The first comprehensive study of the most important ceramic innovation of the 19th century Colorful, wildly imaginative, and technically innovative, majolica was functional and aesthetic ceramic ware. Its subject matter reflects a range of 19th-century preoccupations, from botany and zoology to popular humor and the macabre. Majolica Mania examines the medium's considerable impact, from wares used in domestic settings to monumental pieces at the World's Fairs. Essays by international experts address the extensive output of the originators and manufacturers in England-including Minton, Wedgwood, and George Jones-and the migration of English craftsmen to the U.S. New research including information on important American makers in New York, Baltimore, and Philadelphia is also featured. Fully illustrated, the book is enlivened by new photography of pieces from major museums and private collections in the U.S. and Great Britain.

"Magnificent color, skilled craftsmanship and creative design make Blenko America's most colorful name in glass," touted a Blenko catalog advertisement. First begun in the late nineteenth century in Milton, West Virginia, Blenko remains one of the few glass factories in the United States where modern hand-blown glass is still in production. Recently, Blenko glass designs from the 1950s and 1960s have caught collectors' eyes. This book presents an exact, full-color reprinting of the yearly Blenko company catalogs from 1962 through 1971, thus offering a complete, well-illustrated record of Blenko glass products, including original retail prices and current market values. This book is most useful for the dealers and collectors of glass who appreciate the beauty and "timely glass design" of Blenko.

This is the first major book on English blue and white porcelain since the early 1970s. Not only is it the latest and most up-to-date work, but it includes types not previously studied and extends the range of wares into the early years of the nineteenth-century. It is a unique, comprehensive study. The number of instructive illustrations exceeds seven hundred, including helpful comparison photographs and details of identifying features - footrims, handle forms, manufacturing characteristics and marks. Apart from introductory chapters on collecting blue and white and on the introduction and development of this popular mode of decoration, this unique coverage comprises details of over twenty distinct makes, including the relatively newly researched eighteenth century factories at Isleworth, Limehouse and Vauxhall. The inclusion of the several post-1790 factories covers new ground. The section on fakes and reproductions will also prove instructive and helpful. Guidance is given on the popularity o

Rene Lalique was one of the giants of twentieth-century decorative arts. Born in 1860, early artistic talent led to an apprenticeship with Paris goldsmith Louis Aucoc. By 1885, Rene had established his own workshop and for the next twenty years he designed and made jewelry of great originality and beauty. He became famous across the world for his jewelry, but before the turn of the century he began experimenting with glass. It is for his glass that Lalique is most famous today.
In 1907, Lalique met the perfume manufacturer Francois Coty, and this led to the design and production of fine art perfume bottles on a grand scale. But Lalique's glass would not be confined to ladies' dressing tables, his repertoire including vases, lighting, clocks, car mascots, several architectural commissions and more, much of it in the Art Deco idiom, of which Lalique was one of the masters. Rene Lalique died in 1945, but the firm he founded was continued by his son Marc, and then his daughter Marie-Claude who heads the firm today.
This highly illustrated history of Lalique celebrates the extraordinary jewelry and glass of Rene Lalique, and the glass of the Lalique company up to the present day.

In this fascinating volume, china-ware expert Geoffrey Godden shows how collectable and decorative New Hall Porcelain is. The factory produced over three thousand patterns which served to enhance a long series of attractive yet very functional forms. They were welcomed for their excellence over a period of over fifty years, from 1782 to 1835. The success of these pleasing Staffordshire porcelains in the marketplace helped to turn the Staffordshire Potteries, then famed only for its earthenwares, into a porcelain-producing centre of world importance. The New Hall firm in England were market-leaders in their own time, their shapes and styles widely copied by their several imitators. New Hall Porcelains presents historical facts in a novel, helpful manner, supporting with a broad selection of clear illustrations. Geoffrey Godden is able to illustrate how diverse and attractive these Staffordshire 'Real China' porcelains can be, placing New Hall in its rightful position in the study of British porce

This book provides a list of Carlton Ware Pattern Numbers and Shape Numbers. No pictures are included in this book. It consists purely of lists (searchable on eBooks).

Hunting Antique Bottles in the Marine Environment is the complete field guide for finding and identifying antique bottles. Capt. Berg has been searching for antique bottles in local lakes, rivers and on shipwrecks for over thirty years. Learn not only how to find submerged antique bottles but also how to clean them and how to estimate how old they are. This text is packed with historical information that shows how bottles were produced and how each manufacturing process left distinct marks which can be used to accurately estimate any bottles age. Capt. Dan has heavily illustrated this text with over 200 color images depicting the types of bottles that can be recovered by searching local waters. He also uses over 10 unique 3D diagrams designed to give a better understanding as to the time line of glass blowing and bottle manufacturing. These 3D mold images are combined with drawings of the bottles they produced and highlight the distinct mold seam marks each created. This informative text tells all the tricks of the trade that until now have only been learned through years of experience. Bottle collectors, scuba divers and anyone interested in exploring the marine environment for these historic treasurers will reference this text often as they search for and collect antique bottles. Hunting Antique Bottles in the marine environment is the complete field guide for finding and identifying antique bottles. Capt. Berg has been searching for antique bottles in local lakes, rivers and on shipwrecks for over 30 years. Learn not only how to find submerged antique bottles but also how to clean them and determine how old they are. This text is packed with historical information that shows how bottles were produced and how each manufacturing process left distinct marks that can be used to accurately estimate any bottle's age. Capt. Berg has heavily illustrated this text with over 200 color images depicting the types of bottles that can be recovered by searching local waters. He also uses over 10 unique 3D diagrams designed to give a better understanding of the time line of glassblowing and bottle manufacturing. These 3D mold images are combined with drawings of the bottles they produced and highlight the distinct mold seam marks each created. This informative text tells all the tricks of the trade that until now have only been learned through years of experience. Bottle collectors, scuba divers and anyone interested in exploring the marine environment for these historic treasurers will reference this text often as they search for and collect antique bottles.

