Separate Fact from Fiction
For centuries, men, women, and children have been fascinated by stories of angel sightings. Yet many contemporary beliefs are based on misconception and myth rather than solid, biblical truth. Responding to our widespread, modern cultural interest in the agents of heaven and their role in our world, popular Bible teacher Dr. David Jeremiah provides an in-depth, biblical look at the hot topic of angels. His broad and thorough survey of scriptural teaching is illustrated by powerful quotes from prominent teachers Billy Graham, Corrie ten Boom, C.S. Lewis, and others.
Separate Fact from Fiction
Popular Bible teacher Dr. David Jeremiah explores the Bible's rich teaching on angels, revealing a fascinating doorway into reliable, eye-opening truth.
Discover the reality of how angels can draw you closer than ever to God as you sharpen your sensitivity toward spiritual realities.
[Endorsements]
"Outstanding! As one would expect from David Jeremiah, this book reflects a theologian's concern, a pastor's heart, and a Biblicist's accuracy."
--Dr. Bruce Wilkinson, "New York Times "bestselling author
"David has that uncanny ability to be deliberate without being dull. His words will deepen your gratitude for God's messengers in light of God's Word."
--Max Lucado, pastor and bestselling author
"Dr. David Jeremiah shifts the focus from contemporary 'angel hype' to the fascinating biblical truth about God's powerful messengers."
--Dr. John C. Maxwell, founder of INJOY, Inc.
Story Behind the Book
Endorsements
"Simply put, this is an outstanding book! As one would expect from David Jeremiah, this book reflects a theologian's concern, a pastor's heart, and a biblicist's accuracy." --Dr. Bruce Wilkinson, "New York Times" bestselling author
"David has that uncanny ability to be deliberate without being dull. His words will deepen your gratitude for God's messengers in light of God's Word."
--Max Lucado, pastor and bestselling author
"Dr. David Jeremiah shifts the focus from contemporary 'angel hype' to the fascinating biblical truth about God's powerful messengers."
--Dr. John C. Maxwell, founder of INJOY, Inc.

Daughter of a mayor of King's Lynn, wife of a burgess there and mother of fourteen children, Margery Kempe (c. 1373-post 1438) was also a religious mystic and hysteric, who dictated her 'autobiography' to a scribe at the end of her life. In this history of her life, Anthony Goodman examines "The Book", to reconstruct as much of her conventional biography as the materials allow. Including her spiritual experiences, but focusing most particularly on her day-to-day life, he builds an intriguing picture of bourgeois society in late medieval Lynn, and the wider world of late medieval towns in England and Europe more generally.

The Book of Margery Kempe set in the context of medieval medical discourse. Margery Kempe's various illnesses, mental, spiritual and physical, are a recurring theme in her Book. This volume, the first full-length interdisciplinary study from a medical humanities perspective, offers a medicalized reading of Kempe's spirituality in the context of the ubiquitous medieval notion of Christ the Physician, and thus a new way of interpreting the Book itself: as a narrative of Kempe's own engagement with the medical paradigms of which she has previously been a passive subject. Focusing on the interactions of medicine, mysticism and reproduction as a feminist project, the author explores the ontology of female flesh; the productive use of pain, suffering and sickness; and the ethics of a maternal theology based on the melancholic and surrogate activities that underlie Kempe's experience. Structured broadly via a traverse through the life course, the book shows how Kempe's response to suffering is illuminated by the medieval medical discourse by which she is contemporaneously read, and by which she engineers her own construction and understanding of self. It also explores Kempe's persistent attendance to her mystical body and refusal to compromise her instinct to authentically show how she feels.

For many people prayer is difficult. This collection helps us to be less bothered with our uncertainties about what we should be saying when we pray. We can read a prayer and then sit quietly for a few minutes, allowing the particular words and thoughts to meet with our inner self, with our soul, which is linked to the energies and wisdom of the Creator of all things. The prayers here are not to be read in a rush. They are not about a small God, but about One who at every moment is at the very heart of both our personal lives and the life of the world. A God whose goodness, healing and tender grace are at the core of humanity. In the reading of them may our hearts become more loving and aware, for each prayer invites us into a reality much wider than ourselves - the whole world in its contradiction and promise - and brings us close to our sisters and brothers who, like us, are on a journey in which both light and shadow, sadness and joy are regular companions. Living God, like leaves that turn to the sun so we turn to you, the source of all life, for your love to sustain us, your will to strengthen us and your wisdom to guide us. Amen - Chris Polhill

