The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

Erik Satie (1866-1925) was a quirky, innovative and enigmatic composer whose impact has spread far beyond the musical world. As an artist active in several spheres - from cabaret to religion, from calligraphy to poetry and playwriting - and collaborator with some of the leading avant-garde figures of the day, including Cocteau, Picasso, Diaghilev and Rene Clair, he was one of few genuinely cross-disciplinary composers. His artistic activity, during a tumultuous time in the Parisian art world, situates him in an especially exciting period, and his friendships with Debussy, Stravinsky and others place him at the centre of French musical life. He was a unique figure whose art is immediately recognisable, whatever the medium he employed. Erik Satie: Music, Art and Literature explores many aspects of Satie's creativity to give a full picture of this most multifaceted of composers. The focus is on Satie's philosophy and psychology revealed through his music; Satie's interest in and participation in artistic media other than music, and Satie's collaborations with other artists. This book is therefore essential reading for anyone interested in the French musical and cultural scene of the late nineteenth and early twentieth century.

Kaikhosru Shapurji Sorabji (1892-1988) was an unusual legend in his own lifetime: a Parsi composer and critic living in England whose compositions are of such length and difficulty that he felt compelled to ban public performances of them. This book, the first devoted to Sorabji, explores his life and character, his music, his articles and letters. It both presents the legend accurately and dispels its exaggerated aspects. The portrait which emerges is not of a crank or eccentric but of a highly original and accomplished musical thinker whom recent performances and recordings confirm as unique and important. Most of the contributors knew Sorabji personally. They have all written about or performed his music, gaining international recognition for their work. Generous quotation of Sorabji's published and unpublished music and prose assists in bringing him and his work strikingly to life. The book also contains the most complete and accurate register of his work ever published.

Deodat de Severac (1872-1921) is best known for his piano music but his compositions included orchestral and vocal works, including opera, cantata and incidental music. Claude Debussy described Severac's music as "exquisite and rich with ideas." The early works were influenced by Impressionist harmonies, church modes, cyclic techniques, folk-like melodies and Andalusian motives. Severac's style changed dramatically in 1907 when he left Paris and began to include Catalan elements in his compositions - a transition that has hitherto gone unrecognized. Robert Waters provides a much-needed study of the life and works of Severac, focusing on the composer's regionalist philosophy. Severac's engagement with folk music was not a patriotic gesture in the vein of nationalistic composers, but a way of expressing regional identity within France to counter the restrictive styles sanctioned by the Paris Conservatory. His musical philosophy mirrored larger social and political debates regarding anti-centralist positions on education, politics, art and culture in fin de siecle France. Such debates involved political and social leaders whom Severac knew and personally admired, including the writer Maurice Barres and the poet Frederic Mistral. The book will appeal to those specializing in French music, European ethnic musics, piano music and French music history.

An insightful biography of one of the world's greatest musicians, Bob Dylan, by bestselling author Paul Morley. As one of the world's greatest musicians, Bob Dylan has enriched the American song tradition for over 50 years. With a talent that has been proven in the worlds of music, radio, art and poetry, Dylan is a man of many personas. From defying pop music conventions with protest songs such as "The Times They Are a-Changin'" to releasing three of the most influential rock albums of the 60s, he has not only extended the parameters of music genres but has also showed us the fluidity his craft. To mark Bob Dylan's 80th birthday and 60 illustrious years in the arts, this insightful biography by bestselling author Paul Morley will explore the many voices of the folk icon.

Johann Joseph Fux's reputation as a theorist and the long-term influence of his theoretical and pedagogical work have ensured that his name is widely known in music circles in the West. His pre-eminence as the foremost native-born composer of the Austrian Baroque has resulted in attention being focused on his work as an exemplum of virtually every genre, sacred or secular of Austro-Italian early eighteenth-century music. The publication of the Fux Gesamtausgabe has greatly enhanced the reputation of his music and the essays in this volume will develop our understanding of Fux, his music, and his place in musical history.

These never-before-published poems by Johnny Cash make the perfect gifts for music lovers and fans alike. Edited and introduced by Pulitzer Prize-winning poet Paul Muldoon with a foreword by John Carter Cash, this poetry collection is illustrated with facsimile reproductions of Cash's own handwritten pages. Now an album with music by Rosanne Cash, Brad Paisley, Willie Nelson, Kacey Musgraves, Elvis Costello, and more. Since his first recordings in 1955, Johnny Cash has been an icon in the music world. In this collection of poems and song lyrics that have never been published before, we see the world through his eyes and view his reflection on his own interior reality, his frailties and his strengths alike. In his hallmark voice, he pens verses about love, pain, freedom, and mortality, and expresses insights on culture, his family, his fame, even Christmas. Forever Words confirms Johnny Cash as a brilliant and singular American literary figure. His music is a part of our collective history, and here the depth of his artistry and talent become even more evident.

