Crackle glass has become popular in the field of twentieth-century glass collecting. Taking its name from the crackle-like appearance of the glass, a finish caused by dipping the hot piece of hand-blown glass into cooling water, the majority of this highly collectible glass was made by West Virginian companies such as Blenko, Pilgrim, and Rainbow, and Depression Era companies Tiffin, Morgantown, and Duncan. This volume showcases more than 400 color photos of crackle glass along with company catalog pages, manufacturers' information, an essay on glass blowing, detailed captions, an up-to-date price guide, bibliography, and index. It is a must for students, collectors, and dealers of glasswares.

Over twenty West Virginia glass companies of the early twentieth century, including AlleyTM, BeaumontTM, BlenkoTM, FentonTM, FostoriaTM, MonongahTM, MorgantownTM, Paden CityTM, Seneca GlassTM, Weston GlassTM, and West Virginia Glass SpecialtyTM, are featured. More than 500 color photographs display diverse forms of beautiful glassware produced from the 1920s through the 1940s. Trade journal advertisements and catalog pages along with individual essays about each company, bibliographic references for further research, and current values in the captions make this a valuable resource.

This clearly written, thought-provoking, and often witty text takes the reader on a grand tour of the ceramic fancywares produced by Noritake. Included are bowls, boxes, figurines, lamps, plaques, teasets, vases and other delicate porcelains. Over 1,000 stunning color images display these eye-catching objects to their best advantage. While concentrating on the wares produced between 1921 and 1941, fancywares from as early as 1908 and as recently as the 1980s are also portrayed. This book is so well organized, even the novice will be using it with confidence within minutes. Included as well are clear images of the many Noritake backstamps, a bibliography, an index, and current market values in the captions.

Harker Pottery produced popular ceramic tableware for over 130 years, including early Rockingham, Yellowware, sturdy Ironstone, and delicate Pate Sur Pate. Over 800 beautiful color photos display their dinnerware, kitchenware, rolling pins, shaving sets, tea and punch sets, and ABC plates in well documented shapes. Decorations include Flow Blue and a wide variety of popular decals. Over 200 images of the manufacturer's different marks provide important dating references for the huge output of this prolific East Liverpool, Ohio, company. A history of the company places the Harker Pottery among other important American firms. It has a bibliography, glossary, index, and values in the captions. Every American pottery collector and anyone with fond childhood memories of eating from grandmother's Harker dishes will enjoy this book.

Since the 1960s, the best Victorian Staffordshire ceramic figures pieces have achieved values rivaling porcelain figures from Dresden and Meissen. Over 350 beautiful images here display the figures produced from 1875 onward at their best, both original pieces and later reproductions. The Parr-Kent Factory; Sampson Smith; James Sadler & Sons, Ltd.; Lancaster & Sons, Ltd.; Joseph Unwin & Co.; and Arthur J. Wilkinson, Ltd. are shown to have made figures ranging from portraits to a menagerie of animals. Among the famous personages represented are Queen Victoria, Robert Baden-Powell, Winston Churchill, Horatio Nelson, and Woodrow Wilson. The informative text gives tips on determining original figures from reproductions, brief histories of the Staffordshire factories involved, and important information on values, with value codes in the captions. This is a wonderful companion volume to the author's three previous informative texts on this subject, covering the period 1835-1875.

Old Griswold cast iron, aluminum and porcelain cookware is highly collected today because it still does its primary job well and is prolific at antiques markets. This guide presents the forms in many of their variations with approximate values to reflect today's markets. Lists of the pattern numbers and the duplicate numbers help to identify items you may find.

Among today's favorite glass collectibles are the decorative containers that once held sour cream. From the late 1940s through the early 1990s sour cream was marketed in glasses having pry-off tops. After removing the lid and consuming the contents, one had a lovely, decorative tumbler to use and enjoy for free. This successful packaging strategy has left a remarkable array of glassware that is durable, colorful, and highly collectible. Here is the historical information, along with a value guide presented in an easy-to-use format complete with check-off boxes to easily maintain a collection. Barabara E. Mauzy again presents a useful, useable book that dealers and collectors alike will find to be an invaluable tool. If you enjoy kitchen collectibles this book belongs in your library.

