From the finest collections of bone china to contemporary and practical everyday dishes and kitchenware, the willow pattern has graced dining tables and adorned ceramic wares for more than 200 years. First introduced during the early 19th century in England, the willow pattern has been replicated and reproduced over the years by a countless number of manufactures in England, America, Japan, and other countries around the world. Today, the pattern remains a time-honored classic, one of the most recognizable and cherished patterns in ceramics. This book delves into the world of willow ware collecting, with over 550 photographs of plates, cups, saucers, teapots, pitchers, platters, kitchenware, jewelry, condiments pieces, and much more. It illustrates the beauty and widespread popularity of the willow pattern in all its variations of color, shape, multiplicity of border designs, traditional and variant patterns, and polychrome pieces. Information on manufacturer's marks, historical background, helpful hints for the collector, a price guide, and an index are included. Enjoy remarkable examples of early 1800 blue and white pearlware, gaudy willow, and pekin, among other traditional, polychrome, and variant pattern items. Ceramics collectors and dealers, along with willow ware enthusiasts, will welcome this fabulous collection of willow ware.

Among today's favorite glass collectibles are the decorative containers that once held sour cream. From the late 1940s through the early 1990s sour cream was marketed in glasses having pry-off tops. After removing the lid and consuming the contents, one had a lovely, decorative tumbler to use and enjoy for free. This successful packaging strategy has left a remarkable array of glassware that is durable, colorful, and highly collectible. Here is the historical information, along with a value guide presented in an easy-to-use format complete with check-off boxes to easily maintain a collection. Barabara E. Mauzy again presents a useful, useable book that dealers and collectors alike will find to be an invaluable tool. If you enjoy kitchen collectibles this book belongs in your library.

Flow Blue and other transfer print decorated wares produced from 1880 to 1925 by the potters of England's famous Staffordshire pottery district are illustrated in over 740 color images and line drawings, along with the pottery body shapes and the manufacturers' marks found on these highly sought antiques. A thorough text discusses methods of manufacture, provides histories of some of the major Staffordshire pottery firms (including W. H. Grindley & Co., Johnson Brothers, and Alfred Meakin), defines ceramic wares by type, and includes an extensive bibliography. Current market values are provided in the captions. This is a valuable guide for anyone interested in Late Victorian era British ceramics.

Elegant and graceful, glass bells are favored by many bell collectors as well as collectors and admirers of fine glass. This stunning book showcases over 750 glass bells dating from the eighteenth century to the twenty-first century, with over 29 countries represented. Included are cut glass bells, blown and pressed glass bells, engraved bells, and the magnificent, highly desirable glass wedding bells. Among the companies and artists represented are Dorflinger, Hawkes, Pairpoint, Seneca, Sinclaire, Fenton, Fostoria, Val St. Lambert, Goebel, Rossi, Moser, Hofbauer, Wedgwood, Pepi Herrmann, Glen Jones, and many others. The bell type, country of origin, maker, and date (if known) are identified for each bell, along with a general description, size, color, pattern or decoration, and current value. Background information on the history of glass bells and special chapters discussing manufacturer attribution and the various owners of bell molds are also included. A splendid addition to the libraries of bell collectors, glass enthusiasts, and all who appreciate beautiful artistry.

Charleton decoration on glass and porcelain was prolific in the 1940s and 1950s on blanks from American and European manufacturers. Charleton hand-painted landscapes, fruit, flowers, geometric patterns and abstracts are displayed here in over 600 stunning images, many never before appearing in print. Histories of the decorating company (Abels, Wasserberg & Company of New York) and the firms that provided the blanks appear along with an extensive bibliography and current values. This book is a useful reference to identify decorated glass and porcelain and will inspire searches for its distinctive decorations.

In shops, shrines, homes and gardens throughout Japan, at noisy festivals and in the most serene teahouses, you are likely to encounter the plump, smiling image of Otafuku--a mythic figure from Japan's distant past. With her twinkling eyes and rosy lips, she appears in countless incarnations: on banners, cups and bowls, and in craft, furniture, painting and sculpture. Who is this warm, wonderful lady, whose gentle and calming presence is felt everywhere in Japan? In Otafuku, renowned author Amy Katoh explores in her own inimitable way the colorful world of Otafuku. Katoh traces Otafuku's roots and folk beginnings, showing her many delightful identities, and providing a magical glimpse into this charming and little-known corner of Japanese culture. With a mixture of poems, photographs, anecdotes and stories, she presents a veritable jewel box of surprises that is sure to enchant readers. Today Otafuku is Japan's most influential female icon and is attributed with having many bestowing powers including health, pleasure, success, and the granting of wishes.

