First book to document in detal the last 150 years of the Wedgwood story.

Collecting Staffordshire ceramic figures, a particularly English folk art, has expanded from its origins to include much of the English speaking world. This work, in two books, details and illustrates the range and depth of figures made by the potters. Over 2,900 figures are illustrated in the two books, virtually all in the brilliant color which was imperative for the beauty and simplicity of the figures to be fully appreciated. Many of these figures have never before been recorded. A history of the figures, together with sources and relevant bibliographical details, are included, along with a guide to current prices. Victorian Staffordshire Figures 1835-1875, Book Two details Religous and Temperance Figures; Hunters and Huntsmen; Shepherds, Gardeners, Harvesters, and Pastoral Scenes; Other Pursuits, Pastimes, and Occupations; Children with Animals; Dogs; Animals; Houses, Cottages, and Castles; and Sport and Miscellaneous.

In the last two decades of the 19th century and the first two decades of the 20th century, glass manufacturing was a unique enterprise in Canada. Beginning with the founding of the Nova Scotia Glass Company in 1881, the glass factories of Nova Scotia made clear tableware at a time when it was not made anywhere else in Canada.

By the 1800s, people had been making glass for more than 4,000 years. Before that, however, the mass production of glass was not technically possible. Pressing machines to produce glass shapes were invented in the 1830s in New England. As mechanization improved, decorated glassware could be produced relatively quickly and affordably. By the late 1880s, moulded and pressed glass was produced in Pennsylvania and Ohio, in New England, and, perhaps not surprisingly, in Nova Scotia.

In this beautifully illustrated book, featuring photographs of the highly collectable patterned tableware produced during this 40-year period, Deborah Trask tells the story of Nova Scotia glass during this golden age of pressed-glass production.

Employing her skills as a curator and a detective of sorts, she tells the story of the major glass factories -- the Nova Scotia Glass Company, the Humphrey Glass Company, and the Lamont Glass Company -- and provides crucial information on patterns and moulds, allowing readers and collectors to identify what remains of this glittering enterprise.

This encyclopedic reference presents thousands of tea ware patterns produced by Shelley Pottery*TM and its predecessors, Wileman & Company*TM and Foley China*TM, of Staffordshire, England, from the 1860s through 1966. Arranged by pattern number, thorough listings include the color variations, back stamps, and the numerous body shapes on which the patterns appear. Over 760 beautiful color photographs display Shelley*TM porcelain tea wares. A bibliography, index, and current market values in the captions complete this valuable guide. About the Author: Sheryl Burdess is an acknowledged authority on Shelley China*TM, which she has been collecting and researching for many years. She lives in Norfolk, England.

This book provides a review of the history behind colourful Depression glassware, descriptions of specific pieces along with their values, and information on how to collect and display Depression Glass. Illustrated with nearly 300 colour photographs, individual chapters highlight premium give-aways, children's sets, unique pitchers and pitcher sets, butter dishes, serving pieces, the decorated Swanky Swigs, reproductions, and much more. Also included are a vocabulary list, a review of important glassware companies, and a bibliography. This book is an excellent guide for all lovers and collectors of Depression Glass.

This book offers collectors and admirers of this beautiful art informative text and splendid photographs. All enameling techniques--from classic to strange--are explained to allow collectors and dealers to organize their treasures correctly. A history of enameling details origins, art history variations, centers of production, styles, notable works, and means of recognition and interpretation. A lexicon explains technical and historical terminology, notes great artists, and makes relationships clear. The brilliant color and black and white photographs show examples of valuable individual works plus everyday objects, jewelry, plique a jour, thimbles, sacred and profane pieces, ornaments, decorations, and utensils. Egyptian, Russian, Chinese, European, and Asian works are featured. In antiquity enamel was just as costly as gold or precious stones. Collecting enamel requires knowledge of history, technology, styles, workmanship, origins, dating, and basic materials--all of which the reader will find here. Antique Enamels for Collectors is an inclusive source of information on enamel, offering the reader fascinating text and stunning photographs that capture the beauty, fragility, and fire of antique enamels.

A tradition of creating beautiful Scandinavian art glass began in the 1930s and continues today. The well known companies Orrefors, Kosta, iittala, Nuutajarvi Notsjo, Holmegaard, Riihimaen Lasi, and other less famous firms, have been on the creative edge of glass design for over three quarters of century. This long-awaited book chronicles their work in color and is a companion to the authors' earlier work on colorless, smoky, and engraved glass. This is the first book to cover all the major and many of the minor companies, revealing how each country (Sweden, Finland, Denmark, and Norway) had its particular color palette and style. With more than 700 full color photos, comprehensive design biographies, company histories, close-ups of labels and signatures, bibliography, index, and price guide, this volume will be indispensible to collectors, dealers, and scholars interested in Scandinavian glass and 20th century design.

