This volume presents a collection of essays by leading Gluck scholars which highlight the best of recent and classic contributions to Gluck scholarship, many of which are now difficult to access. Tracing Gluck's life, career and legacy, the essays offer a variety of approaches to the major issues and controversies surrounding the composer and his works and range from the degree to which reform elements are apparent in his early operas to his contribution to changing perceptions of Hellenism. The introduction identifies the major topics investigated and highlights the innovatory nature of many of the approaches, particularly those which address perceptions of the composer in the nineteenth and twentieth centuries. This volume, which focuses on one of the most fascinating and influential composers of his era, provides an indispensable resource for academics, scholars and libraries.

From 1958 to 1963, Neil Sedaka sold 25 million records - more than anyone except Elvis Presley. He thought he could do no wrong, but a year later he was all but off the charts, swept away by The Beatles and the British Invasion - a blow he never saw coming. The deejays stopped playing his records, and the public stopped buying them. For 12 agonizing years, Sedaka battled to get back on the charts-back to respectability. He tried everything: working with hip, young songwriters, playing on demo sessions, and even enduring the rough and tumble of working men's clubs in remote corners in the UK. Then, one magical night, he performed at the Royal Albert Hall in London. His new songs, including 'Solitaire,' were greeted with thunderous applause. Shortly thereafter, Elton John, the biggest rock'n'roll star of the decade, stopped by to see him and offered to sign Neil to his new label, Rocket Records. And that was it. In October 1974, 'Laughter In The Rain' showed up at number 95 on Billboard-Sedaka's first appearance on the charts in over a decade. Sixteen weeks later it reached number one, sealing one of the most amazing comebacks in music history. This vivid and authoritative book, written with full access to Sedaka and those closest to him, tells the absorbing story of how he overcame one obstacle after another to become the ultimate rock'n'roll survivor.

This concise edition includes 12 pieces selected by editor Lynn Freeman Olson, based on their frequent use with pre-college students. To impart Debussy's compositional intentions to the performer, the editor has kept editorial suggestions to a minimum. However, a glossary of selected French terms provides insight into the vivid nature of these expressive pieces.

Completely revised and updated from recently discovered archive material, Lewis Foreman's classic biography is the essential handbook to Bax and his contemporaries. Lewis Foreman's classic biography of the composer Arnold Bax (1883-1953) was first published in 1983. Documenting the life and times of a remarkable figure whose life touched a wide circle in England and Ireland, it was notable for having many of Bax's friends and contemporaries as sources, most of whom have since died. It also informed the remarkable revival of Bax's music and reputation which has taken place over the last twenty years. Now completely revised in the light of much new material including the huge archive of the pianist Harriet Cohen, Bax's mistress, which has only just become available for research, it is a notable portrait of a unique musical milieu. Bax's extensive musical output is now comprehensively recorded and widely known and here all the music is discussed from first hand acquaintance with all the revivals and recordings. This is the essential handbook to Bax and his period. LEWIS FOREMAN is a freelance author and advisor to record companies.

In an intentionally light-hearted style, Fritz Spiegl has researched the lives and loves of the great composers through the ages. In an alphabetically arranged panorama of biographical portraits, he humorously uncovers hitherto unknown aspects of the composers' personalities that are, at best, discreetly ignored by serious musical analysts or, at worst, have never made the history books at all. He also includes some of the female composers, such as Augusta Holmes and Maria Szymanowska, who are only just becoming appreciated for their contributions to music. Fritz Spiegl's treatment and disclosures, however, are not just idle gossip. His concise use of biographical details gives a clear picture of each composer's musical career, revealing how his emotional life came to influence his music and, in some cases, vice versa. This volume alo features a special section which contains Spiegl's extensive researches into some of the pets of the great composers.

The definitive account of Whitney Houston's astonishing life, ground-breaking career and tragic death - complete with never-before-seen photographs - from the only one who truly knows the story behind the headlines: her mother, Cissy Houston. Cissy has said little publicly about Whitney's heart-breaking death. Now, for the first time, she opens up and shares the unbelievable story of her daughter's life, as well as her own, and addresses Whitney's brightest and darkest moments. A legendary Grammy Award-winning gospel singer in her own right, Cissy Houston shows how the lessons from her own musical journey helped to shape Whitney's career - from teaching Whitney to use her voice, to keeping her level-headed throughout her meteoric rise to fame. With candour and respect, she sets the record straight about Whitney, exploring both her turbulent marriage and her misunderstood struggles with drug abuse. Cissy goes behind the tabloid headlines to show fans around the world the true, human side of a strong, successful - yet flawed - musical icon who died much too young. Includes a Foreword by Dionne Warwick.

