The centaur, a hybrid being with the body of horse and a human head and torso, first appeared in the mountains of Thessaly. This was the Greek horse-breeding region and it seemed natural for the centaur to have originated there, in the heart of this exclusive heritage of the landed gentry. Centaurs belonged to the spheres of heroic mythology, with clear ties to the values of the aristocracy. This book is composed of a catalogue divided into nine chapters. Each chapter comprises catalogue entries for a number of black-figure and red-figure Attic vases. The division into chapters is based on the various types of centaurs and different conflicts, either among themselves or against a hero. In addition to the catalogue is a chapter on images and statistics. Each of these nine chapters corresponds to a section of catalogue entries and statistics, as the information refers to two examples in each section, one in black figures and another in red figures. The highlighted examples illustrate the variety of different vase types (amphorae, lekythoi, etc.) and their chronology (550-500 BC, 500-450 BC). The statistics are likewise divided into black and red figures, and various themes, such as the centaur Pholos and the banquet, or Herakles and Nessos. For each of these themes or groups of examples, a table is given showing the number of vases (amphorae, lekythoi, etc.) and their place in the chronology (550-500 BC, 500-450 BC, etc.).

The Hellenistic society of the Rhodian metropolis, a naval aristocracy (Gabrielsen), dedicated bronze statues of their members in the sanctuaries and public buildings and used marble and -occasionally-lartios lithos to carve portrait-statues originally for funerary use and in a later period also for honorific purposes, figures of deities and decorative sculpture for the houses and the parks. The artists, local and itinerant, from Athens, the islands and the Asia Minor, established artistic workshops on Rhodes, some of them active for three centuries and for more than one generation. The impact of Rhodian art is evident on the islands of the Aegean and the cities of Asia Minor, due to the expansion of the Rhodian Peraia. Together with Pergamon, Rhodes emerges as a productive artistic centre of the Hellenistic era, creating statuary types and combining them with landscape elements. The radiance of its art is evident in the late Hellenistic period in Rome, the new capital of the world, where the Rhodian artists create mythological statuary groups set in grottoes. This volume presents the large-scale Rhodian sculpture of the Hellenistic and Roman period through the publication of sixty unpublished sculptures of life size or larger than life size, together with forty-five sculptures already published. The sculptures are grouped according to their statuary type (gods, mortals and portraits), while those unable to be firmly identified due to their fragmentary condition are grouped under the category 'uncertain identification'. The presentation of the sculptures is further supplemented by a technical description and an analysis of stylistic characteristics according to chronological development. Excavation data, wherever available, are also provided.

From Hispalis to Ishbiliyya: The ancient port of Seville, from the Roman Empire to the end of the Islamic period (45 BC - AD 1248) focuses on the history and development of the ancient port of Seville, which is located in the lower Guadalquivir River Basin, Spain. This unique study is important because, despite its commercial importance, little has been known about the port, and so the purpose was to examine the topography, layout, and facilities of the ancient port of Seville, their history and development from approximately the 1st c. BC to about the 13th c. AD. This longue duree study was conducted adopting a holistic and interdisciplinary approach by examining a diverse range of information (historical, archaeological and scientific), a maritime archaeological perspective as well as a diachronic study of three different historical periods (Roman, Late Antique, Islamic). As a result, it has been possible to offer a description of the construction, development, and demise of the port. The study was one of the first comprehensive studies of an ancient port in Spain and one of the first to be conducted in a combined holistic and diachronic manner in Europe. This methodology has produced significant results not obtained with other simpler approaches, thus serving as a model for studies of other archaeological sites, especially those in relation with maritime or riverine culture.