When Quietism was condemned in 1687 it resulted in an antipathy, if not an open hostility to authentic mystical theology. This situation has lasted down to the present day and has been aggravated by many forms of counterfeit mysticism that are self-centred, not God-centred. The consequences have been disastrous. To restore the balance lost to Christian spirituality, the author returns to the profound mystical teaching that Jesus himself lived and handed on to the early Church through his disciples. His research has resulted in a book that details a practical daily spirituality for all, that mirrors that which was lived by our earliest Christian forebears. It emphasises the original balance between personal and communal prayer in such a way that our whole lives become the place where we continually offer our lives through Christ to the Father.

Integrating patristics and early Jewish mysticism, this book examines Gregory of Nyssa's tabernacle imagery, as found in Life of Moses 2. 170-201. Previous scholarship has often focused on Gregory's interpretation of the darkness on Mount Sinai as divine incomprehensibility. However, true to Exodus, Gregory continues with Moses's vision of the tabernacle 'not made with hands' received within that darkness. This innovative methodology of heuristic comparison doesn't strive to prove influence, but to use heavenly ascent texts as a foil, in order to shed new light on Gregory's imagery. Ann Conway-Jones presents a well-rounded, nuanced understanding of Gregory's exegesis, in which mysticism, theology, and politics are intertwined. Heavenly ascent texts use descriptions of religious experience to claim authoritative knowledge. For Gregory, the high point of Moses's ascent into the darkness of Mount Sinai is the mystery of Christian doctrine. The heavenly tabernacle is a type of the heavenly Christ. This mystery is beyond intellectual comprehension, it can only be grasped by faith; and only the select few, destined for positions of responsibility, should even attempt to do so.

Margery Kempe and her Book studied in both literary and historical context. Margery Kempe's Book provides rare access to the "marginal voice" of a lay medieval woman, and is now the focus of much critical study. This Companion seeks to complement the existing almost exclusively literary scholarship with work that also draws significantly on historical analysis, and is concerned to contextualise Kempe's Book in a number of different ways, using her work as a way in to the culture and society of medieval northern Europe. Topics include images and pilgrimage; women, work and trade in medieval Norfolk; political culture and heresy; the prophetic tradition; female mystics and the body; women's roles and lifecycle; religious drama and reenactment; autobiography and gender. Contributors: JOHN H. ARNOLD, P.H. CULLUM, ISABEL DAVIS, ALLYSON FOSTER, JACQUELINE JENKINS, KATHERINE J. LEWIS, KATE PARKER, KIM M. PHILLIPS, SARAH SALIH, CLAIRE SPONSLER, DIANE WATT,BARRY WINDEATT.

The call to repentance is central to the message of early Christianity. While this is undeniable, the precise meaning of the concept of repentance for early Christians has rarely been investigated to any great extent, beyond studies of the rise of penitential discipline. In this study, the rich variety of meanings and applications of the concept of repentance are examined, with a particular focus on the writings of several ascetic theologians of the fifth to seventh centuries: SS Mark the Monk, Barsanuphius and John of Gaza, and John Climacus. These theologians provide some of the most sustained and detailed elaborations of the concept of repentance in late antiquity. They predominantly see repentance as a positive, comprehensive idea that serves to frame the whole of Christian life, not simply one or more of its parts. While the modern dominant understanding of repentance as a moment of sorrowful regret over past misdeeds, or as equivalent to penitential discipline, is present to a degree, such definitions by no means exhaust the concept for them. The path of repentance is depicted as stretching from an initial about-face completed in baptism, through the living out of the baptismal gift by keeping the Gospel commandments, culminating in the idea of intercessory repentance for others, after the likeness of Christ's innocent suffering for the world. While this overarching role for repentance in Christian life is clearest in ascetic works, these are not explored in isolation, and attention is also paid to the concept of repentance in Scripture, the early church, apocalyptic texts, and canonical material. This not only permits the elaboration of the views of the ascetics in their larger context, but further allows for an overall re-assessment of the often misunderstood, if not overlooked, place of repentance in early Christian theology.

