Reincarnation -- by which human beings return to live on earth -- is a concept most often associated with eastern philosophies rather than Christianity. In this fascinating book, Friedrich Rittelmeyer explores reincarnation from a Christian point of view, arguing that it has a place in modern Christian thought. Reincarnation can sometimes be exploited to justify daydreams or imaginary past glories, or can harden into a legalistic reckonining of vice and virtue. Rittelmeyer's approach is different: joyous, essentially Christian, and full of a sense of freedom as he struggles to find a path through the pitfalls on the way to a Christ-filled acceptance of reincarnation. Drawing on the work and inspiration of Rudolf Steiner, Rittelmeyer was able to encounter the cosmic truth of reincarnation and, wrestling with human doubt on every level, courageously grounds it in human reality.

The powerful voice of major Italian medieval woman mystic, translated with commentary. Angela of Foligno is considered by many as the greatest mystical voice among Italian medieval women. She devoted herself to a relentless pursuit of God when as a middle-aged woman she lost her mother, husband and children; illiterate herself, she dictated her experiences to her confessor, who transcribed her words into Latin as the Memorial. In a direct and vigorous style, it tells of her suffering, visions, joy, identification with Christ, and finally her mystical union with God. However, her book has always been viewed with suspicion, indeed even bordering on heresy; her spirituality goes beyond conventional language as well as beyond accepted doctrines and modes of prayer. This annotated selection from the Memorial is preceded by a biographical introduction which places Angela's text in its historical, cultural, and spiritual context; the accompanying interpretive essay which follows compares Angela's experience with that of twentieth-century Christian feminist theologians. The volume is completed with an annotated bibliography. CRISTINA MAZZONI is Professor and Chair, Department of Romance Languagesand Linguistics at the University of Vermont.

The mystical vision of the German Dominican Meister Eckhart (c. 1260 - 1329) has fascinated German thinkers from Hegel to Heidegger. Central to his writings were a belief in divine 'Oneness' and self-reproduction. Eckhart argued God was both the ultimate source of the universe and the element inherent in all His creatures. He was also preoccupied with the nature of 'intellect' which he called the 'ground of the soul'; the image of God inside us offering all the possibility of redemption through a return to the Trinity. This Neo-platonic 'Oneness' was boldly reconciled with the Christian Trinity by stressing God's reproduction through His son and the human individual. Whilst this unorthodox approach led to charges of preaching beyond the confines of his faith, Eckhart's radical synthesis of Greek thought and Christian doctrine has remained complex, challenging and frequently misunderstood. These Selected Writings, some translated into English for the first time, illustrate the rhetorical flourish and metaphysical drama of Eckhart's evangelical style and confirm his critical position in the evolution of European intellectual life.

An important addition to the Classics of Western Spirituality (TM) series is this volume of the writings of Nil Sorsky (+1508), an influential spiritual writer whose major contribution to Eastern Christianity was his bringing to ancient Russia the spirituality of the early Fathers and Mothers of the Desert. This is called the hesychasm spirituality of the heart, which finds the perfection of the human person in union with God through continuous prayer. This first-time translation from Russian into English of Nil's complete writings includes: The Tradition, The Rule, his letters (only four of which have actually been attributed to him) and his last will and testament. The Tradition is his earliest attempt to give his disciples a written but very simplified rule of skete monasticism, which he practiced on Mt. Athos. The Rule is an extended ascetical treatise on what Nil calls "mental activity" or, in today's terms, perpetual or continuous prayer. An informative introduction examines the significance of Nil's spirituality and places it within the historical setting of 15th century Russia.

In Late Antiquity, people commonly sought to acquire hidden knowledge about the past, the present, and the future, using a variety of methods. While Christians acknowledged that these methods could work effectively, in theory they were not allowed to make use of them. In practice, they behaved in diverse ways. Some probably renounced any hope of learning about the future. Others resorted to old practices regardless of the consequences. A third option was to construct divinatory methods that were effective yet religiously tolerable. This book is devoted to the study of such practices and their practitioners, and provides answers to essential questions concerning Christian divination. How did it develop? How closely were Christian methods related to older, traditional practices? Who used them and in which situations? Who offered oracular services? And how were they perceived by clerics, intellectuals, and common people?

Daughter of a mayor of King's Lynn, wife of a burgess there and mother of fourteen children, Margery Kempe (c. 1373-post 1438) was also a religious mystic and hysteric, who dictated her 'autobiography' to a scribe at the end of her life. In this history of her life, Anthony Goodman examines "The Book", to reconstruct as much of her conventional biography as the materials allow. Including her spiritual experiences, but focusing most particularly on her day-to-day life, he builds an intriguing picture of bourgeois society in late medieval Lynn, and the wider world of late medieval towns in England and Europe more generally.

