This book provides a detailed classification of all the varieties of dumps, and is unequalled as a collector's guide to these unique English folk art antiques. This book is the most complete guide to English bottle glass dumps, doorstops and paperweights ever published. It contains almost 500 colour photographs ranging from Kilner bubble dumps from the 1830s, to elaborate floral ornaments and sulphide inclusions from the early 1900s. Of particular interest to the serious collector will be the 15 examples of rare garnitures (sets of three dumps), several examples of very rare Redfearn weights, an exceptionally large variety of sulphide inclusions, dumps with coloured glass centres to their flowers, flowers with blue or gold petals, and many other rarities and curiosities. There are examples in green, turquoise, blue, amber and amethyst glass. The book includes information on dump damage and restoration, and how to assess and value dumps, together with a price guide.

Zsolnay ceramic art from Hungary, featuring over 400 color photographs, covers the three main periods of Zsolnay production: 1868 to 1897--Folklorism, Historicism, Victorian Eclecticism; 1897 to 1920--Art Nouveau; and Art Deco; and 1920 to the present--Modernism. An entire chapter is devoted to Zsolnay marks to help identify the pieces. There are almost 11,000 different forms of domestic Zsolnay art works; 700 were issued in 1900 alone, and there are many undocumented forms imported in England and America. Along with the charming miniature, green-glazed, multi-figural series that Zsolnay is most identified with today, there is a wealth of earlier pieces to be found. A value range is given for each item in the book.

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Illustrated with over 690 brilliant color and black and white photos, the engaging text takes readers through the Mid-century Modern glass made in America. The book is divided into two sections, the first on glass manufacturers and the second on glass decorators and designers. Glass manufacturers covered include Bischoff, Blenko, Cambridge, Duncan & Miller, Erickson, Fenton, Fostoria, A.H. Heisey, Morgantown, Paden City, Seneca, and many more. Glass decorators and designers include Stan Fistick, Fred Press, Gay Fad, Ben Seibel, Russel Wright, and Eva Zeisel, among others. Cold glass decorations displayed include painting, decals, cutting, etching, and all other surface decoration. The beautiful wares, in a range of colors and crystal, covered include giftware, stemware, and tableware. Among the giftware items are beautiful vases, candy dishes, smoking items, and all other items not intended for tabletop use. Textured tumblers are also found among the drinkware explored. This book is a must for anyone who appreciates beautiful glass.

The contour Coca-Cola bottle is the most recognized package created by man. It has been called an international icon and one of the most significant artifacts of the twentieth century. Of everything that has been written about The Coca-Cola Company, the one error of omission has been the complete and accurate story about the creation of its famous contour bottle and the impact it has made in the world.
Knowing his entire life that it was his father, Earl R. Dean, who designed the bottle, it became the author's mission to get the story told before the truth was forever lost-to set the record straight-not only for his father and his descendants, but for the millions of people all over the world who have enjoyed a romance with his bottle.

A magnificent catalogue of the V&A's collection of twentieth-century and contemporary British ceramics. Contemporary ceramicists working in Britain, including Rachel Kneebone, Grayson Perry and Edmund de Waal, are part of a broader international group of artists experimenting with clay, considering how it intersects and works in dialogue with other artforms and culture at large. Recent experimentation with the medium owes much to the rapid evolution of ceramics into an expanded field, and to the work of mid to late twentieth-century potters and their liberation from the legacy of groups such as the Arts and Crafts movement. The experimental techniques and rethinking of form in the work of exponents such as Lucie Rie, Bernard Leach, and Hans Coper - whose reference points were drawn from Asia, Africa, India and the Middle East as much as from their own heritage - continue to influence and inspire contemporary makers. In his introductory essay, Alun Graves, Senior Curator of Ceramics at the Victoria and Albert Museum, London, provides all lovers of ceramics - collectors, practitioners, historians and those interested in modern and contemporary art and crafts - with the historical context, documenting this shift in the medium into an expressive, and sometimes interventionist, art form.