When the world's greatest pop band played their final public concert, in January 1969, there were no tickets or posters printed. When John Lennon, Paul McCartney, George Harrison, and Ringo Starr emerged at lunchtime from the headquarters of their own company, Apple, five storeys above London's Savile Row, only a select group of people knew what the hell was happening.The rooftop concert was one of the Beatles' most spontaneous acts. Beatles on the Roof studies the rooftop concert in penetrating detail, uncovering new truths and debunking old myths about the event. Nobody knew it yet - not even the band - but this was the last time they would play live to the public.

Frank Bello, bassist with the legendary New York thrash metal band Anthrax since 1984, has sold over ten million albums, travelled the globe more times than he cares to count, and enthralled audiences from the world's biggest stages. His long-awaited memoir would be a gripping read even if its pages only contained stories about his life as a recording and touring musician. While those stories are indeed included-and will blow your mind-Bello also focuses on deeper subjects in Fathers, Brothers, and Sons. Once you've heard his life story, you'll understand why. Born into a family of five, Frank grew up in difficult circumstances. His father abandoned his wife and children, and Frank's mother moved heaven and earth to keep them fed and educated. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens-first as a roadie, and then as the group's bass player. International stardom came Frank's way by the mid-to-late 1980s, when he was still in his early twenties, but tragedy struck in 1996 when his brother Anthony was murdered in New York. Although the case went to trial, the suspected killer was released without charge after a witness, intimidated by violent elements, withdrew his testimony. Two decades later, Frank is a father himself to a young son. Like many men who grew up without the guidance of a dad, he asks himself important questions about the meaning of fatherhood and how to do the job well. This is the wisdom which Fathers, Brothers, and Sons offers readers. Despite the emotive nature of these topics, Fathers, Brothers, and Sons is a funny, entertaining read. A man with a keen sense of humor and the perspective to know how surreal his story has been, Frank doesn't preach or seek sympathy in his book. Instead, he simply passes on the wisdom gained from a lifetime of turbulence, paying tribute to his loved ones in a way that will resonate with us all.

The story of Wolfgang Amadeus Mozart's precocity is so familiar as to be taken for granted. In scholarship and popular culture, Mozart the Wunderkind is often seen as belonging to a category of childhood all by himself. But treating the young composer as an anomaly risks minimizing his impact. In this book, Adeline Mueller examines how Mozart shaped the social and cultural reevaluation of childhood during the Austrian Enlightenment. Whether in a juvenile sonata printed with his age on the title page, a concerto for a father and daughter, a lullaby, a musical dice game, or a mass for the consecration of an orphanage church, Mozart's music and persona transformed attitudes toward children's agency, intellectual capacity, relationships with family and friends, political and economic value, work, school, and leisure time. Thousands of children across the Habsburg Monarchy were affected by the Salzburg prodigy and the idea he embodied: that childhood itself could be packaged, consumed, deployed, "performed"-in short, mediated-through music. This book builds upon a new understanding of the history of childhood as dynamic and reciprocal, rather than a mere projection or fantasy-as something mediated not just through texts, images, and objects but also through actions. Drawing on a range of evidence, from children's periodicals to Habsburg court edicts and spurious Mozart prints, Mueller shows that while we need the history of childhood to help us understand Mozart, we also need Mozart to help us understand the history of childhood.

After their initial inception as a schoolboy band named The Scorpions in 1962, and following a number of band name and personnel changes, Status Quo eventually hit the charts in 1968 with the massive hit single `Pictures of Matchstick Men'. However, it wasn't until they ditched their psychedelic duds and took on the denim, accompanied by a radical gear-shift from teenage-friendly pop to out-and-out electric boogie that they came into their own, defining the rock music genre for many throughout the 1970s. A raft of hugely successful albums followed that are still held in awe by an army of loyal fans; the release of `Piledriver' in 1972 heralded a purple patch in which twelve consecutive long-players charted in the UK top 10. The classic `Frantic Four' lineup of Rossi, Parfitt, Lancaster and Coghlan started to disintegrate in 1981 and eventually imploded after Live Aid in 1985. Although Quo have gone on to post over sixty UK chart hits in no less than six separate decades, this publication focuses on those days of glory, song by song from their earliest recordings until the demise of the classic line-up.