The first three centuries of Christianity are increasingly seen in modern scholarship as sites of complexity. Sacred Ritual, Profane Space examines the Christian meeting places of the time and overturns long-held notions about the earliest Christians as utopian rather than place-bound people. By mapping what is known from early Christian texts onto the archaeological data for Roman domestic spaces, Jenn Cianca provides a new lens for examining the relationship between early Christianity and sites of worship. She proposes that not only were Roman homes sacred sites in their own right but they were also considered sacred by the Christian communities that used them. In many cases, meeting space would have included the presence of the Roman domestic cult shrines. Despite the fact that the domestic cult was polytheistic, Cianca asserts that its practices likely continued in places used for worship by Christians. She also argues that continued practice of the domestic cult in Roman domestic spaces did not preclude Christians from using houses as churches or from understanding their rituals or their meeting places as sacred. Raising a host of questions about identity, ritual affiliation, and domestic practice, Sacred Ritual, Profane Space demonstrates how sacred space was constructed through ritual enactment in early Christian communities.

This volume discusses the evolution of oikema, which is the most common type of commercial facility in ancient Greece. The study covers a large area including Continental Greece, the Aegean islands, the Ionian islands and the west coast of Asia Minor. The author, after a thorough analysis, proposes a new terminology for commercial and industrial facilities. The book also presents the architectural characteristics and the equipment of oikemata and discusses their location and relationship with other buildings. The ownership, use and maintenance of oikemata are also discussed. It is argued that oikemata provided merchants and craftsmen with a suitable working space and contributed to the gradual abandonment of houses as working places, especially in cities that developed in the Hellenistic period. Their characteristics corresponded perfectly well to the needs of Greek commerce.

This volume includes the archaeological and archaeometrical analysis of the lead finds from the Roman Republican military fort of Sanisera in northern Minorca. The fort was built after the Roman conquest of the island in 123 BC and abandoned during the last third of the 1st century BC. By correlating typological-archaeological and scientific methods, the site's unusual large number of lead objects/artefacts are examined within their find context and reviewed for superregional connections to contemporary sites within the Mediterranean. Furthermore, based upon the results of the find analyses as well as the examination of written sources, the site's embedding within the historical context of the development of the late Roman Republic and early Imperial times is presented, especially in respect to the conquest of the Mediterranean and the consolidation of the Roman authority there.

La necropoli romana di Melano (Canton Ticino - Svizzera), scavata nel 1957 e nel 1979, costituisce a tutt'oggi una delle poche di quest'epoca scoperte nel Sottoceneri dove i rinvenimenti sono invece perlopiu sepolture isolate o riunite in piccoli gruppi. E costituita da 26 tombe fra cremazioni e inumazioni e si distingue per la loro varieta a livello tipologico e per i materiali impiegati nella loro costruzione. Fra le sepolture a cremazione, le piu numerose, vi sono quelle piu semplici, a vano singolo, fino a quelle a doppia camera e a loculo cinerario multiplo. Le tombe a inumazione, generalmente pertinenti a bambini o adolescenti, hanno restituito indizi riguardo all'uso di deporre il corpo in cassa lignea o su un lettino o barella. Nei corredi funerari sono presenti tutte le principali classi materiali d'epoca romana tipiche della regione unitamente a reperti che recano l'impronta di un centro sviluppatosi lungo le rive del lago Ceresio e dedito a particolari attivita ad esso collegate, come la pesca. La stratigrafia verticale della necropoli e gli oggetti di corredo ne indicano un uso continuato dal I al III sec. d.C.

Se aborda en el presente trabajo un estudio arquitectonico sobre los dos bastiones que configuran la puerta sur del oppidum iberico de El Cerro de las Cabezas (Valdepenas, Ciudad Real). Se trata de dos construcciones defensivas cuyo espacio interno cumplio con una funcion socioeconomica relacionada con el almacenamiento de cereal. A traves de este trabajo de investigacion, de caracter arqueoarquitectonico, apoyado en la digitalizacion y reestudio del archivo fotografico del proceso de excavacion, se pretende analizar las tecnicas y los materiales constructivos de ambas construcciones, definir sus sucesivas fases constructivas dentro el proceso historico del asentamiento y valorar el conjunto arquitectonico en un area espacial de enorme importancia dentro del entramado urbano. Todo ello nos permitira conocer los continuos cambios y transformaciones que sufrio este espacio, entre los siglos V y III a.C., para defender, seguidamente, la influencia y presencia punica en este oppidum iberico.

