Graceful okimono figures in many forms, dating from the nineteenth and early twentieth centuries, are the primary focus of this book, while scholar's brush holders and wrist rests, cricket cages, card cases, match holders, sword hilts, and scabbards are also presented. Finely carved ivory from China and Japan is featured here, along with artist's signatures, in over 600 beautiful photos. An engaging text explores the history of the ivory trade from East to West, quoting nineteenth century European travelers' encounters with Japanese ivory carvers and merchants. Folk tales provide insight into many of the figural characters represented and beliefs they personify. This book will be treasured by all who enjoy finely crafted art.

Return to an earlier time, a more elegant age, when celery vases, stands, glasses, uprights, and jars graced nineteenth century Victorian and early twentieth century tables. Over 350 beautiful images display vintage cut, pattern, and art glass celeries. These images are arranged by celery vase form, including those with and without stems and by stem and bowl shapes. A wide variety of decorative techniques are displayed and discussed. The detailed text explains different decorative techniques, shapes, and motifs, and identifies the glass manufacturers involved. Additionally, it provides a detailed glossary, bibliography, and index. Values are found in the captions. This book will be a treasure to all who love and collect vintage glass.

An extravagant array of miniature perfume bottles fills these full-color pages, pure rapture for those who love scent, beautiful glasswork, and the mystique of the truly elegant. While collectors of full-sizes perfume bottles have always found a place for a few choice "minis" on their shelves, these are a growing trend to specialize in these little beauties in their own right. From the Victorian era through the beginning of the 20th century, from the world wars through the 1990s, this book has it all! Over 600 brilliant photographs show every detail and each bottle is identified by fragrance, perfumer, size, and era. Significant glassmakers are discussed, and their works are identified. This book has bottle-by-bottle guide to current market values.

Volume 3 of this comprehensive, multi-volume work includes over 1100 brilliant color photographs of Staffordshire figures portraying animals and animal entertainment, dandies, death, and murder. Among the menagerie of animals presented are cats, dogs, and a host of wild animals and farm animals. There is also valuable information about the makers and design sources, along with a values guide. This impressive series catalogs the enormous range of enamel-painted figures made predominantly in the Staffordshire Potteries between 1780 and 1840. Many of these figures are hauntingly beautiful and have long been hidden from the public eye. Fashioned in an era before photography, they give us rare glimpses of a world that has vanished. To hold one is to touch the past.

Situated in Morgantown, West Virginia, the Seneca Glass Company (1891-1983) manufactured over 1,000 hand-blown and hand-cut crystal glassware patterns--that's more than any other glass company worldwide! This beautifully illustrated book showcases Seneca glasswares produced during the Victorian era, Depression years, and contemporary times in over 750 superior color photos. It gathers an amazing assortment of stem, bar, and tableware; rare, early, unusually large, and colored pieces; unbelievable place settings, and much more. Original company catalog pages and advertisements (vital for pattern identification), information on company history and years of production, a look at the techniques and necessary tools in glass making, a tour of the Seneca factory museum display, a price guide, and an index make this book the first to document the company's entire production range.

Indisputably the largest and most comprehensive book available on Noritake, more than 1,000 pieces in classical, Art Nouveau, and Art Deco styles with both luster and non-luster finishes are presented, as well as a wide variety of post-war bone china figurines and recent collector-series items such as Valentine's Day hearts and Easter eggs. The time span covered is greater than any other book in this field, including non-dinnerware "Noritake"-marked porcelains made between 1908-1995. Most of the items presented in this comprehensive volume have never before been seen in books on this subject. Chapters reviewing the history of the Noritake Company and trends in Noritake collecting, as well as photos of extremely rare pages from Noritake sales books are included. A comprehensive essay regarding the identification of Noritake backstamps with exclusive full-color photos of each stamp round out the book. The high-quality photographic materials are very clearly and carefully organized, making the book extremely easy to use as a reference tool for both novices and experts.

This is the only book on the highly attractive, hand-decorated Chameleon Ware pottery from George Clews & Co. Ltd. in Tunstall, England. The company's finest work was made in the 1930s, but production started early in the century. This ware was exclusive when originally sold and its beautiful colors and exciting designs are now increasingly appreciated by discerning collectors. Colorful and informative, this book charts the history of George Clews' pottery during its fifty-five year existence, and gives a clear guide to collecting Chameleon Ware. Illustrated with over 250 color photographs, it includes a list of all known patterns with identifying numbers and a current price guide. This is an indispensable handbook for art pottery lovers.

