This book provides a detailed classification of all the varieties of dumps, and is unequalled as a collector's guide to these unique English folk art antiques. This book is the most complete guide to English bottle glass dumps, doorstops and paperweights ever published. It contains almost 500 colour photographs ranging from Kilner bubble dumps from the 1830s, to elaborate floral ornaments and sulphide inclusions from the early 1900s. Of particular interest to the serious collector will be the 15 examples of rare garnitures (sets of three dumps), several examples of very rare Redfearn weights, an exceptionally large variety of sulphide inclusions, dumps with coloured glass centres to their flowers, flowers with blue or gold petals, and many other rarities and curiosities. There are examples in green, turquoise, blue, amber and amethyst glass. The book includes information on dump damage and restoration, and how to assess and value dumps, together with a price guide.

In 1675, George Ravenscroft invented the lead glass formula which was to transform glass selling in England. Previously table glass was imported from the continent, mostly from Venice, but now an indigenous industry developed rapidly, producing drinking glasses of such quality and fascinating design as to capture the entire home market. This book explores the variety of drinking glasses, from the heavy balusters pre-dating 1700 to the faceted stems of around 1800, which are so sought after by collectors. Superb craftsmanship and ingenuity, typical of all art forms in the eighteenth century, are beautifully encapsulated in the drinking glass, and a large and significant collection can be housed in a couple of display cases. Accompanied with detailed illustrations of the range of glass designs, this is an ideal guide for any collector.

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This book is a concise history of German stoneware, illustrated with 200 vivid photos, spanning from c.1300 to 1700 AD. German stoneware, high fired, nearly waterproof before light salt glazing, and extremely durable, has been described as "the most important and specific contribution that Germany made to the medieval European ceramic arts." This book interprets archeological remains in a bid to explore the spread of German stoneware to Britain, Continental Europe, and Colonial America. German stoneware has a story to tell. In 1300, the potters of Siegburg succeeded in fusing clay at an extreme high temperature to produce Rheinische Steinzeug, the stoneware of the Rhine, a virtually waterproof material. Rheinische Steinzeug became very popular and is considered to be one of the most important medieval ceramics. From the kitchens of medieval Europe to those of Colonial America, this fascinating story of German stoneware's dissemination and use is perfect for collectors, dealers, historians, archaeologists, museums, and anyone with a passion for the ceramic arts.

The invention of the Argand burner in 1784 propelled a virtual lighting revolution in the first half of the nineteenth century. This highly informative and outstandingly illustrated book showcases the variety of nineteenth century lamps through the use of color photos, old etchings, and period lighting catalogues -- including the only known 1850 Henry N. Hooper and Company Illustrated Catalogue, shown in its entirety. Lighting enthusiasts at every level will find many never-before-published photographs of Argand, sinumbra, and solar lighting devices, along with valuable information on heights, shade ring fitter diameters, and value ranges. Brief histories are provided for some of the better known lighting manufacturers, including Hooper, Dietz, Messenger, and Cornelius. The author also discusses various types of lighting fuel, terminology, how to differentiate reproductions from originals, and where to look for manufacturers' marks. Collectors of lighting and other fine arts from the first half of the nineteenth century will find this an essential reference for many years to come.

Viktor Schreckengost (1906-2005) was a prolific industrial designer of diverse products, from ceramics to pedal cars, from 1930 until the end of the 20th century. He focused on dinnerware between 1930 and 1956, while he was employed by pottery manufacturers in Ohio. Some of his most successful dinnerware lines were Americana and Diana (1934), Manhattan (1935), Triumph and Jiffy Kitchenware (1937). This new book is a study of Schreckengost's designs for dinnerware shapes, produced primarily by the (American) Limoges China Company and by the Salem China Company. Many of his 24 major dinnerware shapes became standard icons of the age, decorated with over 180 different patterns, many among the most popular of the time and his famous Jazz Bowl, of 1931. Over 300 photographs, most in full color, demonstrate the bold contours and cheerful colors that made his dinnerware successful. Special commissions, commemorative plates, and even children's dishes are also discussed and shown. Today's dinnerware collectors, designers, and artists will find inspiration in this beautiful presentation of truly original and successful designs.

