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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Conceptual art
FLOSS+Art critically reflects on the growing relationship between
Free Software ideology, open content and digital art. It provides a
view onto the social, political and economic myths and realities
linked to this phenomenon. Topics include: digital art licensing,
copying and distributing under open content models, the influence
of FLOSS on digital art practices, the use of free software to
produce art and the art of producing free software, FLOSS as an
embedded political message in digital art, paradoxes and
limitations of open licenses for digital art, FLOSS as a way to
quote and embed other artworks in the making of new works,
definitions and manifestos for a free software art... With
contributions from: Fabianne Balvedi, Florian Cramer, Sher Doruff,
Nancy Mauro Flude, Olga Goriunova, Dave Griffiths, Ross Harley,
Martin Howse, Shahee Ilyas, Ricardo Lafuente, Ivan Monroy Lopez,
Thor Magnusson, Alex McLean, Rob Myers, Alejandra Maria Perez Nuez,
Eleonora Oreggia, oRx-qX, Julien Ottavi, Michael van Schaik, Femke
Snelting, Pedro Soler, Hans Christoph Steiner, Prodromos Tsiavos,
Simon Yuill. Compiled and edited by Aymeric Mansoux and Marloes de
Valk.
Rejecting the dichotomy of centralism and horizontalism that has
deeply marked millennial politics, Rodrigo Nunes' close analysis of
network systems demonstrates how organising within contemporary
social and political movements exists somewhere between - or beyond
- the two. Rather than the party or chaos, the one or the
multitude, he discovers a 'bestiary' of hybrid organisational forms
and practices that render such disjunctives false. The resulting
picture shows how social and technical networks can and do
facilitate strategic action and fluid distributions of power at the
same time. It is by developing the strategic potentials that are
already immanent to networks, he argues, that contemporary
solutions to the question of organisation can be developed. Part of
the PML Books series. A collaboration between Mute and the
Post-Media Lab. http: //metamute.org/
This book is a psychoarchaeological reconstruction of an art
collective, irational.org, who existed in the times of the
internet. The material reconstituted here was derived, after
irational.org's disappearance, from multiple requests for data from
their archived art server. These requests, made by post, were
submitted by the author, V.M., to an unidentified and unreliable
Data Auditor, using a Secure Access Protocol. It is rumoured that
access to the archive was securitised by irational.org because it
contains highly sensitive, possibly incriminating, data. The
psychoarchaeologist's reconstruction reveals a cultural
organisation that satirised, resisted and internalised the
libertarian yet bureaucratic tendencies of a surveillance society,
and its obsession with data privacy, security and property. The
trail runs cold as the group made its retreat into the woods from a
world that was disintegrating. Part of the PML Books series. A
collaboration between Mute & the Post-Media Lab
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Moon Goddess
(Paperback)
Dre Freden, Jordan Green, Brian Heritage
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R425
Discovery Miles 4 250
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Ships in 18 - 22 working days
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The Moon Goddess Project is a collaborative creative work of ten
artists. Collectively, they decided on a theme and each went in
their own directions. Not being limited to any particular type of
art making, each artist adds their own flair to the overall concept
and each piece is sure to be unique and leave the viewer craving
more.
The white cube, that paragon of minimalist sculpture, has an active
life outside the gallery's walls. Come see what life is like for
this sensible everyman, as he makes his way in the world after
business hours. "Get to know this chill cube" - Seven Days,
Burlington, VT
The one true solution in life is that there are no solutions.
Transformation of Consciousness: I have come to an acute
realization how crucial and vital is human to express in life.
Being able to communicate using language, a culturally acquired
symbol, is an ability that is unique to humans. Language, however,
by the virtue of its nature, is limited by cultural boundaries; one
has to learn it to communicate. However, unlike language, can
transmit feelings and ideas evoking them through lines, shapes,
texture, arrangement and/or colors, on a two/three dimensional
space. My love for, interest in, and an innate aptitude in the
visual arts inevitably determined the artistic medium by which I am
to "express" my life. It can transcend temporal and spatial
boundaries; it speaks universal human "language." - InSoon -
'Law Enforcement Slogans' is the book form of an artwork of the
same name which has been exhibited at London's Whitechapel Gallery
as part of The London Open in 2012 and Herzliya Museum of
Contemporary Art in 2013 in the exhibition Other People's Problems:
Conflicts and Paradoxes. When exhibited the work is a floor to
ceiling list of international law enforcement slogans paired with
the respective agency name in order. In book format each double
page spread lists slogans by letter of the alphabet, with slogans
on the left-hand page faced on the right by agency name. The first
pages list slogans beginning with the letter A 'A Commitment To
First Nations - Dakota Ojibway Police Service, Manitoba, Canada' to
the final page which ends with 'Zero Deaths. Everyone Counts' from
Alaska Bureau Of Highway Patrol, USA. Both sets of text, slogan and
agency name, are aligned towards the book gutter where the pages
meet. This references how the work was shown at the Whitechapel
Gallery and Herzliya, as a single column. Law Enforcement Slogans
was first shown in 2011 as a printed spreadsheet, forming part of a
group taking place in a disused London office.
This book Patterns of Consciousness is a collection of five books;
these are Inspired Individuality, Transcendent Emergence, Soul
Mechanics, Astral Projection and Akashic Arwen. Each of the books
in this series contains thirty eight separate pieces of abstract
psychedelic line art, which to those with the gift of imagination
is capable of merging and morphing into many different aspects of
the one central image, it is almost as if the pages can come to
life The pieces of artwork contained within are not simply the
random lines of a faceless abstract chaos. At a fundamental level
each one has within it the subtle design of subliminal meaning
representing and expressing the dynamics of self as you gaze deep
inside its mystic matrix of meaning. Intended to be the next big
thing in the psychology of the personality and of the subconscious
in the same way that the Rorschach 'Ink-Blot Test' took centre
stage in the early development of psychology, these pieces of
abstract line art seek to develop this field further. These
morphogenic drawings can be used to test the depth and nature of
the instinctual and reactionary tendencies at work within the
dynamics of the self. These drawings are different from simple ink
blots though, the difference being that to those who are creative
these pieces of artwork can be worked upon by the individual. By
being elaborated upon, shaded in or coloured to give a more
detailed, vivid and accurate graphic representation of the
constructs of our own identity and self. Perhaps then we will see
how exactly with all people being unique original individuals the
pieces of the self can be similar enough for all human beings to be
able to relate to each other and actually fit together as
individuals and as a society.
Detective Joshua Frank finds himself in a very daunting case.
Widower of a wife that was raped and murdered, he finds himself
tracking a serial killer that's killing sexual predators. The
killer believes that by torturing his victims until they beg
forgiveness and repent for their sins, he is cleansing their souls,
saving them from eternal fire. After the killer sends them on their
way to judgement, he confesses to his priest, whom absorbs him of
his sin. God's Prayer is a whirlwind of twist and turns, that may
provoke many conversations on morality.
The Evolution of the Skeletal Bird deals with contradicting and
pivotal moments of a girl's transformation through poetry and
photographic self-portraits to becoming an integrated member of
society. The poems have deep undertones of coming of age along with
self-contemplation. Poems and images constructed and compiled from
2009-2013.
Images of paintings in oil and acrylic, regarding love, loss,
visions, time, injustice, war, and people. (Several relate to
experiences with dementia, schizophrenia, and depression.)
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