After more than eight years of intensive research this is the first and only encyclopaedia of glass marks from the 17th to the 20th century and its at last available

This fully illustrated and researched catalogue commemorates an exhibition of over 200 pieces of Chinese and related ceramics collected within the members of the Oriental Ceramic Society of London. The selection spans the complete range from Neolithic to contemporary ceramics, from minor kilns in many different regions to the major kilns working for the court, and from pieces of academic interest to world-famous masterpieces. It privileges unusual and rarely seen artifacts and avoids well known, repetitive designs such as that of the dragon, which is so firmly identified with China that it has become a cliche of Chinese art. It also aims to demonstrate the vast variety of wares and the inventiveness of Asian potters well beyond the classic confines. Text in English and Chinese.

This book looks at decorative tiles manufactured in Germany, Austria, Hungary, and Bohemia/Moravia/Czechoslovakia in the years between 1895 and 1935. These ceramic tiles, used primarily on walls, floors, and stoves, but also furniture, trays, and more, were an affordable decor element that made art accessible to many. They would also turn out to be some of the best examples of the Jugendstil and Secession movements in design: Both were variations of international art nouveau and rejected the conservative aesthetics of mainstream art. In Part I of the book, the author places these movements within the context of art history, then explores the history of the tiles. In Part II, a broad look is taken at Arts & Crafts and Art Nouveau tiles, including influences from other Western and Central European nations. With almost 600 color photos of tiles, this book will appeal to art historians, decorative arts aficionados, and anyone who appreciates beautiful, inspirational design.

In the last two decades of the 19th century and the first two decades of the 20th century, glass manufacturing was a unique enterprise in Canada. Beginning with the founding of the Nova Scotia Glass Company in 1881, the glass factories of Nova Scotia made clear tableware at a time when it was not made anywhere else in Canada.

By the 1800s, people had been making glass for more than 4,000 years. Before that, however, the mass production of glass was not technically possible. Pressing machines to produce glass shapes were invented in the 1830s in New England. As mechanization improved, decorated glassware could be produced relatively quickly and affordably. By the late 1880s, moulded and pressed glass was produced in Pennsylvania and Ohio, in New England, and, perhaps not surprisingly, in Nova Scotia.

In this beautifully illustrated book, featuring photographs of the highly collectable patterned tableware produced during this 40-year period, Deborah Trask tells the story of Nova Scotia glass during this golden age of pressed-glass production.

Employing her skills as a curator and a detective of sorts, she tells the story of the major glass factories -- the Nova Scotia Glass Company, the Humphrey Glass Company, and the Lamont Glass Company -- and provides crucial information on patterns and moulds, allowing readers and collectors to identify what remains of this glittering enterprise.

For the first time, the brief nine year history of SS Allach Porcelain (1936-1945), the infamous nazi run porcelain factory, is presented in this new two volume reference. Explored in detail is the fascinating array of sculptures made by Allach, and also the historical significance as to why each category of porcelain was established. Close-up views of figures show the skilled artistry of some of Germany's greatest sculptors, potterers and painters including Theodor Karner, Ottmar Obermaier and Richard Forster. And why this little known porcelain factory named Allach may be considered the producer of some of the finest porcelain the world has seen to this day. This two volume reference is the result of many years of painstaking research and collecting. No expense was spared to bring the facts to all Allach Porcelain collectors and porcelain aficionado's alike. The books feature over 600 photographs, including many never before seen porcelain figures, and comprehensive text.

The most comprehensive book available on Royal Doulton ceramic character and toby jugs. Lavishly illustrated with 1,760 large photos of more than 800 separate jugs and derivatives. Includes photos of every production piece of the past century, plus more than 100 prototype jugs, many never seen before in print, and scores of photographs of trial colorway jugs. The scope, details and pictorial abundance set this book apart from any other reference on the subject. Four major sections provide, in alphabetical order by character, a large color photograph of each character in all of its sizes; a biographical or historical profile including size, modeler and model number; and production history. Photographs of backstamps, trial colorways, and close-ups of intricate handles. Prototype jugs that never made it into production are given similar treatment throughout the book. A substantial Appendix provides lists and tables to help readers navigate through the sizes, types, backstamps, modelers, model numbers, etc., and pre-prototype clay models. This book is an essential reference book for serious Royal Doulton jug collectors, general antiques and collectibles enthusiasts, and dealers. This book is a must have reference book for every serious Royal Doulton jug collector, as well as the general antique and collectible enthusiast and dealer.

Goldscheider, a Viennese factory (est 1885), soon sped to the top of European ceramics makers. Figures and vessels of faience and terracotta as well as bronze and alabaster, all of top quality in respect of form and workmanship, were created in the Historicist, Jugendstil and Art Deco period styles. A crucial factor was collaboration with distinguished sculptors and ceramicists of the day - including Demetre Chiparus, Walter Bosse and Josef Lorenzl - who were responsible for a great many of the Goldscheider designs.This success story was quashed by National Socialist aryanisation in 1938: the Goldscheider family was forced to emigrate, the firm was sold and the new proprietor was unable to sustain the high aesthetic quality standard. The Goldscheider brothers did manage to open new ceramics businesses while in exile in the US and England and Walter Goldscheider even returned to Vienna after the Second World War to resume his post as managing director of his old firm; however, in the 1950s the great ceramics tradition of this venerable Viennese business ended when it was sold to the German Carstens company.