In 1969, five young Englishmen calling themselves King Crimson altered the course of rock music. With guitar virtuoso Robert Fripp at the helm, the progressive rock band flouted the conventions of rock 'n' roll while battling music business practices. For nearly five decades, King Crimson has continued to innovate and influence the music world, spawning many groundbreaking collaborations and inspiring other acclaimed bands, from Genesis and Yes to Nirvana and Radiohead. Fifty Shades of Crimson tells the stories of this unique group and its leader, Robert Fripp, over the course of five remarkable decades. Tracing the arc of King Crimson's history-beginning with its initial rise to fame after supporting the Rolling Stones at Hyde Park and the release of its album In the Court of the Crimson King in 1969-this book chronicles how King Crimson became one of the most influential bands of its era. It also highlights Fripp's many collaborations (with Brian Eno, Andy Summers, and many others) and the bands that King Crimson members went on to form, including Emerson, Lake & Palmer, Foreigner, UK, and Asia. Cycling through countless members, and rejecting Elton John and Bryan Ferry along the way, King Crimson has released many highly acclaimed albums and maintained a large global following. There are numerous spurious claims about bands changing the course of music, but Fripp and the members of King Crimson have done so several times over! Now, in Fifty Shades of Crimson, fans can get the behind-the-scene details of rock history in the making.

For more than fifty years, Rolling Stone magazine has been the defining voice in musical journalism. Alongside its timeless cover images and groundbreaking criticism, the magazine s illustrations have given popular culture a new iconography. Drawing on five decades of the magazine s archives and with a focus on more contemporary artists and issues, this stunning book collects more than 200 of the most iconic illustrations to have graced its pages from portraits of major cultural figures (from Bob Dylan to Barack Obama, Oprah to Madonna) to depictions of key moments in recent history (from Woodstock to Trump s election). Some of the greatest names in art and design have defined the magazine s illustrated lexicon, from modern heroes like Milton Glaser and Ralph Steadman to subversive contemporary artists such as Christoph Niemann and Mark Ryden. Organized creatively by thematic connection juxtaposing a legend of one world alongside another and collecting portfolios on specific subjects and with anecdotes from some of the artists and subjects alongside the images themselves, the book presents a whimsical illustrated history of contemporary culture filtered through the Rolling Stone lens.

Bob Dylan: All the Songs focuses on Dylan's creative process and his organic, unencumbered style of recording. It is the only book to tell the stories, many unfamiliar even to his most fervent fans, behind the more than 500 songs he has released over the span of his career. Organized chronologically by album, and updated to include all of his most recent work including the 2020 release of his 39th album, Rough and Rowdy Ways, Margotin and Guesdon detail the origins of his melodies and lyrics, his process in the recording studio, the instruments he used, and the contribution of a myriad of musicians and producers to his canon.

Comics biggest talents come together to form an exciting all woman team of creators and bring you stories to celebrate the 40th anniversary of Joan Jett's seminal albums! "BAD REPUTATION and I LOVE ROCK 'n' ROLL hit audiences like an atom bomb, defining a sound that became a soundtrack that would span generations. Now, in celebration of the 40th anniversary of these seminal albums, an unparalleled team of women creators bring these songs to life as 20 stories."

Dave van ronk (1936-2002) was not only one of the founding figures of the 1960s folk music revival he was a pioneer of modern acoustic blues, a fine songwriter and arranger, a powerful singer, and one of the most influential guitarists of his era. He was also a marvellous storyteller, a peerless musical historian, and one of the most quotable figures in The Village. The Mayor of MacDougal Street is a unique firsthand account of the sixties folk scene that includes encounters with young stars-to-be like Bob Dylan and Joni Mitchell and older luminaries like Woody Guthrie and Odetta. colourful, hilarious, and engaging, The Mayor of MacDougal Street will appeal not only to folk and blues fans but also to anyone interested in the music, politics, and spirit of a revolutionary period in American culture.