Hunde in der roemischen Antike: Rassen/Typen, Zucht, Haltung und Verwendung deals extensively with the living environment of the dog in Roman antiquity, based on literary and iconographic sources as well as archaeological and archaeozoological finds. The knowledge gained from this is documented by numerous images. Older research opinions, some of which have gone unchecked for more than a hundred years, are examined and-where necessary-corrected. For the first time, a catalogue of the more than eighty dog breeds/types documented from antiquity is presented with their names, origins, appearance and the special characteristics of these animals. The ancient theories of dog breeding are compared with modern practices. A catalogue of the previously known dog names has been revised with around sixty new names added. The book examines how dogs were housed, what accessories were used and how the animals were fed. It sheds light on illnesses, medical treatment and the care of elderly dogs. A catalogue of epitaphs and extant canine tombstones gives an insight into the emotional world of grieving animal owners. Dogs not only served as guards, shepherds, hunters and lap dogs but also had other important roles such as sacred animals in temples or as waste disposers for sanitation. But they were also used corporeally: their fur was tanned, and their body parts were needed for magical rituals. In short, dogs played an important role in many areas of life, such that everyday life in the Classical world could not be imagined without them.

Late antique Corinth was on the frontline of the radical political, economic and religious transformations that swept across the Mediterranean world from the second to sixth centuries CE. A strategic merchant city, it became a hugely important metropolis in Roman Greece and, later, a key focal point for early Christianity. In late antiquity, Corinthians recognised new Christian authorities; adopted novel rites of civic celebration and decoration; and destroyed, rebuilt and added to the city's ancient landscape and monuments. Drawing on evidence from ancient literary sources, extensive archaeological excavations and historical records, Amelia Brown here surveys this period of urban transformation, from the old Agora and temples to new churches and fortifications. Influenced by the methodological advances of urban studies, Brown demonstrates the many ways Corinthians responded to internal and external pressures by building, demolishing and repurposing urban public space, thus transforming Corinthian society, civic identity and urban infrastructure. In a departure from isolated textual and archaeological studies, she connects this process to broader changes in metropolitan life, contributing to the present understanding of urban experience in the late antique Mediterranean.

In The Cult of Mithras in Late Antiquity David Walsh explores how the cult of Mithras developed across the 3rd and 4th centuries A.D. and why by the early 5th century the cult had completely disappeared. Contrary to the traditional narrative that the cult was violently persecuted out of existence by Christians, Walsh demonstrates that the cult's decline was a far more gradual process that resulted from a variety of factors. He also challenges the popular image of the cult as a monolithic entity, highlighting how by the 4th century Mithras had come to mean different things to different people in different places.

The present study examines the death of maidens in classical Athens, combining the study of Attic funerary iconography with research on classical Attic maiden burials, funerary inscriptions, tragic plays, as well as the relevant Attic myths. The iconography of funerary reliefs focuses on the idealized image of the deceased maiden, as well as the powerful bonds of love and kinship that unite her with the members of her family, whereas the iconography of vases emphasizes the premature death of the maiden, the pain of loss and mourning felt by her family, as well as the observance of the indispensable funerary rites concerning her burial and 'tomb cult'. Particularly interesting is the fact that the 'traditional' theory according to which the loutrophoros marked the graves of the unmarried dead alone has been proven non valid. The study of classical Attic maiden burials indicates that the prematurely dead maidens were buried as children who didn't live long enough to reach adulthood. The untimely death of maidens in Attic drama and mythology is beneficial to the family or the city. In great contrast to that, the premature death of real - life Athenian maidens was a terrible disaster for the girls' families, as well as the polis itself. Despite this, the iconography of dead maidens in classical Athens is in accordance with the 'image' of the deceased maidens presented by funerary epigrams, tragedy, and mythology. It has to be noted though, that the same is not true in the case of maiden burials. This Access Archaeology publication presents a special edition of Katia Margariti's doctoral thesis entitled The Death of the Maiden in Classical Athens. The original thesis was submitted to the Department of History, Archaeology, and Social Anthropology (IAKA) of the University of Thessaly in Volos in 2010. Here the original thesis is augmented by an extensive 63 page summary in English accompanied by the original Greek text, catalogue and illustrations. The thesis contains much valuable analysis and catalogue material and this publication has been produced in order that the work should not be overlooked merely for reasons of language.

