The definitive work on the monuments of ancient Athens and Attica In this book, a leading authority on the archaeology of ancient Greece presents a survey of the monuments-first chronologically and then site by site. John M. Camp begins with a comprehensive narrative history of the monuments from the earliest times to the sixth century A.D. Drawing on literary and epigraphic evidence, including Plutarch's biographies, Pausanias's guidebook, and thousands of inscriptions, he discusses who built a given structure, when, and why. Camp presents dozens of passages in translation, allowing the reader easy access to the variety and richness of the ancient sources. In effect, this main part of the book provides an engrossing history of ancient Athens as recorded in its archaeological remains. The second section of the book offers in-depth discussions of individual sites in their physical context, including accounts of excavations in the modern era. Written in a clear and engaging style and lavishly illustrated, Camp's archaeological tour of Athens is certain to appeal not only to scholars and students but also to visitors to the area.

Scholars of rabbinics and Iranists are increasingly turning to the orbit of Iranian civilization in order to explore the extent to which the Babylonian Talmud was exposed to the theological and liturgical discourse of the Zoroastrian religion, as well as Sasanian legal practices. Here possibly for the first time, scholars within these fields are brought together in concert to examine the interaction between Jewish and Iranian cultures in terms of legal exegesis, literature, and religious thought. The implications of this groundbreaking effort are vastly significant for Jewish and Iranian Studies. With contributions by: Yaakov Elman, David Goodblatt, Geoffrey Herman, Richard Kalmin, Maria Macuch, Jason Sion Mokhtarian, Shai Secunda, Shaul Shaked, Prods Oktor SkjAervo, Yuhan Sohrab-Dinshaw Vevaina

'Archaic and Classical Harbours of the Greek World' explores the archaeology and history of ancient harbours and focuses on the Greek world during the Archaic and Classical eras. Its objective is to establish a consensus on three fundamental questions: What locations were the most propitious for the installation of harbours? What kinds of harbour-works were built and for what purpose? What harbour forms were documented? These subjects have been addressed by evaluating multiple forms of evidence (archaeological, geographical, nautical, textual, iconographic and geological) in the context of the Aegean and Eastern Ionian maritime settings.

Who's Who in the Roman World is a wide-ranging biographical survey of one of the greatest civilizations in history. Covering a period from the 5th century BC to AD 364, this is an authoritative and hugely enjoyable guide to an era which continues to fascinate today. The figures included come from all walks of Roman life and include some of history's most famous - not to mention infamous - figures as well as hitherto little-known, but no less fascinating, characters. These include :
* the notorious emperors - Caligula; Nero; Elagabalus; Commodus
* the great poets, philosophers and historians - Virgil; Tacitus; Seneca; Ovid
* the brilliant politicians and soldiers - Hannibal; Scipio; Caesar; Mark Antony; Constantine
* noteworthy citizens - Acte, mistress of Nero; Catiline, the revolutionary; Spartacus, champion of the slaves; Gaius Verres, the corrupt governor of Sicily.
The inclusion of cross-referencing, a glossary of terms, select bibliographies, maps, genealogies and an author's preface complete what is at once a superb reference resource and an enormously entertaining read.

eBook available with sample pages: 0203425995

The Hypogeum of the Aurelii: A new interpretation as the collegiate tomb of professional scribae' examines the frescoes of one of the most enigmatic funerary monuments of ancient Rome. The three chambers of the Hypogeum of the Aurelii, so-named from an mosaic inscription in one of the surviving chambers, contain a varied series of images that have long been considered an example of early Christian or Gnostic iconography. One hundred years after the monument's discovery Dr Bradley challenges earlier theories and concludes that far from having religious significance the pictures reveal a world of professional pride among a group of what we might today call 'white collar workers'. Although not among the rich and famous of Imperial Rome, the deceased nevertheless rose from a state of slavery to positions within the bureaucracy at the centre of an empire at its height. Although part of a strictly hierarchical, and male-dominated, society the community to which the Aurelii belonged provided an environment of comparative equality: a community that acknowledged the contribution and expertise of both women and children in their profession. The pride in their achievement is reflected in the decoration of the tomb in which they expected to spend eternity. This study, the first in modern times to examine all the extant images in detail, will be of interest, not only to historians of ancient Roman art, but also to social historians who wish to more fully understand the lives of those who helped support the running of an empire.

