pipe collector, or someone who appreciates antique and vintage porcelain objects, this vivid narrative is a fascinating read.

The contour Coca-Cola bottle is the most recognized package created by man. It has been called an international icon and one of the most significant artifacts of the twentieth century. Of everything that has been written about The Coca-Cola Company, the one error of omission has been the complete and accurate story about the creation of its famous contour bottle and the impact it has made in the world.
Knowing his entire life that it was his father, Earl R. Dean, who designed the bottle, it became the author's mission to get the story told before the truth was forever lost-to set the record straight-not only for his father and his descendants, but for the millions of people all over the world who have enjoyed a romance with his bottle.

A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other artforms and culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid to late twentieth-century potters and their liberation from the legacy of groups such as the Arts and Crafts movement. The experimental techniques and rethinking of form in the work of exponents such as Lucie Rie, Bernard Leach, and Hans Coper - whose reference points were drawn from Asia, Africa, India and the Middle East as much as from their own heritage - continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator of Ceramics at the Victoria and Albert Museum, London, provides all lovers of ceramics - collectors, practitioners, historians and those interested in modern and contemporary art and crafts - with the historical context, documenting this shift in the medium into an expressive, and sometimes interventionist, art form.