When Quietism was condemned in 1687 it resulted in an antipathy, if not an open hostility to authentic mystical theology. This situation has lasted down to the present day and has been aggravated by many forms of counterfeit mysticism that are self-centred, not God-centred. The consequences have been disastrous. To restore the balance lost to Christian spirituality, the author returns to the profound mystical teaching that Jesus himself lived and handed on to the early Church through his disciples. His research has resulted in a book that details a practical daily spirituality for all, that mirrors that which was lived by our earliest Christian forebears. It emphasises the original balance between personal and communal prayer in such a way that our whole lives become the place where we continually offer our lives through Christ to the Father.

Margery Kempe and her Book studied in both literary and historical context. Margery Kempe's Book provides rare access to the "marginal voice" of a lay medieval woman, and is now the focus of much critical study. This Companion seeks to complement the existing almost exclusively literary scholarship with work that also draws significantly on historical analysis, and is concerned to contextualise Kempe's Book in a number of different ways, using her work as a way in to the culture and society of medieval northern Europe. Topics include images and pilgrimage; women, work and trade in medieval Norfolk; political culture and heresy; the prophetic tradition; female mystics and the body; women's roles and lifecycle; religious drama and reenactment; autobiography and gender. Contributors: JOHN H. ARNOLD, P.H. CULLUM, ISABEL DAVIS, ALLYSON FOSTER, JACQUELINE JENKINS, KATHERINE J. LEWIS, KATE PARKER, KIM M. PHILLIPS, SARAH SALIH, CLAIRE SPONSLER, DIANE WATT,BARRY WINDEATT.

Selections from this widely varied original mystical treatise offer insight into the lives of C13 female religious in northern Europe. Here is one of the great surprises of German medieval literature. Compiled between c.1250 and c.1282, it is an extraordinary piece of imaginative writing. It integrates visions, auditions, dialogues, prayers, hymns, lyrical love poems, letters, allegories and parables, and draws creatively on features from hagiography, the disputation, the treatise, and magic spells, as the author documents her relationship with God and with her contemporaries. Selectionsfrom the text are presented here in translation with introduction and notes. Dr Elizabeth A. Andersen teaches in the School of Modern Languages, Newcastle University.

Carefully edited for the undergraduate reader, this Norton Critical Edition includes an informed introduction, focusing on Julian s theology and preparing students to understand the complex, controversial themes of the text, particularly Julian s solution to the problem of evil in Revelation XIII and XIV. Paragraph divisions have been organized to emphasize the thematic units of each chapter, and the sentences have been punctuated for clarity. The text included is a Middle English edition, based on the Paris manuscript (1580 1650) of the long text, with language akin to Chaucer s and therefore more accessible than other Middle English editions. "Contexts" includes contemporary texts that help students better understand Julian s originality, including selections from works by Margery Kempe, Augustine, Aelred of Rievaulx, and Walter Hilton. "Criticism" brings together interpretations that address the themes and style of the Showings by Sandra McEntire, Lynn Staley, B. A. Windeatt, and David Aers, among others. A Selected Bibliography is also included."

"Sensible Ecstasy" investigates the attraction to excessive forms of Christian mysticism among twentieth-century French intellectuals and demonstrates the work that the figure of the mystic does for these thinkers. With special attention to Georges Bataille, Simone de Beauvoir, Jacques Lacan, and Luce Irigaray, Amy Hollywood asks why resolutely secular, even anti-Christian intellectuals are drawn to affective, bodily, and widely denigrated forms of mysticism.
What is particular to these thinkers, Hollywood reveals, is their attention to forms of mysticism associated with women. They regard mystics such as Angela of Foligno, Hadewijch, and Teresa of Avila not as emotionally excessive or escapist, but as unique in their ability to think outside of the restrictive oppositions that continue to afflict our understanding of subjectivity, the body, and sexual difference. Mystics such as these, like their twentieth-century descendants, bridge the gaps between action and contemplation, emotion and reason, and body and soul, offering new ways of thinking about language and the limits of representation.

