In 2012, eteam visits the towns of Mars and Moon Township in Pennsylvania. Their approach is documentary, positioning themselves as cultural anthropologists who view the towns as if they were simulated environments on Earth, a training ground for eventual living on the planet Mars and Earth's satellite, the Moon.

Manifesto for a Theory of the 'New Aesthetic' - An irreverent guided tour of the 'New Aesthetic' by Curt Cloninger, The Missing Factory - John Roberts considers why work remains absent from film and culture more generally, Barbara Says - Industry Does it Faster - Roman Vasseur reviews the Artist Placement Group's historic brokerage of bureaucracy and art, The Ghosts of Participation Past - Josephine Berry Slater reviews Claire Bishop's recent book, Artificial Hells, Listener As Operator 3 - Howard Slater finds in jazz a response to the experience of slavery which preserves and propels a collective being, Untitled #M001 - #M011 2,325,600 combinations of 16 grays an artist's project by John Houck, Gaming the Plumbing - Alberto Toscano inspects the gap between financial fantasies and the muddy realities of the 'robot phase transition', Destructive Destruction? - How is high frequency trading's drive to efficiency affecting market dynamics as a whole? Ask Inigo Wilkinson and Bogan Dragos, Fellowship of the Wrong - A code-splitting tale of lightspeed trading run by Benedict Seymour, with illustrations by Rona Tunnadine, The Guest - A short story by Mira Mattar exploring the annihilating power of luxury, The Garden of Earthly Delights - Matthew Fuller wades through the Olympic muck to visit The Crystal World, At the Limit: Self-Organisation in Greece - Anna O'Lory of Blaumachen identifies some limits to current struggles in Greece, Whose Rebel City? - Neil Gray discusses David Harvey's Rebel Cities from the perspective of the autonomous urban struggles of '70s Italy

In less than two decades, digital networks have moved from providing a macro background environment - actively accessible by only a small coterie of scientists, experts, and state or corporate agents - to pervading and augmenting our lives at an increasingly micrological level. As our world is plugged into the matrix, we know from direct experience that the pace of change is feverish, the scope infinite and the effects in need of constant reckoning. The Post-Media Lab offers a space in which to examine, reflect and operate upon the networked, mediatised society from an unhurried perspective. We seek to slow down the machinic pace of 'cybertime' just enough to allow for a different tempo of thought to engage and encompass it. Through a programme of four bi-annual residency cycles spanning 2012 and 2013, the Lab has provided participants (artists, technologists, film-makers, activists, cultural/media theorists) with the practical and intellectual support and resources to build real-world, aesthetic, technical or theoretical assemblages which operate acutely on the interface between digital networks and social and political life.

Edited by Clemens Apprich, Josephine Berry Slater, Anthony Iles and Oliver Lerone Schultz Felix Guattari's visionary term 'post-media', coined in 1990, heralded a break with mass media's production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of 'enunciative assemblages' that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post- media. In particular, the book seeks to explore what post- media practice might be in light of the commodification and homogenisation of digital networks in the age of Web 2.0, e-shopping and mass surveillance. With texts by: Adilkno, Clemens Apprich, Brian Holmes, Alejo Duque, Felipe Fonseca, Gary Genosko, Michael Goddard, Felix Guattari, Cadence Kinsey, Oliver Lerone Schultz, Rasa Smite & Raitis Smits, and Howard Slater Part of the PML Books series. A collaboration between Mute & the Post-Media Lab

FLOSS+Art critically reflects on the growing relationship between Free Software ideology, open content and digital art. It provides a view onto the social, political and economic myths and realities linked to this phenomenon. Topics include: digital art licensing, copying and distributing under open content models, the influence of FLOSS on digital art practices, the use of free software to produce art and the art of producing free software, FLOSS as an embedded political message in digital art, paradoxes and limitations of open licenses for digital art, FLOSS as a way to quote and embed other artworks in the making of new works, definitions and manifestos for a free software art... With contributions from: Fabianne Balvedi, Florian Cramer, Sher Doruff, Nancy Mauro Flude, Olga Goriunova, Dave Griffiths, Ross Harley, Martin Howse, Shahee Ilyas, Ricardo Lafuente, Ivan Monroy Lopez, Thor Magnusson, Alex McLean, Rob Myers, Alejandra Maria Perez Nuez, Eleonora Oreggia, oRx-qX, Julien Ottavi, Michael van Schaik, Femke Snelting, Pedro Soler, Hans Christoph Steiner, Prodromos Tsiavos, Simon Yuill. Compiled and edited by Aymeric Mansoux and Marloes de Valk.