Household items shaped like cottages, pubs, houses, shops, other dwellings, and historic buildings are called "cottage ware" in this book. Here is a delightful study of building-shaped jugs, cookie jars, mugs, condiment sets, and breakfast dishes as well as those made for special, old-fashioned uses as night lights, pastille burners, spills, and "crime cottages" (sites of famous English crimes). More than a hundred color and black and white photographs feature over 350 different cottage ware items. They are alphabetically grouped by their makers, including English, American, and German potteries, and their markings are shown for easy identification. Current values appear in the descriptive captions. Collectors love these charming dishes because tea served from a cottage-shaped teapot brings a smile, even on the dreariest days.

Best known as one of the wildlife designers for the Hagen-Renaker Pottery Company of California, Maureen Love began her professional career as an artist by painting beautiful portraits of Thoroughbred and Arabian horses for their owners. She quickly moved into the realm of sculpture, creating realistic models that captured the spirit and beauty of her subjects. Her ability to draw earned her a position in 1951 with Hagen-Renaker as a decorator. She promptly proved her proficiency at three-dimensional art and soon began sculpting for the pottery. What followed were five decades of life-like equine, wildlife, and other assorted creations, all eagerly coveted by collectors around the world. This book features hundreds of photographs of the horses and other animals created by Maureen Love, both through her own independent companies and through the Hagen-Renaker Pottery. Many pieces are very difficult to find, so this collection is truly a treasure of visual delights. A detailed personal history, index, and price guide are also included in this wonderful tribute to a multi-talented artist.

Displayed in 900 beautiful color images are the Fenton Art Glass special order items produced from 1980 to today, ranging from baskets and chop plates to rose bowls and vases. These dazzling, much-coveted items were made-to-order for various companies, collectors' clubs, and individual customers. The company orders from Aladdin, Anheuser-Busch, Lenox, and QVC are featured. The text includes brief histories of the ordering companies, clubs, and individuals, Fenton logos used, a glossary of terms, a detailed bibliography, and values in the captions. For those who seek Fenton's popular glass, this book is an essential reference.

European porcelain was born in the German city of Meissen, in 1708. This is the most comprehensive source book available to show the marks used by manufacturers, factories, and decorators from the beginning to the present. Included are more than 3,300 marks, many previously unpublished. More than 1,300 porcelain products, producers, and decorators are identified, including marks which American importers had applied. A special chapter shows more than 650 marks of Continental and American origin which can be confused with other famous marks. Here are aids in identifying imitations, fakes, and look-alikes, and revisions of marks which have been incorrectly identified until now. In all cases, the time period in which the mark was given will enable dealers and auctioneers to determine the age of porcelain items.

This comprehensive new reference focuses on the variety of animal figures produced in Staffordshire during the eighteenth and nineteenth centuries. Characterized by a cottage industry quaintness, Staffordshire figures were known as "image toys" and "chimney ornaments" in their day. Countless subjects were produced but the animal models comprise a Noah's Ark of some of the most charming and endearing figures. Today, Staffordshire animals are among the bestselling and most widely collected antique ceramics. Beautifully illustrated with over 400 color photographs, this book traces animal figure evolution through chapters on animals in art, British ceramics, Staffordshire potters and potteries, and production techniques and styles. Informative captions provide descriptions, dates of manufacture, and current values.

Since the late 1400s, tea drinkers in the Orient and the West have been passionate about teapots in ever growing numbers. Over 445 beautiful color images display a wide range of international teapots, from antique to contemporary. Porcelain, stoneware, silver, copper, brass, iron, pewter, tin, wood, and glass are shown from around the world. Children's tea sets, miniatures, musical, figural, whimsical, seasonal, advertising, commemorative, and souvenir teapots are all included. A brief history of tea is provided along with values. Join the collectors who look for teapots in exotic places and enjoy their use with every cup consumed.

Enchanting lady figurine planters were promoted heavily by florists and five-and-dime stores, becoming a gift-giver's favorite during the 1950s and '60s. These lovely ladies were produced mainly in Japan, targeted for the U.S. market, and most commonly adorned with colorful plastic flowers. Today they are rapidly gaining popularity on the ceramics collectibles market. These planters have made limited appearances in head vase and figural planter books, but here, finally, is a comprehensive guide devoted specifically to this fascinating collectible. It focuses on Japanese-manufactured products and features over 350 color photographs of more than 700 planters. Individual captions describe each planter's height, mark, and estimates current market value. Also included is a review of planter production techniques and the various ways they were identified and numbered. As an added bonus, a handy cross-reference provides an easy way for specialty collectors to find their favorite importer such as Lefton, Relpo, or Enesco. Featuring a wonderful variety of planters, from festively painted Christmas ladies to nursery rhyme characters and Valentine sweethearts, this carefully crafted book provides collectors and dealers with a superb reference.