The cult of relics, encouraged by, among others, the emperor Constantine, Pope Damasus and the bishops Ambrose of Milan and Paulinus of Nola, led to the transformation of the Late Antique Italian landscape, and of suburban areas in particular. The process of gradual enhancement of the martyrs' tombs led to the creation of extensive sanctuaries, generally composed of funerary and cultic buildings, as well as service structures, pilgrims' lodgings and monasteries. The most important sanctuaries, such as those of Saints Peter in the Vatican, Paul on the Ostiense, Erasmus in Formia, Alexander in Nomentum, Felix in Cimitile, Gennaro in Naples, Felix in Venosa, Marcianus in Syracuse, and the Apostles in Concordia Sagittaria, became so popular that they justified Jerome's phrase: movetur urbs sedibus suis et currit ad martyrum tumulos. Between the 5th and 6th century, sanctuaries spread also in rural areas, usually along important roads, as documented by the site of San Canzian d'Isonzo. Analysing hypogeal and subdial contexts, Santuari e spazi confessionali nell'Italia tardoantica outlines the evolution of loca sancta, in a process that led the venerated tombs to become first memoriae, then places of worship and finally articulated sanctuaries. For the first time, the contexts of Rome are organically compared with those of the rest of Italy.

The Archaeology of Death: Proceedings of the Seventh Conference of Italian Archaeology held at the National University of Ireland, Galway, April 16-18, 2016 includes more than 60 papers, with contributors from the British Isles, Italy and other parts of continental Europe, and North and South America, which consider recent developments in Italian archaeology from the Neolithic to the modern period. Each region of Italy is represented, with specific sections of the volume devoted to Etruria, South Italy, and Sicily. Other sections have a chronological focus, including Italian Prehistory, the Roman period, and Post Antiquity. Following the primary theme of the meeting, the majority of papers revolve around the archaeology of death; numerous contributions analyse the cultural significance of death through examinations of funerary rituals and mortuary practices, while others analyse burial data for evidence of wider social and political change. Various papers consider new and recent discoveries in Italian archaeology, while others ask fresh questions of older datasets. In addition, a number of contributions showcase their employment of new methodologies deriving from technological innovations. The volume opens with a dedicatory section to mark the achievements of the Accordia Research Institute, and to celebrate the careers of two of its founders, Ruth Whitehouse and John Wilkins. The following paper(s) are available to download in Open Access: Cremation structures and funerary dynamics in Roman Veneto. New perspectives from Padua/Patavium - Cecilia Rossi and Irene Marini: Download

The Romans developed sophisticated methods for managing hygiene, including aqueducts for moving water from one place to another, sewers for removing used water from baths and runoff from walkways and roads, and public and private latrines. Through the archeological record, graffiti, sanitation-related paintings, and literature, Ann Olga Koloski-Ostrow explores this little-known world of bathrooms and sewers, offering unique insights into Roman sanitation, engineering, urban planning and development, hygiene, and public health. Focusing on the cities of Pompeii, Herculaneum, Ostia, and Rome, Koloski-Ostrow's work challenges common perceptions of Romans' social customs, beliefs about health, tolerance for filth in their cities, and attitudes toward privacy. In charting the complex history of sanitary customs from the late republic to the early empire, Koloski-Ostrow reveals the origins of waste removal technologies and their implications for urban health, past and present.

Papyri nos 4093-4300. (Egypt Exploration Society, Graeco-Roman Memoirs 81, 1995)

The last part of the four-volume series which aims to make available the most important studies of Cornelius Vermuele the former curator of Classical Art at the Boston Museum of Fine Art. This volume spans the years between 1985 and 1995 and includes a wide range of studies on broad themes and specific works of art, mainly in American collections. The many subjects include: the Hellenistic East, Nero's Golden House, Roman Ostia, funerary monuments, the end of ancient art in Egypt, Pheidias, the Severan dynasty, Troy and Germanicus Caesar. Contents: Preface Perceptions of the Trojan Wars in the Fenway: the Creeping Odysseus From the Pelopennesus to Pergamon and Beyond: The Weary Herakles of Lysippos Nero, Otho and the Golden House Roman Ostia. Sarcophagus Figural Pillars: From Asia Minor to Corinth to Rome Graeco-Roman Asia Minor to Renaissance Italy Greek Sculpture in Miniature from Roman Patrons Medallic and Marble Memorials: Mint to Mausoleum in Victorian America The End of Ancient Art in Egypt: Connections with the Holy Land The God Apollo, A Ceremonial Table with Griffins, and a Votive Basin Archaic Art, General Outline and Considerations, Historical, Geographic, and Aesthetic The Theodore Roosevelt Era: The Gold Coins and Major Sculptures of Augustus Saint-Gaudens Athena of the Parthenon by Pheidias: A Graeco-Roman Replica of the Roman Imperial Period Small Statues in the Greek World The Crusader (Lusignan) Kingdom of Cyprus: Echoes in the Fenway Roman Portraits in Egyptian Colored Stones Hermes, Protector of Shepherds at Salamis and Kourion From Tarentum to Troy and on to Tunisia: Homeric Survivals in the Hellenistic and Roman Worlds Protesilaos: First to Fall at Troy and Hero in Northern Greece and Beyond The Rise of the Severan Dynasty in the East: Young Caracalla, about the Year 205, as Helios-Sol Matidia the Elder, a Pivotal Woman at the Height of Roman Imperial Power Greek Sculpture, Roman Sculpture and American Taste: The Mirror of Mount Auburn Neon Ilion and Ilium Novum: Kings, Soldiers, Citizens and Tourists at Classical Troy Greek and Roman Portraits and Near-Portraits in the Museum of Fine Arts, Boston The Heavenly Twins: Castor and Pollux, Marching toward the Middle Ages A Portrait of Germanicus Caesar Index.

