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Arts & Crafts > Fine Art Supplies > Printmaking > Lino and Block Printing > Colouring
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
Speedball Supergraphic Black Ink is the flagship colour in the
Speedball Professional Relief Ink range. Developed in consultation
with the printmaker and tutor Bill Fick, this is a rich, velvety
black which holds detail well and will not clog up a block halfway
through an edition. Like all colours in the range, this ink is a
lightfast and fully archival oil-based printmaking ink which can be
washed up with just soap and water.Speedball Professional Relief
Inks are designed for all types of relief printing, especially
linocut and woodcut. Because this ink can be thinned with water, it
is preferable to print onto dry paper.This is an 8oz (236.5ml) tin
of Supergraphic Black (PBK7, Speedball Lightfastness rating I). It
is suitable for mixing with any of the Speedball Professional
Relief Ink colours. To increase the transparency of this ink, add
Speedball Professional Relief Transparent Base. The ink can be
stiffened with talc or magnesium carbonate, and thinned with water.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers – this means a longer working time.
The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Pigment info: PV19Series 44oz (118ml) squeeze bottleAkua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.
Speedball Professional Relief Inks are lightfast and archival
oil-based printmaking inks which can be washed up with just soap
and water. These inks are designed for all types of relief
printing, especially linocut and woodcut.This is an 8oz (236.5ml)
tin of the Transparent Base. It is suitable for mixing with any of
the Speedball Professional Relief Ink colours, or any mixture of
colours, to increase the transparency of the ink.Speedball
Professional Relief Inks can be stiffened with talc or magnesium
carbonate, and thinned with water. Because the ink can be thinned
with water, it is preferable to print onto dry paper.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Heavy Body Artist Acrylic Paint, previously referred to as High
Viscosity, has a thick consistency for traditional art techniques using
brushes or knives, as well as for experimental, mixed media, collage
and printmaking applications. Impasto applications retain crisp brush
stroke and knife marks. Good surface drag provides excellent handling
and blending characteristics with increased open-working time. High
pigment load produces rich, brilliant, permanent colour.
Liquid Extender is used to thin Akua Liquid Pigment if it has become too thick - for instance, it will re-constitute “air thickened” ink. Can be used with Akua Liquid Pigment but not with Akua Intaglio Ink. It - has a thick consistency and is transparent in colour. - Adding water to Akua Liquid Pigment Inks is not advisable as water will cause ink to dry on the monotype plate and prevent it from releasing onto dry paper. Use the Extender directly with the colours on the palette that have become too thick. It can also be added to Akua Liquid Pigment to dilute it and create more transparency without having an effect on the consistency.
The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).
All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.
The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.
Speedball’s Fabric Block Printing Inks are an oil-based range of
bold, permanent colours designed to be with washed up with soap and
water. They are an opaque ink with excellent coverage and by adding
Speedball’s Fabric Block Printing Transparent Extender you can
create transparent colours while maintain the inks viscosity.These
inks are designed to print onto smooth fabrics that do not possess
a heavy texture or stretch such as cotton, linen, broadcloth or
denim. Nylon and canvas are not recommended. Your printing block
can be lino, wood or any similar surface and soft rubber rollers or
brayers are ideally suited for inking the block.Speedball’s
Fabric Block Printing Inks will dry to the touch overnight
depending on your climate and they do not require any setting with
heat. It is recommended you wait 4-7 days before washing your
fabrics after printing.
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