Reissued for the 40th Anniversary of the Oscar-winning, Sissy Spacek-starring film of the same name, COAL MINER'S DAUGHTER recounts Loretta Lynn's astonishing journey to become one of the original queens of country music. Loretta grew up dirt poor in the mountains of Kentucky, she was married at fifteen years old, and became a mother soon after. At the age of twenty-four, her husband, Doo, gave her a guitar as an anniversary present. Soon, she began penning songs and singing in front of honky-tonk audiences, and, through years of hard work, talent, and true grit, eventually made her way to Nashville, the Grand Ole Opry, eventually securing her place in country music history. Loretta's prolific and influential songwriting made her the first woman to receive a gold record in country music, and got her named the first female Entertainer of the Year by the Country Music Association. This riveting memoir introduces readers to all the highs and lows on her road to success and the tough, smart, funny, and fascinating woman behind the legend.

The first full-length study devoted to Ignaz Moscheles (1794-1870), pianist, conductor and composer. This book, the first full-length study devoted to Ignaz Moscheles (1794-1870), explores how the son of middle-class Jewish parents in Prague became one of the most important musicians of his era, achieving recognition and world-wide admiration as a virtuoso pianist, conductor and composer, a sought-after piano teacher, and a pioneer in the historical performance of early music. Placing Moscheles' career within the context of the social, political and economic milieu in which he lived, the book offers new insights into the business of music and music making; the lives and works of his contemporaries, such as Schumann, Meyerbeer, Chopin, Hummel, Rossini, Liszt, Berlioz and others; the transformation of piano playing from the classical to romantic periods; and the challenges faced by Jewish artists during a dynamic period in European history. A section devoted to Moscheles' engagement as both a performer and editor with the music of J. S. Bach and Handel enhances our understanding of nineteenth-century approaches to early music, and the separate chapters that detail Moscheles' interactions with Beethoven and his extraordinarily close relationship with Mendelssohn adds considerably to the existing literature on these two masters. MARK KROLL has earned worldwide recognition as a harpsichordist, scholar and educator during a career spanning more than forty years. Professor emeritus at Boston University, Kroll has published scholarly editions of the music of Hummel, Geminiani, Charles Avison and Francesco Scarlatti, and is the author of Johann Nepomuk Hummel: A Musician's Lifeand World; Playing the Harpsichord Expressively; and The Beethoven Violin Sonatas.

The Politics of Verdi's Cantica treats a singular case study of the use of music to resist oppression, combat evil, and fight injustice. Cantica, better known as Inno delle nazioni / Hymn of the Nations, commissioned from Italy's foremost composer to represent the newly independent nation at the 1862 London International Exhibition, served as a national voice of pride and of protest for Italy across two centuries and in two very different political situations. The book unpacks, for the first time, the full history of Verdi's composition from its creation, performance, and publication in the 1860s through its appropriation as purposeful social and political commentary and its perception by American broadcast media as a 'weapon of art' in the mid twentieth century. Based on largely untapped primary archival and other documentary sources, journalistic writings, and radio and film scripts, the project discusses the changing meanings of the composition over time. It not only unravels the complex history of the work in the nineteenth century, of greater significance it offers the first fully documented study of the performances, radio broadcast, and filming of the work by the renowned Italian conductor Arturo Toscanini during World War II. In presenting new evidence about ways in which Verdi's music was appropriated by expatriate Italians and the US government for cross-cultural propaganda in America and Italy, it addresses the intertwining of Italian and American culture with regard to art, politics, and history; and investigates the ways in which the press and broadcast media helped construct a musical weapon that traversed ethnic, aesthetic, and temporal boundaries to make a strong political statement.

With a foreword by MARK KNOPFLER 'An uplifting journey through the sheer hard work, pitfalls and thrills of navigating a great rock band to the pinnacle of success. I so enjoyed the ride!' ROGER TAYLOR __________ Dire Straits filled giant stadiums around the world and sold hundreds of millions of records. Throughout the eighties they were one of the biggest bands on the planet. Their classic songs - 'Sultans of Swing', 'Romeo and Juliet', 'Money for Nothing', 'Brothers In Arms' - formed the soundtrack of a generation and live on today: still racking up sales, still being played on the radio on every continent. In My Life in Dire Straits, John Illsley - founding member, bassist and mainstay - evokes the spirit of the times and tells the story of one of the great live acts of rock history. Starting with his own unlikely beginnings in Middle England, he recounts the band's rise from humble origins in London's spit-and-sawdust pubs to the best-known venues in the world, the working man's clubs to Madison Square Garden, gigging with wild punk bands to the Live Aid stage at Wembley. Until, ultimately, the shattering demands of touring on a global scale and living life in the spotlight took their inevitable toll. John's story is also a tribute to his great friend Mark Knopfler, the band's lead singer, songwriter and gifted guitarist - the only band members to stay the fifteen-year distance. Told with searching honesty, soulful reflection and wry humour, this is the first and only account of that incredible story.