Ancrene Wisse introduced through a variety of cultural and critical approaches which establish the originality and interest of the treatise. The thirteenth-century Ancrene Wisse is a guide for female recluses. Addressed to three young sisters of gentle birth, it teaches what truly good anchoresses should and should not do, offering in its examples a glimpse of the real life women had in England in the middle ages. It is also important for its evidence for the continuation of the Anglo-Saxon tradition of prose writing, being produced in the West Midlands where Old English writing conventions continued to develop even after the Norman conquest. The Companion addresses the cultural and historical background, the affiliations of the versions, genre, authorship and language; the various approaches also includea feminist reading of the text. Contributors: ROGER DAHOOD, RICHARD DANCE, A.S.G. EDWARDS, CATHERINE INNES-PARKER, BELLA MILLETT, CHRISTINA VON NOLCKEN, ELIZABETH ROBERTSON, ANNE SAVAGE, D.A. TROTTER, YOKO WADA, NICHOLAS WATSON.

This book introduces students to Christian mysticism and modern critical responses to it. Christianity has a rich tradition of mystical theology that first emerged in the writings of the early church fathers, and flourished during the Middle Ages. Today Christian mysticism is increasingly recognised as an important Christian heritage relevant to today's spiritual seekers. The book sets out to provide students and other interested readers with access to the main theoretical approaches to Christian mysticism - including those propounded by William James, Steven Katz, Bernard McGinn, Michael Sells, Denys Turner and Caroline Walker-Bynum. It also explores postmodern re-readings of Christian mysticism by authors such as Jacques Derrida, Jean-Luc Marion and Jean-FranAois Lyotard. The book first introduces students to the main themes that underpin Christian mysticism. It then reflects on how modern critics have understood each of them, demonstrating that stark delineation between the different theoretical approaches eventually collapses under the weight of the complex interaction between experience and knowledge that lies at the heart of Christian mysticism. In doing so, the book presents a deliberate challenge to a strictly perennialist reading of Christian mysticism. Anyone even remotely familiar with Christian mysticism will know that renewed interest in Christian mystical writers has created a huge array of scholarship with which students of mysticism need to familiarise themselves. This book outlines the various modern theoretical approaches in a manner easily accessible to a reader with little or no previous knowledge of this area, and offers a philosophical/theological introduction to Christian mystical writers beyond the patristic period important for the Latin Western Tradition.

The Book of Margery Kempe set in the context of medieval medical discourse. Margery Kempe's various illnesses, mental, spiritual and physical, are a recurring theme in her Book. This volume, the first full-length interdisciplinary study from a medical humanities perspective, offers a medicalized reading of Kempe's spirituality in the context of the ubiquitous medieval notion of Christ the Physician, and thus a new way of interpreting the Book itself: as a narrative of Kempe's own engagement with the medical paradigms of which she has previously been a passive subject. Focusing on the interactions of medicine, mysticism and reproduction as a feminist project, the author explores the ontology of female flesh; the productive use of pain, suffering and sickness; and the ethics of a maternal theology based on the melancholic and surrogate activities that underlie Kempe's experience. Structured broadly via a traverse through the life course, the book shows how Kempe's response to suffering is illuminated by the medieval medical discourse by which she is contemporaneously read, and by which she engineers her own construction and understanding of self. It also explores Kempe's persistent attendance to her mystical body and refusal to compromise her instinct to authentically show how she feels.

Female mysticism, usually nourished in contemplative surroundings, in Blannbekin's case drew its inspiration from urban life; Weidhaus identifies her visions as 'street mysticism'. This early example of a spiritual diary incorporating the visions of a female mystic offers a glimpse of religious women's daily life and spiritual practices. Agnes Blannbekin was from an Austrian farming family, but as a Beguinelived an urban life: Ulrike Weithaus refers to her experiences as 'street mysticism'. Blannbekin's spiritual life revolved around the liturgical cycles of the church year, but also embraced the opportunities and vagaries of city life. Her visions comment on memorable events such as a popular bishop's visit to town during which people were trampled to death; the consequences of a rape committed by a priest; thefts of the Eucharist and the work of witches. Christ, for Blannbekin, is not only bridegroom, but also shopkeeper, apothecary, and axe-wielding soldier, and it was her vision of swallowing Christ's foreskin which led to the eventual censorship of her works. Life and Revelations has only recently been rediscovered by Austrian scholar Peter Dinzelbacher, and this translation is based on his critical edition.

"The fiery life of divine wisdom" captured in the writings of this twelfth-century Christian mystic, visionary and healer can be a companion on your own spiritual journey.

Hildegard of Bingen (1098 1179) was a Christian mystic, visionary, abbess, composer, dramatist, poet and healer. The brilliance and passion of her writings including inscriptions of her visions, letters, liturgical antiphons, hymns, a morality play and medical and scientific works speak to readers within the church as well as those who are not formally religious but have an interest in mysticism, the spiritual life, the relationship between spirituality and creativity, feminist and eco-spiritualities and the arts. Though considered a controversial figure in her day, she was recently canonized and proclaimed a doctor of the church, an honor extended to only three other women saints in Christian history.

