This long-awaited book will be a valuable tool for collectors, dealers, and researchers of modern Italian glass. Most comprehensive volumes are written in Italian, and none includes a value guide. This one, in English, includes information and photographs that will make this book a standard reference on the subject. With approximately 700 full color photos of almost 1000 examples of glass from 1900 to 2000, and an emphasis on the highly collectible mid-century period, nearly every company and technique is represented. Company histories, designer biographies, glossary, bibliography, index, and value guide make this an ideal reference book.

Ceramics, made in Japan for export in the late 19th and early 20th centuries, are fascinating collectibles, possessing an almost endless variety of shape and diversity of decoration. In fact, it is rare to fine two pieces matching. Famous Satsuma, Imari, Hirado, Kutani, and other ceramic styles are explored in this new study. Important decorators are identified and their unusually fine craftsmanship is displayed in detail in over 400 color photographs. Their work may be among the finest quality ornamentation on ceramics anywhere in the world, and they are surprisingly affordable. From tea vessels to flower vases and table ornaments, these ceramic masterpieces provide beautiful interior design accents and historical connections between Asian and Western cultures.

This is an expansive introduction to the popular ceramics produced by the prolific Hall China Company of East Liverpool, Ohio, beginning in 1903. Over 600 brilliant color photographs display these popular pottery wares, ranging from coffee pots and mixing bowls to refrigerator wares and teapots, in both solid color glazes and beautiful decorations including Autumn Leaf, Crocus, Silhouette, and many more. A history of the company, manufacturer's marks, an extensive bibliography, an index, and current market values are included in this fascinating study of one of America's most prolific pottery companies. This book is a must for every collector of twentieth century ceramics.

Return to an earlier time, a more elegant age, when celery vases, stands, glasses, uprights, and jars graced nineteenth century Victorian and early twentieth century tables. Over 350 beautiful images display vintage cut, pattern, and art glass celeries. These images are arranged by celery vase form, including those with and without stems and by stem and bowl shapes. A wide variety of decorative techniques are displayed and discussed. The detailed text explains different decorative techniques, shapes, and motifs, and identifies the glass manufacturers involved. Additionally, it provides a detailed glossary, bibliography, and index. Values are found in the captions. This book will be a treasure to all who love and collect vintage glass.

Featuring 352 color photos of beautiful glassware and 67 black and white historical photos and catalog pages, this is one of the most authoritative volumes documenting this prolific firm. Dazzling tableware, tumblers, condiments, and more are displayed in many of their popular glass patterns, including Eyewinker, Reverse torpedo, Alexis, Klondike, Onyx, and Floradine. Sweetheart, Crown, Two Post, Delaware, and Oklahoma lamps are also featured. Among the highly sought novelties illustrated are the Snowball Wine Set, Mrs. Snowball, Clown Decanter, Parrot Decanter, and the novelty pitchers Bicycle Girl, Bringing Home the Cows, Squirrel, and Three Birds. The text provides a detailed history of the company, from its founding in West Virginia through its time as a part of the National Glass Company. Values are provided in the captions. This book is a must for all who enjoy, collect, and study beautiful glassware.

It is said that art is a universal language and this book communicates eloquently, revealing to the reader hundreds of antique, hand-painted pieces of Limoges porcelain, each an exquisite masterpiece. Over 400 beautiful, full color photographs show stunning examples of hand-painted jardiniAres, punch bowls, spittoons, dinnerware, cups and saucers, cake plates, and more. Limoges boxes are highly collectible today and there is a special section devoted to these lovely, useful objects, each as unique as the talented individual who painted it. The thorough yet concise text defines the arduous process of hand painting on china that has been passed down through the centuries. This is the first book to provide names and biographical information of individual, female, American china painters and highlights their accomplishments and contributions to the art of painting on porcelain. The comprehensive marks section of Limoges and reproduction marks makes this book an invaluable reference and resource guide. Values for every item are included in the captions.

The glassware made by Bryce, Higbee & Company of Pittsburgh is known for its beauty and quality, yet is misunderstood by even the most knowledgeable collectors. Using original sources, this definitive resource shatters many myths and corrects misconceptions that have persisted for over half a century. The history of the company and the marketing of glassware in the late nineteenth and early twentieth centuries is discussed as well as the difference between the products of Bryce, Higbee & Company and J.B. Higbee Glass Company. Also featured is information on the intended use of the multitude of items made during the Early American Pattern Glass (EAPG) era and lists of items in tableware patterns and novelties made by Bryce, Higbee & Company. Liberally illustrated with more than 500 original catalog images and photos of glassware, this is sure to be a valuable resource for all lovers of glass.

