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Books > Sport & Leisure > Travel & holiday > Travel writing > Classic travel writing
This book is a major contribution to the study of the encounter between Europeans and non-Europeans in the early modern period and to a neglected aspect of the cultural transformation of Europe throughout the Renaissance. Focusing on European travelers in India and their analysis of Hindu society, politics and religion, it also offers a detailed and systematic study of the variety of travel narratives describing South India from the thirteenth to the seventeenth centuries. In addition, the book proposes a novel approach to the study of European attitudes toward non-Europeans.
'The Natural History Museum, South Kensington, supply full directions for preparing animal skins, which should be carefully studied, and a mouse or two should be skinned by the would-be collected before leaving England...' Such is the advice given to fellow hunters by the author of this work, C.V.A Peel, the celebrated Victorian writer, traveller and big-game hunter. In an age when conservation of wildlife stands at the forefront of zoological study, it is sobering to recognise that so much of our knowledge stems from the writings of men who would sooner have an animal's head on the wall than its photograph in an album. Nevertheless, men such as peel were acute observers of nature and this account of hunting in Somaliland provides a unique record of the flora and fauna of that region in East Africa which lies between the Equator and the Gulf of Aden. First published in 1889, and here republished in facsimile, complete with photographs, drawings and diagrams, the book is a fascinating study of East Africa through the eyes of a hunting man.
Soon after returning from his celebrated journey to Mecca disguised as an Arab, Burton set out on a similarly perilous trip to the city of Harrar in the heart of little-known Somaliland. As related in the Preface to his journal: "He disappeared into the desert for four months...The way was long and weary, adventurous and dangerous, but at last the 'Dreadful City' was sighted, and relying on his good Star and audacity, he walked boldly in...His diplomacy on this occasion, his capacity for passing as an Arab, and his sound Mohammedan Theology, gave him ten days in the city, where he slept every night in danger of his life."His journey to Harrar, the account of his stay, and the gruelling story of his return across the desert, are here contained in this fine facsimile of the two-volume memorial edition of 1894, complete with maps, plates and diagrams.
Soon after returning from his celebrated journey to Mecca disguised as an Arab, Burton set out on a similarly perilous trip to the city of Harrar in the heart of little-known Somaliland. As related in the preface to his journal: 'He disappeared into the desert for four months...The way was long and weary, adventurous and dangerous, but at last the 'Dreadful City' was sighted, and relying on his good Star and audacity, he walked boldly in...His diplomacy on this occasion, his capacity for passing as an Arab, and his sound Mohammedan Theology, gave him ten days in the city, where he slept every night in danger of his life.' His journey to Harrar, the account of his stay, and the gruelling story of his return across the desert, are here contained in this fine facsimile of the two-volume memorial edition of 1894, complete with maps, plates and diagrams.
'After all that - how, you might wonder, could one not become a fatalist?' Lermontov's hero, Pechorin, is a young army officer posted to the Caucasus, where his adventures - amorous and reckless - do nothing to alleviate his boredom and cynicism. World-weary and self-destructive, Pechorin is alienated from those around him yet he is full of passion and romantic ardour, sensitive as well as arrogant. His complex, contradictory character dominates A Hero of Our Time, the first great Russian novel, in which the intricate narrative unfolds episodically, transporting the reader from the breathtaking terrain of the Caucasus to the genteel surroundings of spa resorts. Told in an engaging yet pointedly ironic style, the story expresses Lermontov's own estrangement from the stifling conventions of bourgeois society and the oppression of Russian autocracy, but it also captures a longing for freedom through acts of love and bravery. This new edition also includes Pushkin's Journey to Arzrum, in which Pushkin describes his own experiences of Russia's military campaigns in the Caucasus and which provides a fascinating counterpoint to Lermontov's novel. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
In his Book of Marvels and Travels, Sir John Mandeville describes a
journey from Europe to Jerusalem and on into Asia, and the many
wonderful and monstrous peoples and practices in the East. Written
in the fourteenth century, the Book is a captivating blend of fact
and fantasy, an extraordinary travel narrative that offers some
revealing and unexpected attitudes towards other races and
religions. It was immensely popular, and numbered among its readers
Chaucer, Columbus, and Thomas More. Here Mandeville tells us about
the Sultan in Cairo, the Great Khan in China, and the mythical
Christian prince Prester John. There are giants and pygmies,
cannibals and Amazons, headless humans and people with a single
foot so huge it can shield them from the sun. Forceful and
opinionated, the narrator is by turns learned, playful, and
moralizing, with an endless curiosity about different cultures.