This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional.

First published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.

This volume of essays brings together a selection of the most significant and representative writings on Mendelssohn from the last fifty years. Divided into four main subject areas, it makes available twenty-two essays which have transformed scholarly awareness of this crucial and ever-popular nineteenth-century composer and musician; it also includes a specially commissioned introductory chapter which offers a critical overview of the last half century of Mendelssohn scholarship and the direction of future research. The addition of new translations of two influential essays by Carl Dahlhaus, hitherto unavailable in English, adds to the value of this volume which brings back in to circulation important scholarly works and constitutes an indispensable reference work for Mendelssohn scholars.

(Book). Read & Burn is the first serious, in-depth appraisal of Wire, one of the most influential British bands to emerge during the punk era. If Wire were briefly a punk band, however, it was largely by historical accident. Despite the fact that they had complicated and transformed that category almost before they'd begun, they seem never to have quite escaped the label. Be it punk, post-punk, or art-punk, critics have clung onto the p-word in an attempt to capture the essence of Wire's innovative uniqueness. But their story which honors punk's original yet quickly forgotten commitment to the new is one of constant remaking and remodelling, one that stubbornly resists reduction to a single identity. As a result, the group's projects have always balanced uneasily between artistic endeavour and the need for commercial sustainability, played out against the backdrop of the musicians' perennially complex creative relationships. Tracing Wire's diverse output from 1977 up until the present, Read & Burn seeks to do justice to their highly influential and restlessly inventive body of work by developing a sustained critical account of their shifting approaches. It combines analysis and interpretation with perspective drawn from exclusive interviews with past and present members of the band.

This is a music autobiography to remember. This is the story of Martyn Ware. The Human League and Heaven 17 were among some of the most pioneering bands of the 1980s, with Ware having played an integral role in each of their numerous successes. A young lad from the heart of post-war Sheffield, Ware formed The Human League a few years out of school in his early twenties. Described by David Bowie as 'the future of music', it wasn't long before the band become known for their innovative and infectiously catchy singles such as 'Being Boiled', touring with the likes of Siouxsie and the Banshees and Iggy Pop before Ware's departure. Heaven 17 followed suit, with their soon-to-be classic albums, Penthouse & Pavement and The Luxury Gap, featuring several colossal hits. Ground-breaking icons in new wave and synth pop, both groups remain some of the biggest-selling bands across the UK and worldwide. In Electronically Yours, Martyn takes us through his incredible route to stardom; from his austere upbringing in various council houses and close teenage friendship with former-bandmate Phil Oakey, to the white-hot experimentation in the 'Synth Britannia' era and his production career, which allowed him to work with some of the world's greatest singers, including Tina Turner. But it's not just his life inside the industry which is compelling; a proud socialist, Martyn writes poignantly about politics - how it can be a soulful, personal, moral duty - and its role in his music creation and Britain today. With charming meditations on culture, humour, travel and sport, Martyn also shares his love of 60s films, explains why Venice is the most beautiful city in the world, and reveals how Sheffield Wednesday has forever been his first and eternal passion. A huge page-turner and always warmly told, Electronically Yours sees Martyn talk candidly for the very first time about his extraordinary journey. Discover amusing anecdotes, raw confessions, and moving reflections of a life well and truly lived at the height of the music industry.