The gifted artists who produced a spectacular range of lustre pottery.

Jun wares were made in north China over a period of 400 years, from the 11th to the 15th centuries. These ceramics are unique both for their artistry and the complex techniques required to produce them. Jun wares are subtle yet dramatic - red and purple bursts of colour splash across thick, cloudy blue glazes, containing bubbles and many gradations of tone. To achieve these effects, the production of Jun ware was complex and ingenious, relying on novel techniques. This book gathers illustrations and descriptions of some of the finest Jun wares in private and public collections around the world. The account starts with ceramics dating to the Song, Jin and Yuan dynasties and proceeds to the stunning 'Official' Jun wares made in the early Ming dynasty. Copious illustrations are augmented with a scholarly essay. Highlighting over 191 pieces of Jun ware with 425 illustrations from 17 major museums, Dazzling Official Jun Wares will inspire collectors, students and anyone with a love for Chinese ceramics.

Goldscheider, a Viennese factory (est 1885), soon sped to the top of European ceramics makers. Figures and vessels of faience and terracotta as well as bronze and alabaster, all of top quality in respect of form and workmanship, were created in the Historicist, Jugendstil and Art Deco period styles. A crucial factor was collaboration with distinguished sculptors and ceramicists of the day - including Demetre Chiparus, Walter Bosse and Josef Lorenzl - who were responsible for a great many of the Goldscheider designs.This success story was quashed by National Socialist aryanisation in 1938: the Goldscheider family was forced to emigrate, the firm was sold and the new proprietor was unable to sustain the high aesthetic quality standard. The Goldscheider brothers did manage to open new ceramics businesses while in exile in the US and England and Walter Goldscheider even returned to Vienna after the Second World War to resume his post as managing director of his old firm; however, in the 1950s the great ceramics tradition of this venerable Viennese business ended when it was sold to the German Carstens company.

This essential reference work provides a detailed study of Frederick Carder, his contributions to the Steuben Glass Works, and the captivating works of art he produced in glass. To dazzle and delight the reader, there are over 760 photographs and 450 line drawings, the vast majority of which provide illustration for 800 pieces of Steuben glass from the famous Rockwell collections. Reference material and photographs never before in print are provided. The text evaluates Carder and the Steuben Glass Works that he cofounded in 1903 in a critical light. It reviews Carder's lengthy and productive career, analyzes his changing role within the company, and places Carder's artistic contributions within the matrix of the international decorative arts industries of his time. A section valuable to all collectors is one in which many aspects of identification and evaluation are covered--signatures, relative rarity, and dating.

Louis Comfort Tiffany's blown art glass, made from 1891 to 1928, embodies the artist's superior workmanship and satisfied his dream to introduce objects of both usefulness and beauty into the average household. These lovely objects, which he named "Favrile" and made in his New York studio, display Tiffany's reverence for antique glass and include the colored, gold iridescent, blue iridescent, and opalescent forms featured in this book. Over 240 color photographs of objects from many public and private collections, a very interesting text, and meticulously composed descriptions display Tiffany's intriguing art glass together for the first time in book form. Comments about their rarity accompany the descriptions.

Published in 1903 by the Pennsylvania Museum, Tulip Ware of the Pennsylvania-German Potters is an in-depth look into the Pennsylvania German folk art known as slipware or redware. This volume introduces readers to the subject by detailing the international history of slip decoration and providing an overview of the technique and products throughout the world. Curator Edwin Atlee Barber delves into the specifics of the Pennsylvania German folk art by exploring tools and processes of manufacture, techniques and variations, decoration, motives, coloring, types, and practical uses for pottery, illustrated by numerous black-and-white images from the Pennsylvania Museum's extensive collection.

The volume also contains a detailed discussion of famous eighteenth- and nineteenth-century potters, primarily from Montgomery and Bucks Counties, including biographical information and illustrative photographs of their work. Particular attention is paid to the Pennsylvania German dialect and the important role it played in folk art. Barber provides translations of numerous Pennsylvania German inscriptions, a defining element of much of this art.

Modern readers can still find many of the pieces featured in this volume on display in the American collection at the Philadelphia Museum of Art.

This luscious, colourful book contains 108 colour photographs of leaded glass window installations and 46 detailed line drawings rendered in a professional client proposal format. This collection is drawn from the studio designer's portfolio of McMow Art Glass covering more than 18 years of commissions. The styles include all aspects of leaded glass design from beveled panels to landscapes, but the spectacular entryways are particularly outstanding. This book is essential for all art glass libraries and will prove invaluable for architects, builders, interior designers, glass artists and ultimately for all lovers of leaded glass and design.