This is a collection of journals written by Japanese men and women--from samurai and other government officials to novelists and poets--who journeyed to America, Europe, and China between 1860 and 1920. The diaries faithfully record personal views of the countries and their cultures and sentiments that range from delight to disillusionment. At once an intimate account of the travellers' lives and a testimony to the greater struggles and advances of their cultures, Donald Keene's eloquent translation and commentary invites the reader to partake in the world as each person experienced it.
'I mentioned our design to Voltaire,' wrote Boswell. 'He looked at me as if I had talked of going to the North Pole . . .' As it turned out, Johnson enjoyed their Scottish journey (although the land was not quite so wild and barbaric as perhaps he had hoped), and Boswell delighted in it. The year was 1773, they were sixty-three and thirty-two years old, and had been friends for ten years. Their journals, published together here, perfectly complement each other. Johnson's majestic prose and hawk eye for curious detail take in everything from the stone arrowheads found in the Hebrides, to the 'medicinal' waters of Loch Ness and 'the mischiefs of emigration'. Meanwhile, it is very lucky that as Johnson was observing Scotland, Boswell was observing Johnson. His record is perceptive, highly entertaining and full of sardonic wit; for him, as for us, it is an appetizer for The Life of Johnson.
Patrick Leigh Fermor (1915-2011) was a war hero whose exploits in Crete are legendary, and above all he is widely acclaimed as the greatest travel writer of our times, notably for his books about his walk across pre-war Europe, A Time of Gifts and Between the Woods and the Water; he was a self-educated polymath, a lover of Greece and the best company in the world. Artemis Cooper has drawn on years of interviews and conversations with Paddy and his closest friends as well as having complete access to his archives. Her beautifully crafted biography portrays a man of extraordinary gifts - no one wore their learning so playfully, nor inspired such passionate friendship.
Marco Polo set off on his travels from Venice as a young man in 1271, and returned home in 1295 after spending 24 years away, 17 of them in China. He isone of the few early adventurers whose name nearly everyone knows. His book was one of the best-loved works of the Middle Ages, and has remained popular ever since. At a time when China is again assuming global importance, his account of China under the Mongol emperor Khubilai Khan - the dazzlingly splendid capital in Beijing, the great southern metropolis of Hangzhou - is a classic reminder of the antiquity of Chinese power and civilization. Marco Polo also portrays countries and cities all along the trade route from the Mediterranean to Mongolia. He reminds us that Iraq's present suffering is not unique by relating the story of the attack on Baghdad by Mongol forces in 1258. He conveys the daunting prospect of the deserts of central Asia and the distant charms of Yunnan. And he reminds us of the huge merchant ships dominating China's trade with foreign countries, ships that far outstripped their European counterparts. He even writes about Japan, the first European to do so. His book was often thought of as a book of marvels, but one of its striking features to a contemporary reader is its clarity, realism and tolerance. As this new edition shows, he sometimes exaggerates, but his reputation for making things up is quite unfair, as Colin Thubron makes clear in his introduction. The original manuscript of Marco Polo's book is lost, and in the many later versions names and other details have become so garbled that it has been said that his itineraries are impossible to follow. This new Everyman edition shows this need not be so. It explains clearly all the references in the book, and shows in detail with new maps the routes described from Venice to Beijing, from Beijing to Burma, and from Beijing to south-east China. It also provides an up-to-date history of the book and the controversies surrounding it.
Meet the drunken Mexicans, the gorgeous girls, the desperate drug-dealer, and the snoring dog... as the author describes his first reading-tour across America. This book is a writer's notebook, intimate travelogue, and a chronicle of experiences both commonplace and extraordinary.
This wonderfully written book tells of the first Herculean expeditions to Antarctica, from astronomer Edmond Halley s 1699 voyage in the "Paramore" to the sealer John Balleny s 1839 excursion in the "Eliza Scott," all in search of land, glory, fur, science, and profit. Life was harsh: crews had poor provisions and inadequate clothing, and scurvy was a constant threat. With unreliable often homemade charts, these intrepid explorers sailed in the stormy waters of the Southern Ocean below the Convergence, that sea frontier marking the boundary between the freezing Antarctic waters and the warmer sub-Antarctic seas. These men were the first to discover and exploit a new continent, which was not the verdant southern island they had imagined but an inhospitable expanse of rock and ice, ringed by pack ice and icebergs: Antarctica."
