for SSA and piano Setting a moving text inspired by Chief Seattle, Quartel appeals for better stewardship of the planet through gentle flowing lines and expansive textures. The melodies are accessible throughout and well supported by the piano accompaniment, while the swells and falls in dynamics offer a sense of organicity. 'This we know' was originally published as part of the Songbird collection As you sing.

for SATB unaccompanied With a text by Thomas Campion, View me, Lord is a tender prayer characterized by its sensitive text-setting. Each verse features a change in voicing, rhythm, and harmony, while the ever-changing metre provides a feeling of fluidity. The tension built throughout the work is finally resolved in the last chord, bringing this contemplative anthem to a peaceful close.

for SATB (with divisions) unaccompanied With a text by the composer, 'My Love has Died for Me' is taken from Passion Music, a concert and liturgical work that epitomizes Todd's love of blending jazz and choral music. Recurring melodies, changing metres, and extended harmonies combine to explore the theme of loss in this powerful and expressive lament.

Following the success of the two Popular Voiceworks volumes, Popular Voiceworks at Christmas presents a fantastic collection of seasonal songs and carols in a highly practical format. Singers can explore a huge range of styles and find exciting new material by the authors, as well as arrangements of traditional carols such as 'Away in a manger' and 'In the bleak midwinter' and popular songs such as 'Jingle Bell Rock' and 'Get Together'. Stylish demos are available on a companion website and backing tracks for performance or rehearsal are included on the accompanying CD. A fabulous festive resource!

for SATB and guitar or piano This anthem sets a powerful poem by John Henry Newman that reflects on the spirituality of solitude. An imaginative interplay between voices and instrumental accompaniment is prevalent throughout, with effective contrasts between tranquillo and animato sections and delicate ostinato patterns. An alternative accompaniment for guitar (the composer's original instrumentation) is available for purchase. The anthem is also available in a version for SSA and piano or harp.

for SATB and piano with optional bass and drum kit In this jazzy setting of William Blake's Introduction to his Songs of Innoncence, Chilcott's extended harmonies and syncopated melodies bring new energy to the text, challenging the expectation of the listener. The voices are supported by a stylistic piano part, which may be played as written or serve as a guide, and the optional bass and drum kit part is printed at the back of the score. Also available in a version for SSA, piano, and optional bass and drum kit in Jazz Songs of Innocence.

for SSAA and piano This is a beautiful piece setting an evocative text by Anne Bronte that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment, Quartel's soaring melodies, rich harmonies, and syncopated rhythms illustrate the power of the wind, while its unpredictable nature is hinted by the hemiolas and cross-rhythms throughout the texture. This is suitable for festival and concert performance.

for SATB unaccompanied Originally published in Sun, Moon, Sea, and Stars, 'Deep in the night' sets a poem by Sara Teasdale that likens a heart seeking its love to a swallow's cry. Chydenius's rich harmonies, syncopated melodies, and modal inflections paint an image of the starry night, while the underpinning bass ostinato provides rhythmic drive.

for SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase or hire.

for SATB and piano or harp Higgins's arrangement of Away in a manger is beautiful and delicate. The first verse is taken by unison upper voices; the second is a cappella, with a soloist (or small group) on the melody accompanied by sustained 'ooh's; and the last verse features fresh, homophonic harmonies. The piano/harp accompaniment twinkles gently around the voices, contributing towards the magical character of the arrangement.

for SATB (with S. solo) unaccompanied This thought-provoking carol takes up the topical theme of the plight of refugees, drawing parallels with the stories and reception of Christ's birth. The text, by the composer, alludes to familiar lines from the Coventry Carol, rooting the piece in tradition while encouraging us to consider our present. The verses feature contrasting textures and changing metres, while a soft, reflective refrain stands steadfastly in triple metre.

for SS and organ This movement from Make We Merry sets the words of the seventeenth-century Christmas text 'Sweet was the song' to a straightforward and lyrical solo line in the first soprano part, with an imitative second soprano part joining towards the end. The organ accompaniment gently underpins the tender vocal lines throughout.

for SSA and piano Originally published as part of the Songbird collection As you sing, this is a beautiful and modern setting of a traditional text, popularised by Orlando Gibbons' well-known madrigal 'The silver swan'. Tarney draws upon the themes of nature, love, life, and loss to create melodies that are yearning and flowing, and supports the voices with a graceful and delicate piano accompaniment.

for SA and piano Originally published as part of the Songbird collection As you sing, this is a thrilling and high-energy piece setting a text by Jennifer Thorp. Young uses body-percussion, sound effects, repeating themes, and strong rhythms to capture the characteristics of a river, creating a fun and dynamic piece suitable for upper-voice adult and youth choirs.

for SATB and piano or organ or orchestra This sprightly setting of a sixteenth-century English text tells the tale of a jolly shepherd named Wat. With an upbeat triple metre and a joyful swing feel, this carol has imaginative, contrasting textures, a memorable refrain, and a rousing finish. Two versions of the vocal score are available: one with piano accompaniment and one with organ accompaniment. Full scores and parts are available for purchase or hire.

for SATB and piano or orchestra Male voices take the leading role in this mixed-voice arrangement of the tender and well-loved solo piece attributed to Caccini (and usually sung to 'Ave Maria'). In keeping with the cumulative embellishment of the original, Wilberg's version starts with unison men and gradually adds more parts, always grounded by the lower voices. Similarly, the accompaniment's texture thickens as the piece develops, with the instrumental version starting with strings only, building up to a full orchestral climax before a gentler coda.

for SATB unaccompanied Alan Bullard's simple, uplifting setting of words by eighteenth-century writer and Calvinist minister Joseph Hart is perfectly suited to the Every Voice Rejoice series. The anthem is characterized by flexible rhythms that sensitively complement the metre of the text and a beautifully reflective set of Amens at its close.

for SATB and piano Tarney's setting of this traditional Scottish text offers catchy melodies and folk-inspired harmonies, driven by a rhythmic piano accompaniment. The ballad is framed by a repeating, haunting, and ethereal a cappella phrase that hints at the unearthly nature of the subject. Also available for cambiata voices in the Emerging Voices series.