The book, originally published in 1904, includes the marks used by factories, patterns, workmen, or decorators in America to the time of this book's original printing. The first attempt to describe the marks of American potters was made by Edwin Barber in his Pottery and Porcelain of the United States in 1893. In that book, less than 100 varieties, found principally in earlier wares, were described. Prior to that time, none of the manuals on potter's marks contained any reference to the United States.

With contemporary advertising and sales catalogues as its sources, this book represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Wurttembergische Metallwarenfabrik AG (WMF) at Geislingen/ Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called "Unika pieces", indicating that they were one-of-a-kind) as well as lines in mass-produced art glas (Ikora and Myra). First presented to the public to great acclaim at the Wurttembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector's items. Ikora and Myra Glass by WMF not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made as imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Unika, Ikora or Myra glass.

THIS is the first of a series of volumes edited by Professor M. Cable illustrating progress in understanding glass making from the 17th century to the early part of the 19th. Known as THE WORLD'S MOST FAMOUS BOOK ON GLASSMAKING, it was first published, in Italian, in 1612, as L'Arte Vetraria by Antonio Neri who claimed to have experience of glassmaking in several countries and described the best practice of that time, particularly in making coloured glasses. A second edition printed in 1661 made the work more widely known. An English translation by Christopher Merrett MD, one of the early Fellows of the Royal Society, was published in 1662. Merrett added very extensive notes of his own which almost doubled the length of the book. That text became the master for subsequent editions. It was eventually translated into Latin, French, German, and Spanish, and reprinted at least twenty times over the course of almost two centuries. This edition reproduces Merrett's original layout, including the printers ornaments, but is set more legibly and corrects some errors. It is introduced by an essay written in 1962 by Professor W. E. S. Turner FRS which explains the background and importance of this work.

The worldwide Studio Glass Movement has stimulated a fresh look at the ancient material by sparking dramatic developments in its use as a vehicle for making contemporary sculpture. In the last 20 years, an incredibly diverse group of important artists and designers have been associated with UrbanGlass: New York Center for Contemporary Glass, influencing the character and shape of the Studio Glass Movement in many different, and sometimes profound ways. This gorgeous volume documents the work of 173 of these artists and designers in over 500 lush color pictures, and celebrates their achievements in art and design using the most exciting art medium being explored today. This book illustrates glass in its full expressive range and suggests exciting future possibilities. An authoritative text by prominent curators, critics, and writers round out this definitive survey.

-- A unique mix of design and commentary by Walter Moorcroft.
-- Gives a rare glimpse into the life and works of the Moorcroft family and company.

Memories of Life and Living is a personal reflection by the renowned potter, Walter Moorcroft. on a life spanning eight decades. Walter inherited the factory from his famous father. William, when he was only 28.

This is a richly illustrated process volume. including many color plates of the author's designs to which are added his personal views and comments. The memoir contains descriptions of significant event and amusing anecdotes taken from Walter's diaries. This fascinating and often wryly humorous book is accompanied by a wealth of illustrations, providing a documentary of the family.

Perfume atomizers are avidly collected today. In this exquisite, color-illustrated new book, hundreds of atomizers are displayed and identified. A well-documented text, descriptive captions and over 400 color photographs demonstrate the diverse and beautiful variety of bottles and dispensers which make up the atomizer world. Art Nouveau, Art Deco and Moderne styles reflect the changing tastes of the public. Well-known designers and manufacturers, including Rene Lalique, Marcel Franck, Baccarat, St. Louis, and Bohemian glassmakers, contributed to this by-gone and ultra-feminine apparatus.

More than 300 patterns are documented, described and illustrated in A Complete Guide to Pressed Glass, published by Pelican Publishing Company. Written by Bob H. Batty of North Little Rock, Arkansas, a noted collector of pressed glass for almost 40 years, the oversized, 261-page volume identifies and illustrates for the first time more than 200 glass patterns never before listed by other authorities. Artist John Hendricks' drawings, more than 300 sketches, depict the design and character of the various patterns and in many cases highlight special design and detail of notable patterns. All of the works shown are from the author's personal collection, which numbers more than 2,700 pieces representing some 1,900 patterns. Batty, who has pursued his glass collecting with scholarly attention to historical accuracy and detail, has named many of the previously uncatalogued patterns after cities and landmarks throughout his native South. A number of foreign patterns also are included, with precise measurements given for every piece depicted.

By studying primary source material, the authors have compiled the most authentic and readable record of the prolific Adams ceramic wares from England, including earthenware, bone china, jasper, stoneware, basalt, and Parian made over a 200 year period. Over 1250 color photographs illustrate the comprehensive text. Ceramics historians and collectors, archaeologists, antiques dealers, museum curators, and auctioneers everywhere will find this unique and complete study of the Adams potteries to be the essential reference.