This work seeks to understand the process of monetization within the economy of the Galicians and Asturians and the cultural ways in which the phenomenon occurred. Numismatic remains are studied in depth, found in four of the roads crossing the northwestern territory of the Iberian peninsula in Roman times; the tracks studied, as referenced in the Itinerary of Antonino, were XVII, XVIII, XIX and XX. All the coins discovered were imported, and so it was possible to mark precisely where the greatest influx of individuals and materials came from, as well as areas and zones of different speeds of monetization and, thus, Romanization. -Spanish Description: A traves de este trabajo hemos pretendido comprender el proceso de monetizacion de la economia de galaicos y astures y las vias culturales por las que el fenomeno se produjo. Para ello hemos estudiado en profundidad los restos numismaticos aparecidos en cuatro de las calzadas que atravesaban el territorio noroccidental de la peninsula iberica en epoca romana, las vias XVII, XVIII, XIX y XX del Itinerario de Antonino. Debido a que toda la moneda que encontramos en este territorio es importada, hemos podido marcar con precision cuales fueron los horizontes de mayor entrada de individuos y materias, asi como areas y zonas de diferentes velocidades de monetizacion y con ello de romanizacion. Seguramente las zonas cercanas a campamentos, donde se alojaron miles de soldados cuya unica economia posible era la monetaria, conocieron y dependieron pronto del valor de la moneda. Igualmente los nuevos nucleos romanos administrativos hubieron de ser centros focales de monetizacion, aunque desconocemos el por que no se abrieron cecas de moneda en estas ricas ciudades con importante trafico de mineral y de gentes, como pueda ser el caso de Astorga o Braga.

This study focuses on ceramic finds from the excavations (1996-2006) of the Episcopal Group of Sidi Jdidi, the ancient city of Aradi, in the hinterland of Hammamet in Tunisia, directed by Dr Aicha Ben Abed-Ben Khader and Prof. Michel Fixot. The aim of these excavations was to understand the processes of the (evolution and) insertion of Christian monuments into the pre-existent town and the distribution of the liturgical and economic functions within various buildings of this ecclesiastic centre. The ceramological study contributed to attaining this aim by suggesting dates for each phase of the construction, occupation and abandonment of the Episcopal group, as well as evidence for the function of each space. Furthermore, this study has documented the (strong) rural and regional characteristics of the ceramic assemblages: these are very different from those of the large-scale excavations at Carthage and indicate a pattern of self-sufficient consumption supplied by purely intra-regional trade. The author is a Research Fellow of The National Museum of Western Art (Tokyo, Japan), and Research Associate of the Centre Camille Jullian (Aix Marseille Univ, CNRS, MCC, CCJ, F-13000, Aix-en-Provence, France).

