Over 360 stunning color photos display exquisite blue and white decorated dining services, candelabrums, tea and coffee services, centerpieces, vases, and more, created by Germany's famous Meissen porcelain manufactory. Ranging from rare, early eighteenth century museum pieces to nineteenth century plates and platters readily obtainable by collectors, they feature decorations in royal blue, underglaze and overglaze colors, and patterns including Rock and Bird, Strawflower, and the ever-popular Blue Onion. Many have never before been seen in print in an English language publication! The fascinating text includes a history of porcelain painting, a discussion of Meissen's artists, the wares produced, decorative techniques incorporated over two centuries, and an examination of Meissen's manufacturer's marks, a bibliography, and an index. Values may be found in the captions. This book is essential for everyone who appreciates fine porcelain.

This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study - defined by its design hybridity - offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.

A guide to the current prices of Sandwich Glass, keyed to all five volumes of Kaiser and Barlow's The Glass Industry in Sandwich.

Over 700 color photos display the ceramic dogs produced by potters of England's famous Staffordshire district during the Victorian era. They include King Charles Spaniels, Whippets, Bull Mastiffs, Poodles, St. Bernards, and many others. Among the figures are dogs alone, and with men, women, and children engaged in a variety of pursuits. Histories for potteries known to produce Staffordshire dogs are presented, including James Dudson, the Par-Kent Factory, Poole & Unwin, Ridgway & Robey, and Sampson-Smith. Instruction on differentiating original antique Staffordshire dogs from modern reproduction are provided. The various decorative treatments used on these popular dogs over the decades are also discussed. Value codes are provided in every caption.

Here is a fascinating study of commercial glass production along the Ohio River Valley in the 1950s and 1960s. Companies such as Blenko, Pilgrim, Rainbow, Viking, Kanawaha, Bischiff, Morgantown, and others made free- and mold-blown production glass in modern, sometimes bizarre shapes and wildly vibrant colors. Over 100 new images have been added to this revised and expanded second edition, for a total of over 530 color photographs of the beautiful glass, its labels, catalog pages, company histories. An updated price guide provides valuable insight into today's marketplace.

Roseville pottery has become a popular antique ware to collect, and with this guide the patterns can be identified, variations seen, and values estimated. The alphabetical organization is easy to use.

Organized in 1871, in Dudee, Illinois, the Haeger pottery grew from making building bricks to decorative housewares by 1914. Today it continues to produce many lines of decorative ceramic wares. This book presents the company history, over 200 catalog pages, and over 700 select items fully described with their color names, dimensions, markings, price guide and index. With this, an interestd reader can learn to identify and evaluate Haeger pottery on the market today.

Here is the first illustrated retrospective of the storied evolution and continental acceptance of the porcelain pipe. The history of these beautiful pipes is covered in over 145 brilliant photos and detailed, informative text, from their revolutionary introduction as early objets d'art to their eventual eclipse as twentieth century kitsch. While the history, manufacture, and use of clay, meerschaum, and briar tobacco pipes have been thoroughly documented, the authors have now crafted a chronicle about porcelain tobacco pipes. This pipe originated with an eighteenth-century, European design developed in France and in Germany and its production spanned roughly 250 years. Porcelain pipes for student life, sporting coats of arms, commemorating military campaigns, adorned with a wide range of flora and fauna, and much more are illustrated and described. Whether you are a pipe smoker, pipe collector, or someone who appreciates antique and vintage porcelain objects, this vivid narrative is a fascinating read.

In 1813 Charles James Mason gave the public just what they needed, patenting his "ironstone china." This durable yet beautiful dinnerwarewas stronger and less expensive than the china that then dominated the market. And its white, unadorned base soon became popular as a canvas for decorations such as Flow Blue, Mulberry, and Copper Lustre, especially the Tea Leaf motif. This pictorial and collectors' guide provides an alphabetic listing of all known shapes and their makers, illustrated with more than 700 color photographs to help easily identify pieces and show the ironstone in detail never seen before. Collectors will find this cross-referencing tool invaluable. Included is also a miscellaneous chapter, which brings to new light the unusual and hard to find pieces and a section devoted entirely to children's sets. Color photographs of makers' marks are identified and dated to aid those wishing to date their pieces.

This comprehensive study combines a fantastic historical account with exciting, newly-discovered examples. Art pottery and tiles from the Weller, Roseville, J.B. Owens, and related companies were made variously from 1872 to 1967 in Zanesville, Ohio. The authors studied many private collections to find fresh designs and shapes in this highly popular collecting field. This reference provides in one volume a full account of the companies, shapes, glaze lines, and values on today's market.