Dazzling handmade glass rarities from the Fenton Art Glass Company of Williamstown, West Virginia, are showcased, described, and illustrated in nearly 800 vibrant color photographs! These highly sought, yet rarely seen, items from 1940-1985, include experimental pieces, sales samples, and glassware made rare by brief production spans, ranging from baskets and cake plates to tankards and vases. Fenton artisans proving their skills made spectacular personal pieces collectors' treasure today. Those with rare colors, decorative treatments, and forms are the main features of this book. Also included are a company history, glossary of terms, and a bibliography. Current market values are included in the captions.

Meet the people behind Hagen-Renaker Pottery and enjoy their artistry as this book delves into a behind-the-scenes look at this unique and creative company that has produced fine ceramics since 1946. Realistic and whimsical clay animal figurines are featured in over 480 beautiful color photos creations from Hagen-Renaker. Horses, dogs, frogs, ducks, and more are professionally crafted by the company's talented artists. Highly valued as collectibles, these charming figures were made to be admired. A price guide, information on other potteries of the time, and a look at some Hagen-Renaker imitations are included.

This colorful book surveys the varied and beautiful ceramic wares produced during America's Great Depression years. Over 450 color photographs display the often dazzlingly colorful and streamlined wares from the late 1920s through the early 1940s. Table, kitchen, and artware all have their place in this inclusive volume. Accompanying this colorful display is a text that provides brief histories of the various potteries striving to bring their wares to cash-strapped American consumers. Examples of each firm's manufacturer's marks are provided as well. Updated values for the wares displayed are conveniently located in the photo captions. Rounding out this sweeping survey are a bibliography and index.

Archimede Seguso (1909-1999), one of the great Muranese masters, took traditional glassmaking techniques to extremes. His introduction of merletto lacework technique at the Venice Biennale of 1952 turned heads. His secret for embedding fine lacy threads of glass was never shared. Rather than apply the filigree to the surface of vessels as was traditionally done, Seguso floated these delicate wisps of color inside the glass. Archimede Seguso was also a sculptor. His preference for solid glass and love of nature resulted in a glass menagerie of feathered, scaled, and furry creatures. In the late 1950s he debuted with an array of alabastro figurals mimicking natural white alabaster, as well as the stone in delicious colors. This book, the first on the subject written in English, shows the full array of his extraordinary work in almost 500 full color photos from collections around the world. With focus on the 1950s and the Venice Biennales, his designs for decanters, vases, bowls, and animal sculpture from the period are shown with detailed captions and a price guide. This book also includes a history, bibliography, index, and illustrated glossary of terms.

Here is a wonderful new look at the popular and highly collectible Blue Ridge China produced by Southern Potteries of Erwin, Tennessee, from 1938 to 1957. Expanding upon the research done for their first two books (Blue Ridge China Today and Blue Ridge China Traditions), the authors provide a comprehensive, pictorial review of these beautiful, hand-decorated wares. \nWritten with young and future collectors in mind, the book contains a special focus on exciting children\s pieces made at the pottery. In addition, collectors of all ages will find an extensive assortment of the wide-ranging dinnerware and china pieces for which Blue Ridge is so well known. Included are many newly identified patterns, newly discovered pieces, and different pieces and shapes for some "old favorite" patterns. \nThe invaluable appendix contains pattern numbers, matching glassware, backstamps, and a new section featuring many of the original rubber stamps used at the pottery. Suggested prices in the captions and a separate Price Guide are based on the authors\ careful and constant monitoring of sales from the Internet, auctions, antique malls, and garage sales. This is a delightful celebration of the timeless and much-loved Blue Ridge China.

When is a fetish not a fetish? Find out in this celebration of the most misunderstood genre of Southwestern Indian carvings. From Beast Gods to Directional Guardian Spirits, this book explores the magic and mystery behind the charismatic, mostly stone, animal figures (or fetishes) skillfully carved by artists from Southwestern Pueblos. Enthusiasts will delight in the hundreds of full-color photographs. Pictures and text highlight the impressive variety of forms, materials, and traditional and contemporary styles available to collectors. This book discusses the symbolic meanings associated with these figures and explains how they are "borrowed" for use by members of non-Native American cultures. A newly revised price guide is included to help collectors orient themselves to current market values.

