More than 70 contemporary international glass artists' works leap from these pages in dynamic photos, alongside the makers' own explanations of the methods and insights that guide their work. The glass works range from tableware to furniture, and demonstrate today's top levels of mastery. They are powerful, gorgeous, sometimes startling-and always reflective of the current state of glass art. The artists are as diverse as their masterpieces, and their comments reveal some of the motivations and techniques that impact them as they transform molten glass into works of art. Everyone who works in glass or enjoys its effects will find this an invaluable reference and an inspiration to future creativity.

Combining over 1,000 color photographs of ceramic tableware, an equal number of manufacturers' marks, and an expansive text, this is the most comprehensive catalog of the famous British Willow pattern and its known variations ever attempted, featuring wares spanning from the late eighteenth to the early twenty-first century. Not only are the wares of the famous English Staffordshire potting district displayed, but also Willow Ware from Yorkshire, Scotland, Wales, and Ireland. The text provides detailed information on over 400 different pottery factories, including William Adams & Sons, Bo'ness Pottery, Copeland & Garrett, S. Fielding & Company, Minton, and Wedgwood. Also included is information on foreign retailers and importers, a glossary, bibliography, several indicies, and current market values in the captions. This book will be a continual reference source and inspiring for all who appreciate British pottery and the timeless Willow pattern.

The fine quality of Heisey glass, made in Newark, Ohio, from 1896 to 1958, prompted many decorating companies to buy Heisey blanks on which to apply their own decorations. Heisey made both clear crystal and some of the finest colors available for Bonita Art, Central Glass, Lotus Glass, Oriental Glass, Rainbow Glass, Wheeling Decorating and many others. Cut and etched patterns were applied to Heisey glass by Eagle Cut Glass, Hawkes, Monogram, Pairpoint, Sinclair, and Susquehanna. Even silver overlay and applied metal ormolu were added to Heisey pieces by Apollo, National Silver, Poole, Reed and Barton, and Tuttle silver companies. This new and carefully constructed book fully explores Heisey's 16 beautiful regular production colors, from Alexandrite to Zircon, along with several experimental colors, in 541 clear color photographs. Each color is defined with its production dates and illustrated with a broad sampling of pieces in many shapes and patterns. The picture captions include the color, pattern name, pattern number, measurements, and value of each piece shown. Both advanced and beginning collectors will find this book a necessary and convenient reference to stimulate their enjoyment of beautiful Heisey glass.

Paperweight collectors are usually familiar with the histories and products of the French manufacturers Clichy, Baccarat, and Saint Louis, but many know little about English makers from early times to the present day. This book, dedicated solely to the English paperweight makers and containing paperweight examples from the early nineteenth century to 1980, will fill that gap. Gathered together for the first time in one book are the world's largest collections of Bacchus paperweights, as well as many previously unknown and never before photographed paperweights from English glasshouses, all rivaling the best from the French makers. By comparing canes, colors, and styles with one of the hundreds of examples shown in this book, collectors should now be able to identify their own previously unknown weights, and the fake "1848" dated paperweights and inkwells can now be attributed to the right factories and time periods. With over 400 beautiful color photographs, detailed, fascinating descriptions of the weights, and a value guide, this book is a must for paperweight enthusiasts and collectors everywhere.

This revised and updated 2nd edition of a book now called the bible of Catalina Pottery & Tile focuses exclusively on vintage Island-made wares, contains an updated pricing and buying guide, newly discovered historic information gathered in the 10 years since the original edition, and includes over 40 new color images. The breathtaking ceramic artwares, tablewares, and tiles produced by the prolific Catalina Clay Products Company of Santa Catalina Island, California, from 1927 to 1936 are presented in over 590 color photographs and an eloquent text. Influenced in part by the Spanish Revival Movement and Depression-era Art Deco motifs, the artistry imbued in these pieces, ranging from teapots, patio pottery, and souvenirs to pictorial murals, hand painted plates, and tile tables, is displayed. A history of the company, its wares and artisans, a bibliography, and an index are also provided. Updated values are included in the captions.

Since the 1960s, the best Victorian Staffordshire ceramic figures pieces have achieved values rivaling porcelain figures from Dresden and Meissen. Over 350 beautiful images here display the figures produced from 1875 onward at their best, both original pieces and later reproductions. The Parr-Kent Factory; Sampson Smith; James Sadler & Sons, Ltd.; Lancaster & Sons, Ltd.; Joseph Unwin & Co.; and Arthur J. Wilkinson, Ltd. are shown to have made figures ranging from portraits to a menagerie of animals. Among the famous personages represented are Queen Victoria, Robert Baden-Powell, Winston Churchill, Horatio Nelson, and Woodrow Wilson. The informative text gives tips on determining original figures from reproductions, brief histories of the Staffordshire factories involved, and important information on values, with value codes in the captions. This is a wonderful companion volume to the author's three previous informative texts on this subject, covering the period 1835-1875.