With contemporary advertising and sales catalogues as its sources, this book represents the first exhaustive survey of the Ikora and Myra lines in glass produced between the 1920s and 1950s by the Wurttembergische Metallwarenfabrik AG (WMF) at Geislingen/ Steige. At the instigation of the then WMF director general, Hugo Debach, WMF had been making high-quality art glass (called "Unika pieces", indicating that they were one-of-a-kind) as well as lines in mass-produced art glas (Ikora and Myra). First presented to the public to great acclaim at the Wurttembergisches Landesmuseum in Stuttgart by museum director G. E. Pazaurek, these pieces are now much sought after as valuable collector's items. Ikora and Myra Glass by WMF not only deals exhaustively with the history of this glass but also provides aficionados and collectors of Ikora and Myra glass for the first time with a complete catalogue of WMF products. The availability of this information makes it possible, first, to distinguish from the original later glass made as imitation of WMF glass by rival competitors and, second, to identify accurately each piece of Unika, Ikora or Myra glass.

Cataloging some hundred thousand examples of ancient Greek painted pottery held in collections around the world, the authoritative Corpus Vasorum Antiquorum (Corpus of Ancient Vases) is the oldest research project of the Union Academique Internationale. Nearly four hundred volumes have been published since the first fascicule appeared in 1922. This new fascicule of the CVA-the tenth issued by the J. Paul Getty Museum and the first ever to be published open access-presents a selection of Attic red-figured column and volute kraters ranging from 520 to 510 BCE through the early fourth century BCE. Among the works included are a significant dinoid volute krater and a volute krater with the Labors of Herakles that is attributed to the Kleophrades Painter.

Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

Ghost Galleon tells the story of archaeologists' twenty-year search on a desolate beach in Baja California for the enigmatic remains of a Spanish galleon that disappeared without a trace more than four centuries ago. Carrying a cargo of Asian riches to the New World, Manila galleons forged the final link in the unification of the world through commerce by their annual voyages across the Pacific Ocean. Here, author Edward Von der Porten relates how a chance viewing of Chinese porcelain sherds in a museum catalog led him, his wife Saryl, and a team of researchers to the beachcombers who discovered the sherds. To Von der Porten, these sherds represented the possibility of something much more significant: one of the earliest known Manila galleon shipwrecks on the West Coast. In collaboration with the National Institute of Anthropology and History of Mexico (INAH), Von der Porten and his colleagues undertook the first of many archaeological expeditions to investigate the site in 1999. Over twenty years, a team of American and Mexican archaeologists recovered thousands of artifacts and concluded that they had located the remains of the cargo from a Spanish galleon-most likely the San Juanillo of 1578. This copiously illustrated, highly accessible work offers an inside view of how archaeologists carefully assemble the evidence that allows scientific reconstruction of past events. Despite the grudging resistance of time, Von der Porten and his colleagues have resurrected the tale of the ill-fated San Juanillo to enrich our understanding and appreciation of the past.

This encyclopedic reference presents thousands of tea ware patterns produced by Shelley Pottery*TM and its predecessors, Wileman & Company*TM and Foley China*TM, of Staffordshire, England, from the 1860s through 1966. Arranged by pattern number, thorough listings include the color variations, back stamps, and the numerous body shapes on which the patterns appear. Over 760 beautiful color photographs display Shelley*TM porcelain tea wares. A bibliography, index, and current market values in the captions complete this valuable guide. About the Author: Sheryl Burdess is an acknowledged authority on Shelley China*TM, which she has been collecting and researching for many years. She lives in Norfolk, England.

Part of a multi-volume work that catalogs the enormous range of enamel-painted figures made predominantly in the Staffordshire Potteries between 1780 and 1840, Volume 2 presents figures portraying equestrians, fairground entertainers, personalities from literature and the stage, biblical characters, and a host of people of national and international significance. Also shown are sporting pastimes and figures reflecting a patriotic theme. It includes over 1000 brilliant color photos of figures. Literary figures range from Cleopatra and Doctor Syntax, while important persons as varied as Benjamin Franklin and Admiral Lord Nelson are captured in clay. The works also include the early pugilists, bull and bear baiting, and sportsmen and women of those days. Many of these figures have long been hidden from the public eye. Fashioned in an era before photography, they give us rare glimpses of a world that has vanished. In many cases, they are hauntingly beautiful. To hold one is to touch the past.

This book provides a review of the history behind colourful Depression glassware, descriptions of specific pieces along with their values, and information on how to collect and display Depression Glass. Illustrated with nearly 300 colour photographs, individual chapters highlight premium give-aways, children's sets, unique pitchers and pitcher sets, butter dishes, serving pieces, the decorated Swanky Swigs, reproductions, and much more. Also included are a vocabulary list, a review of important glassware companies, and a bibliography. This book is an excellent guide for all lovers and collectors of Depression Glass.

