Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

Akua Intaglio Ink was originally formulated for intaglio printmaking, however this ink can also be applied with a brayer for relief printmaking, monotype, and collagraphs; and it will print from any plastic, wood, linoleum or metal plate. It is a soy based ink which is made with high quality lightfast pigments. The inks have a thick consistency with minimal water content and contain no toxic driers - this means a longer working time. The ink cleans up easily with a dry rag followed by soap and water. Inexpensive liquid dish detergent can be used. Never use toxic solvents. Prints can be re-soaked immediately after printing if handled carefully. Once the print is dry, Akua Intaglio is permanent. Ink will never skin or harden in the jar or the ink slab, meaning minimal ink is wasted. Wiping the plate with Akua Intaglio is easier than wiping oil-based ink, meaning you need to spend less time cleaning up.

When mixed with Akua Intaglio, Akua Ink Stiffener adds depth to and stiffens the ink. - Use for relief and intaglio plates that require a stiffer ink as well as letterpress and viscosity printing. It is clear/white in colour with a very stiff consistency. Cleans up with liquid dish detergent. Not suitable for use with Akua Liquid Pigment. Before mixing with colour, work the Mag Mix with a knife until smooth, then add the Intaglio ink into the Mag Mix. Start off with small amounts until the desired thickness is achieved.

Speedball Professional Relief Inks are lightfast and archival oil-based printmaking inks which can be washed up with just soap and water. These inks are designed for all types of relief printing, especially linocut and woodcut.This is an 8oz (236.5ml) tin of Phthalo Blue / Process Cyan (PB15:3, Speedball Lightfastness rating I). It is suitable for mixing with any of the Speedball Professional Relief Ink colours. To increase the transparency of this ink, add Speedball Professional Relief Transparent Base. The ink can be stiffened with talc or magnesium carbonate, and thinned with water. Because the ink can be thinned with water, it is preferable to print onto dry paper.

Pigment info: PV19Series 44oz (118ml) squeeze bottleAkua Liquid Pigment was originally developed for monotype printmaking, but it can also used for other techniques such as Japanese woodcut and painting on paper. The Liquid Pigment contains no chalk, fillers dryers or polymers and the addition of honey give the colours a brilliant, vibrant appearance that dry with a luminous finish. It has a slow drying formula which will allow for an extended working time to create images on a monotype plate. It is thick in consistency which is perfect for both additive and reductive monotype techniques. It can be mixed into Akua Intaglio Inks or the Transparent Base to create new colours, it can also be printed on top or beneath Akua Intaglio inks for multi-plate overlays. All colours are lightfast. The Liquid Pigment is rolled directly onto the plate rather than transferring the ink from a separate slab, saving time and money. The pigment can easily be modified to adjust the sheen, thickness and transparency. It prints beautifully on dry paper as it stays wet on the plate, eliminating the need for prior soaking, blotting, flattening and drying. Where the paper will not stretch or shrink, this means that your print will be registered perfectly. The pigment cleans up easily with just water and a rag. As there are no suspension agents added, pigment can settle at the bottom of the bottle. There is a mixing ball enclosed in the squeeze bottle to allow you to easily mix the pigment.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Essdee premium block printing ink is a high quality water-based ink made with specialist ingredients for smooth, vibrant prints. This non-permanent ink has enhanced tack and excellent transfer properties, with a perfectly balanced working and drying time making it easy to use and clean up. Designed for use with Essdee Linoleum, SoftCut, MasterCut, and Printfoam, but can also be used with many other printmaking materials and techniques. Essdee premium block printing ink prints well onto all grades of paper and card, and can be intermixed to create a full palette of colours, tints, tones, and shades.

All Essdee inks are water-based so rollers and ink trays can be easily cleaned using warm water. You may also wish to use a small amount of washing-up detergent.

The water-based, high-quality aqua-Linoprint colours contain natural binders such as gum Arabic as well as organic/inorganic pigments. They are easy to apply due to optimum open-times and result in even, sharp prints with fast drying times (wipe-resistant after approx. 15 minutes).

All colours offer maximum light fastness (4 and 5 stars) and an excellent intensity (especially black). The formulation for the colours in tubes and jars is the same. Due to its fluid consistency all aqua-Linoprint colours can easily be applied to different surfaces such as paper, felt, cardboard and suitable also for wood engraving and printing with various materials.

The smooth colours are of pleasant odour and can be overprinted with other colours. They are intermixable, ready to use and can be diluted with water.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Speedball’s Fabric Block Printing Inks are an oil-based range of bold, permanent colours designed to be with washed up with soap and water. They are an opaque ink with excellent coverage and by adding Speedball’s Fabric Block Printing Transparent Extender you can create transparent colours while maintain the inks viscosity.These inks are designed to print onto smooth fabrics that do not possess a heavy texture or stretch such as cotton, linen, broadcloth or denim. Nylon and canvas are not recommended. Your printing block can be lino, wood or any similar surface and soft rubber rollers or brayers are ideally suited for inking the block.Speedball’s Fabric Block Printing Inks will dry to the touch overnight depending on your climate and they do not require any setting with heat. It is recommended you wait 4-7 days before washing your fabrics after printing.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

This innovative range of oil-based inks can be washed away with liquid soap and water, without the need for harmful and often more expensive solvents. Ideal for printmakers interested in a safe and non-toxic alternative. Caligo 'safe wash' inks are available for both relief and intaglio printing. Contains a small percentage of driers (less than 1%).Caligo Safe Wash Relief Inks are suitable for all types of relief printing, for example, linocut, woodcut, wood engraving, photopolymer and letterpress. Safe Wash Inks are oil-based, this means you can still use many of the modifiers used with traditional inks. For example you can use Magnesium Carbonate / Talc, Cobalt / Manganese Driers, or Caligo Wiping Compound / Tack Reducer etc. We also stock Caligo Safe Wash Oil - a washable oil that you can add to any ink from the Safe Wash range when you need to thin your ink a little.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Cranfield Traditional Relief Ink is formulated from a careful mix of traditional linseed oils and vibrant lightfast pigments. As well as being highly pigmented, the formulation provides a viscosity and structure to the ink, along with the unique linseed smell. This keeps the relief print as fresh and bright as the day it was created. All the inks are rated 6 or higher on the International Blue Wool Scale. The range benefits from lovely metalic silver and gold as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent. The range benefits from lovely metalic silver and gold, as well as a transparent base. They can be used on all types of relief plate and can be cleaned up with vegetable oil before a final wipe with a low odour or plant based solvent.

Essdee premium block printing ink is a high quality water-based ink made with specialist ingredients for smooth, vibrant prints. This non-permanent ink has enhanced tack and excellent transfer properties, with a perfectly balanced working and drying time making it easy to use and clean up. Designed for use with Essdee Linoleum, SoftCut, MasterCut, and Printfoam, but can also be used with many other printmaking materials and techniques. Essdee premium block printing ink prints well onto all grades of paper and card, and can be intermixed to create a full palette of colours, tints, tones, and shades.

All Essdee inks are water-based so rollers and ink trays can be easily cleaned using warm water. You may also wish to use a small amount of washing-up detergent.