This groundbreaking introduction to her rich and varied writings presents a wide range of Hildegard's works grouped by theme, providing a deeper understanding of this influential spiritual figure than single-themed collections can. Insightful and instructive annotations provide the reader with suggestions for how to read or listen to medieval mystical texts as well as how to engage fully with Latin chants, allowing readers to effectually begin a dialogue between the world of this twelfth-century mystic and our own."

Mechthild of Magdeburg and Her Book Gender and the Making of Textual Authority Sara S. Poor Winner of the 2006 First Book Prize of the Society for Medieval Feminist Scholarship Winner of the 2008 John Nicholas Brown Prize from the Medieval Academy of America "Authoritative, convincing, well argued."--"Choice" "Everyone who is genuinely interested in problems of women's writing, vernacularity, and the construction of textual authority will have much to learn from this book."--Barbara Newman, Northwestern University "Poor has not only contributed to our knowledge of Mechthild and the textual history of her work but provided an ambitious model for how to engage with a medieval text, its author, its reception by disparate readers, and its perception by modern scholars."--"The Medieval Review" Poor's astute examination of Mechthild's authorship and the historical transmission of her text contributes significantly not only to the fields of feminist medieval scholarship but also demonstrates how a medieval text can more broadly engage in the construction of religious, philosophical, and literary traditions across time."--"Medieval Feminist Forum" "This remarkable book, a kind of textual biography, is the product of meticulous research and is an astute reflection on the paradoxes of textual authority in mystical texts."--"Journal of Religion" Sometime around 1230, a young woman left her family and traveled to the German city of Magdeburg to devote herself to worship and religious contemplation. Rather than living in a community of holy women, she chose isolation, claiming that this life would bring her closer to God. Even in her lifetime, Mechthild of Magdeburg gained some renown for her extraordinary book of mystical revelations, "The Flowing Light of the Godhead," the first such work in the German vernacular. Yet her writings dropped into obscurity after her death, many assume because of her gender. In "Mechthild of Magdeburg and Her Book," Sara S. Poor seeks to explain this fate by considering Mechthild's own view of female authorship, the significance of her choice to write in the vernacular, and the continued, if submerged, presence of her writings in a variety of contexts from the thirteenth through the nineteenth century. Rather than explaining Mechthild's absence from literary canons, Poor's close examination of medieval and early modern religious literature and of contemporary scholarly writing reveals her subject's shifting importance in a number of differently defined traditions, high and low, Latin and vernacular, male- and female-centered. While gender is often a significant factor in this history, Poor demonstrates that it is rarely the only one. Her book thus corrects late twentieth-century arguments about women writers and canon reform that often rest on inadequate notions of exclusion. "Mechthild of Magdeburg and Her Book" offers new insights into medieval vernacular mysticism, late medieval women's roles in the production of culture, and the construction of modern literary traditions. Sara S. Poor teaches German at Princeton University and is coeditor of "Women and Medieval Epic." The Middle Ages Series 2004 352 pages 6 x 9 ISBN 978-0-8122-3802-0 Cloth $69.95s 45.50 ISBN 978-0-8122-0328-8 Ebook $69.95s 45.50 World Rights Literature, Women's/Gender Studies

One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

The title of the book, Abba, is the term used in more than one place in the New Testament for addressing God as Father and it is with the Our Father prayer that these meditations are concerned. At first sight it might be thought impossible to say anything fresh on something so familiar to all Christians as the Lord s Prayer. Yet the inexhaustible depths of meaning to be found in it may, by the very fact of familiarity, all too easily escape notice and understanding.

Hildegard, 'the Sybil of the Rhine', was a Cistercian nun, a prophet, and one of the most prolific and original women writers of the 12th century. Arranged thematically, this new selection brings together extracts from her trilogy of visionary writings, her treatise on medicine and the natural world (Causes and Cures), and her choral music (Symphonia), and documents relating to her life and work.

