This book is a collection of fish and other animals in boxes with a self-explanatory saying in the art image.These paintings were painted at the boardwalk on Venice Beach, California from 2007 to present.Philosophical, political. cultural, scientific, humorous comments on present day society.

frames per second / frames made from video fly-overs of large drawings / sequences of repetitions with incremental changes, edited / musical structures / sound patterns / stutter poems / comics

FLOSS+Art critically reflects on the growing relationship between Free Software ideology, open content and digital art. It provides a view onto the social, political and economic myths and realities linked to this phenomenon. Topics include: digital art licensing, copying and distributing under open content models, the influence of FLOSS on digital art practices, the use of free software to produce art and the art of producing free software, FLOSS as an embedded political message in digital art, paradoxes and limitations of open licenses for digital art, FLOSS as a way to quote and embed other artworks in the making of new works, definitions and manifestos for a free software art... With contributions from: Fabianne Balvedi, Florian Cramer, Sher Doruff, Nancy Mauro Flude, Olga Goriunova, Dave Griffiths, Ross Harley, Martin Howse, Shahee Ilyas, Ricardo Lafuente, Ivan Monroy Lopez, Thor Magnusson, Alex McLean, Rob Myers, Alejandra Maria Perez Nuez, Eleonora Oreggia, oRx-qX, Julien Ottavi, Michael van Schaik, Femke Snelting, Pedro Soler, Hans Christoph Steiner, Prodromos Tsiavos, Simon Yuill. Compiled and edited by Aymeric Mansoux and Marloes de Valk.

Rejecting the dichotomy of centralism and horizontalism that has deeply marked millennial politics, Rodrigo Nunes' close analysis of network systems demonstrates how organising within contemporary social and political movements exists somewhere between - or beyond - the two. Rather than the party or chaos, the one or the multitude, he discovers a 'bestiary' of hybrid organisational forms and practices that render such disjunctives false. The resulting picture shows how social and technical networks can and do facilitate strategic action and fluid distributions of power at the same time. It is by developing the strategic potentials that are already immanent to networks, he argues, that contemporary solutions to the question of organisation can be developed. Part of the PML Books series. A collaboration between Mute and the Post-Media Lab. http: //metamute.org/

The white cube, that paragon of minimalist sculpture, has an active life outside the gallery's walls. Come see what life is like for this sensible everyman, as he makes his way in the world after business hours. "Get to know this chill cube" - Seven Days, Burlington, VT

In less than two decades, digital networks have moved from providing a macro background environment - actively accessible by only a small coterie of scientists, experts, and state or corporate agents - to pervading and augmenting our lives at an increasingly micrological level. As our world is plugged into the matrix, we know from direct experience that the pace of change is feverish, the scope infinite and the effects in need of constant reckoning. The Post-Media Lab offers a space in which to examine, reflect and operate upon the networked, mediatised society from an unhurried perspective. We seek to slow down the machinic pace of 'cybertime' just enough to allow for a different tempo of thought to engage and encompass it. Through a programme of four bi-annual residency cycles spanning 2012 and 2013, the Lab has provided participants (artists, technologists, film-makers, activists, cultural/media theorists) with the practical and intellectual support and resources to build real-world, aesthetic, technical or theoretical assemblages which operate acutely on the interface between digital networks and social and political life.

The one true solution in life is that there are no solutions.

Transformation of Consciousness: I have come to an acute realization how crucial and vital is human to express in life. Being able to communicate using language, a culturally acquired symbol, is an ability that is unique to humans. Language, however, by the virtue of its nature, is limited by cultural boundaries; one has to learn it to communicate. However, unlike language, can transmit feelings and ideas evoking them through lines, shapes, texture, arrangement and/or colors, on a two/three dimensional space. My love for, interest in, and an innate aptitude in the visual arts inevitably determined the artistic medium by which I am to "express" my life. It can transcend temporal and spatial boundaries; it speaks universal human "language." - InSoon -

