A family business frequently involves enough drama to fill a book - this one in fact.Pearl Sets the Pace tells the story of two landmark companies and a mighty dynasty. It begins in 1883, with the arrival of German brew master Otto Koehler in the bustling city of San Antonio, Texas. He establishes himself as one of the founders of a firm that eventually becomes the Pearl Brewery. In 1914, his murder at the hands of a disgruntled mistress becomes front-page news across the nation. Emma, his grieving (but tough-as-nails) widow, assumes leadership of the company and keeps it afloat during the dark days of Prohibition. In 1941, Margaret Koehler, one of Emma's granddaughters, marries David Earl Pace. After World War II, the young couple formulate a secret recipe for Mexican salsa. Like mad scientists, they experiment in their home kitchen and try out their concoctions on friends. From such humble beginnings grew a mighty enterprise, a real-world manifestation of the American Dream. By the early 1990s, Dave and Margaret's picante sauce was the top-selling Mexican food condiment in the world. Their descendants sold the business to the Campbell Soup Company for $1.1 billion. Through murders and mistresses, Depression and divorces, booms and busts, a passion for product sustained the Koehler-Pace clan. To make something, not simply for their neighbors to buy, but also something that would become integral to their daily lives. That became their defining principle. Yes, it defined them, but it also characterized their city. Can anyone really imagine San Antonio without beer and picante sauce? This is the story of a proud, complicated, and interwoven family and the two great enterprises they wrangled. But it is also the story of a unique Texas city and the people it breeds. It's a business story, a family story, and a story of a thriving, modern city; it is also our story.

This book is essential reading for archaeologists working in the field, as well as conservation scientists, museum curators and students of archaeology. The relationship between archaeology and conservation has long been complex and, at times, challenging. Archaeologists are often seen as interested principally in excavation and research, while conservators are concerned mainly with stabilization and the prevention of deterioration. Yet it is often initial conservation in the field that determines the long-term survival and intelligibility of both moveable artefacts and fixed architectural features. This user-friendly guide to conservation practices on archaeological excavations covers both structures and artefacts, starting from the moment when they are uncovered. Individual chapters discuss excavation and conservation, environmental and soil issues, deterioration, identification and condition assessment, detachment and removal, initial cleaning, coverings and shelters, packing, and documentation. There are also eight appendixes. Geared primarily for professionals engaged in the physical practice of excavation, this book will also interest archaeologists, archaeological conservators, site managers, conservation scientists, museum curators, and students of archaeology and conservation.

This publication brings together wide-ranging scientific contributions from the field of plant biology relating to the conservation of cultural heritage and offers fundamental knowledge as well as specific suggestions for practical applications.
Plant Biology for Cultural Heritage presents the work of dozens of scientists who have studied problems presented by the biological degradation of cultural heritage, tackling both general topics (mechanisms of biodeterioration; correlation between biodeterioration and environment; and destructive organisms) and specific ones (problems presented by different materials; various environmental and climatic conditions; and diverse geographic settings). The book also discusses solutions for the prevention and control of deterioration, including appropriate diagnostic techniques.

Communities have witnessed a fundamental shift in the ways they interact with heritage sites. Much of this change has been driven by the rapid democratization and widespread adoption of enabling technologies. As expediency is embraced in the collection and analysis of data, there may also be a certain amount of intimacy lost with both the tangible and intangible vestiges of the past. Analysis, Conservation, and Restoration of Tangible and Intangible Cultural Heritage is a collection of innovative research on the quantitative methods and digital workflows transforming cultural heritage. There is no contesting the value of advanced non-destructive diagnostic imaging techniques for the analysis of heritage structures and objects. Highlighting topics including 3D modeling, conservation, and digital surveying, this book is ideally designed for conservation and preservation specialists, archaeologists, anthropologists, historians, academicians, and students seeking current research on data-driven, evidence-based decision making to improve intervention outcomes.

This book, the first comprehensive interdisciplinary account of Michelangelo's work as a sculptor in bronze, is the outcome of extensive original research undertaken over several years by academics at the University of Cambridge together with a team of international experts, directed by Dr Victoria Avery, a leading authority on the history, art and technology of bronze casting in Renaissance Italy. The catalyst for this innovative project was the attribution to Michelangelo of the Rothschild bronzes - two extraordinary bronze groups of nude men on fantastical panthers - prior to their display at the Fitzwilliam Museum in 2015. First proposed by the distinguished Michelangelo scholar Professor Paul Joannides and validated by the wide-ranging research published here, the attribution to Michelangelo has now gained widespread acceptance. As part of this pioneering project, Professor Peter Abrahams, the eminent clinical anatomist specialising in dissection, has carried out the first ever in-depth scientific analysis of the anatomy of Michelangelo's nude figures. Abrahams' findings have uncovered hitherto unrecognised features of Michelangelo's unparalleled mastery of the structure and workings of the human body that give the gesture and the motion of his figures their unique expressive force. Enigmatic and visually-striking masterpieces, the Rothschild bronzes are the focus of this multi-authored, interdisciplinary volume that contains ground-breaking contributions by leading experts in the fields of art history, anatomy, conservation science, bronze casting and the history of collecting.

Earthquakes pose myriad dangers to heritage collections worldwide. This book provides an accessible introduction to these dangers and to the methodologies developed at the Getty and other museums internationally for mitigating seismic vulnerability. Conceived as a primer and reference, this abundantly illustrated volume begins with an engaging overview of explanations for earthquakes from antiquity to the nineteenth century. A series of chapters then addresses our modern understanding of seismic events and approaches for mitigating the damage they cause to heritage collections, covering such subjects as earthquake measurement, hazard analysis, the response of buildings and collections to seismic events, mount making, and risk assessment; short sections by specialists in seismic engineering complement the main text throughout. Readers will find a range of effective seismic mitigation measures, from simple low-cost approaches to complex base-isolation techniques. In bridging the gap between seismologists and seismic engineers, on the one hand, and collections care professionals, on the other, this volume will be of interest to conservators, registrars, designers, mount makers, and others involved in the management and care of collections in museums and other cultural institutions. "