An in-depth study of nouvelle theologie and the ressourcement movement. Hans Boersma argues that a return to mystery was the movement's deepest motivation. He sets out the context for the early development of the movement prior to Vatican II and provides detailed analysis of its characteristic elements and thinkers.

'Alas that I ever did sin! It is so merry in Heaven!' The Book of Margery Kempe (c. 1436-8) is the extraordinary account of a medieval wife, mother, and mystic. Known as the earliest autobiography written in the English language, Kempe's Book describes the dramatic transformation of its heroine from failed businesswoman and lustful young wife to devout and chaste pilgrim. She vividly describes her prayers and visions, as well as the temptations in daily life to which she succumbed before dedicating herself to her spiritual calling. She travelled to the most holy sites of the medieval world, including Rome and Jerusalem. In her life and her boisterous devotion, Kempe antagonized many of those around her; yet she also garnered friends and supporters who helped to record her experiences. Her Book opens a window on to the medieval world, and provides a fascinating portrait of one woman's life, aspirations, and prayers. This new translation preserves the forceful narrative voice of Kempe's Book and includes a wide-ranging introduction and useful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

God, Pope Francis affirms, is present in nature, and he wants us to share that perspective, because he believes that it can generate in us a sense of wonder, awe, reverence and love for nature in all its aspects. This sense will make us strong enough to dedicate ourselves to the demanding task of caring for what he calls 'our common home.' When my home is under threat I will fight tooth and nail to protect it and those living in it, because I love it. Such commitment is needed today if our small and fragile planet is to be brought back to health. Brian Grogan brings the background of Ignatian spirituality and a lived appreciation of God's creation to his book of meditations on Pope Francis' Encyclical, Laudato Si. Rather than an exhaustive explanation of the encyclical, this book serves as a daily invitation to notice in ordinary creation the invitation of God to love and care for all God's creation. Read slowly each morning, it could give a focus for living the day in recognising God in all things, and the call of God to be a co-creator of his beautiful world each day.

Selections from this widely varied original mystical treatise offer insight into the lives of C13 female religious in northern Europe. Here is one of the great surprises of German medieval literature. Compiled between c.1250 and c.1282, it is an extraordinary piece of imaginative writing. It integrates visions, auditions, dialogues, prayers, hymns, lyrical love poems, letters, allegories and parables, and draws creatively on features from hagiography, the disputation, the treatise, and magic spells, as the author documents her relationship with God and with her contemporaries. Selectionsfrom the text are presented here in translation with introduction and notes. Dr Elizabeth A. Andersen teaches in the School of Modern Languages, Newcastle University.

The term ''mysticism'' has never been consistently defined or employed, either in religious traditions or in academic discourse. The essays in this volume offer ways of defining what mysticism is, as well as methods for grappling with its complexity in a classroom.
This volume addresses the diverse literature surrounding mysticism in four interrelated parts. The first part includes essays on the tradition and context of mysticism, devoted to drawing out and examining the mystical element in many religious traditions. The second part engages traditions and religio-cultural strands in which ''mysticism'' is linked to other terms, such as shamanism, esotericism, and Gnosticism. The volume's third part focuses on methodological strategies for defining ''mysticism, '' with respect to varying social spaces. The final essays show how contemporary social issues and movements have impacted the meaning, study, and pedagogy of mysticism.
Teaching Mysticism presents pedagogical reflections on how best to communicate mysticism from a variety of institutional spaces. It surveys the broad range of meanings of mysticism, its utilization in the traditions, the theories and methods that have been used to understand it, and provides critical insight into the resulting controversies.

Before etching Jerusalem William Blake wrote about creating 'the grandest poem that this world contains.'
Blake's avowed intention in constructing the work was to move readers from a solely rational way of being (called Ulro) to one that is highly imaginative (called Eden/Eternity), with each word chosen to suit 'the mouth of a true Orator.' Rational interpretation is of limited use when reading this multifaceted epic and its non-linear structure presents a perennial challenge for readers.
Susanne Sklar engages with the interpretive challenges of Jerusalem by considering it as a piece of visionary theatre --an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time-- allowing readers to find coherence within its complexities. With his characters, Blake's readers can participate imaginatively in what Blake calls 'the Divine Body, the Saviour's Kingdom, ' a way of being in which all things interconnect: spiritually, ecologically, socially, and erotically.
Imaginatively engaging with Jerusalem involves close textual reading and analysis. The first part of this book discusses the notion of visionary theatre, and the theological, literary, and historical antecedents of Jerusalem's imagery, characters, and settings. Particular attention is paid to the theological context of Blake's Jesus ('the Divine Body'), and Jerusalem, the heroine of his poem. This prepares the ground for a scene-by-scene commentary of the entire illuminated work. Jerusalem tells the story of Albion's fall, many rescue attempts, escalating violence and oppression, and a surprising apocalypse --in which all living things, awakening, are transfigured in ferocious forgiveness.

