for SATB (with soprano solo) and harp or organ or percussion or orchestra Written for Suzi Digby and her choir Ora, this gentle, sacred, and lyrical setting complements the well-known 15th-century text from the Sloane MS: 'A babe is born all of a may, to bring salvation unto us'. The carol may be performed with accompaniment of harp, organ, percussion, or orchestra: the vocal score carries the organ part; the harp and percussion parts are available separately for purchase; and the orchestral material is available on hire/rental.

for SATB unaccompanied Pete Churchill's thrilling arrangement of this traditional Cornish carol has a gentle South African feel and features 'scat' singing and chromatic shifts in harmony. The traditional melody in 6/8 time is set against a jazz-waltz rhythm, giving a contemporary twist to this Christmas classic.

for SATB and organ A radiant original setting of familiar words, this carol displays Todd's characteristically emotive harmonic language, rich in poignant suspensions. The arching melodies for verse and refrain will soon become as instinctive as the traditional carol tune, and the running quavers in the supportive organ part provide a strong foundation upon which the soaring choral lines can rest.

for SATB double choir unaccompanied Written for the Choir of St Mary's Episcopal Cathedral, Edinburgh, The Presence sets lines from Psalms 18, 27, 36, 112, and 119. It was inspired by A. E. Borthwick's painting of the same title, which hangs in St Mary's, and the texts chosen are mainly concerned with light. The performance directions used - 'luminous', 'resonant', 'dark', 'ethereal' - express the setting's intense atmosphere and almost visual sense of space and lustre. While suitable for services and concerts throughout the year, The Presence is especially appropriate for performance during Advent.

for SATB and organ or piano This charming carol tells of the joy and wonder of the star of Bethlehem and features Chilcott's hallmark tuneful melodies and carefully chosen harmonic colours. Epiphany takes for its text a translation of two verses by French hymn-writer Charles Coffin, augmented by a newly written verse by Chilcott's long-time collaborator Charles Bennett. The result is a carol which is both narrative and reflective, with a perfect mix of traditional and modern.

for SATB and organ Commissioned by The Maryland State Boychoir in 2017, this striking Christmas piece sets a famous text by Ben Jonson. Jackson's attractive and largely diatonic harmonies combine with vivid word-setting, deft manipulations of texture, and a colourful organ part to create a mood of gentle rapture, with a central section that explores more conflicted atmospheres.

for SATB (with divisions) unaccompanied Annunciation is an expressive and expansive Advent carol based on words from John Donne's Holy Sonnets. McDowall creates a captivating atmosphere as the voices explore a soundworld that is mystical, reflective, and bright. The sensitive part-writing and accessible vocal lines will enable choirs of all types to profess the carol's message of 'salvation to all'.

for SATB and organ This welcome original setting of the much-loved 15th-century Coventry carol text features a compelling interplay between choir and organ and a contrast of full and a cappella textures. Archer fully exploits the text's dramatic potential and has created a pleasing and useful addition to the carol repertory.

for SSSSAATTBB unaccompanied Commissioned by The Marian Consort in celebration of their 10th anniversary, and first performed in 2018, Jackson's is one of the most striking modern settings of this ancient text. With a rich scoring matching that of Scarlatti's setting of the same text, the composer's trademark diversity of texture is much in evidence. Passages of rich sonority give way to intimate soloistic sections, the lines spiced up by fiery rhythms and occasional arabesques and glissandi. The piece will be a very satisfying challenge for a proficient choir.

for SSATB and organ This atmospheric anthem by Cecilia McDowall commemorates the First World War. It sets a stark English text by Dr Joseph Spence alongside Latin text from Psalm 130, with the words 'In memoriam' added. The lower parts sing Spence's English text, conveying the relentless hardship of life in the trenches with declamatory and constantly developing vocal lines. The sopranos, meanwhile, repeat the Latin words from Psalm 130, providing a striking contrast in their constancy and otherworldliness.

for SATB (with divisions) unaccompanied Based on Frances Anne Kemble's poem 'An Entreaty', this enchanting piece describes the experience of leaving a beloved time and place. Lush, expressive harmonies and lyrical melodies create a touching musical manifestation of Kemble's poignant words.