Fine glassware was hand produced at the Pairpoint Corporation in New Bedford, Massachusetts, by skilled glass blowers, cutters, and engravers for more than five decades and reached a level of unmatched elegance between 1918 and 1938. This is their story, in words and beautiful color pictures, sufficient that today's glass enthusiasts can identify the Pairpoint shapes, colors, and patterns and fully appreciate these artistic treasures. The distinctive Pairpoint bubble ball, specialty and regular line items, markings, and many identifying characteristics are all fully explained. Value guide included.

Collectible porcelain Christmas plates have been made in Denmark by Bing & Grondahl since 1895 and by Royal Copenhagen since 1908. These and their many other popular commemorative series, including Mothers' Day, Jubilee, and Childrens' Day plates, have been cherished by generations of people all over the world. This is the first book to bring all the plates together in one beautiful, organized reference. Over 1000 color photographs showcase every series created. Descriptions of every plate made include their English and Danish titles, date, designer, reference code numbers, and current value range. Collectors, dealers, and historians alike will find the book easy to use and fun to consult because it is concise, attractive, and complete.

In the 1950s, the Wade potteries of England and Ireland became famous for the miniature ceramic figurines sold under the Whimsies name. Decades later, Wade is still producing Whimsies and they are popular with collectors of all ages. Over 800 striking illustrations, mostly in color, detail the sets of Whimsies, along with their presentation boxes, advertising literature, and flyers. Over 160 black and white photos display the Wade makers' marks. The Tom Smith Party Cracker figurines, miniature village sets, premiums, and promotional figures are depicted and color and size variations are noted. Current values are found in both US dollars and UK pounds. Everyone who enjoys ceramic miniatures will treasure this book.

Glass in Jewelry enables glass and jewelry lovers alike to enjoy the obvious glamour of such jewelry and for the first time to understand and appreciate the hidden brilliance of these little treasures in glass. Illustrated with over 400 full color photographs of examples, the text explains the origins of filigree and alabaster glass, the lovely variety of bead types, artificial gems, glass cameos and incrustations, millefiori, mosaic and aventurine jewelry, and even applications in modern jewelry designs.

With over 800 stunning color photographs, this book displays ceramics once proclaimed to be the "fastest-selling decorative art pottery," Roseville's Artcraft, Cherub Cameo, Donatello, Pine Cone Modern, and Wincraft lines. The thorough text explores the history of the famous Roseville Pottery Company, from its beginnings in Roseville, Ohio, in 1890 through its closure in Zanesville, Ohio, in 1954. The roles played by key staff members, Frederic Grant, Frederick Hurten Rhead, Ben Seibel, and George Young are detailed, and previously unpublished manufacturer's marks are shown. Rare Della Robbia and Olympic items are featured along with experimental and trial glaze wares from Roseville's glaze chemist George Krause. This book has important new findings for all who are interested in twentieth century art pottery.

Enchanting lady figurine planters were promoted heavily by florists and five-and-dime stores, becoming a gift-giver's favorite during the 1950s and '60s. These lovely ladies were produced mainly in Japan, targeted for the U.S. market, and most commonly adorned with colorful plastic flowers. Today they are rapidly gaining popularity on the ceramics collectibles market. These planters have made limited appearances in head vase and figural planter books, but here, finally, is a comprehensive guide devoted specifically to this fascinating collectible. It focuses on Japanese-manufactured products and features over 350 color photographs of more than 700 planters. Individual captions describe each planter's height, mark, and estimates current market value. Also included is a review of planter production techniques and the various ways they were identified and numbered. As an added bonus, a handy cross-reference provides an easy way for specialty collectors to find their favorite importer such as Lefton, Relpo, or Enesco. Featuring a wonderful variety of planters, from festively painted Christmas ladies to nursery rhyme characters and Valentine sweethearts, this carefully crafted book provides collectors and dealers with a superb reference.

The early terra cotta, garden wares, tiles, Franciscan line, and Catalina artware produced by the prolific Gladding, McBean and Company from the late 1800s to 1942 are covered and beautifully displayed in this fascinating book. The Franciscan pottery table and artware line, so named to honor the Franciscan Friars who established Spanish Missions in California, was one of the most successful product lines produced by California's Gladding, McBean and Company. Among the dishes displayed here are their most popular patterns, including El Patio, Coronado, Metropolitan, Apple, and Desert Rose. Also featured are the colorful wares made after the firm acquired the Catalina Island Pottery in 1937. The history of Gladding, McBean covers its establishment in Lincoln, California, in 1873 to its closure in 1984. Values included. This is a wonderful guide book for everyone who loves twentieth century pottery!