Excavations conducted at Morgantina by Princeton University and the University of Illinois have revealed substantial Iron Age remains beneath the Greek town on the Cittadella hilltop. In this volume Robert Leighton presents a full study of this extensive protohistoric settlement in Sicily. The broad scope of evidence, particularly the survival of long houses and tombs with much of their structures and contents preserved, permits an unusually thorough examination of indigenous cultural traditions prior to the foundation of the Greek town in the Archaic period. An illustrated catalogue of the finds presents more than 700 artifacts from the site, most of which are previously unpublished. The author discusses all the excavated protohistoric areas in detail, and presents a full range of maps, plans, excavation photographs, reconstruction drawings, and radiocarbon dates. The diverse body of finds includes a wide variety of pottery forms as well as tools and ornaments of both metal and stone that document local crafts, metallurgy, and numerous aspects of daily life. In studying these objects, Leighton draws on parallels with material from the Italian peninsula and considers the evidence of the historical sources, revealing links between Sicily and Italy in the protohistoric period. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This volume focuses on the study of the geometric designs documented in the mosaics of the Conventus Astigitanus, one of the four conventi iuridici of Roman Baetica. This study is part of a much broader undertaking, the primary objective of which is the analysis of the geometric mosaic designs of the province as a whole. The number of mosaics in the Conventus Astigitanus, and the larger number still documented in other areas of Baetica, place this province among those with the highest count of mosaics in the Roman world providing evidence of the level of cultural and economic power enjoyed by the province over the centuries. As a whole, this study makes an absolutely necessary contribution to the understanding of Roman mosaics in general and Hispanic mosaics in particular, based on an innovative and unprecedented approach in Spain. It includes a very significant number of designs and provides the basis for a completely open catalogue, to which new models may be added as they become available through the continual study of new mosaics. This catalogue ultimately aims to become a reference for the study of geometric mosaics and compositions in the Roman world. Moreover, the value of the present volume also lies in the contribution that is offered to a topic, the analysis of geometric composition, which is of great interest beyond the author's specific field of study.

Troy: one of the most captivating and mysterious stories of antiquity...But was Troy an actual place or just a legend of Homer's epic? It took the most unlikely of people, Heinrich Schliemann - a grocer's-apprentice turned self-made archaeologist, courageous and driven - to solve one of the greatest puzzles in history. His extraordinary discovery of the ruins of fabled Troy and the magnificent treasure of King Priam anointed Schliemann as the 'father of pre-history', but was also beset by controversy that persists to this day. The fate of the treasure itself is no less troubled. In 1945 it was spirited out of Berlin by the Red Army, to be hidden for 50 years in the vaults of the Pushkin Museum until the breakup of the Soviet Union. In this fast-paced account, Caroline Moorehead describes one of the most remarkable adventures of the 20th century, tracing Schliemann's footsteps to Troy and the convoluted journey across Europe taken by the treasure itself.

The aim of this study is to show how the Imperial Cult was introduced and organised in provincial Hispania, and examines the collaboration with the Romanised native elites who came from Lusitania, Baetica and Hispania Citerior. This book draws upon literary, numismatic, archaeological and epigraphic sources. The epigraphy found in Lusitania is especially important because it is the only one of the Hispanic provinces where there is evidence of flamines provinciae officiating before the Flavian period, even as early as under Tiberius.

The investigation of the Roman villa and its economic structures in the western provinces of the Roman Empire has clearly shown that rural settlement developed at different paces and intensities that largely depended on the specific region in which a villa landscape was intended and created. The progress of Romanisation was strongly linked to the existence of pre- Roman infrastructure in a given region (e.g. Tres Galliae: Celtic; Narbonensis: Greek; Northern Africa: Punic). This existing infrastructure was at first acquired and successively intensified by the Romans. In its sum, the Roman villa economy was a complex and dynamic system that in its configuration vastly differed, according to the specific province. Still, the system essentially served clear functional purposes such as self-subsistence and, ideally, surplus production for the supply of the Roman military in newly conquered provinces. Besides that, the implementation of a villa landscape in a province, often carried by veterans and other groups of Italic origin, the Roman villa network took the role as a carrier of processes that evolve around the term Romanisation during the phase of Roman conquest and authority. German text with English summary.