This publication considers the visual, linguistic and religious culture of the Roman province of Lusitania. Roman influence was especially notable in religion and artistic manifestations. It was in the cities where the Lusitanians acquired Roman civilization: they learned Latin, the Frankish language of the peninsula; they were introduced to the Roman administration and religion; and in the third century, when Rome converted to Christianity, so did the Lusitanians. The Latin language was imposed as the official language, functioning as a binding factor and communication between different peoples. Being a fairly large area and lacking a unified state that promoted a particular language in administration or education, different languages coexisted simultaneously in Hispania. The subjects continued to use their native languages, although official business was conducted in Latin or Greek. Indigenous religions persisted, although sacrifices were offered everywhere for the emperor and the gods of the Roman pantheon. Visual culture also reflected the hybrid character of provincial civilization. Images of a Roman style and subject matter circulated widely, and yet the craftsmen and consumers of the provinces maintained their own traditions, adopting Roman techniques and tastes as they pleased. The papers in this volume establish a broad and generous view of the relationship between images, languages and religious culture within Lusitanian society.

Da Roma a Gades/De Roma a Gades is dedicated to the illustrious and beloved archaeologist Simon Keay. It collects the scientific results of the International Workshop held in Rome in September 2019, which discussed the management, elimination and reuse of artisanal and commercial waste in maritime and river ports. Two relevant archaeological finds in recent years (the 'Nuovo Mercato Testaccio' in Rome, focused on the recycling of rudera; and the 'Halieutic Testaccio' in Gades, dedicated to waste from the fish processing industry), both currently being opened as museums, have constituted the spur to revive the discussion on the fundamental importance of 'dumps' for historical reconstruction in Antiquity. A dozen contributions from Italian, Spanish and French colleagues analyze the role of urban waste in the city from multiple perspectives, although most prominently from an archaeological point of view. From the few public examples still known in the Roman world (Monte Testaccio and the new find in Cadiz, possibly managed by that municipium in Baetica) to the problem of selected and unselected waste. Through paradigmatic examples from the Western Mediterranean (from the Palatine or Trastevere in Rome to the unique cases of Augusta Emerita or Arles) the contributors reflect on the 'typology' of dumps and their importance for understanding the ways of life of past societies.

This volume is the first in a series of works detailing the archaeological investigations of the ager Rusellanus, in coastal southern Etruria, undertaken by the Alberese Archaeological Project. It focuses on the Roman temple and sanctuary dedicated to Diana Umbronensis, located at Scoglietto (Alberese - GR) on the ancient Tyrrhenian coast. In so doing it adds to the study of trade and settlement networks in ancient Italy, and provides new data on the character of Roman and late antique Etruria. The book discusses the changing aspect and character of the sanctuary over approximately eight centuries - from its foundation in the mid-2nd century BC and substantial refurbishment in the Antonine period, to its destruction in the 4th century AD and the varied use and reuse of the site through the following two centuries. It includes archaeological, historical and landscape studies, as well as detailed architectural and material culture studies for a composite interpretation of the site and its history.

This is the second volume of Catherine Perles's study of the chipped/flaked stone tools found at Franchthi Cave, the first of its kind in Greek archaeology, if not in the whole of southeastern European prehistory. In French."

It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, this book provides new insights into the functioning of the imperial image in Rome in the second century AD that move a difficult, much-discussed subject forward decisively. The new evidence presented here has made it necessary to adjust the established model; more flexibility is needed to describe the processes and practices behind the phenomenon of 'repeated' imperial portraits and how the imperial portrait worked in the mint of Rome and in the metropolitan marble workshops.