Original and thought-provoking study of three medieval women mystics based on writings and biographical material. `A wholly feminine voice within Catholicism-they express the inexpressible better than any amount of rational thinking about God.' THE TIMES The three women who are the subject of this fascinating study lefta rich legacyof medieval spirituality. Frances Beer explores their writings and draws on available historical evidence to bring the experience of all three women closer to a 20th-century audience. She sees Hildegard's perception of her Creator as informed by the heroic ideal, while Mechthild's erotic experience seems to show the influence of the minnesingers. Julian's experience of tender intimacy with her Lord demonstrates an egalitarian confidence in the ability of the individual soul to progress towards onenesswith the divine. Their individual natures are also further revealed through the author's examination of their resolution of a number of theological problems. In contrast, the works of two medieval men writing for women are also explored. FRANCESBEER is Associate Professor of English at York University, Toronto.

Julian's Literary Legacy is a study of A Vision Showed to a Devout Woman from the inside out. Julian's writing is systematically studied by Fr Luke Penkett, Librarian and Archivist at the Julian Centre, drawing attention to her linguistic brilliance and clarifying complicated passages with greater comprehension for twenty-first-century readers in mind. The ways in which Julian's literary style and her use of earlier and contemporary material are seen to illuminate each other, offering new and previously under-studied aspects without which little new research along well-worn paths is feasible. The Middle English words - and their use - are given their fullness of meaning, heightened by her use of rhetoric, allowing their potential richness to come to the surface, opening up possibilities for Julian's readers to be increasingly aware of God's goodness and the fact that they are loved for who they are.

If the western world knows anything about Zen Buddhism, it is down to the efforts of one remarkable man, D.T. Suzuki. The twenty-seven-year-old Japanese scholar first visited the west in 1897, and over the course of the next seventy years became the world's leading authority on Zen. His radical and penetrating insights earned him many disciples, from Carl Jung to Allen Ginsberg, from Thomas Merton to John Cage. In Mysticism Christian and Buddhist Suzuki compares the teachings of the great Christian mystic Meister Eckhart with the spiritual wisdom of Shin and Zen Buddhism. By juxtaposing cultures that seem to be radically opposed, Suzuki raises one of the fundamental questions of human experience: at the limits of our understanding is there an experience that is universal to all humanity? Mysticism Christian and Buddhist is a book that challenges and inspires; it will benefit readers of all religions who seek to understand something of the nature of spiritual life.

Leading spiritual teacher John Philip Newell reveals how Celtic spirituality, listening to the sacred around us and inside of us, can help to heal the earth, overcome our conflicts and reconnect with ourselves. Sacred Earth, Sacred Soul offers a new spiritual foundation for our lives, once centered on encouragement,guidance and hope for creating a better world. Sharing the long hidden tradition of Celtic Christianity, explaining how this earth-based spirituality can help us rediscover the natural rhythms of life and deepen our spiritual connection with God, with each other and with the earth. Newell introduces some of Celtic Christianity's leading practitioners, both saints and pioneers of faith, whose timeless wisdom is more necessary than ever, including: Pelagius, who shows us how to look beyond sin to affirm our sacredness as part of all God's creation and courageously stands up for our principles in the face of oppression. Brigid of Kildare, who illuminates the interrelationship of all things and reminds us of the power of the sacred feminine to overcome those seeking to control us. John Muir, who encourages us to see the holiness and beauty of wilderness and what we must do to protect these gifts. Teilhard de Chardin, who inspires us to see how science, faith, and our future tell one universal story that beings with sacredness.

An introduction to the life and work of Hildegard.

- Reveals the life and teachings of one of the greatest female artists and intellectuals of the Western Mystical Tradition.

- Contains 24 full-color illustrations by Hildegard of Bingen.

- Includes commentary by Matthew Fox, author of "Original Blessing" (250,000 sold).

Hildegard of Bingen (1098-1179) was an extraordinary woman living in the Rhineland valley during most of the twelfth century. Besides being the abbess of a large and influential Benedictine abbey, she was a prominent preacher, healer, scientist, and artist. She also was a composer and theologian, writing nine books on theology, medicine, science, and physiology, as well as 70 poems and an opera. At the age of 42, she began to have visions; these were captured as 36 illuminations--24 of which are recorded in this book along with her commentaries on them. She also wrote a text describing these visions entitled "Scivias" (Know the Ways), now published as "Hildegard of Bingen's Mystical Visions,"

Author Matthew Fox has stated, "If Hildegard had been a man, she would be well known as one of the greatest artists and intellectuals the world has ever seen." It is a credit to the power of the women's movement and our times that this towering genius of Western thought is being rediscovered in her full grandeur and autonomy.

Virtually unknown for more than 800 years in Western history, Hildegard was featured as one of the women in Judy Chicago's "Dinner Party" in the early 1980s and published for the first time in English by Bear & Company in 1982. In addition to her mystical teachings, Hildegard's music has been performed and recorded for a new and growingaudience.