This is the greatest collection of tea and coffee pots, beverage sets, and hot water pots, made by the prolific Hall China Company ever displayed in a single volume! From the company\s establishment in 1903 until today, Hall China, of East Liverpool, Ohio, has produced a vast array of innovative pots in forms and with decorations that kept up with the times. Many are displayed here among 845 beautiful color photos. Included are early gold and platinum decorations; the "Art Deco," "Novelty," "Victorian," and Brilliant series; early decals; Gold Label; 1960s decorations; special shapes made for various companies including Lipton Tea, McCormick Tea, and others; and designs by renowned artist Eva Zeisel. \nThe informative text includes vessel shapes, sizes, colors, and historical information, along with a detailed bibliography, a Names Cross Reference, and values in the captions.

This new edition is a valuable aid when used in conjunction with eight important books that picture Frederick Carder's Steuben glass. The easy-to-use tabulated format cross references the line drawings of shapes found in Paul Gardner's classic book The Glass of Frederick Carder (reprinted by Schiffer Publishing), auction records from the last eleven years, and references to photographs in the eight books cited. This revised second edition features a greatly expanded photo section with over 100 new photos; drawings of over 60 new glass shapes found in the archives of the Rakow Research Library at the Corning Museum of Glass in Corning, New York; and a new chapter on Steuben candlesticks. It also expands the auction results from about 2,000 to over 8,500, and includes additional auction houses not covered in the first edition. Curators, historians, glass dealers, scholars, and collectors alike owe a round of applause to Marshall Ketchum for this precise, important, and now updated reference work; this book will make their jobs much easier.

This is the only book on the highly attractive, hand-decorated Chameleon Ware pottery from George Clews & Co. Ltd. in Tunstall, England. The company's finest work was made in the 1930s, but production started early in the century. This ware was exclusive when originally sold and its beautiful colors and exciting designs are now increasingly appreciated by discerning collectors. Colorful and informative, this book charts the history of George Clews' pottery during its fifty-five year existence, and gives a clear guide to collecting Chameleon Ware. Illustrated with over 250 color photographs, it includes a list of all known patterns with identifying numbers and a current price guide. This is an indispensable handbook for art pottery lovers.

Meet the people behind Hagen-Renaker Pottery and enjoy their artistry as this book delves into a behind-the-scenes look at this unique and creative company that has produced fine ceramics since 1946. Realistic and whimsical clay animal figurines are featured in over 480 beautiful color photos creations from Hagen-Renaker. Horses, dogs, frogs, ducks, and more are professionally crafted by the company's talented artists. Highly valued as collectibles, these charming figures were made to be admired. A price guide, information on other potteries of the time, and a look at some Hagen-Renaker imitations are included.

Possibly the most popular single pattern of ceramic dishes is Willow Ware and this new book tells its complete story. Stemming from ancient Chinese origins, the blue transfer pattern became standardized in the early nineteenth century in England and has gone on to be interpreted in many variations to the present in America, Europe and Asia. Today, collectors can find examples in many markets of old and new wares, so their search is often happily rewarded. This book will enable them to sort out the makers, dates, marks and range of values they encounter. Hundreds of clear color photographs show the many styles and range of quality. The price guide reflects the current market.

Here is an exciting new field of collecting! Anchor Hocking produced many unique glass bottles over the years to commemorate retirements, high school graduations, historical events, centennials, plant expansions, performance awards, and conventions. Over 150 beautiful color photos display unique examples of commemorative bottles made by Anchor Hocking between 1905 and 1982. Various styles and shapes, perfect and imperfect, are presented along with historical accounts of their production. Enjoy this fascinating piece of glass history and discover the beauty of these collectible items.

This new and improved edition is an essential and invaluable resource for every glass enthusiast, collector, researcher, and historian. It contains over 4,200 alphabetized definitions of glassware, colors, processes, materials, forms, decorative styles, pattern motifs, noted artisans, companies, and designers, from antiquity to the present. The glass world now has an necessary resource that remains up-to-date and unique in its field. This clear, concise, and easily readable guide includes both highly technical jargon and common terminology. The thorough use of cross-referencing between related subjects provides an extensive overview of specific glass-related topics.