Whether the name Limoges brings to mind a region in France, the city of Limoges, or the factories that produce fine Limoges porcelain, a picture of romance, beauty, and fabulous artisans no doubt follows. This stunningly photographed book is dedicated to helping porcelain connoisseurs from the novice to the advanced learn how to identify, affordably collect, and decorate with hand-painted Limoges porcelain. Shown are vases, jardinieres, dinnerware, coffee and chocolate pots, cake plates, punch bowls, and more. This is the first Limoges collectors' book with dedicated sections on tea accoutrements, white and gold wedding band porcelain, and porcelain jewelry with hand-painted Limoges art. Going room by room, the author provides fabulous decorating ideas, from accessorizing with a single piece of Limoges to displaying an entire collection. Included are descriptions, measurements, values, history, collector hints, and a concise alphabetical mark guide. A truly inspirational book for collectors and designers alike.

The Homer Laughlin China Company has produced more than 100 different shapes for their dinnerware lines since 1873 (sometimes using mixed shapes in one set) and more than 10,000 decorations. How is one to identify all these variations? Let Jo Cunningham show you how in this new book dedicated to 1940s and 1950s Homer Laughlin products. This was a very prolific time for the company, and represents the era of dishes that people are collecting today. The Fiesta line and Lady Stratford shape are given particular attention in response to their enormous popularity now. Over 500 color photographs display and compare the shapes and decorations, and the well researched text is arranged chronologically to show the developments that help identify individual pieces. Children's dishes and products associated with other companies are also identified and explained. This volume is sure to become one of the key sources for information on dishes of the mid-20th century.

Rosenthal, Excellence for All Times provides readers and collectors with a detailed look at the history and works of this internationally recognized company, accompanied by a synopsis of the evolution of Modernism as it took root in Europe and America. Rosenthal's unique position in the design world is detailed through over 450 wonderful photographs, many acquired from Rosenthal's own archives. The company's constant devotion to excellence of product and perfection of design is reflected in the extraordinary examples of porcelain dinnerware, cutlery, glassware, early and late accessories, figurines, and limited edition art found throughout the book. Detailed biographical material of the artists who design for Rosenthal and the distinguished jurors who oversee all artistic elements adds to the understanding of both Rosenthal and of Modernism and acquaints readers with the styles unique to these individual artists. This important book introduces collectors to a richness of work not recorded elsewhere, a siren call to Modernists who would search for the best of our times.

Updated values and text revisions have been made to this popular and thorough guide to Candlewick crystal, one of the most popular lines of glass produced by the Imperial Glass Corporation of Bellaire, Ohio, which was introduced in 1936 and manufactured until the company's closing in 1984. Today this pattern, made in crystal and many lovely colors, attracts avid collectors of fine glassware. In this beautifully photographed and updated book, nearly every item in the crystal line is shown and discussed. The author and her late husband, Bob, carefully researched Imperial's factory records, catalogs, and price lists to assemble extensive background information on these exclusively crystal Candlewick items. Organized in easy-to-use categories, the book covers place settings, serving pieces, sets, and miscellaneous items such as ashtrays, candleholders, compotes, and vases. To further help with identification, some undocumented pieces, reproductions, and similarities are shown as well. Measurements for all of Candlewick's stem and tumbler lines are included. In this new third edition, the primary focus is on updated values that are included in the captions and in an overall price guide organized by mold number. This book is an essential reference for Candlewick collectors and all who enjoy beautiful glass. According to collectors, the photographs are an outstanding feature of the book. A separate companion volume by the authors presents the colored and decorated lines of Candlewick.

Beautiful color photographs of hundreds of Majolica ceramics from the Victorian age and more historical research contiue in this new study. The book traces majolica's roots and lists the manufacturers and their marks. Over 300 color photographs, taken in America and Britain, illustrate the high craftsmanship of majolica's nineteenth century potters. Artistic influences on majolica's designs are reviewed along with the evolving majolica markets England, America, Europe, and Canada. Specialty tablewares, decorative pieces, titles, and the controversial greenwares all are included. The price guide is a valuable tool.

The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colorful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly colored Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators. This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. 1700. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers' and decorators' marks, unusual shapes, design variations, and hard-to-find examples are all shown in 600 color photographs with identifying captions and concise text.

Valuable new information on American Brilliant Cut Glass is presented in the Boggesses' most recent work, Diverse sources including 135 originals catalogs, patent records, magazine advertisements and personal interviews with people within the glass industry as well as collectors and dealers were used to complete this thorough study. Patterns, colored patterns and their variations, common and unusual shapes, changing terminology, and signature marks are all discussed in detail. Rare pieces, such as those appearing in Exhibitions, are also addressed. Over 950 photographs illustrate this comprehensive text.