Only recently recognized for its many contributions to ceramics found throughout the world, the Scottish pottery industry has existed for more than two hundred years. Rather than compete with England's famed potteries to the south, Scotland focused on the export market, sending its colorful and decorative wares to America, Canada, and many parts of Southeast Asia. Widely enjoyed, these popular and affordable wares were usually not marked. Their Scottish origin, therefore, remained largely unknown and--until now--unappreciated. This book sets the record straight. Over 630 striking color photographs showcase the multi-hued dinnerware, vases, plaques, figurines, and other ceramic items that can now be rightfully attributed to the prolific Scottish potteries. Separate, descriptive chapters feature brief histories of the most important potteries, a discussion of the wares produced, listings of the pottery descriptions and patterns, plus relevant readings. Additional chapters highlight spongeware techniques, Scottish jugs, and the "Glasgow Girls"--talented pottery painters from the late nineteenth century. This invaluable resource also includes values for all items, a helpful glossary, and a detailed index.

This practical book provides guidance in identifying and evaluating American brilliant cut glass. It is organized by patterns and illustrated with 396 color and black and white photographs. Standard, Choice, Premium, and Rare quality pieces are identified throughout, and separate value ranges for each quality of every piece are provided. Tips for recognizing non-American cut glass are given and examples are shown. Separate indexes of pattern names and manufacturers provide quick references. This is the book you want at your fingertips when on the Internet and with you in the shops and auctions when you buy cut glass. It will help you find some good buys.

American art pottery is one of the most dynamic collecting fields, with prices soaring up to $200,000 for one piece. Paul A. Royka examines New England art pottery made from 1872 to 1928. Sold through auctions and galleries and found in attics and homes throughout the United States, the pieces illustrated here have a combined value of over one million dollars. The most comprehensive work of its kind, Fireworks examines the origins of the Arts and Crafts Movement and the influences manufacturing companies had on it. It provides help in identifying marks, evaluating, and pricing the works of Chelsea Keramic Art Works, Dedham, Low, Grueby, Hampshire, Crook, Merrimac, Walley, Marblehead, Saturday Evening Girls, and Dorchester Pottery. A beautiful book with more than 450 color photographs, it is a must for the pottery collector and a wonderful gift for any art lover.

Flow Blue and other transfer print decorated wares produced from 1880 to 1925 by the potters of England's famous Staffordshire pottery district are illustrated in over 740 color images and line drawings, along with the pottery body shapes and the manufacturers' marks found on these highly sought antiques. A thorough text discusses methods of manufacture, provides histories of some of the major Staffordshire pottery firms (including W. H. Grindley & Co., Johnson Brothers, and Alfred Meakin), defines ceramic wares by type, and includes an extensive bibliography. Current market values are provided in the captions. This is a valuable guide for anyone interested in Late Victorian era British ceramics.

Barbara and Jim Mauzy are known for providing well written, easy-to-use, accurate books. They bring their expertise regarding vintage kitchenware to this new book, which has all new items and no repetition of the items presented in their earlier book on the subject. If you buy or sell kitchen glass - bowls, reamers, shakers, and so on, this new book belongs in your library. More than 45 manufacturers are represented including Westmoreland, Sneath, Paden City, Cambridge, McKee, Jeannette, Hocking, Hazel-Atlas, and Federal. Almost 100 different kinds of kitchen glassware featured, including canisters, dispensers, cruets, refrigerator dishes, and rolling pins. Over 500 clear photographs arranged by color enable ease in viewing and identifying kitchen glass. Manufacturing information, measurements, values, and more are provided in captions next to each gorgeous image, and a detailed Index facilitates cross-referencing. This new book and Mauzy's Kitchen Glass (2004) are the most user-friendly identification guides available.

Informative as well as inspirational, this book is for all who love collecting as well as displaying fine Limoges porcelain. It covers the history of Limoges porcelain, various Limoges blanks and their intended uses, the difference between antique French Limoges and American Limoges, and how to recognize reproductions. It is also a dream-come-true for every collector or designer who has felt daunted by the task of incorporating fine Limoges porcelain into the decor of a home! The author demonstrates how to use elegant pieces of Limoges throughout all rooms and areas: the entryway and living room feature massive pieces of Limoges used as art; the dining room is perfect for a table set with Limoges dinnerware; walls in the kitchen, bedroom, bath, and even laundry room display a collection of Limoges chargers, plaques, and paintings; a porch or patio serves as a tea room for Limoges tea, coffee, and chocolate pots. A special section is also devoted to stunning examples of Limoges hand painted buttons, brooches, and stickpins. Current values, information on researching Limoges, a list of artists and their signatures, and a comprehensive marks section are all provided. "A unique presentation of the subject which I know collectors will enjoy," states noted author Mary Frank Gaston. This book will be treasured by all who love fine antiques and design.