for CCBar and piano This beautiful arrangement of the well-loved folksong gradually grows from simple one- and two-part vocal writing to a delightful display of interweaving imitation in three parts, before an eventual ebbing away. The flowing piano accompaniment provides harmonic support throughout.

for SATB (with divisions) and organ This arrangement features Robert Bridges' translation of J. Neander's 17th-century German text set to Herbert Howells' hymn tune 'Michael'. John Rutter adds a descant and reharmonizes the 4th and 5th verses to create a rousing ending to this much-loved classic.

for SSAA unaccompanied This lively reimagining of the traditional hymn is a thrilling a cappella arrangement which pairs the soaring legato melody with a rhythmic vocal accompaniment. Together, these elements capture both the gentle hope and the profound joy contained in the text. Also including moments of tenderness and reflection, the piece comes to a rousing close with an energy that engages singers and audience alike.

for SATB and piano A dramatic and characterful presentation of Psalm 68 for mixed voices and piano that is rich in colour and changes of tempo and style.

for SATB and piano or organ This uplifting setting of words from Psalms 24 and 118 is bold and energetic, whilst still easy to prepare. Passages for unison voices flower into harmony over a supportive accompaniment for piano or organ. The anthem would be particularly well-suited to a Palm Sunday or Advent service.

for SATB and piano This lively and upbeat anthem sets a text by the composer based on a passage from Thessalonians. The opening and closing sections feature a catchy melody and recurring syncopated figure in the piano, enclosing a more subdued middle section. Simply yet effectively scored and highly accessible in style, this anthem makes a dynamic addition to a service or concert.

for solo voice, SATB (with divisions), flute, and piano John Rutter's timeless arrangement of Skylark, a standard of the golden age of American song, is rich, mellow, and mellifluous. Soaring lines for flute depict the eponymous songbird, and the classic Hoagy Carmichael tune is shared between solo voice and choir, the latter also often providing a cushion of evocative harmonies.

for SATB and piano For this appealing arrangement, Howard Helvey has created the perfect marriage of text and melody. The popular hymn tune 'Ash Grove' is paired with a beautiful text by Sarah Doudney that is rich in imagery. The sparkling piano accompaniment provides the perfect backdrop to the sensitively arranged vocal parts and reflects the joyful and optimistic character of the text.

for SATB and organ or piano How excellent is an upbeat and celebratory work setting the composer's own paraphrase of Psalm 8. It features exciting and declamatory opening and closing sections with a contrastingly calm and legato central section, evoking this well-known scriptural text. The accompaniment should ideally be played on organ, but piano may be used if necessary.

for SATB and organ or piano Opening out from a lyrical exchange between unison lower and upper voices, As the bridegroom to his chosen is based around a John Tauler poem rich in metaphorical language that reflects on the protagonist's relationship with the Lord. Contrasting textures and eminently singable melodies make this a musically rewarding yet accessible anthem.

for soprano solo, SATB, with organ and unaccompanied This short collection presents the complete set of meditations from Chilcott's stunning St John Passion. Setting English poems from the 13th to the early 17th centuries, the meditations provide a very personal reflection on the dramatic story of the passion - at times anguished, adoring, and humbling. The beautiful soprano solo soars over the SATB voices and organ accompaniment in 'Christ, my Beloved' and 'Jesus, my Leman', while the unaccompanied choir take centre stage for 'Miserere, my Maker' and 'Away vain world'.

for SATBarBarB unaccompanied Chilcott's arrangement of the popular American folksong Shenandoah is atmospheric and expressive, with the traditional melody moving seamlessly between voice parts and resting on a cushion of rich harmonies. Shenandoah has been recorded by The King's Singers on the album GOLD (Signum, SIGCD500).

for alto solo, SATB (with divisions), and guitar Following a collaboration with Katie Melua on her 2016 album 'In Winter', on which she worked with the Gori Women's Choir from her native Georgia), Bob Chilcott has created ans evocative and stirring arrangement of Rachmaninov's celebrated fifth movement of the Vespers (or 'All-Night Vigil'), which may be performed in Russian or in English.