Hunde in der roemischen Antike: Rassen/Typen, Zucht, Haltung und Verwendung deals extensively with the living environment of the dog in Roman antiquity, based on literary and iconographic sources as well as archaeological and archaeozoological finds. The knowledge gained from this is documented by numerous images. Older research opinions, some of which have gone unchecked for more than a hundred years, are examined and-where necessary-corrected. For the first time, a catalogue of the more than eighty dog breeds/types documented from antiquity is presented with their names, origins, appearance and the special characteristics of these animals. The ancient theories of dog breeding are compared with modern practices. A catalogue of the previously known dog names has been revised with around sixty new names added. The book examines how dogs were housed, what accessories were used and how the animals were fed. It sheds light on illnesses, medical treatment and the care of elderly dogs. A catalogue of epitaphs and extant canine tombstones gives an insight into the emotional world of grieving animal owners. Dogs not only served as guards, shepherds, hunters and lap dogs but also had other important roles such as sacred animals in temples or as waste disposers for sanitation. But they were also used corporeally: their fur was tanned, and their body parts were needed for magical rituals. In short, dogs played an important role in many areas of life, such that everyday life in the Classical world could not be imagined without them.

Papyri nos 1351-1404. (Egypt Exploration Society, Graeco-Roman Memoirs 14, 1915)

The volume offers a mixture of literary texts (including a commentary on Anacreon) and other documents.

The indigenous persistence, texture, articulation, shape and functionality of the urban definition of the municipia in central Apulia demonstrate the nature of the complex history and settlement of this area in the long period between the age of Romanization and the third century AD. The comprehensive collection and examination of the material evidence make it possible to reconstruct - for the first time, in an organic manner and in a global framework - the profile of the urban space of 'Poediculorum oppida'. This has been carried out according to a dynamic perspective that reveals signs of restructuring and approval, of novelty and vibrancy, of strength and interaction, to make possible the reconsideration of that stubborn idea, prevalent until recently, of an ineluctable 'crisis', and to draw a picture of urban geography calibrated according to an intense and morphogenetic tension in terms of the assimilation of Roman culture and adaptation to local conditions. Italian description: Persistenza indigena, consistenza, articolazione, forma e funzionalita urbanistiche dei municipia della Puglia centrale consentono di leggere la complessa vicenda storica e insediativa di questo comparto nel lungo periodo esteso fra l'eta della romanizzazione e il III sec. d.C. La raccolta e disamina complessive del patrimonio documentario permettono cosi di ricostruire - per la prima volta, in maniera organica e in un disegno globale - il profilo dello spazio urbano dei 'Poediculorum oppida' secondo una prospettiva dinamica che lascia cogliere segni di ristrutturazione e di omologazione, di novita e di vivacita, di rottura e di interazione, per provare a riconsiderare quell'idea pervicace di ineluttabile 'crisi' tradita fino a tempi recenti e a tracciare un quadro poleografico calibrato su una intensa e morfogenetica tensione fra metabolismo e simbiosi.

From the Dead Sea Scrolls to the Terracotta Army, ancient artifacts have long fascinated the modern world. However, the importance of some discoveries is not always immediately understood. This was the case in 1901 when sponge divers retrieved a lump of corroded bronze from a shipwreck at the bottom of the Mediterranean Sea near the Greek island of Antikythera. Little did the divers know they had found the oldest known analog computer in the world, an astonishing device that once simulated the motions of the stars and planets as they were understood by ancient Greek astronomers. Its remains now consist of 82 fragments, many of them containing gears and plates engraved with Greek words, that scientists and scholars have pieced back together through painstaking inspection and deduction, aided by radiographic tools and surface imaging. More than a century after its discovery, many of the secrets locked in this mysterious device can now be revealed. In addition to chronicling the unlikely discovery of the Antikythera Mechanism, author Alexander Jones takes readers through a discussion of how the device worked, how and for what purpose it was created, and why it was on a ship that wrecked off the Greek coast around 60 BC. What the Mechanism has uncovered about Greco-Roman astronomy and scientific technology, and their place in Greek society, is truly amazing. The mechanical know-how that it embodied was more advanced than anything the Greeks were previously thought capable of, but the most recent research has revealed that its displays were designed so that an educated layman could understand the behavior of astronomical phenomena, and how intertwined they were with one's natural and social environment. It was at once a masterpiece of machinery as well as one of the first portable teaching devices. Written by a world-renowned expert on the Mechanism, A Portable Cosmos will fascinate all readers interested in ancient history, archaeology, and the history of science.