The first of its kind, this authoritative reference guide identifies and documents hundreds of patterns, cuts, stems, and etchings designed by the prolific Seneca Glass Company during its ninety-two years of production. It includes a comprehensive reprinting of a broad range of Seneca catalogs from 1891 to 1983, original company advertisements, a brief company history, a table listing all identifiable patterns, and a price guide. This book is an invaluable resource to collectors, dealers, and admirers of American glasswares.

This eye-popping book clearly and visually explores the history, types, and value ranges of Chinese snuff bottles from the 17th century to the present as no other book has. It concentrates mostly on affordable examples and explains how these can be just as important as their more expensive cousins. These small pretty objects are a reflection of the popularity of snuffing tobacco, particularly in the 17th and 18th centuries. Today, the bottles are avidly collected for their beauty, variety, and high level of craftsmanship. Here, 340 diverse bottles of stone, glass, enamels, porcelain, and other materials are shown in beautiful color photographs. Once you have read the book, you'll want to touch the bottles; and once you've touched them, you'll want to own some. The problem then will be when to stop, if ever.

Wedgwood Jasper predates the American Declaration of Independence by one year having been introduced to the public by Josiah Wedgwood in 1775. Of all the many types of ceramics produced by the Wedgwood Company in the last two and a half centuries, Jasper is most immediately recognizable. This second book on this fascinating subject by the author traces Jasper's long history and almost infinite variety. It covers the entire range of Wedgwood's Jasper pieces, from items of museum quality to those found in most collections. After an informative introduction to Wedgwood history and marks, the photographic delineation covers the various types: Diceware, Strapware, Sgraffito, Sage Green and Lilac on White Jasper, Jasper Mounted on Metal, Crimson Jasper, and more. This is followed by a wonderful photographic gallery, organized by shapes., including biscuit barrels, bowls, boxes, candleholders, cups and saucers, figures inkwells, jewelry, jugs and mugs, lamps, medallions, perfume bottles, plates and trays, tea and coffee sets, vases, and more. All of this is illustrated with over 750 color photos. Important private collections are featured as well as one of the finest museum collections in the United States and auction houses. Wedgwood Jasper is well represented in all the finest ceramics collections around the world.

No matter if you are a long time aficionado of Art Deco and 20th Century design or a novice collector, this book is a must for you. Its purpose is to explain how you can display and group items from your collection to their maximum visual advantage regardless of whether that collection is large or small. Groupings by manufacturer, material, color, or function are all illustrated with over 120 stunning full color photographs, each with an accompanying diagram to explain the techniques used in their composition. In addition, over 1000 individual pieces shown are fully described and their values given in an accompanying price guide. These include furniture, lighting, pottery, glass, and a wide variety of decorative accessories that bring the Art Deco dA (c)cor to life. In the second half of the book you will go behind the closed doors of the homes of private collectors and have a unique opportunity to see how these techniques have been employed to incorporate Art Deco and 20th Century items into the interiors of today.

This beautiful and comprehensive reference is an essential tool for all collectors and admirers of ornamental glass figurines, and for elephant fanatics alike. Highlighted makers include Boyd, Co-Operative Flint, Fenton, Fostoria, Heisey, Imperial, L.E. Smith, Mosser Glass, New Martinsville, Summit Glass, and Tiara Glass; as well as a wide variety of other producers from the late 19th century until the present. Over 375 clear photographs, interesting background text, and current market values inform and inspire the search for even more appealing examples. This book is a lovely guide to the charms of elephants, their beauty, symbolism, and distinct personalities.

The delightful figural toothbrush holders that are so beloved by collectors today have their roots in the early 1800s. Here is the whole range of the holders, with hundreds of the most sought-after designs portrayed in full color. Compiled by some of America's foremost collectors and dealers, this book has over 400 color photos, including examples in ironstone, porcelain, bisque, or other ceramics, as well as glass, chalkware, celluloid, plastic, and lithographed tin. Some of the forms they took were purely decorative, and some were clearly designed to encourage children to brush more frequently. They include whimsical characters, animals, nursery rhymes, sports, occupations, deco animals and figures, holidays, and cartoon characters. Often the toothbrush itself, when in place, would make up a key element in the holder's design, a horse's tail, say, or the neck of a violin. The authors have compiled a brief history of toothbrush holders, along with important information for collectors. The concise captions include size, material, maker (when known), and an estimate of the value on the current collector's market. The variety of forms, the cleverness of the designs, and the nostalgia some of the themes encourage, will delight dentists, toothbrush specialists, and all lovers of the ceramic arts.