"Sensible Ecstasy" investigates the attraction to excessive forms of Christian mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism.
What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise. The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text. Contributors: ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.

This book introduces students to Christian mysticism and modern critical responses to it. Christianity has a rich tradition of mystical theology that first emerged in the writings of the early church fathers, and flourished during the Middle Ages. Today Christian mysticism is increasingly recognised as an important Christian heritage relevant to today's spiritual seekers. The book sets out to provide students and other interested readers with access to the main theoretical approaches to Christian mysticism - including those propounded by William James, Steven Katz, Bernard McGinn, Michael Sells, Denys Turner and Caroline Walker-Bynum. It also explores postmodern re-readings of Christian mysticism by authors such as Jacques Derrida, Jean-Luc Marion and Jean-FranAois Lyotard. The book first introduces students to the main themes that underpin Christian mysticism. It then reflects on how modern critics have understood each of them, demonstrating that stark delineation between the different theoretical approaches eventually collapses under the weight of the complex interaction between experience and knowledge that lies at the heart of Christian mysticism. In doing so, the book presents a deliberate challenge to a strictly perennialist reading of Christian mysticism. Anyone even remotely familiar with Christian mysticism will know that renewed interest in Christian mystical writers has created a huge array of scholarship with which students of mysticism need to familiarise themselves. This book outlines the various modern theoretical approaches in a manner easily accessible to a reader with little or no previous knowledge of this area, and offers a philosophical/theological introduction to Christian mystical writers beyond the patristic period important for the Latin Western Tradition.

Hildegard, 'the Sybil of the Rhine', was a Cistercian nun, a prophet, and one of the most prolific and original women writers of the 12th century. Arranged thematically, this new selection brings together extracts from her trilogy of visionary writings, her treatise on medicine and the natural world (Causes and Cures), and her choral music (Symphonia), and documents relating to her life and work.

Female mysticism, usually nourished in contemplative surroundings, in Blannbekin's case drew its inspiration from urban life; Weidhaus identifies her visions as 'street mysticism'. This early example of a spiritual diary incorporating the visions of a female mystic offers a glimpse of religious women's daily life and spiritual practices. Agnes Blannbekin was from an Austrian farming family, but as a Beguinelived an urban life: Ulrike Weithaus refers to her experiences as 'street mysticism'. Blannbekin's spiritual life revolved around the liturgical cycles of the church year, but also embraced the opportunities and vagaries of city life. Her visions comment on memorable events such as a popular bishop's visit to town during which people were trampled to death; the consequences of a rape committed by a priest; thefts of the Eucharist and the work of witches. Christ, for Blannbekin, is not only bridegroom, but also shopkeeper, apothecary, and axe-wielding soldier, and it was her vision of swallowing Christ's foreskin which led to the eventual censorship of her works. Life and Revelations has only recently been rediscovered by Austrian scholar Peter Dinzelbacher, and this translation is based on his critical edition.

This remarkable book shows the seminal Western mystic Meister Eckhart as the great teacher of the birth of God in the soul. It is at once an exposition of Eckhart's mysticism -- perhaps the best in English -- and also an exemplary work of contemporary philosophy.

Schurmann shows us that Eckhart is our contemporary. Writing from experience, he describes the threefold movement of detachment, releasement, and "dehiscence" (splitting open) that leads to the experience of "living without a why" in which all things are in God and which is sheer joy. Going beyond that, he describes the transformational force of approaching the Godhead, the God beyond God.