From school punk to modern day film producer, Richard Jobson has lived a full and colourful life. A harrowing incident as a child left him suffering with epilepsy but he was a mere fifteen-year-old when he launched the punk rock band The Skids in 1977 with his songwriting partner Stuart Adamson. With hit singles including the immortal 'Into The Valley', after four albums The Skids folded and Jobson formed The Armoury Show whilst Adamson had moved on to form the successful eighties band Big Country. In this cathartic story, Jobson talks candidly about the many trials and tribulations that have shaped his life. He talks openly of his breakdown during the making of The Skids' third album The Absolute Game, detailing the suicidal thoughts going through his mind at the time. More pertinent than he could have imagined given that writing partner Stuart Adamson was to take his own life two decades later. They had remained friends following The Skids break-up and their relationship is explored in detail throughout. In the 1980s Jobson became a familiar face on television as a presenter and film reviewer for Sky Television. In June 2013, he was awarded an honorary degree (Doctor of Arts) from Edinburgh Napier University. Today he is a successful filmmaker but his life has also gone full circle. In 2017 he reactivated The Skids. A successful UK tour prompted demand for more shows in 2018 as well as the band's first new album for over three decades, making this the perfect time to write his memoirs of his time in the band. Into The Valley is a riveting read and a perfect illustration of how one man overcame his disability to become successful in the world of music and film. A first hand account of the late 1970s and early 80s that will appeal not only to punk rock fans but to anyone identifying with Jobson's triumph over adversity.

Published in the run-up to the 200th anniversary of the composer's birth in 2013, and written by one of the most distinguished Wagner scholars in the world, this will be the Wagner book of the bicentenary. Richard Wagner (1813-1883) is one of the most influential - and also one of the most polarizing - composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner's life, work and times. Making use of the very latest scholarship - much of it undertaken by the author himself in connection with his editorship of The Wagner Journal - Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical - and occasionally controversial - reappraisal of this most perplexing of composers. The book considers a whole range of themes, including the composer's original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; his anti-semitism; the operas' proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. The volume's arrangement - unique among books on the composer - combines an accessible text, intriguing images and original documents in carefully co-ordinated sections, thus ensuring a consistently fresh approach.

Edward Elgar rose from obscurity to become the most popular English composer of his day. Elgar's music is known world-wide and works such as the 'Enigma Variations' and 'The Dream of Gerontius' together with the two symphonies and the two concertos have established him as one of the greatest British composers of all time. The Elgar Society was founded in 1951 to further the cause of Elgar's music and the present volume of essays has been compiled as an expression of gratitude for the work that it has done. These essays reflect the variety and richness of Elgar's music and the debate that this music continues to encourage. The book is not simply for academics however; lovers of music in general will find much to entertain them and it will add greatly to our appreciation of Elgar.

To his many fans, he was known simply as "Mr. Excitement," a singer whose music and stage presence influenced generations of performers, from Elvis Presley to Michael Jackson. Jackie Wilson: Lonely Teardrops looks at the life and career of this deeply troubled artist. Published briefly in a limited edition in the United Kingdom, this Routledge edition makes available this definitive biography for Wilson's legions of fans. Also includes two 8-page photo inserts.

Biography of the late American composer Leon Kirchner (1919-2009), exploring his work and important personal associations. In this first biography of American composer, pianist, conductor, and teacher Leon Kirchner (1919-2009), Robert Riggs paints a vivid picture of an extraordinary, multifaceted musician. Refugees from Hitler's Third Reich (Schoenberg, Bloch, and Stravinsky) dominated Kirchner's early development, and he in turn became a transformative mentor for later generations at the University of Southern California, Mills College, and Harvard University. Kirchner's performance persona is brought to life by highlighting his appearances with top orchestras and at major festivals, especially his long tenure at the Marlboro Music Festival, where he worked with Rudolf Serkin and Pablo Casals. Currentchampions of his music (Yo-Yo Ma, Leon Fleisher, and James Levine) are also key protagonists. Kirchner's entire oeuvre is discussed within the chronological narrative, and six representative works are examined in detail. Inaddition to Riggs's extensive interviews with the composer, the biography is documented with Kirchner's colorful correspondence from a roster of luminaries: Saul Bellow, Leonard Bernstein, Edward Cone, Aaron Copland, Darius Milhaud, Isaac Stern, Roger Sessions, and many others. Excerpts from Kirchner's own elegantly written essays and speeches complete the portrait and reveal his highly personal, romantic view of music as powerful art capable of endowing humanity with an "aesthetic sensibility and protective wisdom, without which we cannot survive." Robert Riggs is Professor of Music at the University of Mississippi.