This essential reference work provides a detailed study of Frederick Carder, his contributions to the Steuben Glass Works, and the captivating works of art he produced in glass. To dazzle and delight the reader, there are over 760 photographs and 450 line drawings, the vast majority of which provide illustration for 800 pieces of Steuben glass from the famous Rockwell collections. Reference material and photographs never before in print are provided. The text evaluates Carder and the Steuben Glass Works that he cofounded in 1903 in a critical light. It reviews Carder's lengthy and productive career, analyzes his changing role within the company, and places Carder's artistic contributions within the matrix of the international decorative arts industries of his time. A section valuable to all collectors is one in which many aspects of identification and evaluation are covered--signatures, relative rarity, and dating.

This book offers collectors and admirers of this beautiful art informative text and splendid photographs. All enameling techniques--from classic to strange--are explained to allow collectors and dealers to organize their treasures correctly. A history of enameling details origins, art history variations, centers of production, styles, notable works, and means of recognition and interpretation. A lexicon explains technical and historical terminology, notes great artists, and makes relationships clear. The brilliant color and black and white photographs show examples of valuable individual works plus everyday objects, jewelry, plique a jour, thimbles, sacred and profane pieces, ornaments, decorations, and utensils. Egyptian, Russian, Chinese, European, and Asian works are featured. In antiquity enamel was just as costly as gold or precious stones. Collecting enamel requires knowledge of history, technology, styles, workmanship, origins, dating, and basic materials--all of which the reader will find here. Antique Enamels for Collectors is an inclusive source of information on enamel, offering the reader fascinating text and stunning photographs that capture the beauty, fragility, and fire of antique enamels.

Published in 1903 by the Pennsylvania Museum, Tulip Ware of the Pennsylvania-German Potters is an in-depth look into the Pennsylvania German folk art known as slipware or redware. This volume introduces readers to the subject by detailing the international history of slip decoration and providing an overview of the technique and products throughout the world. Curator Edwin Atlee Barber delves into the specifics of the Pennsylvania German folk art by exploring tools and processes of manufacture, techniques and variations, decoration, motives, coloring, types, and practical uses for pottery, illustrated by numerous black-and-white images from the Pennsylvania Museum's extensive collection.

The volume also contains a detailed discussion of famous eighteenth- and nineteenth-century potters, primarily from Montgomery and Bucks Counties, including biographical information and illustrative photographs of their work. Particular attention is paid to the Pennsylvania German dialect and the important role it played in folk art. Barber provides translations of numerous Pennsylvania German inscriptions, a defining element of much of this art.

Modern readers can still find many of the pieces featured in this volume on display in the American collection at the Philadelphia Museum of Art.

This book traces the history of the scent bottle from the alabaster containers of ancient Egypt to mass-produced commercial bottles. Perfume has been used in religious ceremony and also in medicine, for it was believed to have the power to ward off illness. Elaborately chased silver pomanders were carried during times of plague. The frivolity and luxury of scent were reflected in eighteenth-century 'toys', bottles in the form of fruit and figures in porcelain or enamel. The Victorian lady had a wide choice of scent bottles, including dual-purpose bottles which also held smelling salts or sal volatile. In the twentieth century, after Lalique's successful collaboration with Coty, commercial bottles were made in a variety of forms ranging from the highly luxurious to the amusing bakelite containers of the 1920s and 1930s.

Over 1400 historical ceramic figures encompass the wide range of themes depicted by Staffordshire potters between 1835 and 1875. 1090 bright color photos include portraits, naval and military figures, theatrical and literary characters, religious and temperance figures, hunters, shepherds, gardeners, harvesters, pastoral scenes, occupations, pursuits and pastimes, children, sporting figures, dogs and other animals, cottages, houses, and castles. The text provides updated information and listings for every known variation within each figural type. Cross-references to figures in the other 3 volumes in this series are provided in each category and value ranges are included. This will be a valued addition to the libraries of Staffordshire collectors worldwide.

Hundreds of beautiful color pictures and recently-discovered, important information give this new study of 19th and 20th century Japanese porcelain a most refreshing approach. Visual comparisons of the major styles can be made even by the beginning student because there are so many fine color pictures of the examples. Kakiemon, Nabeshima, Arita, Hirado and Fukagawa styles of Imari; Kutani; Satsuma; and known craftsmen's works are shown in profusion. The European-influenced styles of the mid-20th century such as Nippon, Noritake, and those pieces marked Occupied Japan are presented as trade items necessary for the changing Japanese economy. Fascinating historical and technical background aids in the recognition of each style. Since research continues to add evidence to changing attributions of origins and artists, the author explains both old and new theories and encourages further research. In what is seen as a quickly growing field of collecting, this book stands at the crossroads of scholarship and popularity. Both groups will find information of keen interest and delight in the gorgeous products of the Japanese artistic and commercial communities.