Among the most beautiful of glass objects are Fostoria Glass Company's Elegant and Master-Etchings. This stunning book gathers a comprehensive assortment of the most popular Fostoria etching patterns from 1918 through 1982. Artfully displayed in over 800 color portraits, these lovely decorations were in the forefront of Fostoria's dinnerware production and provided some of the company's most beloved patterns for bridal registry in America. The pattern introductions provide etching numbers; dates of production; original company colors; and the dinnerware, tableware, and stemware blanks used for each pattern. Scarce, hard to find items are included. The text contains a well-researched history of the Fostoria factory, an introduction to the designers and the craftsmen who created the etchings; the unique advertising, marketing, and bridal registry methods; how Fostoria glass was made; the steps in etching on glass; how to choose and use Fostoria glassware; and a detailed quick reference guide to the etchings. This book, the first to document the company's vast production and advertising range for the etchings, is a must for every Fostoria collector, glass enthusiast, or glass dealer, from novice to most experienced. Captions include current market values.

This new edition of Architectural Tiles: Conservation and Restoration continues to inform and educate on appropriate means towards the preservation of this valuable heritage. It not only contains new and up to date information on materials, practical methods, and historical research but also reflects changes in the attitudes, outlook and perceptions within the wider conservation, architectural heritage and construction communities which give a new dimension to the conservation and restoration techniques described in the previous edition. The growing interest in the preservation of post war ceramic tile murals and the subsequent demand for information pertaining specifically to this era is a welcome and useful addition. The new overview of common problems will be helpful in domestic and ecclesiastical situations and will appeal to independent tilers who are in need of information to deal with problems out of the normal run of their work but which are now more commonly being dealt with outside of conservation practice circles. The book has always been and remains an accessible resource to anyone who is interested either professionally or as an enthusiast in the preservation of historic architectural tiles.

Designed for hands-free shopping, this revised and expanded 10th edition is complete with 2012 pricing and reproduction information for 169 patterns of Depression glass, Fire-King, and 1940s and 1950s patterns, including three added patterns, Diamond Cut, Fire-King Fish Scale, and Shell Pink. No other book on glassware of the 1920s-1950s provides more comprehensive and beneficial information in such a compact, user-friendly format. You'll find complete listings of thousands of pieces in all colors, measurements, and even a ruler on the back cover! Don't leave home without this handy reference in your pocket.

Beautiful glassware colored with uranium, popularly called Vaseline glass, was made primarily in Great Britain in the late 19the and early 20th centuries, but also in America and Europe. Collectors look for examples by a particular factory or type of product, such as paperweights or tablewares. This book is a mandatory reference for collectors, containing well-researched, up-to-date discussions, 35 comparative charts, and over 400 color photos in 49 chapters covering known makers, their marks, and specific design groups of houseware, tableware, and jewelry. The captions include full descriptions, date, size, and current values. The author's expertise is a gift of scholarship and passion carefully compiled here for a tool of incomparable value. This is a companion to the author's previous book from Schiffer Publishing, The Big Book of Vaseline Glass.

Over 190 illustrations from original L.G. Wright Glass Company catalogs display thousands of glassware sold by this New Martinsville, West Virginia, marketing company from c. 1937 to 1999. Among their wide-ranging wares are Early American Pattern Glass goblets, animal covered dishes, Opalescent, Carnival, Cased, Custard, Moon & Star, and Art glass, pressed patterns, and novelties. They were made by many of the best American glass companies, such as Beaumont, Cambridge, Fenton Art Glass, Fostoria, Morgantown Glass, Viking and Westmoreland Glass. The text includes original pattern names, line or piece numbers, and current market values. Glass collectors will want this primary source material to accurately identify their items.

The Imperial Glass Company produced a wide range of beautiful glassware in many patterns and forms from 1901 to 1984. A thorough text and over 540 beautiful photos explore the many patterns, unique items, art glass pieces, private mould objects, wares made for customers to alter or decorate, and the glassware made in non-production colors that were produced by this prolific firm. Among the patterns displayed are Washington, New Rochelle, Pillar Flute, Laced Edge, Empire, Hobnail, Monticello, Cathay, "Molly," and "Zippered Heart." The text provides a brief history of Imperial, discussions of the firm's patterns, wares, the companies that contracted with Imperial for special items, and a detailed bibliography. Prices for the wares displayed are found in the captions. This book will be a treasure for everyone who appreciates beautiful glassware.