Over 1150 beautiful color images and historical photographs display the dazzling variety of ceramic wares produced at the famous Cauldon Pottery Works of Staffordshire, England, by the venerable firm Brown-Westhead, Moore & Company. Over one hundred years of Staffordshire pottery production and changing decorative styles are displayed, including table and tea sets decorated in blue and white, flow blue, and multiple colored transfer prints; ornate majolica centerpieces, jardinieres, and garden seats; elegant fine bone china vases, utilitarian ewers, and basins; and decorative tiles. \n The definitive text provides a detailed history of Brown-Westhead, Moore & Company, descriptions of the wares and the artists who produced them, a detailed bibliography, numerous appendices, and an index. Current market values are found in the captions. This book will be an important reference for all concerned with Staffordshire pottery.

This book explores porcelain wares produced by the Reinhold Schlegelmilch Porcelain Factory [marked R. S. Prussia], of Suhl, Germany, and sold to America from 1888 through 1900. The wonderfully molded and decorated plates and platters, tea sets, pitchers, clocks, and decorative objects are described with over 760 beautiful color images. An entire chapter is devoted to the company's charming toy china sets. Displayed are wares formed from a variety of molds (including Fleur-de-Lis and Melon) and patterns (outline transfer, King George, and Coraline patterns, to name a few). Newly discovered mold patterns are included, along with a history of the company's early operations, wholesale and trade catalog pages illustrating wares exported to the United States, the manufacturer's marks employed during this early period, a bibliography, and several appendices. This book will guide all collectors of Victorian porcelain to recognize the early pieces marked R. S. Prussia.

Before the age of Pyrex*TM and plastic, attractive, utilitarian, enameled metal wares adorned kitchens and homes throughout Europe and America. Decorative and durable, enameled ware was made for almost every household purpose - brewing, storing, food preparation, cooking, serving, toting, pouring, and washing. This handsome book showcases, identifies, and explains the myriad of uses that enameled ware provided from the 1880s to the 1940s. Decorations abound - from plain and simple to bold geometrics and lively florals. Many of the most desirable patterns and designs, including the highly collectible End of the Day, Chrysolite, and the coveted cobalt blue pieces are featured here. Today, they provide charming vintage decoration to brighten interior and garden spaces alike. This book will be cherished by beginning collectors and seasoned decorators familiar with two previous books on the subject by the same author. The book includes over 475 color photos with identifying captions and values for the collector, dealer, decorator, and designer.

California-based Gladding, McBean & Co. began producing Franciscan dinnerware in the 1930s. Their introduction of Franciscan Apple in 1940 heralded a new product line featuring heavily sculpted, embossed dinnerware hand-decorated in brilliant colors. Desert Rose, introduced a year later, became the top selling dinnerware pattern in the world. Many additional patterns were produced through 1984, when the Franciscan plant in Glendale, California was closed. This comprehensive guide focuses solely on Franciscan hand-decorated embossed dinnerware manufactured in the United States and includes Apple, Desert Rose (and its three variations), Wild Flowers, Ivy, Fruit, California Poppy, October, Forget-Me-Not, Strawberry Fair, Strawberry Time, Fresh Fruit, Bountiful, Rosette, and Bouquet. Over 430 color photos illustrate these highly collectible pieces while the captions provide values, sizes, and other information for each pattern. An extensive company history and detailed shape listings are included. This is the complete reference for collectors of Franciscan hand-painted embossed dinnerware.

Paperweights that were made in Scotland from 1835 to the present are a wonderful part of glass history. In this beautiful book, Scottish paperweights are displayed in nearly 400 full-color photographs together with a discussion of the major weight-makers and glass houses. The important Ysart Family is thoroughly presented along with other makers: Holyrood Flint Glass Works, Vasart, Strathearn Ltd, Perthshire, Caithness, Edinburgh Crystal, Harland, John Deacons, Crieff, MacIntosh Glass, William and Willie Manson. Fakes, copies, and reproductions are fully discussed and the text includes a substantial glossary of weight-making terms and a price guide.