David Brown argues for the importance of experience of God as mediated through place in all its variety. He explores the various ways in which such experiences once formed an essential element in making religion integral to human life, and argues for their reinstatement at the centre of theological discussions about the existence of God. In effect, the discussion continues the theme of Brown's two much-praised earlier volumes, Tradition and Imagination and Discipleship and Imagination, in its advocacy of the need for Christian theology to take much more seriously its relationship with the various wider cultures in which it has been set. In its challenge to conventional philosophy of religion, the book will be of interest to theologians and philosophers, and also to historians of art and culture generally.

Mechthild of Magdeburg and Her Book Gender and the Making of Textual Authority Sara S. Poor Winner of the 2006 First Book Prize of the Society for Medieval Feminist Scholarship Winner of the 2008 John Nicholas Brown Prize from the Medieval Academy of America "Authoritative, convincing, well argued."--"Choice" "Everyone who is genuinely interested in problems of women's writing, vernacularity, and the construction of textual authority will have much to learn from this book."--Barbara Newman, Northwestern University "Poor has not only contributed to our knowledge of Mechthild and the textual history of her work but provided an ambitious model for how to engage with a medieval text, its author, its reception by disparate readers, and its perception by modern scholars."--"The Medieval Review" Poor's astute examination of Mechthild's authorship and the historical transmission of her text contributes significantly not only to the fields of feminist medieval scholarship but also demonstrates how a medieval text can more broadly engage in the construction of religious, philosophical, and literary traditions across time."--"Medieval Feminist Forum" "This remarkable book, a kind of textual biography, is the product of meticulous research and is an astute reflection on the paradoxes of textual authority in mystical texts."--"Journal of Religion" Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, "The Flowing Light of the Godhead," the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender. In "Mechthild of Magdeburg and Her Book," Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female authorship, the significance of her choice to write in the vernacular, and the continued, if submerged, presence of her writings in a variety of contexts from the thirteenth through the nineteenth century. Rather than explaining Mechthild's absence from literary canons, Poor's close examination of medieval and early modern religious literature and of contemporary scholarly writing reveals her subject's shifting importance in a number of differently defined traditions, high and low, Latin and vernacular, male- and female-centered. While gender is often a significant factor in this history, Poor demonstrates that it is rarely the only one. Her book thus corrects late twentieth-century arguments about women writers and canon reform that often rest on inadequate notions of exclusion. "Mechthild of Magdeburg and Her Book" offers new insights into medieval vernacular mysticism, late medieval women's roles in the production of culture, and the construction of modern literary traditions. Sara S. Poor teaches German at Princeton University and is coeditor of "Women and Medieval Epic." The Middle Ages Series 2004 352 pages 6 x 9 ISBN 978-0-8122-3802-0 Cloth $69.95s 45.50 ISBN 978-0-8122-0328-8 Ebook $69.95s 45.50 World Rights Literature, Women's/Gender Studies

One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

Reincarnation -- by which human beings return to live on earth -- is a concept most often associated with eastern philosophies rather than Christianity. In this fascinating book, Friedrich Rittelmeyer explores reincarnation from a Christian point of view, arguing that it has a place in modern Christian thought. Reincarnation can sometimes be exploited to justify daydreams or imaginary past glories, or can harden into a legalistic reckonining of vice and virtue. Rittelmeyer's approach is different: joyous, essentially Christian, and full of a sense of freedom as he struggles to find a path through the pitfalls on the way to a Christ-filled acceptance of reincarnation. Drawing on the work and inspiration of Rudolf Steiner, Rittelmeyer was able to encounter the cosmic truth of reincarnation and, wrestling with human doubt on every level, courageously grounds it in human reality.

Original and thought-provoking study of three medieval women mystics based on writings and biographical material. `A wholly feminine voice within Catholicism-they express the inexpressible better than any amount of rational thinking about God.' THE TIMES The three women who are the subject of this fascinating study lefta rich legacyof medieval spirituality. Frances Beer explores their writings and draws on available historical evidence to bring the experience of all three women closer to a 20th-century audience. She sees Hildegard's perception of her Creator as informed by the heroic ideal, while Mechthild's erotic experience seems to show the influence of the minnesingers. Julian's experience of tender intimacy with her Lord demonstrates an egalitarian confidence in the ability of the individual soul to progress towards onenesswith the divine. Their individual natures are also further revealed through the author's examination of their resolution of a number of theological problems. In contrast, the works of two medieval men writing for women are also explored. FRANCESBEER is Associate Professor of English at York University, Toronto.