Travel was a way of life for the Austrian poet and novelist Rainer Maria Rilke, and it was integral to his work. Between 1897 and 1920 he visited Venice ten times. The city has inspired countless writers and artists, but Rilke was both enthralled and provoked by it, as eager to see and explore the city's deserted shipyards and back alleys as the iconic sights of St Mark's and the Doge's Palace. He would walk the city alone, staying in simple guesthouses or the grand palaces of his patrons. Birgit Haustedt guides readers through the city in the poet's footsteps, showing us the sights through Rilke's eyes.
In this journey of discovery, John Micklewright travels the slow way, on foot, on paths, tracks and byways from the Channel to the Alps - from the coast of Normandy to the flanks of Mont Blanc. The Opening Country is a beautifully written account of his progress through the French countryside, an evocative patchwork of landscape, nature, history, literature, film, and - drawing on his father's diaries that stretch back to the 1930s - of memoir. Always curious, absorbing all around him, ready on a whim to divert from his chosen route as he heads unhurriedly southwards. The natural world unfolds as spring turns to summer with surprises of bird song and butterflies, against a constant background of reminders of the economic and social story of rural France and of wars past. The result is an engrossing record of a classic long-distance walk through Britain's nearest continental neighbour. The Opening Country is a book to fire the imagination - a call to travel slowly, to open eyes and ears, to discover and explore.
Some of the extraordinary women whose writings are including in this collection are observers of the world in which they wander; their prose rich in description, remarkable in detail. Mary McCarthy conveys the vitality of Florence while Willa Cather's essay on Lavandou foreshadows her descriptions of the French countryside in later novels. Others are more active participants in the culture they are visiting, such as Leila Philip, as she harvests rice with chiding Japanese women, or Emily Carr, as she wins the respect and trust of the female chieftain of an Indian village in Northern Canada. Whether it is curiosity about the world, a thirst for adventure or escape from personal tragedy, all of these women are united in that they approached their journeys with wit, intelligence, compassion and empathy for the lives of those they encountered along the way. Features writing from Gertrude Bell, Edith Wharton, Isabella Bird, Kate O'Brien, Lady Mary Wortley Montagu and many others.
A facsimile edition of Bradshaw's wonderfully illustrated guide to Victorian London, dating from 1862. Bradshaw's guide to London was published in a single volume as a handbook for visitors to the capital. It includes beautiful engravings of London attractions, a historical overview of the city, advice for tourists and a series of 'walking tours' radiating outwards from the centre of London, covering the North, East, South and West, The City of London and a tour of the Thames (from Greenwich to Windsor). All major attractions and districts are covered in detailed pages full of picturesque description. This beautiful reformatted edition preserves the historical value of this meticulously detailed and comprehensive book, which will appeal to Bradshaw's enthusiasts, local historians, aficionados of Victoriana, tourists and Londoners alike - there really is something for everyone. It will enchant anyone with an interest in the capital and its rich history.
The first English translation, presented with pictures and a piece by De Amicis's contemporary Louis Laurent Simonin As a first-time visitor to London, De Amicis was awestruck by the bustle and magnificence of the Victorian metropolis and wrote a number of sketches in his trademark witty, observational style, which made him one of the bestselling travel writers of his age. Originally conceived as a series of newspaper articles and later published in volume form, "Memories of London" brings back to life all the bygone charm of the capital of the British Empire. De Amicis's impressions are paired here with a piece written by the French writer Louis Laurent Simonin, which leaves the city's opulence and grandeur behind and offers an uncompromising look at the poverty and squalor of its most deprived areas.