This comprehensive follow-up to the authors' highly acclaimed first book, The Essence of Pairpoint, is loaded with new and previously unpublished material. Over 770 photographs and catalog images provide identification of Pairpoint glass shapes and patterns made from 1918 to 1938. Included are over 300 newly identified blank shapes as well as almost 50 newly discovered engraving patterns. Dimensional information is provided whenever possible. Never before has so much information about identifying Pairpoint shapes and patterns been assembled in one place... a MUST for glass collectors and dealers.

This book explores porcelain wares produced by the Reinhold Schlegelmilch Porcelain Factory [marked R. S. Prussia], of Suhl, Germany, and sold to America from 1888 through 1900. The wonderfully molded and decorated plates and platters, tea sets, pitchers, clocks, and decorative objects are described with over 760 beautiful color images. An entire chapter is devoted to the company's charming toy china sets. Displayed are wares formed from a variety of molds (including Fleur-de-Lis and Melon) and patterns (outline transfer, King George, and Coraline patterns, to name a few). Newly discovered mold patterns are included, along with a history of the company's early operations, wholesale and trade catalog pages illustrating wares exported to the United States, the manufacturer's marks employed during this early period, a bibliography, and several appendices. This book will guide all collectors of Victorian porcelain to recognize the early pieces marked R. S. Prussia.

This vibrantly colored and radiantly textured glass is captured in over 400 color photographs which show the history of yesteryear's spectacular crackle glass in detail. Collecting Crackle Glass is a book filled with valued information for collectors, dealers, and glassware lovers alike. The "manufacturer's identification" and "most collectible" guidelines make it easy to collect the most desirable pieces, and a there is value range for each piece of crackle glass photographed. Now you can have detailed information about the styles, shapes, colors, and crackling procedures needed to be able to pick up an unidentified piece of crackle glass and name its maker, know the approximate date of creation, and the fair market value. If you are a dealer, collector, or glassware lover, Collecting Crackle Glass is a book you will value and refer to time and time again.

This book presents glass candle holders within a broad range of styles, prices, and eras--from the simplest votive to the most elegant candelabra, there is something for everyone! The candle holders are arranged alphabetically by manufacturer, and include representatives from Cambridge, Fostoria, Fry, Imperial, Lancaster, McKee, Tiffin, and more. Various examples from the Roaring '20s and Depression Era are included, with special etchings, cuttings, and treatments. In addition, candle holders from newer, smaller U.S. companies and numerous imports are identified. From Avon to Yugoslavia, over 520 color photographs showcase an array of tempting colors, styles, treatments, and sizes of candle holders. This is a must for beginners and experienced collectors alike. Price guide and extensive bibliography included.

This indispensable reference guide helps you determine the classification and identification of Depression Glass and other collectible glassware by the prominent design in the pattern. Glassware patterns from the 1920s through the 1970s are grouped into twenty-one overall design categories; these include animals, circles or rings, diamonds, floral, fruit, geometric, ribbed, scroll, and more. Within each category, the associated patterns are then listed and described in alphabetical order. Each pattern is identified by its name, manufacturer, years of production, and colors used. Over 360 color photos illustrate the patterns that appear on a variety of beautiful shapes and in different colors. Current market values are included in the captions. This book provides the key to quick identification of glassware patterns and will be an invaluable tool for glass collectors, fanciers, and dealers.

Imperial Cape Cod was the favorite pattern produced by the Imperial Glass Company of Bellaire, Ohio, for many years, from its inception as a Mother's Oats premium in 1932 until Imperial's closing in 1984. This beautiful and durable pattern was produced in crystal and several colors, as well as with a variety of decorative treatments. The wide range of Cape Cod glass included place settings, serving pieces, accessories, and items made for private mold customers. These are shown in over 420 color photos, accompanied by an informative, well-researched text. Each caption provides the mold number, description, significant information, and current value. Collectors will also appreciate the separate price guide listing, which includes mold numbers, descriptions, production dates, and values for all of the crystal items. Imperial collectors and all who admire fine glassware will find this an invaluable reference and a joy to behold.

