This book provides a detailed classification of all the varieties of dumps, and is unequalled as a collector's guide to these unique English folk art antiques. This book is the most complete guide to English bottle glass dumps, doorstops and paperweights ever published. It contains almost 500 colour photographs ranging from Kilner bubble dumps from the 1830s, to elaborate floral ornaments and sulphide inclusions from the early 1900s. Of particular interest to the serious collector will be the 15 examples of rare garnitures (sets of three dumps), several examples of very rare Redfearn weights, an exceptionally large variety of sulphide inclusions, dumps with coloured glass centres to their flowers, flowers with blue or gold petals, and many other rarities and curiosities. There are examples in green, turquoise, blue, amber and amethyst glass. The book includes information on dump damage and restoration, and how to assess and value dumps, together with a price guide.

In 1675, George Ravenscroft invented the lead glass formula which was to transform glass selling in England. Previously table glass was imported from the continent, mostly from Venice, but now an indigenous industry developed rapidly, producing drinking glasses of such quality and fascinating design as to capture the entire home market. This book explores the variety of drinking glasses, from the heavy balusters pre-dating 1700 to the faceted stems of around 1800, which are so sought after by collectors. Superb craftsmanship and ingenuity, typical of all art forms in the eighteenth century, are beautifully encapsulated in the drinking glass, and a large and significant collection can be housed in a couple of display cases. Accompanied with detailed illustrations of the range of glass designs, this is an ideal guide for any collector.

Illustrated with over 690 brilliant color and black and white photos, the engaging text takes readers through the Mid-century Modern glass made in America. The book is divided into two sections, the first on glass manufacturers and the second on glass decorators and designers. Glass manufacturers covered include Bischoff, Blenko, Cambridge, Duncan & Miller, Erickson, Fenton, Fostoria, A.H. Heisey, Morgantown, Paden City, Seneca, and many more. Glass decorators and designers include Stan Fistick, Fred Press, Gay Fad, Ben Seibel, Russel Wright, and Eva Zeisel, among others. Cold glass decorations displayed include painting, decals, cutting, etching, and all other surface decoration. The beautiful wares, in a range of colors and crystal, covered include giftware, stemware, and tableware. Among the giftware items are beautiful vases, candy dishes, smoking items, and all other items not intended for tabletop use. Textured tumblers are also found among the drinkware explored. This book is a must for anyone who appreciates beautiful glass.

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This exquisite gift book explores the phenomenon of 'garnitures', or matching sets of ceramic vases. From the 1650s such sets were used in elite European interiors as an integral part of the decorative scheme; displayed on chimney-pieces, cupboards, tables or over doors, they 'garnished' the interior and so enhanced the status of the owner. The fashion began in Europe using mismatched Chinese porcelain beakers and jars. As imports of Chinese porcelain ceased between 1657 and 1683, European potters at Never and Delft copied the originally exotic forms, unifying the sets with matching patters, or with metal mounts. The fashion continued throughout the 1700s, with almost every ceramic manufactory producing examples, but came to its conclusion during the Arts and Crafts period, when the singular vase became the rage and many sets were broken up and dispersed. This book brings together some of the National Trust's most important sets of garnitures, showing them in their historic context, many have never been published before.

The invention of the Argand burner in 1784 propelled a virtual lighting revolution in the first half of the nineteenth century. This highly informative and outstandingly illustrated book showcases the variety of nineteenth century lamps through the use of color photos, old etchings, and period lighting catalogues -- including the only known 1850 Henry N. Hooper and Company Illustrated Catalogue, shown in its entirety. Lighting enthusiasts at every level will find many never-before-published photographs of Argand, sinumbra, and solar lighting devices, along with valuable information on heights, shade ring fitter diameters, and value ranges. Brief histories are provided for some of the better known lighting manufacturers, including Hooper, Dietz, Messenger, and Cornelius. The author also discusses various types of lighting fuel, terminology, how to differentiate reproductions from originals, and where to look for manufacturers' marks. Collectors of lighting and other fine arts from the first half of the nineteenth century will find this an essential reference for many years to come.

Viktor Schreckengost (1906-2005) was a prolific industrial designer of diverse products, from ceramics to pedal cars, from 1930 until the end of the 20th century. He focused on dinnerware between 1930 and 1956, while he was employed by pottery manufacturers in Ohio. Some of his most successful dinnerware lines were Americana and Diana (1934), Manhattan (1935), Triumph and Jiffy Kitchenware (1937). This new book is a study of Schreckengost's designs for dinnerware shapes, produced primarily by the (American) Limoges China Company and by the Salem China Company. Many of his 24 major dinnerware shapes became standard icons of the age, decorated with over 180 different patterns, many among the most popular of the time and his famous Jazz Bowl, of 1931. Over 300 photographs, most in full color, demonstrate the bold contours and cheerful colors that made his dinnerware successful. Special commissions, commemorative plates, and even children's dishes are also discussed and shown. Today's dinnerware collectors, designers, and artists will find inspiration in this beautiful presentation of truly original and successful designs.

Thousands of collectors will rejoice in this new guide to the products of Ceramic Arts Studio in Wisconsin. From 1942 to 1955, the pottery focused on the production of slipcast figurines which are avidly collected today. In over 250 color photographs Mike Schneider captures the beauty and charm of these figurines, providing a reference that has long been needed by collectors. The photographs are accompanied by a wealth of useful information including the history of the company and hints on care, repair, preservation, valuing, fakes, and reproductions. The figurines are organized by type with sections on People, The Animal Kingdom, Fantasies, Posy Pots, and Decorating the Walls. A Price Guide is included.

This design studio portfolio contains 108 colour photographs of leaded glass window installations and 48 detailed line drawings rendered in a professional proposal format. This collection is drawn from the designer archive at Glass Reflections of Fort Lauderdale. The array of design styles include traditional, tropical, floral, beveled panels, modern abstracts, landscapes, and magnificent entryways. This book is essential for all art glass libraries and will prove invaluable for architects, builders, interior designers, glass artists and ultimately for all lovers of leaded glass and design.