The Life and Works of Robert Wood (1717-1771) commemorates the Irish classicist and traveller on the 250th anniversary of his death and provides the general reader with a study that can be regarded as a source book for the fascinating life and career of a much-neglected figure in the realm of Irish eighteenth-century travels and antiquarianism. The book starts by setting the context of eighteenth-century travels to the east and then examines the primary sources emanating from Wood's own eastern voyages, as well as the relevant literary sources available to him before, during, and after his travels. It then provides an extensive and much-needed biographical account of Robert Wood, with particular reference to his Irish and English patrons, before examining the main results of the second tour (1750-1751), namely his three pioneering books: Ruins of Palmyra (1753), Ruins of Balbec (1757), and The Original Genius of Homer (1775). It ends by considering the enormous legacy of Robert Wood, in terms of the popularity of his books; the variety and quality of portraits commissioned by his friends and associates; his contribution to the study of classical literature; his influence on architectural drawing in late eighteenth- and nineteenth-century Europe; and the cultural significance of his work on building design. The text also reflects on the somewhat questionable nature of his works, in terms of the fact that his second voyage of the east, and the entire production of the first two books, were financed by his friend Dawkins, whose wealth derived from a slave plantation in Jamaica.
In the first quarter of the 20th century, China was in turmoil, facing an existential crisis. Chinese politicians and intellectuals looked to the Turkish Republic as a role model. Turkey defeated foreign invading forces and renegotiated unfair treaties, adapted to the modern world, and initiated series of reforms in all walks of life. Chinese travellers chronicled their observations, and included the notes of Shi Zhaoji, the first Chinese ambassador to the US, and Hu Hanmin, an early leader in the Kuomintang.
The charm of Madrid is elusive, but for those who know how to find it, Madrid has magic. Its magic can be found in the shadow cast over the present by the past. In this Traveller's Reader, a city that was once the seat of power for perhaps the most ambitious political enterprise the western world had seen since the fall of Rome, the Spanish Empire, is brought to life in vivid diaries, letters, memoirs and histories. The Earl of Clarendon describes seventeenth-century bullfights; Salvador Dali plays a surrealist joke on a snooty barman at the Ritz; Rubens visits the Alcázar; Manet is at the Prado; generals and anarchists meet in the Puerta del Sol. The many stories included here evoke for today's tourist the dramas and personalities of a city's past, by drawing on the eyewitness accounts and commentaries of visitors and residents of earlier centuries. Hugh Thomas has chosen these and other vivid snapshots of Madrid's history from diaries, letters, memoirs and novels across five centuries to delight and fascinate the armchair and prospective traveller alike.
This volume is part of the Complete Works of Evelyn Waugh critical edition, which brings together all Waugh's published and previously unpublished writings for the first time with comprehensive introductions and annotation, and a full account of each text's manuscript development and textual variants. The edition's General Editor is Alexander Waugh, Evelyn Waugh's grandson and editor of the twelve-volume Personal Writings sequence. This is the first fully annotated, critical edition of the travel book Ninety-Two Days (1934), Evelyn Waugh's account of an arduous journey through British Guiana and northern Brazil that provided crucial material for what many consider his finest novel, A Handful of Dust. A biographical and historical introduction places the work in the context of Waugh's life, and among other travel books written about the area; discusses how the text evolved from manuscript to print; and connects it with other literary works such as Arthur Conan Doyle's The Lost World, and with the persistent myth of the lost city of El Dorado.
Victorian Women's Travel Writing on Meiji Japan: Hospitable Friendship examines forgotten stories of cross-cultural friendship and intimacy between Victorian female travel writers and Meiji Japanese. Drawing on unpublished primary sources and contemporary Japanese literature hithero untranslated into English it highlights the open subjectivity and addective relationality of Isabella Bird, Mary Crawford Fraser, and Marie Stopes in their interactions with Japanese hosts. Victorian Women's Travel Writing on Meiji Japan demonstates how travel narratives and literary works about non-colonial Japan complicate and challenge Oriental stereotypes and imperial binaries. It traces the shifts in the representation of Japan in Victorian discourse from obsequious mousme to virile samurai alongside transitions in the Anglo-Japanese bilateral relationship and global geopolitical events. Considering the ethical and political implications of how Victorian women wrote about their Japanese friends, it examines how female travellers created counter discourses. It charts the unexplored terrain of female interracial and cross-cultural friendship and love in Victorian literature, emphasizing the agency of female travellers against the scholarly tendency to depoliticize their literary praxis. It also offers parallel narratives of three Meiji women in Britain - Tsuda Umeko, Yasui Tetsu, and Yosano Akiko -and transnational feminist alliance. The book is a celebration of the political possibility of female friendship and literature, and a reminder of the ethical responsibility of representing racial and cultural others. |
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