This extensive reference identifies and describes over 2,400 pieces, including 800 figurines. These Scandinavian porcelain figurines were produced by Royal Copenhagen of Denmark from c. 1910 through 2000. Among the 976 beautiful color photographs are related shop signs, dishes, bowls, and vases. The text provides a brief history of the firm, established in 1775, explains the company's marks, and includes a bibliography. Values are found in the captions. This book is a welcome reference for all who collect and enjoy Scandinavian porcelain and figurines.

Mauzy's Comprehensive Handbook of Depression Glass Prices is truly the all-inclusive portable identification and price guide available for collectors and dealers. This expanded second edition features more patterns of Depression Glass, more Fire-King, and now the addition of color photos to assist in pattern identification. Accurate and authentic pricing information for all the pieces in all of the colors, the latest reproduction updates, and a user-friendly format makes this an indispensable tool for anyone buying or selling Depression Glass. This second edition features the popular quantity column to maintain personal inventories and the ruler for measuring items under consideration. Keep your hands free while you shop with the conveniently sized Mauzy's Comprehensive Handbook of Depression Glass Prices in your pocket or bag.

"Milk glass" today is considered neither white nor entirely opaque, as illustrated by more than 450 photos in this book. Drawn from the extensive collections of members of the National Milk Glass Collectors Society, most pieces pictured here have not appeared in any previous book. Even long-time collectors will be surprised to see items they have never encountered. American, English, French and other foreign manufacturers are represented. Some pieces are shown here in extremely rare colors. A special section shows items that have puzzled collectors or whose distinctive qualities merit special attention. Twenty-four pages from early catalogs of the French glasshouses Vallerysthal and Portieux are reprinted in color illustrating exquisite pieces. A checklist of major manufacturers, selected readings, index, and value guide are also provided. A must for lovers of milk glass, this book will appeal to all who appreciate finely-made glass.

Fostoria is one of the best known and most admired names in American glass. Probably more brides and homemakers have received gifts and purchased glass made at the Fostoria factory in Moundsville, West Virginia than from any other glass company. This is the first book to present all of this fascinating and highly collectible glass through hundreds of color photographs. Pieces featured range from rarely seen examples of Victorian pattern glass from the early years in Fostoria, Ohio through the introduction of color, the popular American and Coin patterns, to the scarce and unusual, even unique, items. Any collector, dealer, or student of American glass will delight in the beautiful glassware presented here. In addition to more than 400 beautiful color photographs of Fostoria objects with detailed captions, the book contains labels, color catalog pages, an illustrated styles chart with over 1000 entries, a chronology, index and updated values. The first to bring all this information together, this book will fascinate and inform the advanced collector as well as the beginner.

Finally, a much-needed expansive photo reference guide to this popular manufacturer of fine bone china from Longton in the renowned Staffordshire potting district in England. A grand assortment of the prolific Shelley Pottery's products is illustrated, including works by their predecessor, Wileman & Co, a.k.a. The Foley China. Over 500 photos show more than 1,000 pieces, including dinnerware, tea and coffee sets, jelly molds, ashtrays and souvenir items, vases, pitchers, and the ever-popular miniatures in the chintz, landscapes, and bright floral patterns widely prized by today's collectors. A brief history of Shelley and its predecessor, spanning the years 1860-1966, is included. Plus there is a guide to back stamps; a buyer's guide to fakes, reproductions, and damaged items; a pattern index; and current market values, all making this an invaluable tool for collectors and dealers.

Blue and white ironstone dinnerware has been collected for many years, and the introduction of the Liberty Blue pattern in 1975 by Enoch Wedgwood of England, with its fifteen different historic scenes of colonial America, brought forth keen interest. Here the Old North Church, Minutemen, West Point, Independence Hall, Mount Vernon, and many more historic sites are shown. The Liberty Blue promotion coincided with America's Bicentennial celebrations, causing more people to become interested in owning a set for themselves. Color photographs beautifully illustrate all the pieces in a complete set, and interesting facts are given about each historic scene. Updated prices are included in the captions and the associated glassware and ceramic pieces are carefully described. Original advertisements and brochures are included to provide extensive accurate information. This is the first book about Liberty Blue dinnerware and is sure to become a valuable reference guide for collectors trying to build a complete set.