If you thought that Enesco*r began with Precious Moments*r, this book will amaze you. Enesco is actually one of the oldest importing companies in the United States, with a history dating back to the late 1800s. Figural ceramic items imported from Japan in the 1950s and 1960s are among today's top collectibles and Enesco imported many highly collectible lines during this period, the most notable being Mother-in-the-Kitchen, or Prayer Lady, as it is commonly called. This book features a huge array of gift, collectible, and decorative items sold by Enesco, including figurines, planters, kitchenware, bells, banks, and head vases -- all shown with current market values. Early lines like Beaver Dam*r, Dearie is Weary*r, Golden Girls*r, and Winkin' Kitten*r are here, along with contemporary favorites like Country Cousins*r, Human Beans*r, Cherished Teddies*r, Coral Kingdom*r, and of course, Precious Moments*r. Also included is a useful chapter picturing collectible lines from other importing companies. This book, which contains over 1,000 pictures showing over 1,500 items, will help you identify Enesco's popular keepsakes and will become a useful and treasured addition to your collectibles library.

During the past one hundred years, thousands of trademarked fragrances have competed in the marketplace. Here are over 1000 examples, most of which have not appeared in previous books on the subject. From cork-stoppered, flora-scented toilette water that Victorian ladies daubed on their wrists on airless summer days to current fragrances that provide yet another avenue for individuality in the ambiance of today's modern woman, here are commercial fragrance bottles for the most avid aficionado. Spanning early examples and every decade of the 20th century, Commercial Fragrance Bottles covers a representative assortment-from the rare to the whimsical. Once it is published, Commercial Fragrance Bottles will become one of the standard books in the large, enthusiastic field of perfume bottle collecting.

This is the first book dedicated to ceramics exported to Europe by the venerable Noritake firm, established in Tokyo in 1876. Over 580 vibrant color photographs display the porcelain tablewares, tea, chocolate, and coffee sets, dressing table sets, and vases produced from 1891 to 1939. Decorative motifs displayed include nineteeenth century formal, Arts & Crafts, Art Nouveau, and Art Deco designs. The text provides a company history, backstamp explanations, a glossary, and a comprehensive guide to collecting. Values are included in the captions in both U.S. dollars and English pounds.

Combining over 1,000 color photographs of ceramic tableware, an equal number of manufacturers' marks, and an expansive text, this is the most comprehensive catalog of the famous British Willow pattern and its known variations ever attempted, featuring wares spanning from the late eighteenth to the early twenty-first century. Not only are the wares of the famous English Staffordshire potting district displayed, but also Willow Ware from Yorkshire, Scotland, Wales, and Ireland. The text provides detailed information on over 400 different pottery factories, including William Adams & Sons, Bo'ness Pottery, Copeland & Garrett, S. Fielding & Company, Minton, and Wedgwood. Also included is information on foreign retailers and importers, a glossary, bibliography, several indicies, and current market values in the captions. This book will be a continual reference source and inspiring for all who appreciate British pottery and the timeless Willow pattern.

Here is the reference guide to modern Fiesta*TM ceramic tableware that collectors have asked for! Over 480 beautiful color photographs display Fiesta line ceramics produced by the Homer Laughlin China Company*TM since 1986. Table and kitchenware items, lamps, vases, decal decorated Fiesta, children's wares, the Fiesta 2000*TM line, prototypes, test pieces, sample items, and the rare Raspberry Bowl are all presented here. Additionally, the engaging text recounts the work of Jonathan Perry, Homer Laughlin's art director during Fiesta's reintroduction. It provides useful tips for new collectors, values with the captions, additional price tables for ware not displayed, a bibliography, and an index. This book will be welcomed by every Fiesta enthusiast!

This in-depth pictorial survey provides 684 color photographs of Flow Blue ceramic wares produced throughout the Victorian Age. Central to the book is the presentation of the dinner wares, tea sets, and dessert services from four popular Flow Blue patterns: Cashmere, Chapoo, La Belle, and Touraine. Never before have so many pieces from these highly desirable patterns been shown. Also, illustrations display numerous spectacular teapots, syrup pitchers, and children's wares in a wide variety of patterns. Egg cups and butter pats in many popular patterns are also illustrated, identifying the patterns which appear on these tiny forms. Finally, many patterns appearing in none of Mr. Snyder's previous Flow Blue texts are provided. The text defines and briefly traces the ware's history. Further, a very useful Index to Patterns is included. Prices for the items displayed are presented in the captions. Anyone who has ever admired Victorian ceramics, and certainly every Flow Blue collector, will find many pieces to fascinate them in this beautiful new book.