A combination of original Blenko catalog pages and photographs, this book completes the Blenko "story," covering the much sought after early designs and the later designs readily available to collectors. The first three color catalogs -- designed by Wayne Husted in 1959, 1960, and 1961 -- show some of the best of Blenko's early glass production, and these are featured in this latest Blenko book. The year 1983 marked the beginning of the "late" period when the label was changed from the silver foil hand to the square with large B and red dot. The early years of the 1940s through the 1960s have been the most popular with collectors of Blenko Glass. However, interest in later Blenko has already awakened with the other Schiffer books on Blenko and with exposure on PBS videos. For the collector, current market values of this beautiful glass are included. Don Shepherd, Hank Adams, and Matt Carter were the staff designers responsible for all of the later glass in the catalogs. Many of their designs were inspired by those of their predecessors - those great designers of "cool 50s and 60s glass" - Winslow Anderson, Wayne Husted, and Joel Myers. Others are bound to become classics on their own merits.

Ceramics, made in Japan for export in the late 19th and early 20th centuries, are fascinating collectibles, possessing an almost endless variety of shape and diversity of decoration. In fact, it is rare to fine two pieces matching. Famous Satsuma, Imari, Hirado, Kutani, and other ceramic styles are explored in this new study. Important decorators are identified and their unusually fine craftsmanship is displayed in detail in over 400 color photographs. Their work may be among the finest quality ornamentation on ceramics anywhere in the world, and they are surprisingly affordable. From tea vessels to flower vases and table ornaments, these ceramic masterpieces provide beautiful interior design accents and historical connections between Asian and Western cultures.

This is an expansive introduction to the popular ceramics produced by the prolific Hall China Company of East Liverpool, Ohio, beginning in 1903. Over 600 brilliant color photographs display these popular pottery wares, ranging from coffee pots and mixing bowls to refrigerator wares and teapots, in both solid color glazes and beautiful decorations including Autumn Leaf, Crocus, Silhouette, and many more. A history of the company, manufacturer's marks, an extensive bibliography, an index, and current market values are included in this fascinating study of one of America's most prolific pottery companies. This book is a must for every collector of twentieth century ceramics.

Possibly the most popular single pattern of ceramic dishes is Willow Ware and this new book tells its complete story. Stemming from ancient Chinese origins, the blue transfer pattern became standardized in the early nineteenth century in England and has gone on to be interpreted in many variations to the present in America, Europe and Asia. Today, collectors can find examples in many markets of old and new wares, so their search is often happily rewarded. This book will enable them to sort out the makers, dates, marks and range of values they encounter. Hundreds of clear color photographs show the many styles and range of quality. The price guide reflects the current market.

In his third book, Christer Loefgren expands the scholarship on imperial Chinese porcelain with a radical, new interpretation of the term "Mark and Period". From identifying only marks on imperial porcelain, to looking at objects associated with those marks, his analysis will change imperial porcelain's image and significantly contribute to the knowledge base of Chinese porcelain experts and collectors. For the first time, it is now possible to group all imperial items in all these periods, from Ming to the end of the Qing period. Based on a database of over 5000 items and marks, this survey provides statistics which make it possible to go deeper into identifying which items and marks are "Mark and Period", copies, or counterfeits. Also available: Chinese Imperial Reign Marks ISBN 9789198465181

Covering the years 1950 to 1970, this fascinating book provides a detailed look at the Fire King pitchers and glasses produced by the venerable Anchor Hocking glass company, established in 1905 and still in business today. Over 350 color photographs beautifully display these Fire King wares, ranging from Tilt Ball and juice pitchers to frosted glasses and cocktail sets. The succinct text describes the evolution of Anchor Hocking pitcher design and teaches collectors how to differentiate Anchor Hocking from similar companies' glassware. Catalog pages are included, along with an index, and current market values in the captions.