The early terra cotta, garden wares, tiles, Franciscan line, and Catalina artware produced by the prolific Gladding, McBean and Company from the late 1800s to 1942 are covered and beautifully displayed in this fascinating book. The Franciscan pottery table and artware line, so named to honor the Franciscan Friars who established Spanish Missions in California, was one of the most successful product lines produced by California's Gladding, McBean and Company. Among the dishes displayed here are their most popular patterns, including El Patio, Coronado, Metropolitan, Apple, and Desert Rose. Also featured are the colorful wares made after the firm acquired the Catalina Island Pottery in 1937. The history of Gladding, McBean covers its establishment in Lincoln, California, in 1873 to its closure in 1984. Values included. This is a wonderful guide book for everyone who loves twentieth century pottery!

With over 800 stunning color photographs, this book displays ceramics once proclaimed to be the "fastest-selling decorative art pottery," Roseville's Artcraft, Cherub Cameo, Donatello, Pine Cone Modern, and Wincraft lines. The thorough text explores the history of the famous Roseville Pottery Company, from its beginnings in Roseville, Ohio, in 1890 through its closure in Zanesville, Ohio, in 1954. The roles played by key staff members, Frederic Grant, Frederick Hurten Rhead, Ben Seibel, and George Young are detailed, and previously unpublished manufacturer's marks are shown. Rare Della Robbia and Olympic items are featured along with experimental and trial glaze wares from Roseville's glaze chemist George Krause. This book has important new findings for all who are interested in twentieth century art pottery.

Featuring over 370 stunning photos and detailed, scholarly text, this is the first book about this popular 19th century European art form! They are magical porcelain three-dimensional pictures, which can be seen only when backlit, and were a popular craze in the late Victorian era. The lithophanes here enhanced tea warmers, plaques, vases, night lights, lampshades, table screens, fireplace screens, complexion fans or hand screens, window panels, miniatures, steins, cups, mugs, plates, matchboxes, and candle shields. The text represents years of accumulated research, and provides information on lithophane's Asian inspiration, manufacturing techniques, production history, inspirations, and forms. This book is a must for anyone with a passion for Victorian ceramics and art.

This new edition of Architectural Tiles: Conservation and Restoration continues to inform and educate on appropriate means towards the preservation of this valuable heritage. It not only contains new and up to date information on materials, practical methods, and historical research but also reflects changes in the attitudes, outlook and perceptions within the wider conservation, architectural heritage and construction communities which give a new dimension to the conservation and restoration techniques described in the previous edition. The growing interest in the preservation of post war ceramic tile murals and the subsequent demand for information pertaining specifically to this era is a welcome and useful addition. The new overview of common problems will be helpful in domestic and ecclesiastical situations and will appeal to independent tilers who are in need of information to deal with problems out of the normal run of their work but which are now more commonly being dealt with outside of conservation practice circles. The book has always been and remains an accessible resource to anyone who is interested either professionally or as an enthusiast in the preservation of historic architectural tiles.

During the last quarter of the nineteenth century, American potters were struggling to produce quality ceramics to rival that of the English and French. Knowles, Taylor & Knowles took up the challenge, determined to produce a bone china that would be the pride of America. Highly regarded in its day, Knowles, Taylor & Knowles made Belleek Ware, Lotus Ware, and China Whiskey Jugs which are prized possessions among collectors today. Here is a book to inspire dealers and collectors alike. Valuable information concerning the identification of the various wares, the manufacturer's marks, decorative techniques, artists and the current values is included. Each phase of the company's production is illustrated in 245 color photographs.

American art pottery is one of the most dynamic collecting fields, with prices soaring up to $200,000 for one piece. Paul A. Royka examines New England art pottery made from 1872 to 1928. Sold through auctions and galleries and found in attics and homes throughout the United States, the pieces illustrated here have a combined value of over one million dollars. The most comprehensive work of its kind, Fireworks examines the origins of the Arts and Crafts Movement and the influences manufacturing companies had on it. It provides help in identifying marks, evaluating, and pricing the works of Chelsea Keramic Art Works, Dedham, Low, Grueby, Hampshire, Crook, Merrimac, Walley, Marblehead, Saturday Evening Girls, and Dorchester Pottery. A beautiful book with more than 450 color photographs, it is a must for the pottery collector and a wonderful gift for any art lover.