Manifesto for a Theory of the 'New Aesthetic' - An irreverent guided tour of the 'New Aesthetic' by Curt Cloninger, The Missing Factory - John Roberts considers why work remains absent from film and culture more generally, Barbara Says - Industry Does it Faster - Roman Vasseur reviews the Artist Placement Group's historic brokerage of bureaucracy and art, The Ghosts of Participation Past - Josephine Berry Slater reviews Claire Bishop's recent book, Artificial Hells, Listener As Operator 3 - Howard Slater finds in jazz a response to the experience of slavery which preserves and propels a collective being, Untitled #M001 - #M011 2,325,600 combinations of 16 grays an artist's project by John Houck, Gaming the Plumbing - Alberto Toscano inspects the gap between financial fantasies and the muddy realities of the 'robot phase transition', Destructive Destruction? - How is high frequency trading's drive to efficiency affecting market dynamics as a whole? Ask Inigo Wilkinson and Bogan Dragos, Fellowship of the Wrong - A code-splitting tale of lightspeed trading run by Benedict Seymour, with illustrations by Rona Tunnadine, The Guest - A short story by Mira Mattar exploring the annihilating power of luxury, The Garden of Earthly Delights - Matthew Fuller wades through the Olympic muck to visit The Crystal World, At the Limit: Self-Organisation in Greece - Anna O'Lory of Blaumachen identifies some limits to current struggles in Greece, Whose Rebel City? - Neil Gray discusses David Harvey's Rebel Cities from the perspective of the autonomous urban struggles of '70s Italy

'Law Enforcement Slogans' is the book form of an artwork of the same name which has been exhibited at London's Whitechapel Gallery as part of The London Open in 2012 and Herzliya Museum of Contemporary Art in 2013 in the exhibition Other People's Problems: Conflicts and Paradoxes. When exhibited the work is a floor to ceiling list of international law enforcement slogans paired with the respective agency name in order. In book format each double page spread lists slogans by letter of the alphabet, with slogans on the left-hand page faced on the right by agency name. The first pages list slogans beginning with the letter A 'A Commitment To First Nations - Dakota Ojibway Police Service, Manitoba, Canada' to the final page which ends with 'Zero Deaths. Everyone Counts' from Alaska Bureau Of Highway Patrol, USA. Both sets of text, slogan and agency name, are aligned towards the book gutter where the pages meet. This references how the work was shown at the Whitechapel Gallery and Herzliya, as a single column. Law Enforcement Slogans was first shown in 2011 as a printed spreadsheet, forming part of a group taking place in a disused London office.

This book Patterns of Consciousness is a collection of five books; these are Inspired Individuality, Transcendent Emergence, Soul Mechanics, Astral Projection and Akashic Arwen. Each of the books in this series contains thirty eight separate pieces of abstract psychedelic line art, which to those with the gift of imagination is capable of merging and morphing into many different aspects of the one central image, it is almost as if the pages can come to life The pieces of artwork contained within are not simply the random lines of a faceless abstract chaos. At a fundamental level each one has within it the subtle design of subliminal meaning representing and expressing the dynamics of self as you gaze deep inside its mystic matrix of meaning. Intended to be the next big thing in the psychology of the personality and of the subconscious in the same way that the Rorschach 'Ink-Blot Test' took centre stage in the early development of psychology, these pieces of abstract line art seek to develop this field further. These morphogenic drawings can be used to test the depth and nature of the instinctual and reactionary tendencies at work within the dynamics of the self. These drawings are different from simple ink blots though, the difference being that to those who are creative these pieces of artwork can be worked upon by the individual. By being elaborated upon, shaded in or coloured to give a more detailed, vivid and accurate graphic representation of the constructs of our own identity and self. Perhaps then we will see how exactly with all people being unique original individuals the pieces of the self can be similar enough for all human beings to be able to relate to each other and actually fit together as individuals and as a society.

Detective Joshua Frank finds himself in a very daunting case. Widower of a wife that was raped and murdered, he finds himself tracking a serial killer that's killing sexual predators. The killer believes that by torturing his victims until they beg forgiveness and repent for their sins, he is cleansing their souls, saving them from eternal fire. After the killer sends them on their way to judgement, he confesses to his priest, whom absorbs him of his sin. God's Prayer is a whirlwind of twist and turns, that may provoke many conversations on morality.