Ceramic Delftware has never been more popular or collectible. This important new book documents the world's most famous and oldest surviving Dutch Delftware factory, De Porceleyne Fles (Royal Delft), which dates back to 1653. Publication of this volume coincides with the 350th Jubilee celebrations of the factory in 2003. Beautiful plates, vases, covered pots, candlesticks, clocks, tableware, tiles, and watering cans are all here, from inexpensive pieces to breathtaking artwork worth tens of thousands. More than 650 color photographs show the distinctive quality and over 100 archival black and white photos are largely drawn from factory sales catalogs. Rick Erickson provides a wealth of detail to attract and teach the novice enthusiast while also inspiring the knowledgeable veteran collector. This important reference includes guides to original and current prices, rarity, factory marks, year codes, and painter's signatures.

This is the most comprehensive guide to salt and pepper shaker series ever published. Never before have so many shaker series been pictured in one book. Shown in full color are more than 850 sets, making up more than 125 series. Included are well-known names such as Rosemeade, Ceramic Arts, Lefton, Enesco, and more. This will be an indispensable reference book for both beginning and longtime collectors who have always wondered which sets "belong" together. Measurements, manufacturers, countries, and current values are provided. If you have never had an interest in salt and pepper shakers before, this book will open your eyes to a wonderful collectible!

The foremost experts on cut glass of the 1876 to 1916 period, Bill and Louise Boggess, have brought together vital information for collectors to identify, select, and evaluate cut glass. All collectors will have to own this important new reference book. In Collecting American Brilliant Cut Glass, patterns are identified, signatures are shown, and major American companies are described. Thousands of cut glass pieces are shown in 1065 photographs. Even the unusual colored glass examples are illustrated. Each piece is graded for its rarity.

This book and its companion volume are the first in English to survey the entire range of Scandinavian glass companies and designers. Their beautiful glass has spawned one of the hottest collecting fields today. The volumes are divided by color, with the dark tones of Smoke and the clear crystal of Ice included in this book. Each volume has hundreds of color photographs chronicling the creations that arose out of Sweden, Denmark, Finland, and Norway. Together these nations were responsible for producing some of the most extraordinary glass of the 20th century. Here is the high quality designer glass produced by skilled teams of glassmakers working at Orrefors, Kosta, iittala, Nuutajarvi, Riihimaki, Hadeland, Strombergshyttan, and Johansfors led in technical virtuosity and design innovation. Designers such as Tapio Wirkkala, Timo Sarpaneva, Vicke Lindstrand, Edward Hald, Nanny Still, Erik Hoglund, and dozens of others contributed more to 20th-century factory glass production than any group outside of Italy. With detailed captions, signatures and labels, company histories, designer biographies, a comprehensive bibliography, index, and price guide, this book - along with its companion volume Fire & Sea - will surely become the standard reference on Scandinavian glass and essential for collectors, dealers, researchers, curators, and anyone interested in modern design.

This colorful book is a fascinating compendium of the hand-made, mold blown glassware produced for use in homes and businesses from the early twentieth century, on through the Depression era, and into the 1950s and '60s. This beautiful glassware, produced in Morgantown, West Virginia, is displayed in over 860 color photographs. The decorations that adorn this brilliant glassware are illustrated among the photographs. The reader will become familiar with the striking colors, etchings, cuttings, and cased filament stems used to make Morgantown glass distinctive and immediately appealing. Included in the text are a history of the Morgantown Glass Works (under various names and ownerships), a review of glass making techniques--including descriptions of specific techniques given by Morgantown employees themselves, and a survey of the decorative techniques employed by the firm. A detailed bibliography, an index, and values round out the presentation.

This book is an edited record of the papers given at the two-day symposium 'Italian Maiolica and Europe' held in Oxford on 22 and 23 September 2017. It is, in effect, a celebration of his long service in the Ashmolean Museum as the Keeper of Western Art. Museum collections develop their great strengths in one of two ways: through gifts of private collections and through the knowledge and enthusiasm of curators. The Ashmolean's renowned and important collection of Italian Maiolica owes its foundation to the former and the bequest of C.D.E. Fortnum. But it has grown and developed in remarkable ways over the last three decades thanks to the energy and expertise of Professor Timothy Wilson. During his 27 years as Keeper of Western Art, Tim was responsible for a truly extraordinary range and number of important acquisitions across the fine and decorative arts. As one of the world's leading scholars of Italian Maiolica, it was only natural that he would continue to build on Fortnum's legacy.