Here is the first comprehensive reference guide to twentieth century porcelain models of animals and figurines by Royal Copenhagen. An invaluable reference for collectors and dealers, it includes all the well-known pieces together with many others which are rarely seen. Nearly 400 color plates are used to identify more than 500 separate models, among which only about one hundred are in production. Most models are cataloged according to their original sculptors, and more than forty of the modelers are recognized; including biographical information and diagrams of their monograms to aid in identification. Each example is described in detail and nearly all are accompanied by a photograph to illustrate salient points from the model profile. A complete list of known models and a values reference for secondhand examples are included.

Barbara and Jim Mauzy are known for providing well written, easy-to-use, accurate books. They bring their expertise regarding vintage kitchenware to this new book, which has all new items and no repetition of the items presented in their earlier book on the subject. If you buy or sell kitchen glass - bowls, reamers, shakers, and so on, this new book belongs in your library. More than 45 manufacturers are represented including Westmoreland, Sneath, Paden City, Cambridge, McKee, Jeannette, Hocking, Hazel-Atlas, and Federal. Almost 100 different kinds of kitchen glassware featured, including canisters, dispensers, cruets, refrigerator dishes, and rolling pins. Over 500 clear photographs arranged by color enable ease in viewing and identifying kitchen glass. Manufacturing information, measurements, values, and more are provided in captions next to each gorgeous image, and a detailed Index facilitates cross-referencing. This new book and Mauzy's Kitchen Glass (2004) are the most user-friendly identification guides available.

Informative as well as inspirational, this book is for all who love collecting as well as displaying fine Limoges porcelain. It covers the history of Limoges porcelain, various Limoges blanks and their intended uses, the difference between antique French Limoges and American Limoges, and how to recognize reproductions. It is also a dream-come-true for every collector or designer who has felt daunted by the task of incorporating fine Limoges porcelain into the decor of a home! The author demonstrates how to use elegant pieces of Limoges throughout all rooms and areas: the entryway and living room feature massive pieces of Limoges used as art; the dining room is perfect for a table set with Limoges dinnerware; walls in the kitchen, bedroom, bath, and even laundry room display a collection of Limoges chargers, plaques, and paintings; a porch or patio serves as a tea room for Limoges tea, coffee, and chocolate pots. A special section is also devoted to stunning examples of Limoges hand painted buttons, brooches, and stickpins. Current values, information on researching Limoges, a list of artists and their signatures, and a comprehensive marks section are all provided. "A unique presentation of the subject which I know collectors will enjoy," states noted author Mary Frank Gaston. This book will be treasured by all who love fine antiques and design.

The first of its kind, this authoritative reference guide identifies and documents hundreds of patterns, cuts, stems, and etchings designed by the prolific Seneca Glass Company during its ninety-two years of production. It includes a comprehensive reprinting of a broad range of Seneca catalogs from 1891 to 1983, original company advertisements, a brief company history, a table listing all identifiable patterns, and a price guide. This book is an invaluable resource to collectors, dealers, and admirers of American glasswares.

This long-awaited book will be a valuable tool for collectors, dealers, and researchers of modern Italian glass. Most comprehensive volumes are written in Italian, and none includes a value guide. This one, in English, includes information and photographs that will make this book a standard reference on the subject. With approximately 700 full color photos of almost 1000 examples of glass from 1900 to 2000, and an emphasis on the highly collectible mid-century period, nearly every company and technique is represented. Company histories, designer biographies, glossary, bibliography, index, and value guide make this an ideal reference book.

Wedgwood Jasper predates the American Declaration of Independence by one year having been introduced to the public by Josiah Wedgwood in 1775. Of all the many types of ceramics produced by the Wedgwood Company in the last two and a half centuries, Jasper is most immediately recognizable. This second book on this fascinating subject by the author traces Jasper's long history and almost infinite variety. It covers the entire range of Wedgwood's Jasper pieces, from items of museum quality to those found in most collections. After an informative introduction to Wedgwood history and marks, the photographic delineation covers the various types: Diceware, Strapware, Sgraffito, Sage Green and Lilac on White Jasper, Jasper Mounted on Metal, Crimson Jasper, and more. This is followed by a wonderful photographic gallery, organized by shapes., including biscuit barrels, bowls, boxes, candleholders, cups and saucers, figures inkwells, jewelry, jugs and mugs, lamps, medallions, perfume bottles, plates and trays, tea and coffee sets, vases, and more. All of this is illustrated with over 750 color photos. Important private collections are featured as well as one of the finest museum collections in the United States and auction houses. Wedgwood Jasper is well represented in all the finest ceramics collections around the world.