Featuring 352 color photos of beautiful glassware and 67 black and white historical photos and catalog pages, this is one of the most authoritative volumes documenting this prolific firm. Dazzling tableware, tumblers, condiments, and more are displayed in many of their popular glass patterns, including Eyewinker, Reverse torpedo, Alexis, Klondike, Onyx, and Floradine. Sweetheart, Crown, Two Post, Delaware, and Oklahoma lamps are also featured. Among the highly sought novelties illustrated are the Snowball Wine Set, Mrs. Snowball, Clown Decanter, Parrot Decanter, and the novelty pitchers Bicycle Girl, Bringing Home the Cows, Squirrel, and Three Birds. The text provides a detailed history of the company, from its founding in West Virginia through its time as a part of the National Glass Company. Values are provided in the captions. This book is a must for all who enjoy, collect, and study beautiful glassware.

The glassware made by Bryce, Higbee & Company of Pittsburgh is known for its beauty and quality, yet is misunderstood by even the most knowledgeable collectors. Using original sources, this definitive resource shatters many myths and corrects misconceptions that have persisted for over half a century. The history of the company and the marketing of glassware in the late nineteenth and early twentieth centuries is discussed as well as the difference between the products of Bryce, Higbee & Company and J.B. Higbee Glass Company. Also featured is information on the intended use of the multitude of items made during the Early American Pattern Glass (EAPG) era and lists of items in tableware patterns and novelties made by Bryce, Higbee & Company. Liberally illustrated with more than 500 original catalog images and photos of glassware, this is sure to be a valuable resource for all lovers of glass.

It is said that art is a universal language and this book communicates eloquently, revealing to the reader hundreds of antique, hand-painted pieces of Limoges porcelain, each an exquisite masterpiece. Over 400 beautiful, full color photographs show stunning examples of hand-painted jardiniAres, punch bowls, spittoons, dinnerware, cups and saucers, cake plates, and more. Limoges boxes are highly collectible today and there is a special section devoted to these lovely, useful objects, each as unique as the talented individual who painted it. The thorough yet concise text defines the arduous process of hand painting on china that has been passed down through the centuries. This is the first book to provide names and biographical information of individual, female, American china painters and highlights their accomplishments and contributions to the art of painting on porcelain. The comprehensive marks section of Limoges and reproduction marks makes this book an invaluable reference and resource guide. Values for every item are included in the captions.

Paperweights that were made in Scotland from 1835 to the present are a wonderful part of glass history. In this beautiful book, Scottish paperweights are displayed in nearly 400 full-color photographs together with a discussion of the major weight-makers and glass houses. The important Ysart Family is thoroughly presented along with other makers: Holyrood Flint Glass Works, Vasart, Strathearn Ltd, Perthshire, Caithness, Edinburgh Crystal, Harland, John Deacons, Crieff, MacIntosh Glass, William and Willie Manson. Fakes, copies, and reproductions are fully discussed and the text includes a substantial glossary of weight-making terms and a price guide.

This new edition is a valuable aid when used in conjunction with eight important books that picture Frederick Carder's Steuben glass. The easy-to-use tabulated format cross references the line drawings of shapes found in Paul Gardner's classic book The Glass of Frederick Carder (reprinted by Schiffer Publishing), auction records from the last eleven years, and references to photographs in the eight books cited. This revised second edition features a greatly expanded photo section with over 100 new photos; drawings of over 60 new glass shapes found in the archives of the Rakow Research Library at the Corning Museum of Glass in Corning, New York; and a new chapter on Steuben candlesticks. It also expands the auction results from about 2,000 to over 8,500, and includes additional auction houses not covered in the first edition. Curators, historians, glass dealers, scholars, and collectors alike owe a round of applause to Marshall Ketchum for this precise, important, and now updated reference work; this book will make their jobs much easier.

This is the greatest collection of tea and coffee pots, beverage sets, and hot water pots, made by the prolific Hall China Company ever displayed in a single volume! From the company\s establishment in 1903 until today, Hall China, of East Liverpool, Ohio, has produced a vast array of innovative pots in forms and with decorations that kept up with the times. Many are displayed here among 845 beautiful color photos. Included are early gold and platinum decorations; the "Art Deco," "Novelty," "Victorian," and Brilliant series; early decals; Gold Label; 1960s decorations; special shapes made for various companies including Lipton Tea, McCormick Tea, and others; and designs by renowned artist Eva Zeisel. \nThe informative text includes vessel shapes, sizes, colors, and historical information, along with a detailed bibliography, a Names Cross Reference, and values in the captions.