The china used by the First Families, both at the White House and in their private homes, reveals a fascinating story of culture and society as it has evolved in the United States since its early days. In this handsome book, which documents over 200 rare items in the remarkably comprehensive Robert L. McNeil, Jr., Collection, a beautiful display of tableware unfolds as readers learn of trends in taste, style, and modes of entertaining, from George Washington to Ronald Reagan. Among the featured objects are Washington's white-and-gold Sevres porcelain that he purchased from a French diplomat recalled at the outbreak of the French Revolution; James Monroe's gilt-edged French porcelain service, the first state service commissioned by the White House in 1817; and John F. Kennedy's understated Wedgwood creamware used at his Georgetown home. Collectors and historians will value the information on how the pieces were commissioned, designed, manufactured, and imported. Published in association with the Philadelphia Museum of Art Exhibition Schedule: Mount Vernon, Alexandria, Virginia (February 16, 2008 - January 21, 2009)

In 1932 Antonio Seguso and his sons Archimede and Ernesto joined forces with Napoleone Barovier and Luigi 'Olimpio' Ferro to found Vetretia Artistica Barovier & C.; the name of the firm was changed to Seguso Vetri D'Arte in 1937. The turbulent era of the company's history - marred by some severe economic downturns - ended in 1973 when it was taken over by Maurizio Albarelli. On entering the firm in 1945, Flavio Poli turned the program around to make it fresh and contemporary. Thus Seguso Vetri D'Arte became the leading glass factory on Murano. Flavio Poli's designs chimed perfectly with the 1950s and '60s zeitgeist. We are indebted indeed to Marc Heiremans for devoting years of hard work at various Murano sites to tracking down almost all the Seguso archive material: an incredible treasure trove which he has been evaluating, working up and subjecting to meticulous scholarly treatment. The fruits of his labors are presented in this book, which is essentially a catalogue of works.

The most comprehensive book available on Royal Doulton ceramic character and toby jugs. Lavishly illustrated with 1,760 large photos of more than 800 separate jugs and derivatives. Includes photos of every production piece of the past century, plus more than 100 prototype jugs, many never seen before in print, and scores of photographs of trial colorway jugs. The scope, details and pictorial abundance set this book apart from any other reference on the subject. Four major sections provide, in alphabetical order by character, a large color photograph of each character in all of its sizes; a biographical or historical profile including size, modeler and model number; and production history. Photographs of backstamps, trial colorways, and close-ups of intricate handles. Prototype jugs that never made it into production are given similar treatment throughout the book. A substantial Appendix provides lists and tables to help readers navigate through the sizes, types, backstamps, modelers, model numbers, etc., and pre-prototype clay models. This book is an essential reference book for serious Royal Doulton jug collectors, general antiques and collectibles enthusiasts, and dealers. This book is a must have reference book for every serious Royal Doulton jug collector, as well as the general antique and collectible enthusiast and dealer.

Over 1400 historical ceramic figures encompass the wide range of themes depicted by Staffordshire potters between 1835 and 1875. 1090 bright color photos include portraits, naval and military figures, theatrical and literary characters, religious and temperance figures, hunters, shepherds, gardeners, harvesters, pastoral scenes, occupations, pursuits and pastimes, children, sporting figures, dogs and other animals, cottages, houses, and castles. The text provides updated information and listings for every known variation within each figural type. Cross-references to figures in the other 3 volumes in this series are provided in each category and value ranges are included. This will be a valued addition to the libraries of Staffordshire collectors worldwide.

A lavishly illustrated collector's volume showcasing the finest ceramic art wares produced by Royal Doulton at their Lambeth and Burslem Studios in England. It features fine pieces from private collections, dating from the 1870s to 1945. Many of these have never before been seen publicly. Over 600 photographs bring these treasures directly to the connoisseur of fine decorative ceramic art. The book details the company's founding by John Doulton and his son Henry, and features many of Doulton's premier artists, including George Tinworth, the Barlow family, Mark V. Marshall, and Charles Noke. It traces the rise of the Doulton range from stoneware and faience art pottery to hand painted vases, vellum figures, and flambA (c), titanium, and experimental glazes. An invaluable guide for the art pottery collector, this beautiful book provides a rare look into the fascinating history of one of the world's most renowned potteries. A value reference completes the book.

Lefton China has fast become one of the most desirable, sought after collectibles on the secondary market today. With a vast number of styles, series, and patterns to choose from, this authoritative volume includes new information on the history of the George Zoltan Lefton Company. It is a complete guide with descriptions, identifying markings, and current pricing, along with an expanded list of patterns not found in any other book on Lefton China. More than 690 photos document Mr. Lefton's many creations, from figurines to fine china dinnerware. This is an invaluable guide, whether you have been gathering this fine china for many years or are a new collector of Lefton.