Combining over 1,000 color photographs of ceramic tableware, an equal number of manufacturers' marks, and an expansive text, this is the most comprehensive catalog of the famous British Willow pattern and its known variations ever attempted, featuring wares spanning from the late eighteenth to the early twenty-first century. Not only are the wares of the famous English Staffordshire potting district displayed, but also Willow Ware from Yorkshire, Scotland, Wales, and Ireland. The text provides detailed information on over 400 different pottery factories, including William Adams & Sons, Bo'ness Pottery, Copeland & Garrett, S. Fielding & Company, Minton, and Wedgwood. Also included is information on foreign retailers and importers, a glossary, bibliography, several indicies, and current market values in the captions. This book will be a continual reference source and inspiring for all who appreciate British pottery and the timeless Willow pattern.

No matter if you are a long time aficionado of Art Deco and 20th Century design or a novice collector, this book is a must for you. Its purpose is to explain how you can display and group items from your collection to their maximum visual advantage regardless of whether that collection is large or small. Groupings by manufacturer, material, color, or function are all illustrated with over 120 stunning full color photographs, each with an accompanying diagram to explain the techniques used in their composition. In addition, over 1000 individual pieces shown are fully described and their values given in an accompanying price guide. These include furniture, lighting, pottery, glass, and a wide variety of decorative accessories that bring the Art Deco dA (c)cor to life. In the second half of the book you will go behind the closed doors of the homes of private collectors and have a unique opportunity to see how these techniques have been employed to incorporate Art Deco and 20th Century items into the interiors of today.

This beautiful and comprehensive reference is an essential tool for all collectors and admirers of ornamental glass figurines, and for elephant fanatics alike. Highlighted makers include Boyd, Co-Operative Flint, Fenton, Fostoria, Heisey, Imperial, L.E. Smith, Mosser Glass, New Martinsville, Summit Glass, and Tiara Glass; as well as a wide variety of other producers from the late 19th century until the present. Over 375 clear photographs, interesting background text, and current market values inform and inspire the search for even more appealing examples. This book is a lovely guide to the charms of elephants, their beauty, symbolism, and distinct personalities.

The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colorful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly colored Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators. This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. 1700. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers' and decorators' marks, unusual shapes, design variations, and hard-to-find examples are all shown in 600 color photographs with identifying captions and concise text.

The delightful figural toothbrush holders that are so beloved by collectors today have their roots in the early 1800s. Here is the whole range of the holders, with hundreds of the most sought-after designs portrayed in full color. Compiled by some of America's foremost collectors and dealers, this book has over 400 color photos, including examples in ironstone, porcelain, bisque, or other ceramics, as well as glass, chalkware, celluloid, plastic, and lithographed tin. Some of the forms they took were purely decorative, and some were clearly designed to encourage children to brush more frequently. They include whimsical characters, animals, nursery rhymes, sports, occupations, deco animals and figures, holidays, and cartoon characters. Often the toothbrush itself, when in place, would make up a key element in the holder's design, a horse's tail, say, or the neck of a violin. The authors have compiled a brief history of toothbrush holders, along with important information for collectors. The concise captions include size, material, maker (when known), and an estimate of the value on the current collector's market. The variety of forms, the cleverness of the designs, and the nostalgia some of the themes encourage, will delight dentists, toothbrush specialists, and all lovers of the ceramic arts.

Japanese porcelain of the Nippon era, 1891 to 1921, are visually exciting and form a plentiful group of beautiful, high-quality items which are popular today with a large number of collectors worldwide. This new and lavishly color-illustrated book presents thousands of Nippon porcelain items well known by their different styles of decoration such as Moriage, Coralene, Cobalt, portraits, molded-in-relief, and tapestry. Included here are hundreds of plaques, dishes, lamps, dolls, vases, smoking accessories, and other forms in many variations. Over 830 color photographs, identifying captions and text present this phase of Oriental art along with 130 different manufacturer's marks. This reference work will be especially valuable to the collectors, art dealers and appraisers who enjoy the variety of Nippon wares. A Values Guide is included.