Thousands of collectors will rejoice in this new guide to the products of Ceramic Arts Studio in Wisconsin. From 1942 to 1955, the pottery focused on the production of slipcast figurines which are avidly collected today. In over 250 color photographs Mike Schneider captures the beauty and charm of these figurines, providing a reference that has long been needed by collectors. The photographs are accompanied by a wealth of useful information including the history of the company and hints on care, repair, preservation, valuing, fakes, and reproductions. The figurines are organized by type with sections on People, The Animal Kingdom, Fantasies, Posy Pots, and Decorating the Walls. A Price Guide is included.

150 photographs highlight more than 220 noteworthy vintage glassware tems, many thought to be unique. This book presents the rarest and most special Depression Glass pieces seen by these preeminent authors of the premier Depression Glass references. Some are scarce or have an unusual color or decoration. These pieces will fascinate and delight Depression Glass collectors. For ten years Mauzy's Depression Glass has been the most complete, authoritative, and popular book available on this collectible glass. In the course of working with scores of dealers and collectors the Mauzys have documented about fifty additional items with each new edition of their book, and some of these discoveries are featured here. This book provides an opportunity to view the best pieces that you may find in the marketplace. Dealers and collectors will appreciate its usefulness and it should become a treasured part of any glass library.

Over 500 beautiful color photographs and an informative, succinct text provide a sweeping overview of stunning modern tableware designs. This book presents manufacturers both familiar and less known that revolutionized dining in the mid-twentieth century. Among the pottery firms whose wares are presented are Red Wing, Roseville, Royal China, Salem China, Stangl, Steubenville, Universal, Vernon Kilns, Winart Pottery, and Winfield China. A great deal of new information about the wares displayed may be found within these pages. Additionally, useful information concerning pricing and condition of ceramics is included, along with an extensive bibliography and index. Values may be found in the captions. While this book stands alone, it is also a companion volume to Mid-Century Modern Dinnerware, A Pictorial Guide: Ak-Sar-Ben to Paden City Pottery. This volume will be a valued addition to anyone entranced by fine ceramic design.

During the second half of the twentieth century, Scandinavian potters and glassmakers drew on elements present in China and Japan during the period of the Sung Dynasty to produce pieces of beauty and elegance that combined subtle glazes and classical shapes. The qualities came to characterize Scandinavian design in combining the fundamentals of craftsmanship, quality, subtlety, and a relationship to the natural surroundings. With 380 colour photographs to illustrate the work, this book is a must for the ceramics and glass collector as well as those who appreciate the results of a collaboration between artist and nature. Concentrating on designs produced in Sweden, Denmark, and Finland following World War II, the book presents the works of ceramics companies such as Roerstrand, Gustavsberg, Arabia, Saxbo, and Palshus, as well as the glass of Orrefors, Kosta, and Iittala. Designs by some of the greatest names in contemporary Scandinavian ceramic and glass design, including Berndt Friberg, Stig Lindberg, Gunnar Nylund, Wilhelm Kage, Edward Hald, Sven Palmqvist, Tapio Wirkkala, Timo Sarpaneva, and Vicke Lindstrand, will be appreciated by all students of twentieth century design. The guide to current prices will please the collector.

Illustrated with over 690 brilliant color and black and white photos, the engaging text takes readers through the Mid-century Modern glass made in America. The book is divided into two sections, the first on glass manufacturers and the second on glass decorators and designers. Glass manufacturers covered include Bischoff, Blenko, Cambridge, Duncan & Miller, Erickson, Fenton, Fostoria, A.H. Heisey, Morgantown, Paden City, Seneca, and many more. Glass decorators and designers include Stan Fistick, Fred Press, Gay Fad, Ben Seibel, Russel Wright, and Eva Zeisel, among others. Cold glass decorations displayed include painting, decals, cutting, etching, and all other surface decoration. The beautiful wares, in a range of colors and crystal, covered include giftware, stemware, and tableware. Among the giftware items are beautiful vases, candy dishes, smoking items, and all other items not intended for tabletop use. Textured tumblers are also found among the drinkware explored. This book is a must for anyone who appreciates beautiful glass.