for SATB and organ or orchestra This radiant anthem is an arrangement of William F. Smith's hymn tune 'Lattimer', frequently paired with the popular gospel song 'This little light of mine'. Wilberg gives each section of the choir a presentation of the melody, beginning with the sopranos, before building towards a climactic finish with new harmony and texture as light spreads 'across the land'.

for SATB (with divisions) and piano This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boogie along to the music. Powerful voices and enthusiasm required. An optional bass and drum kit part is available as a free PDF download from the OUP website. Also available in a version for SSA and piano.

for SATB unaccompanied Let all mortal flesh keep silence is a reflective, homophonic setting of text from the fourth-century Orthodox Liturgy of St James. Sheehan's setting, an original rather than the customary pairing with the hymn tune 'Picardy', is steeped in the Orthodox tradition, and has pure harmonies and a beautiful stillness.

for SATB unaccompanied This is an energetic setting of a text by Jennifer Thorp that celebrates and encourages festivities during Christmas time. With a fast tempo, Young's lively melodies are full of syncopated rhythms and supported by colourful harmonies in the accompanying voices. A rhythmic ostinato throughout reinforces an alternative Christmas message from the poet: 'oh come and dance'!

for SATB unaccompanied This gentle carol sets a well-known text, 'Balulalow', that paints an image of Mary singing a lullaby to Jesus. Bullard's gentle sways and lilting rhythms reflect the story, while soft dynamics and warm harmonies create a tender quality throughout. The third verse begins emphatically, praising the 'gift' of the New Year, before finishing on a tranquil, contemplative note.

for SATB unaccompanied with optional congregation William Blake's poem, 'A Cradle Song', is brought to life in this elegant setting by Chilcott. The gentle, recurring melody is passed from sopranos to altos, supported by 'oo's and 'ah's in the lower voices. In the last section, the congregation (or semi-chorus) joins in with 'Away in a manger', which is skilfully weaved into the vocal texture as a countermelody. This is truly a carol for everyone.

for SATB and piano Ring the bells is a joyful setting of a text by Frances Crosby that celebrates the coming of Christmas. Written in a lively compound time, the carol explores one melodic refrain through numerous keys and textures, giving each verse a different energy. The voices are supported by resonant harmonies in the piano that cheerfully mimic the 'bells' and 'harps' in the text.

for SA (with soprano solo) and piano This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar lines from the Coventry Carol, rooting the piece in tradition while encouraging us to consider our present. The verses feature contrasting textures and changing metres, while a soft, reflective refrain stands steadfastly in triple metre. This carol was originally published in a version for unaccompanied mixed voices, with soprano solo.

for SSA and piano This is a high energy, foot-tap inducing setting of a well-known text. The bluesy melodies, jazzy harmonies, and swung rhythms give the piece a gospel feel and fill you with the infectious urge to boogie along to the music. Powerful voices and enthusiasm required. Also available in a version for SATB and piano. An optional bass and drum kit part is available as a free PDF download from the OUP website.

for SATB and piano or organ or trio A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer. Rutter employs artful word-painting throughout, and the verse-refrain structure enables the compelling melody to soon become as familiar as any traditional carol of the season. Christ our Emmanuel may be accompanied by piano or organ, or by flute, oboe, and harp. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase.

for SATB and piano or organ or trio A lilting 3/4 metre carries the listener through this familiar Christmas story, beautifully depicted in a text by the composer. Rutter employs artful word-painting throughout, and the verse-refrain structure enables the compelling melody to soon become as familiar as any traditional carol of the season. Christ our Emmanuel may be accompanied by piano or organ, or by flute, oboe, and harp. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase.

for SATB and organ George Herbert's popular poem, 'The Call', is set to music in this powerful and evocative anthem. Bednall uses subtle dynamic and rhythmic shifts to build towards a powerful climax in the third verse, before winding down to a contemplative ending. The organ part plays a dramatic role and offers atmospheric interludes throughout.

for SATB (with divisions) and organ Setting his own text, Archer's new carol is specifically dedicated to Mary. 'Ave Maria's are interspersed between flowing melodies that rock gently in 3/4 time, while the central section offers brief introspection in the tonic minor. Accompanied by a supportive organ part throughout, the voices finish with a jazzy chord progression, leaving behind a warm, Christmassy feeling.

for SATB unaccompanied Poems of Love and War sets a sequence of nine poems from 'Viking Poetry of Love and War' by Judith Jesch. The war poems are formal and celebratory, making vivid use of figures of speech known as 'kennings', while the love poems are more direct, and sometimes playful. Skempton's imaginative settings bring these striking texts to life, artfully using changing metres to evoke the sound of spoken word.