The first publication to examine the pioneering designer and prolific collector who led Tiffany & Co. to creative and commercial success A silversmith, designer, and prodigious collector, Edward C. Moore (1827-1891) was the creative leader who brought Tiffany & Co. toun paralleled originality and success during the late nineteenth century. This informative, richly illustrated volume-the first study of Moore's life and influence-presents more than 175 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty-nine magnificent silver objects created by the designers and artisans at Tiffany who were inspired by Moore's acquisitions. The illuminating texts have been enriched by groundbreaking research into newspapers, periodicals, the Tiffany & Co. Archives, a newly identified technical manual, and supervisor's diaries, all of which provide an intimate look at the firm's design processes and Moore's role in shaping them. A valuable contribution to the history of American decorative arts, Collecting Inspiration illuminates the legendary Tiffany aesthetic and the legacy of a significant collector, designer, and entrepreneur of the Gilded Age. Published by The Metropolitan Museum of Art/Distributed by Yale University Press Exhibition Schedule:

Cataloging some hundred thousand examples of ancient Greek painted pottery held in collections around the world, the authoritative Corpus Vasorum Antiquorum (Corpus of Ancient Vases) is the oldest research project of the Union Academique Internationale. Nearly four hundred volumes have been published since the first fascicule appeared in 1922. This new fascicule of the CVA-the tenth issued by the J. Paul Getty Museum and the first ever to be published open access-presents a selection of Attic red-figured column and volute kraters ranging from 520 to 510 BCE through the early fourth century BCE. Among the works included are a significant dinoid volute krater and a volute krater with the Labors of Herakles that is attributed to the Kleophrades Painter.

This fully illustrated and researched catalogue commemorates an exhibition of over 200 pieces of Chinese and related ceramics collected within the members of the Oriental Ceramic Society of London. The selection spans the complete range from Neolithic to contemporary ceramics, from minor kilns in many different regions to the major kilns working for the court, and from pieces of academic interest to world-famous masterpieces. It privileges unusual and rarely seen artifacts and avoids well known, repetitive designs such as that of the dragon, which is so firmly identified with China that it has become a cliche of Chinese art. It also aims to demonstrate the vast variety of wares and the inventiveness of Asian potters well beyond the classic confines. Text in English and Chinese.

Gene Koss creates majestic works in glass and steel that require demanding techniques to realise their monumental scale. These massive volumes of glass are married with elaborately engineered steel elements. Koss casts molten glass directly from the hot furnace, working with teams of highly-skilled assistants and rigging together intricate systems for transporting his finished abstract works for display in museums, galleries and public spaces. The artistic works deal with the self-sacrificing work of the American farmers in whose milieu the artist grew up. The first monograph published on the work of this groundbreaking glass artist features Koss's most important achievements and, through insightful essays by curators and critics, places them in historic perspective.

A tradition of creating beautiful Scandinavian art glass began in the 1930s and continues today. The well known companies Orrefors, Kosta, iittala, Nuutajarvi Notsjo, Holmegaard, Riihimaen Lasi, and other less famous firms, have been on the creative edge of glass design for over three quarters of century. This long-awaited book chronicles their work in color and is a companion to the authors' earlier work on colorless, smoky, and engraved glass. This is the first book to cover all the major and many of the minor companies, revealing how each country (Sweden, Finland, Denmark, and Norway) had its particular color palette and style. With more than 700 full color photos, comprehensive design biographies, company histories, close-ups of labels and signatures, bibliography, index, and price guide, this volume will be indispensible to collectors, dealers, and scholars interested in Scandinavian glass and 20th century design.

For the first time, the brief nine year history of SS Allach Porcelain (1936-1945), the infamous nazi run porcelain factory, is presented in this new two volume reference. Explored in detail is the fascinating array of sculptures made by Allach, and also the historical significance as to why each category of porcelain was established. Close-up views of figures show the skilled artistry of some of Germany's greatest sculptors, potterers and painters including Theodor Karner, Ottmar Obermaier and Richard Forster. And why this little known porcelain factory named Allach may be considered the producer of some of the finest porcelain the world has seen to this day. This two volume reference is the result of many years of painstaking research and collecting. No expense was spared to bring the facts to all Allach Porcelain collectors and porcelain aficionado's alike. The books feature over 600 photographs, including many never before seen porcelain figures, and comprehensive text.