The first reference book to provide a detailed account of the Pyroceram*R cookware, developed at Corning by Donald Stookey and marketed in 1958. This special Pyroceram*R material was first used on military missile nose cones, and because of its durability, it was felt to be a great medium for the kitchen, too. Easily taken from the freezer, used in the oven, microwave, or on the range, it was beautiful enough to be served at the table. After a meal, it went straight to the dishwasher. The cookware saved many steps for the consumer. 60 plus patterns are listed and shown in over 400 color photos. Reprints of catalogs, brochures, and historical material, and a detailed bibliography provide much additional information. All information was carefully compiled from original catalogs and reprints, company brochures, trade journals, company advertising, auction lists, eBay, and the shared extensive experience of many dedicated dealers and collectors. An index gives easy access to material.

Archimede Seguso (1909-1999), one of the great Muranese masters, took traditional glassmaking techniques to extremes. His introduction of merletto lacework technique at the Venice Biennale of 1952 turned heads. His secret for embedding fine lacy threads of glass was never shared. Rather than apply the filigree to the surface of vessels as was traditionally done, Seguso floated these delicate wisps of color inside the glass. Archimede Seguso was also a sculptor. His preference for solid glass and love of nature resulted in a glass menagerie of feathered, scaled, and furry creatures. In the late 1950s he debuted with an array of alabastro figurals mimicking natural white alabaster, as well as the stone in delicious colors. This book, the first on the subject written in English, shows the full array of his extraordinary work in almost 500 full color photos from collections around the world. With focus on the 1950s and the Venice Biennales, his designs for decanters, vases, bowls, and animal sculpture from the period are shown with detailed captions and a price guide. This book also includes a history, bibliography, index, and illustrated glossary of terms.

This attractive pocket guide presents the story of Carnival Glass, with a chapter giving an overview of how Carnival Glass has endured. Included are brief histories of Dugan, Fenton, Imperial, Millersburg, and Northwood. Over 200 beautiful color photographs will teach you how to identify classic Carnival Glass patterns as well as contemporary Carnival Glass pieces, along with the values you can expect to see in today's marketplace. For anyone who enjoys the beauty of the classic patterns or for those who appreciate the timeless appeal of more recent iridised glass, this book is a must.

This gorgeous book showcases more than 600 Vaseline glass items made from the mid-1800s to the present day. Shown in full color are eye-catching fluorescent vases, pitchers, salts, bowls, lamps, goblets, baskets, epergnes, perfumes, and many other forms of this unique glass. Informative captions provide pattern names, circa dates, manufacturers where known, dimensions, and current values. Also features background information on the history and production of Vaseline glass, how to recognize reproductions, a glossary, and tips for purchasing and displaying your collection. A beautiful reference that will be enjoyed for many years to come!

Over 440 vivid color images display the wide range of ceramics produced by the English pottery firm, established by Josiah Spode in the 1760s and continuing today. From historic blue and white transfer printed wares of the early 1800s to popular dinnerware patterns of the 1900s, this book includes sprig decorated wares, delicate bone china table and tea sets, graceful figurines, and sturdy stoneware candlesticks and loving cups. The famous and much coveted patterns represented include Willow, Rosebud Chintz, Patricia, and Tower. \nOrganized by periods of production, the fascinating text provides a history of the Spode firm through the centuries and its various name changes. Included are techniques for dating Spode ceramics, makers marks, a bibliography, and index. Values are found in the captions. This book is a must for everyone who appreciates fine English ceramics.

Over 1150 beautiful color images and historical photographs display the dazzling variety of ceramic wares produced at the famous Cauldon Pottery Works of Staffordshire, England, by the venerable firm Brown-Westhead, Moore & Company. Over one hundred years of Staffordshire pottery production and changing decorative styles are displayed, including table and tea sets decorated in blue and white, flow blue, and multiple colored transfer prints; ornate majolica centerpieces, jardinieres, and garden seats; elegant fine bone china vases, utilitarian ewers, and basins; and decorative tiles. \n The definitive text provides a detailed history of Brown-Westhead, Moore & Company, descriptions of the wares and the artists who produced them, a detailed bibliography, numerous appendices, and an index. Current market values are found in the captions. This book will be an important reference for all concerned with Staffordshire pottery.