The Regina Turdulorum Hoard (Casas de Reina, Badajoz) was buried with 818 imitative antoniniani of Divo Claudio type, minted in copper. The vast majority of the coins bear the reverse legend CONSECRATIO. This figure makes the Regina Turdulorum hoard one of the most important in Spain and Portugal. In numismatic terms, the most common reverse type is the funeral pyre, as opposed to the eagle. In addition to this main group, there is a second group, where there are curious imitations that follow various prototypes for the manufacture of the reverse. The study of the posthumous coinage of Claudius II and his imitations represents one of the most complex tasks in ancient numismatics. The work is considerably complicated by the fact that they are highly copied coins, which means that regular issues are very difficult to distinguish from the imitations. In this sense, the hoard provides vital information for the western monetary circulation of the Roman Empire, contributing to the debate on Gallic and African imitations. It also opens the way to the hypothesis that Hispania may have been another centre for issuing Divo Claudio imitations. Although the latter remains to be proven, the tentative and open nature of this book provides the opportunity to open new lines of study in the hope that they will be resolved sooner rather than later.

In the Imperial Age, many ports in Italy had been built in opus coementicium. The most important ones were in Latium (eg. Portus Romae, Antium and Centumcellae), in the Phlegrean Fields (portus Iulius, Misenum, Puteoli and Baiae) and along the northern-Adriatic coast (Classis-Ravenna, Aquileia and Altino). The military fleets of Augustus, in particular, were quartered in the ports of Classis and Misenum. Most Roman ports were located at river mouths and/or in lagoon areas and were connected with inland areas by rivers or artificial canals. For this reason, port structures (piers and warehouses) were set at some distance from the sea, as in Rome (Emporium of Testaccio along the Tiber), in Pisa-San Rossore and in the Po valley. In Late Antiquity many of the Roman ports gradually fell into disuse while others continued until the 7th century. In Ravenna, however, a new port settlement, known as Civitas Classis, came into being in the 5th century, after the creation of the suburb of Portus Romae. In the Early Middle Ages, the northern-Adriatic coast became very important in connection with trade with Constantinople. New settlements equipped with timber port structures were created at Comacchio, Cittanova and in the Venetian lagoon. If maritime trade in the Tyrrhenian Sea decreased (although to a lesser extent in Byzantine towns like Naples), river-borne traade was still dynamic and often managed by abbeys and other ecclesiastical institutions. According to historical sources, many river wharves were located along the Po while San Vincenzo abbey managed the Volturno river. The Carolingian river wharves of San Vincenzo were composed of timber, stone and, according to the Roman tradition, concrete structures. A slow recovery of maritime trades is already evident in the Carolingian Age. This book analyses the Roman and early medieval ports of Italy and the building techniques used in their structures; it displays the elements of continuity and discontinuity revealed during these centuries.

Ancient Thasos was renowned for its wine, which was heavily exported in ceramic amphoras across the eastern Mediterranean and the Black Sea. Once a principal market in this trade, the Athenian Agora is now home to one of the largest collections of stamped amphora fragments from the island of Thasos, including 723 items dating from the beginning of the 4th to the late 2nd century B.C. This volume presents the Thasian amphora stamps of the Agora collection, contextualized in a broader discussion of their interpretation and chronology. The core contributions of the volume are an improved chronology of the officials mentioned on the stamps, based on a reassessment of archaeological evidence from the Agora and beyond, and an innovative study of the engravers who made the stamping dies. This volume also provides a critical review of the complex and still poorly understood system of control over ceramic production that underlies the stamping practice. A quantitative study based on 28,030 Thasian stamps highlights the major trends in the Thasian wine trade and offers insight into the role of Athens in this trade.

The eighteen articles collected in this volume are the results of the international workshop, "Teaching Morality in Antiquity: Wisdom Texts, Oral Traditions, and Images," held at the Bibliotheca Albertina of the University of Leipzig between November 29th and December 1st, 2016 with the financial support of the Deutsche Forschungsgemeinschaft. During the workshop, fruitful discussions on diverse issues related to the theme "wisdom texts and morality" developed regarding biblical wisdom texts and their parallels from the ancient Egypt, ancient Mesopotamia, and the ancient Levant - more specifically: moral messages and rhetoric in wisdom texts; the dissemination of wisdom teachings; teachings about the divine realm as the core of moral principles or human social order; visualization of divine authority; questions of theodicy; and modern analyses of ancient morality through the eyes of cognitive science.