The most comprehensive book available on Royal Doulton ceramic character and toby jugs. Lavishly illustrated with 1,760 large photos of more than 800 separate jugs and derivatives. Includes photos of every production piece of the past century, plus more than 100 prototype jugs, many never seen before in print, and scores of photographs of trial colorway jugs. The scope, details and pictorial abundance set this book apart from any other reference on the subject. Four major sections provide, in alphabetical order by character, a large color photograph of each character in all of its sizes; a biographical or historical profile including size, modeler and model number; and production history. Photographs of backstamps, trial colorways, and close-ups of intricate handles. Prototype jugs that never made it into production are given similar treatment throughout the book. A substantial Appendix provides lists and tables to help readers navigate through the sizes, types, backstamps, modelers, model numbers, etc., and pre-prototype clay models. This book is an essential reference book for serious Royal Doulton jug collectors, general antiques and collectibles enthusiasts, and dealers. This book is a must have reference book for every serious Royal Doulton jug collector, as well as the general antique and collectible enthusiast and dealer.

A lavishly illustrated collector's volume showcasing the finest ceramic art wares produced by Royal Doulton at their Lambeth and Burslem Studios in England. It features fine pieces from private collections, dating from the 1870s to 1945. Many of these have never before been seen publicly. Over 600 photographs bring these treasures directly to the connoisseur of fine decorative ceramic art. The book details the company's founding by John Doulton and his son Henry, and features many of Doulton's premier artists, including George Tinworth, the Barlow family, Mark V. Marshall, and Charles Noke. It traces the rise of the Doulton range from stoneware and faience art pottery to hand painted vases, vellum figures, and flambA (c), titanium, and experimental glazes. An invaluable guide for the art pottery collector, this beautiful book provides a rare look into the fascinating history of one of the world's most renowned potteries. A value reference completes the book.

The book focuses on a heritage of works of rare beauty, which offers an exhaustive overview of Deco taste, told mainly through ceramics, but also through graphics, glass and metals. The works presented - Italian, but also European and American, dating from the end of the First World War to 1929 - are the expression of well-known artists who marked the history of Italian ceramics at the beginning of the century, and are of absolute international importance. Domenico Rambelli, Francesco Nonni, Pietro Melandri, Riccardo Gatti, Giovanni Guerrini, to mention some of the best-known names. Text in English and Italian.

After more than eight years of intensive research this is the first and only encyclopaedia of glass marks from the 17th to the 20th century and its at last available

Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

Beneath the famous remains of the House of the Tiles and the other Bronze Age remains found at Lerna, a large amount of Neolithic pottery was found during 1950s excavations by the American School of Classical Studies. Although the mixing of material makes it impossible to establish an independent ceramic sequence for the site, the author is able to differentiate Early and Middle Neolithic types using her knowledge of material from the well-stratified Franchthi Cave, across the Argolic Gulf. By placing the ceramic material in archaeological context, the author makes a number of important new claims about Lerna's earliest history. While the date of the first settlement is still unclear, the Middle Neolithic was clearly a time of intensive occupation at Lerna, when the digging of at least one long ditch across the site suggests some internal planning. Sherds of the first Late Neolithic phase are totally absent, suggesting that Lerna had been abandoned by the end of Middle Neolithic but substantial quantities of Final Neolithic pottery, found largely in pits and two graves, suggest ritual reuse in this period. A final chapter (in both English and Modern Greek) summarizes the results of the study, including the changing patterns of burial practices over the course of the Neolithic. (A CD-ROM with 86 color images of the pottery is included.) This volume is also available to download in .ePub format. This digital format allows reading on your mobile device (such as an iPhone or a Sony Reader) or on your computer (using a reader such as Adobe Digital Editions). Click on the following link to download the .ePub edition: Download as .zip file

Goldscheider, a Viennese factory (est 1885), soon sped to the top of European ceramics makers. Figures and vessels of faience and terracotta as well as bronze and alabaster, all of top quality in respect of form and workmanship, were created in the Historicist, Jugendstil and Art Deco period styles. A crucial factor was collaboration with distinguished sculptors and ceramicists of the day - including Demetre Chiparus, Walter Bosse and Josef Lorenzl - who were responsible for a great many of the Goldscheider designs.This success story was quashed by National Socialist aryanisation in 1938: the Goldscheider family was forced to emigrate, the firm was sold and the new proprietor was unable to sustain the high aesthetic quality standard. The Goldscheider brothers did manage to open new ceramics businesses while in exile in the US and England and Walter Goldscheider even returned to Vienna after the Second World War to resume his post as managing director of his old firm; however, in the 1950s the great ceramics tradition of this venerable Viennese business ended when it was sold to the German Carstens company.