The transition process of the Roman city between the Early Roman period and Late Antiquity is difficult to understand due to the absence of urban models and the decline in epigraphy. The transformations that accompany this period are detectable in the western provinces of the Empire from a very early time. Their interpretation -crisis, mutation, etc.- varies with each study case. Ancient Cartagena (Hispania Citerior) is a paradigm of these changes. Starting under Marcus Aurelius, the city began to show symptoms of exhaustion, at the same time as literary and epigraphic evidence began to decline, until it disappeared altogether. In these pages we aim to contribute -and at the same time vindicate- an approach to discovering more about the 2nd and 3rd centuries AD based on the archaeological record and taking into account the stratigraphic sequences and especially the pottery material culture. The compiled documentation begins with a triple vocation: to serve as an instrument for dating; to provide quantified data about Carthago Nova's patterns of consumption, way of life and trading links; and to understand the evolution of the city in a period from which the urban model of the Late Period emerged. Spanish text with English summary.

What could be more evident than the concepts of oblique, horizontal or vertical? In the modern world, these concepts form the basis of our thought system, both from a mathematical and artistic point of view. Everything would suggest that these principles were known to the Greek civilization. However, the study of the surviving texts casts a different light on the matter. Homer did not know the concept of oblique - no word could translate it into the language of his time. Even later, the Greeks had five adjectives approximately meaning oblique: , , , and . Each discipline (cosmology, optic, geography, art, etc.) had its own way of looking at these five words. Paradoxically, what the written language had not yet synthesized was abundant in imagery. Even more surprising, the oblique in images, which we consider as a sign of movement in our own iconographic language, is found to signify both movement and rest. Two monuments of Greek art draw attention to this new paradox: the frieze of the Mausoleum of Halicarnassus and the Mourning Athena. In each of them, the oblique line is present, and carries two distinct meanings. These two forms of language, written and figurative, bring a different and complementary perspective on the ancient Greeks' apprehension (or lack thereof) of the concept of oblique.

This volume is focused on the cataloguing of glass conserved in the Archaeological Museum of Tripoli. This is so far an unpublished corpus of objects identified from investigations into the necropolis and other burials in Tripoli and its suburbs, in conjunction with the activities of the Italian Government in Libya during the first twenty years of the last century. The main objective of the work is filling the gaps in the state of knowledge concerning the production of glass of the North-African area by providing as complete as possible a documentation on the findings from Oea and its territory.

This volume presents a series of studies of the wine from Hispania Citerior-Tarraconensis traded in amphorae, with the aim of demonstrating (as has recently been done for the amphora production) the existence of different trade dynamics, according to individual cases, territories and periods. While seeking to avoid descriptions of a generalised nature, the present volume aims to illustrate the complexity of the trading system, emphasizing intra- and inter-provincial commercial patterns and the way in which these evolved during the period considered. Although this work includes the results of a few highly specific case studies (which cannot replace the findings from other better or lesser known sites), they cover most of the areas of wine production and trade and all the dimensions of analysis in which archaeological, epigraphic and literary data related to the commercial distribution might be framed.

This work investigates a large assemblage of potentially late-dated Roman ceramics excavated in the early 1990s during rescue interventions in Vigo (N/E Spain) and its surroundings. It is well established that much of this material originated from the Mediterranean, especially the eastern provinces of the Empire. Based on the analyses of these investigations, this study goes on to assess the extent of the Atlantic distribution route and link the northwest of the Iberian Peninsula well within the trading dynamics of the Mediterranean world.

This volume presents the results of a multidisciplinary archaeological and archaeometric study of the wine amphorae produced in Hispania Citerior (Tarraconensis, in Augustus' reorganisation) between the first century BC and the first century AD. Wine production expanded in this area at the beginning of the first century BC, as new Roman towns were founded and new farms or villae gradually emerged in rural areas. However, it was during Augustus' reign that wine production and trade reached their peak. The study aims to shed new light on the composition of the wine amphorae produced in this area as well as on the technological processes involved in their manufacture along within the period considered. For that, the study includes the characterisation of several amphora types produced in various ceramic workshops located along the Catalan coast which initiated pottery activity at different times. All the available archaeological information for each case study is reviewed, considering data referring to the production centres and also to the geology and the environment in which the pottery workshops were located. Spanish text with English summary.