The role of affect in how people think and behave in social situations has been a source of fascination to laymen and philosophers since time immemorial. Surprisingly, most of what we know about the role of feelings in social thinking and behavior has been discovered only during the last two decades. Affect in Social Thinking and Behavior reviews and integrates the most recent research and theories on this exciting topic, and features original contributions reviewing key areas of affect research from leading researchers active in the area. The book covers fundamental issues, such as the nature and relationship between affect and cognition, as well as chapters that deal with the cognitive antecedents of emotion, and the consequences of affect for social cognition and behavior. This volume offers a highly integrated and comprehensive coverage of this field, and is suitable as a core textbook in advanced courses dealing with the role of affect in social cognition and behavior.

Schubert wrote approximately 650 songs, based on poems by some 110 authors. Goethe led this formidable list, but after Goethe, came Johann Mayrhofer, now a totally forgotten poet. Schubert set 47 songs and two operas to Mayrhofer's writings. Here, each song and the two operas are discussed within musical and literary perspectives. Background information and technical vocabulary have been kept at a minimum but new translations of the Lieder are included.

This volume gathers together twelve essays on the composer's music, reflecting the author's interests in aesthetic and psychological issues, the sacred works, methods of structural analysis, and the problems of making critical editions. The opera Orfeo and two madrigals from Monteverdi's Book Eight are the subject of aesthetic and psychological investigation, especially from the perspective of Michel Foucault's The Order of Things and the psychology of C.J. Jung, all supported by musical analysis. Two essays analyze in detail the structural principles of the psalms Laetatus sum from the 1610 Vespers and the first Dixit Dominus from the Sevla Morale e spirituale of 1641. Two others re-examine the story of Monteverdi's Mass of Thanksgiving and consider the question of what sacred music Monteverdi actually or likely wrote but is now lost. The final essay critiques and compares the methodology and problems of the Malipiero and Cremona editions of Monteverdi's Opera Omnia. All but one of these essays were originally published over a time span of twenty years in journals, conference reports, Festschriften, and as book chapters. The majority of them were not widely distributed or readily available until now. The essay on the Malipiero and Cremona editions appears here for the first time.

"It amazes me that after all these years and countless books, the scope of subject matter on The Beatles is so amazingly large that writers always find a new angle. This book does that in a very unique and clever way. It's a must for every Beatles fan." -Billy J. Kramer "...It's a magical mystery tour through the band's life and times." -Yahoo Entertainment The It-List "Part biography and part map to the stars, The Beatles: Fab Four Cities is your "Ticket to Ride" and walk in the footsteps of John, Paul, George and Ringo. It's the next best thing to actually driving their car..."-Nina Violi, Capitol File. and Gotham magazine "While the book can be used as a handy tour guide filled with addresses, maps and photos, it also makes for great reading." -Steve Matteo, The Vinyl District "But now comes a "magic carpet volume" for Beatles fans that blends travel guide with historical reference in an expanded study of The Beatles' homes, schools, pubs, venues, and important historic sites..." -Jude Southerland Kessler, Culture Sonar John Lennon said: "We were born in Liverpool, but we grew up in Hamburg." To paraphrase Lennon, we could say that: "The Beatles were born in Liverpool, grew up in Hamburg, reached maturity in London, and immortality in New York." Four cities. Four stars. The Fab Four - the Beatles - are revered the world over, but it is in these urban centres that their legacy shines brightest. Liverpool: where the band graduated from church halls, leaving their initial line-up as 'The Quarrymen' far behind. Hamburg: where their raucous stage act was honed; where arrests earned them a more notorious celebrity reputation, but they became a true emblem of rock 'n' roll. London: where The Beatles produced Sgt Pepper, and home to the iconic album cover for Abbey Road. And New York: the city that became John Lennon's home, where their appearance on the Ed Sullivan Show announced them to 73 million Americans. The Beatles: Fab Four Cities invites the reader on a cosmopolitan trek across continents, tracing the Beatles' rise to fame from one metropolis to the next. Flush with timelines, stories, trivia, the numerous links and connections between the cities and both pop cultural and local history, this is a travel guide like no other.