Dazzling in their bold use of color and wide range of designs, Art Nouveau tiles are enjoying a resurgence in popularity. These international tile designs encompassed striking decorative elements to be used in residences and public buildings. High fired, these tiles retain their original color and beauty despite over one hundred years of use. This book, designed for both the beginning collector and the long time lover of tiles, includes full color examples of over 600 designs. A very useful and beautiful collectors' guide, it provides information about many major tile manufacturers. It is arranged by company and design and contains a guide to market prices, as well as suggestions and tips for tile collectors. Filling a gap in the tile books currently available, this volume provides both the largest collection of single Art Nouveau images published to date, and a concise introduction to the field of tiles. A bibliography contains research sources for more detailed study and information regarding organizations devoted to tile preservation and collection. This is the perfect choice for any lover of ceramic surfaces and those who appreciate and enjoy color and design. It will undoubtedly be instrumental in not only introducing many to the beauty of Art Nouveau design, but also expanding their interest in collecting this amazing art form.

There are few pieces of pottery more recognizable than those designed by Clarice Cliff. For many the epitome of Art Deco, and 1930s style, characterised by bold color and lines, geometric shapes, and stylized representations of the countryside, Clarice Cliff's 'Bizarre' pottery is widely collected all over the world.
This book traces the story of Clarice Cliff and the pottery that she created. Born in 1899 and employed in The Potteries from the age of 13, Clarice was talented, ambitious and resourceful, and in 1927 she was given her own studio at the Newport Pottery, and for the next twelve years she produced a range of designs that were loved by countless ordinary thirties household, and have become icons of the age. Clarice Cliff expert Will Farmer examines each of Clarice's important styles and designs, with the help of a wealth of high quality color illustrations. This is the perfect introduction to this most popular of all British pottery.

Time in a bottle; this is a collection that explores the unlocking of history through the identification of its unique seals, using crests and coats-of-arms as the 'keys' towards identifying the original owner. This three-volume collection examines the evolution of the sealed bottle from the 1640s to the late 1800s and provides a detailed description to accompany each entry, supported by numerous photographs, including the number of examples known, their condition, and the collections where the bottles and detached seals are held. The laying down of wine to improve its quality and longevity related to the social history of the day, the design of the bottles, their evolution and manufacture, are a reflection of the individuals who ordered and used the bottles at home or in the private gentlemen's clubs, much influenced by the historic events of the 17th through to the 20th centuries. Wine consumption has a place in cultural history; these collected bottles existed at times of incredible upheaval and social change. From the early colonial settlements of the New World, into the slave markets of Richmond, VA, New Orleans, Charleston, SC, and Philadelphia, and with the plantation owners who amassed vast wealth and prestige as a result of this trade. In the taverns and coffee houses of London, alongside the bear baiting and cock fighting to be found across the River Thames in Southwark, in the cellars of the Oxford colleges and Inns of Court, these sealed bottles give much information on the early drinking habits of the aspiring and upwardly mobile, and the established aristocracy.

In shops, shrines, homes and gardens throughout Japan, at noisy festivals and in the most serene teahouses, you are likely to encounter the plump, smiling image of Otafuku--a mythic figure from Japan's distant past. With her twinkling eyes and rosy lips, she appears in countless incarnations: on banners, cups and bowls, and in craft, furniture, painting and sculpture. Who is this warm, wonderful lady, whose gentle and calming presence is felt everywhere in Japan? In Otafuku, renowned author Amy Katoh explores in her own inimitable way the colorful world of Otafuku. Katoh traces Otafuku's roots and folk beginnings, showing her many delightful identities, and providing a magical glimpse into this charming and little-known corner of Japanese culture. With a mixture of poems, photographs, anecdotes and stories, she presents a veritable jewel box of surprises that is sure to enchant readers. Today Otafuku is Japan's most influential female icon and is attributed with having many bestowing powers including health, pleasure, success, and the granting of wishes.