We have long regarded Beethoven as a great composer, but we rarely appreciate that he was also an eminently political artist. This book unveils the role of politics in his oeuvre, elucidating how the inherently political nature of Beethoven's music explains its power and endurance. William Kinderman presents Beethoven as a civically engaged thinker faced with severe challenges. The composer lived through many tumultuous events--the French Revolution, the rise and fall of Napoleon Bonaparte, and the Congress of Vienna among them. Previous studies of Beethoven have emphasized the importance of his personal suffering and inner struggles; Kinderman instead establishes that musical tensions in works such as the Eroica, the Appassionata, and his final piano sonata in C minor reflect Beethoven's attitudes toward the political turbulence of the era. Written for the 250th anniversary of his birth, Beethoven takes stock of the composer's legacy, showing how his idealism and zeal for resistance have ensured that masterpieces such as the Ninth Symphony continue to inspire activists around the globe. Kinderman considers how the Fifth Symphony helped galvanize resistance to fascism, how the Sixth has energized the environmental movement, and how Beethoven's civic engagement continues to inspire in politically perilous times. Uncertain times call for ardent responses, and, as Kinderman convincingly affirms, Beethoven's music is more relevant today than ever before.

This book features the images from Pink Floyd's album sleeves and promotional material designed for the group. It features almost all Pink Floyd's iconic album covers, posters, singles bags, a selection of band photos, booklet pages and rough artwork that developed into iconic designs. This new edition incorporates an additional 32 pages of material used in re-issues created since 2007. Storm Thorgerson, who died in 2013, was a world-famous designer whose memoirs of his time spent with Pink Floyd are combined with all the artwork he created to represent the band at each stage of their career. Storm revisited the work he created for the albums and offers insights into the work that went into the creation of this legendary album art. Designers who worked with Storm have all contributed to this new edition of Mind Over Matter. Amongst the new material is artwork from the Oh By The Way box set, the Atom Heart Mother 40th Anniversary 'Wire Cow' sculpture, the Why Pink Floyd? Campaign and the Dark Side Of The Moon 40th Anniversary images and stickers.

This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726 - 1804), a specialist in sacred music composition. This book is the first-ever study of Malta's major eighteenth-century composer, Benigno Zerafa (1726-1804), a specialist in sacred music composition. Zerafa's large-scale and small-scale vocal and choral works, mostly written during his long service as musical director at the Cathedral of Mdina, have been winning increased recognition in recent years. In addition to describing and analysing this extensive corpus, the book gives an account of Zerafa's sometimes eventful career against the wider background of the rich musical and cultural life in Malta, especial attention being paid to its strong links with Italy, and particularly Naples, where Zerafa was a student for six years. Itexamines in detail the complex relationship of music to Catholic liturgy and investigates the distinctive characteristics of the musical style, intermediate between baroque and classical, in which Zerafa was trained and always composed: one that today is commonly labelled "galant". Well stocked with music examples, the book makes copious reference to Italian and Maltese composers from Zerafa's time and to modern analytical studies of Italian music from the middle decades of the eighteenth century, thereby offering a useful general commentary on the galant period. Its central aim, however, is to stimulate further interest in, and revival of, Zerafa's music. To this end the book contains a complete work-list with supplementary indexes. Scholars and students of eighteenth-century music, in particular sacred music, the galant style and Italian music, will find it invaluable. FREDERICK AQUILINAis Senior Lecturer in Music Studies at the University of Malta.

Unquestionably one of the most popular composers of classical music, Sergei Rachmaninoff has not always been so admired by critics. Detractors have long perceived Rachmaninoff as part of an outdated Romantic tradition from a bygone Russian world, aloof from the modernist experimentation of more innovative contemporaries such as Igor Stravinsky. In this new assessment Rebecca Mitchell re-situates Rachmaninoff in the context of his time, bringing together the composer and his music within the remarkably dynamic era in which he lived and worked. Both in Russia and later in America, Rachmaninoff and his music were profoundly modern expressions of life in tune with an uncertain world. This concise yet comprehensive biography will interest general readers as well as those more familiar with this giant of Russian classical music.

This volume of essays brings together the best of recent scholarship on Johann Christian Bach, the youngest son of J.S. Bach and a friend and mentor of Mozart. J.C. Bach had a cosmopolitan career, beginning in Berlin as a pupil of his half-brother, C.P.E. Bach, then a sojourn to Italy where he studied with Padre Martini in Bologna; after making his successful debut with operas for Turin and Naples he moved to London, where he became a leading composer and impresario. The articles selected for this volume represent the principal themes of scholarly research and writing over the past fifty years. The introduction provides a survey of J.C. Bach's career and an overview of recent literature. The collection includes English translations of two articles first published in German in the Bach-Jahrbuch, as well as one article published as recently as 2015. An appendix lists the complete contents of The Collected Works of Johann Christian Bach, using the Warburton catalogue numbers.