'Jasper' refers to the highly distinctive blue-and-white wares that have been produced by the Wedgwood company for more than two centuries. It was arguably Josiah Wedgwood's most important contribution to ceramic art and was a direct result of several thousand experiments over many years. It has been by far the most widely collected of all Wedgwood products, and this book will explore the history and stories behind this unique ware.

The collecting of Staffordshire figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in Book One and Book Two, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with many sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book One is the definitive work on Portrait figures, and also includes Naval and Military, and Theatrical and Literary Characters (including Opera, Ballet, and Circus).

Yaozhou ware is one of the finest Chinese celadons, made in north China over a period of 700 years, from the 7th to the 14th centuries. Their style developed and changed over time. In the Tang dynasty (618-906) black, brown, lead glazed and black-on-white painted ceramics were made. During the Five Dynasties period (907-960) a technical peak was achieved, and white-bodied wares with beautiful blue-green glazes appeared. During the Northern Song and Jin dynasties (906-1279) more olive-toned celadon glazes became the norm, their intricate decoration and lustrous surfaces supplying a unique aesthetic. At the end of the Jin dynasty the kilns declined and started to manufacture folk ware. Yaozhou Wares from Museums and Art Institutes Around the World gathers illustrations and descriptions of some of the finest Yaozhou wares in private and public collections around the globe. The account considers ceramics in sections, according to their form and decoration, and includes the finest-quality 'official wares' requisitioned for imperial use. Copious illustrations are augmented by a scholarly essay. Highlighting over 400 pieces of Yaozhou ware, the book contains 711 colour and 3 black-and-white illustrations from 56 major museums and art institutes, and will inspire collectors, students and anyone with a love for Chinese ceramics.

In the 1950s, under the leadership of the director Roy Midwinter, the company became one of the leading innovators in British tableware production. A large part of this was due to the noted ceramicists and designers

Originally published in 1916, Old Glass And How To Collect It is an easy to understand pocket guide to the fascinating and beautiful world of antique glassware. Styles including Early English, Bristol and Nailsea and Irish glass are described and illustrated, whilst J Sydney Lewis offers advice for the novice glass collector drawn from his extensive experience in the antiques trade. Packed with expert knowledge and many amusing and insightful anecdotes, Old Glass And How To Collect It is essential reading for anyone considering glass collecting as a hobby, or for those with an interest in design, art history or engraving. It offers a window onto an era of breathtaking craftsmanship, one where everyday objects became works of art.

When Julian Harrison Toulouse's Fruit Jars was published in 1969, it was called "remarkable," "scholarly," "encyclopedic," and the "definitive book on fruit jars and seals." Newly reprinted in 2005, it is available for a new generation of bottle collectors. Fruit Jars details the types of containers used for canning fruit, lists jars alphabetically with markings found on the jars and denotes embossing, color, shape, closure and base markings. It also includes a listing of fruit jar manufacturers as well as a chronological listing of dated jars, line drawings, and makers' marks.

This stylish work illustrates for the first time a most remarkable collection, formed by a most remarkable man. Incredibly, a group of glass of this size and scope has been assembled over a period of some twelve years. A.C. Hubbard has gathered some 600 pieces, ranging from unusually fine basic forms and styles to enormously interesting, rare, and valuable items. Beautifully illustrated, this will be an essential reference for collectors of wine glasses.

A paragon of modern design, this book charts the history, rise and fall of the world's best-selling patented teapot.

Jade figurines depicting human flight are a varied and expressive manifestation of this most prized artistic medium. Angus Forsyth, a prominent collector of Chinese jade, in this book explores the making in the Middle Kingdom (over a 2000-year period, from the Han Dynasty onwards) of unique objects depicting figural movement through the air. He examines the depiction of apsaras (flying angels), kinnaras (bird-men), garudas (humanoid birds appearing in both Hindu and Buddhist mythology) and finally anthropomorphized bird headdress ornaments. He shows how these flying figures came to be associated with veneration of the gods and specific devotional practice. Examining a variety of representative objects, none of which has been seen in print before, the author reveals that the original concept behind flying celestial beings and bird-men originated not in China but in India and the Christianized West, via the Silk Road. A distinctive characteristic of Chinese artefacts is that, in contrast to their Western angelic counterparts, they often are wingless. The book discusses small and larger jade pieces alike.

Parian - a high-quality, unglazed porcelain - was developed in the early 1840s by Copeland & Garrett, which was the first company to exhibit it in 1845. Its purpose was to provide small sculptures for the public at a time when full size marble statues were gracing the homes of wealthy people. Parian - Copeland's Statuary Porcelain tells this fascinating story in detail, beginning with its origin and introduction. The book goes on to describe the manufacturing processes of mould-making and the casting of the figures. Also included is a comprehensive catalogue of Copeland's productions of statuettes, groups and portrait busts.

Tea and coffee cups have been made in Britain since the middle of the eighteenth century and can be found in a vast array of decorative designs, reflecting the changing fashions of society as well as the advances made in the manufacturing process. This book charts the development of tea and coffee cups over 200 years, providing information on the methods of decoration, influential factories and designers. Steven Goss guides the reader on how to identify the dates of particular patterns, as well as listing a number of museums and auction houses where these ornamental cups can be discovered.