In Making Light Raymond Knapp traces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. Knapp identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp-a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience-that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, Knapp outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, Knapp remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.

This is a new release of the original 1942 edition.

Title: Symphony No. 2, Op. 27 Composer: Sergei Rachmaninoff Original Publisher: Gutheil Rachmaninoff's Second Symphony as arranged for Piano 4 Hands by Wladimir Wilschau and originally published by Gutheil in 1910. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

Title: Symphony No. 9, Op. 125 Composer: Ludwig van Beethoven Original Publisher: Peters Beethoven's Symphony No. 9, the Choral Symphony, as arranged for 2 Pianos by Otto Singer II and originally published by Peters in 1905. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Walter Willson Cobbett (1847-1937), Businessman, Violinist and Author. This is volume one of a two-volume encyclopaedia of chamber music which was first published in 1929/1930 and is a comprehensive work on the subject.

Antony Hopkins was most instrumental in opening up classical music to a wider audience. To celebrate his 90th birthday in 2011 (21st March, same date as Bach but different year) we are republishing Volumes I and II of 'The Concertgoer's Companion'. Composers in Volume I are Bach, Bartok, Beethoven, Berg, Berlioz, Brahms, Britten, Chopin, Debussy, Dvorak, Elgar, Franck, Grieg and Haydn. We hope the title is self explanatory.

Walter Willson Cobbett (1847-1937), Businessman, Violinist and Author. This is volume two of a two-volume encyclopaedia of chamber music which was first published in 1929/1930 and is a comprehensive work on the subject.

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The clarinetist Rebecca Rischin has written a captivating book.... Her research dispels several long-cherished myths about the 1941 premiere.... Rischin lovingly brings to life the other musicians-Etienne Pasquier, cellist; Henri Akoka, clarinetist; and Jean Le Boulaire, violinist-who played with Messiaen, the pianist at the premiere."-Alex Ross, The New Yorker "This book offers a wealth of new information about the circumstances under which the Quartet was created. Based on original interviews with the performers, witnesses to the premiere, and documents from the prison camp, this first comprehensive history of the Quartet's composition and premiere held my interest from beginning to end.... For the End of Time touches on many things: faith, friendship, creativity, grace in a time of despair, and the uncommon human alliances that wartime engenders."-Arnold Steinhardt, Chamber Music"The clarification of the order of composition of the movements is just one of the minor but cumulatively significant ways in which Rischin modifies the widely accepted account of the events at Stalag VIII A.... For the End of Time is a thorough and readable piece of investigative journalism that clarifies some important points about the Quartet's genesis."-Michael Downes, Times Literary Supplement The premiere of Olivier Messiaen's Quartet for the End of Time on January 15, 1941, has been called one of the great stories of twentieth-century music. Composed while Messiaen (1908-1992) was imprisoned by the Nazis in Stalag VIII A, the work was performed under the most trying of circumstances: the temperature, inferior instruments, and the general conditions of life in a POW camp.Based on testimonies by the musicians and their families, witnesses to the premiere, former prisoners, and on documents from Stalag VIII A, For the End of Time examines the events that led to the Quartet's composition, the composer's interpretive preferences, and the musicians' problems in execution and how they affected the premiere and subsequent performances. Rebecca Rischin explores the musicians' life in the prison camp, their relationships with each other and with the German camp officials, and their intriguing fortunes before and after the momentous premiere. This paperback edition features supplementary texts and information previously unavailable to the author about the Quartet's premiere, Vichy and the composer, the Paris premiere, a recording featuring Messiaen as performer, and an updated bibliography and discography.