A small book of opaque doodles and poems.

In Art & Language International Robert Bailey reconstructs the history of the conceptual art collective Art & Language, situating it in a geographical context to rethink its implications for the broader histories of contemporary art. Focusing on its international collaborations with dozens of artists and critics in and outside the collective between 1969 and 1977, Bailey positions Art & Language at the center of a historical shift from Euro-American modernism to a global contemporary art. He documents the collective's growth and reach, from transatlantic discussions on the nature of conceptual art and the establishment of distinct working groups in New York and England to the collective's later work in Australia, New Zealand, and Yugoslavia. Bailey also details its publications, associations with political organizations, and the internal power struggles that precipitated its breakdown. Analyzing a wide range of artworks, texts, music, and films, he reveals how Art & Language navigated between art worlds to shape the international profile of conceptual art. Above all, Bailey underscores how the group's rigorous and interdisciplinary work provides a gateway to understanding how conceptual art operates as a mode of thinking that exceeds the visual to shape the philosophical, historical, and political.

With 24 original works on paper and an introductory essay by the author, this book is a visual meditation on work-life balance in contemporary American life.

Artist's book/visual poetry of found punctuation from Clement Greenberg's 1939 article Avant-Garde and Ktisch and other material, such as the punctuation from poets (Keats, cummings, Pound, Stein and others) as inspiration for these minimal implied narrative pieces. Essay by Peter Frank.

Edited by Clemens Apprich, Josephine Berry Slater, Anthony Iles and Oliver Lerone Schultz Felix Guattari's visionary term 'post-media', coined in 1990, heralded a break with mass media's production of conformity and the dawn of a new age of media from below. Understanding how digital convergence was remaking television, film, radio, print and telecommunications into new, hybrid forms, he advocated the production of 'enunciative assemblages' that break with the manufacture of normative subjectivities. In this anthology, historical texts are brought together with newly commissioned ones to explore the shifting ideas, speculative horizons and practices associated with post- media. In particular, the book seeks to explore what post- media practice might be in light of the commodification and homogenisation of digital networks in the age of Web 2.0, e-shopping and mass surveillance. With texts by: Adilkno, Clemens Apprich, Brian Holmes, Alejo Duque, Felipe Fonseca, Gary Genosko, Michael Goddard, Felix Guattari, Cadence Kinsey, Oliver Lerone Schultz, Rasa Smite & Raitis Smits, and Howard Slater Part of the PML Books series. A collaboration between Mute & the Post-Media Lab

The End of the Beginning This story starts off where many end. As I sit in front of my computer, the thoughts of many things bounce around my skull like a silver metallic ball in an old pinball machine. I need to pay my back rent. I have to prepare for a defamation trial in small claims court. I have no food in the fridge. I'm over $20,000 dollars in the hole. My company needs a new website. I haven't released a new record in months. I have one solitary quarter to my name. Literally. I need my Clonazepam. Obstacles such as these have broken many men, but I will not fall victim to the same fate. You can attribute this proclamation to my unwavering confidence, blind faith or the egotistical nature of a champion. Nevertheless, the future will be a testament to these words. I will not fail.