This new book is a valuable aid when used in conjunction with eight important books which picture F. Carder's Steuben glass. The tabulated format is easy to use. The line drawings of shapes in Paul Gardner's classic book The Glass of Frederick Carder (reprinted by Schiffer Publishing), auction records of the last seven years, and references to photographs in the eight books cited are cross-referenced for easy access. In addition, 40 new color photographs of Carder Steuben glass, which have not been shown in other publications, are included here. Finally, the respected authorities on this finest of American manufactured glass speak in unison to today's researchers. Curators, historians, glass dealers, scholars, and collectors alike owe a round of applause to Marshall Ketchum for this precise and important reference work; this book will make their jobs much easier.

Colorful Fire-King Depression era glassware is studied through a brief history, over 200 photographs, updated market values, and an index. Dinnerware, mugs, mixing bowls (from splash-proof to Swedish Modern), kitchenware, and ovenware in copper lustre, jade-ite, sapphire blue, and turquoise blue glasswares all are well represented.

This faithful reproduction of the Mintons China Works' 1885 catalog contains hundreds of tile designs. The glory of these tiles is captured in beautiful color illustrations. The catalog opens with its original brief history of Mintons' unique patented enameling technique, known as the "Reynolds's process". This process' origins date back to 1848, when it was first used by Mr. Herbert Minton. Historians and collectors will find the beginning pages of the catalogue valuable for their dimensional and design information. This catalogue will be an important source of inspiration and information for those who appreciate the beauty of Minton tiles.

Accounts of the Boston and Sandwich Glass Company between 1858 and 1882, the Cape Cod Glass Works 1858-1864, and the Cape Cod Glass Company 1864-1869. Chapters on vases, cologne bottles, witch balls, toys, and specialized containers.

Collectors of pretty and popular Fostoria crystal are now able to learn the pattern names, sizes and factory inventory numbers for hundreds of Fostoria tableware shapes, as well as their recent values at the marketplaces. Both a Supplementary Catalog and a Catalog from 1925-30 demonstrate the fine etching work that distinguishes Fostoria's glassware.

An inside look at kokeshi dolls: from the skilled woodworkers behind their design to their important cultural significance. Kokeshi are the simple and charming traditional Japanese dolls characterized by their cylindrical shape and lack of arms and legs. Historically made as children's toys in Japan's northern region of Tohoku, they have now become a popular collector's item and have even inspired famous architects and artists. In this visual guide, readers will find: An overview of the different types of dolls How kokeshi dolls are crafted, including information on tools and woods used Interviews with leading kokeshi craftspeople worldwide Detailed information about both traditional dolls and the modern ones being crafted today An exploration of the cultural significance of kokeshi dolls--both historically and for the areas of northern Japan that rebuilt themselves after their region was decimated by an earthquake and tsunami in 2011 A guide to visiting Japan's kokeshi regions Information on how to buy the dolls--either directly from Japanese artisans or stockists worldwide Filled with artist interviews, gorgeous photos and firsthand travel experience, author Manami Okazaki has created a book to be enjoyed by all--from serious collectors to woodcrafters, interior designers, architects, armchair travelers and anyone with an interest in Japanese culture and travel.

During the Great Depression, glass companies turned to machine-made methods to produce inexpensive, colorful glass. Due to its wonderful variety, availability, beauty, and usefulness, this type of glassware has endured to become one of the hottest collectibles on today's antiques market. This is the first book to extensively cover only Depression Era pink glass; pink was the most popular color of glassware then and has retained its popularity to the present day. It contains over 200 color photographs, examples of forty-five patterns, and brief histories of glass companies such as Bartlett-Collins, Cambridge, Federal, Fostoria, Hazel-Atlas, Imperial, Westmoreland, and others. This revised and expanded second edition features some new photographs and newly revised prices. It is an indispensable guide for all who collect Depression era glass and enjoy the beauty of pink glassware.

Among the many treasures of the al-Sabah Collection, Kuwait, are hundreds of chess and other games pieces dating from the 7th to the 19th centuries ce. Intricately crafted in a rich variety of materials, including ivory, wood, ceramic, glass, jade and agate, these tiny objects are of enormous historical and artistic significance. They not only mark the evolution of familiar games into their modern forms, but also evoke the imperial palaces, military camps and herders' tents in which they were played over many centuries, from the Sasanian period through the Islamic era in Central Asia, Iran, present-day Iraq and northern India. The chess pieces include both early figural sets and the more abstract forms that later became popular throughout the Islamic world. Dice, pachesi sets and a medieval Arabic treatise on chess complete the collection.