This inclusive guide provides a detailed look at the beautiful Blue Ridge China wares produced by Southern Potteries of Erwin, Tennessee, from 1938 through 1957. Over 1400 color photographs display the hand decorated wares, including items never before displayed in any text! The authors have provided nearly 1400 new color photographs and much new information, for both the seasoned collector and newcomers to this fascinating collecting field. Also included are personal reminiscences and photos from Southern Potteries workers, information and photographs concerning the advertising wares and granny bowls produced by Clinchfield China (Southern Potteries predecessor), an exploration of many of the hand painted patterns produced for Blue Ridge China wares, and numerous examples of the company's manufacturer's marks. Additionally, modern spin off lines found in Erwin, Tennessee, today are also displayed. Values for the wares shown are found in the captions. A general price guide listing is also provided. An index rounds out this thorough presentation.

Archimede Seguso (1909-1999), one of the great Muranese masters, took traditional glassmaking techniques to extremes. His introduction of merletto lacework technique at the Venice Biennale of 1952 turned heads. His secret for embedding fine lacy threads of glass was never shared. Rather than apply the filigree to the surface of vessels as was traditionally done, Seguso floated these delicate wisps of color inside the glass. Archimede Seguso was also a sculptor. His preference for solid glass and love of nature resulted in a glass menagerie of feathered, scaled, and furry creatures. In the late 1950s he debuted with an array of alabastro figurals mimicking natural white alabaster, as well as the stone in delicious colors. This book, the first on the subject written in English, shows the full array of his extraordinary work in almost 500 full color photos from collections around the world. With focus on the 1950s and the Venice Biennales, his designs for decanters, vases, bowls, and animal sculpture from the period are shown with detailed captions and a price guide. This book also includes a history, bibliography, index, and illustrated glossary of terms.

The first reference book to provide a detailed account of the Pyroceram*R cookware, developed at Corning by Donald Stookey and marketed in 1958. This special Pyroceram*R material was first used on military missile nose cones, and because of its durability, it was felt to be a great medium for the kitchen, too. Easily taken from the freezer, used in the oven, microwave, or on the range, it was beautiful enough to be served at the table. After a meal, it went straight to the dishwasher. The cookware saved many steps for the consumer. 60 plus patterns are listed and shown in over 400 color photos. Reprints of catalogs, brochures, and historical material, and a detailed bibliography provide much additional information. All information was carefully compiled from original catalogs and reprints, company brochures, trade journals, company advertising, auction lists, eBay, and the shared extensive experience of many dedicated dealers and collectors. An index gives easy access to material.

In the 1950s, the Wade potteries of England and Ireland became famous for the miniature ceramic figurines sold under the Whimsies name. Decades later, Wade is still producing Whimsies and they are popular with collectors of all ages. Over 800 striking illustrations, mostly in color, detail the sets of Whimsies, along with their presentation boxes, advertising literature, and flyers. Over 160 black and white photos display the Wade makers' marks. The Tom Smith Party Cracker figurines, miniature village sets, premiums, and promotional figures are depicted and color and size variations are noted. Current values are found in both US dollars and UK pounds. Everyone who enjoys ceramic miniatures will treasure this book.

Collecting and displaying souvenir plates first became a passion in 1893, a passion still very much alive today. Over 560 color photos illustrate this survey of souvenir plates dating back to the 1800s. The views of prominent potters such as Adams & Company, Wedgewood, and Wood and Sons are included. Short histories are provided for each manufacturers or importer to which specific views are attributed. A list of views is also provided, using the name given to the view by each manufacturer whenever possible, and including additional information on border designs, unusual features, color, and size when possible. Information on recent oriental imports similar to older souvenir plates are also discussed.

The Hagen-Renaker pottery company of California was founded in the garage of John and Maxine Renaker in the mid-1940s. They vigorously pursued the dream of having their own pottery company, creating appealing, yet affordable, figurines, along with a few table pieces. Their dream blossomed into reality, and the business has grown over the years, a testament to the desirability and durability of their creations. Here are the unique products the company produced as it grew, illustrating how it and the designers who worked there evolved and matured. It presents hundreds of charming Hagen-Renaker creations, from their realistic horses to whimisical or stylized animals in many varieties. Also included are some fabulous test pieces, a chapter dedicated to identifying and dating Hagen-Renaker pieces, and a current price guide. This invaluable guide identifies the period in which these items were created, and gives tips for recognizing Hagen-Renaker models and the imitations that have followed.