The focus of this collection of essays is the powerful interaction between popular music and multimedia: film, television, music video and video games. Written by a diverse group of scholars and published within the last fifteen years, the essays examine new theories and methodologies and offer opportunities for thinking across disciplines, media and hierarchies. The volume also expands the arena within which we can explore the ever-increasing and mutually affective ways that popular music and other media intertwine, reflecting and shaping perceptions, values and identities.

As far as legendary rock bands go, The Who ranks alongside the Beatles and the Rolling Stones. Penning the Who's enduring rock anthems and bringing those songs to life with some of the most frenetic and destructive guitar performances ever witnessed, Pete Townshend proved that his excess matched his talent, and left in his wake bottles, syringes, groupies, and trashed hotel rooms as his band brought their music to an equally energized generation. Biographer Giuliano spills the beans on Townshend's childhood, his battles with band members during the Who's glory days as mod gods, his strange devotion to the Indian mystic Meher Baba, and the many unexpected turns his creative activities have taken in between the band's several break-ups and reunions.

The underground is a multi-faceted concept in African American culture. Peterson uses Richard Wright, KRS-One, Thelonius Monk, and the tradition of the Underground Railroad to explore the manifestations and the attributes of the underground within the context of a more panoramic picture of African American expressivity within hip-hop.

In Pop Masculinities, author Kai Arne Hansen investigates the performance and policing of masculinity in pop music as a starting point for grasping the broad complexity of gender and its politics in the early twenty-first century. Drawing together perspectives from critical musicology, gender studies, and adjacent scholarly fields, the book presents extended case studies of five well-known artists: Zayn, Lil Nas X, Justin Bieber, The Weeknd, and Take That. By directing particular attention to the ambiguities and contradictions that arise from these artists' representations of masculinity, Hansen argues that pop performances tend to operate in ways that simultaneously reinforce and challenge gender norms and social inequalities. Providing a rich exploration of these murky waters, Hansen merges the interpretation of recorded song and music video with discourse analysis and media ethnography in order to engage with the full range of pop artists' public identities as they emerge at the intersections between processes of performance, promotion, and reception. In so doing, he advances our understanding of the aesthetic and discursive underpinnings of gender politics in twenty-first century pop culture and encourages readers to contemplate the sociopolitical implications of their own musical engagements as audiences, critics, musicians, and scholars.

Wisdom and musings on creativity and life from one of the world's most beloved musicians, producers, and mentors, Quincy Jones12 Notes is a self-development guide that will affirm that creativity is a calling that can and should be answered, no matter your age or experience. Drawing from his own life, and those of his many creative collaborators past and present, Quincy Jones presents readers with lessons that are hardworking and accessible, yet speak to the passion of self-expression. He includes sections as deep as how to transform grief into power, and as practical as how to set goals and articulate intentions through daily affirmations. Weaving his story throughout, Jones lets readers in on his own creative process, as well as the importance of letting honesty, hard work, and good relationships drive your career.

Combining the International Who's Who in Classical Music and the International Who's Who in Popular Music, this two-volume set provides a complete view of the whole of the music world.

Within the International Who's Who in Classical Music, each biographical entry comprises personal information, principal career details, repertoire, recordings and compositions, and full contact details where available. Appendices provide contact details for national orchestras, opera companies, music festivals, music organizations and major competitions and awards.
The International Who's Who in Popular Music boasts detailed entries, including full biographical information, such as principal career details, recordings and compositions, honours and contact information.

Discover everything you need to know about the world's hottest young pop star in Olivia Rodrigo - The Ultimate Fan Book. Since releasing her debut single 'Drivers Licence' in January 2021, Olivia Rodrigo has rocketed to the top of charts around the world, and quickly become not only one of the most exciting young singer-songwriters of the moment, but one of the biggest stars in the world today. In Olivia Rodrigo - The Ultimate Fan Book, you'll discover how this former Disney starlet has found such amazing success with her catchy songs, striking fashion choices and incredible charm. Through lively text and dozens of gorgeous photographs, this Fan Book follows the rise and rise of Olivia, from High School Musical to her acclaimed album Sour, and highlights how she's only just getting started. Filled with quotes from Olivia and her closest collaborators, discussing fame, fashion, fans and more, as well as tons of stunning snaps from the red carpet to stadium stages, Olivia Rodrigo - The Ultimate Fan Book takes you onstage, in the studio and behind the scenes with one of the brightest stars on the planet.

Since his professional debut in 1962, Stevie Wonder has recorded sixty-four singles that have made the Billboard top 100, including ten that reached number one. Wonder was one of the first Motown artists to have complete control over the writing, arranging, and recording of his songs, and achieved that stature before he was 20 years old. He has won 17 Grammy awards, was elected to the Rock and Roll Hall of Fame in 1989, and earned the Grammy's Lifetime Achievement Award in 1996. Equally important, his work as a producer, arranger, and instrumentalist on other artists' recordings has put him in the highest rank of musical collaborators. This is the first work of criticism on this important documentarian of American life, as well as the introductory volume in The Praeger Singer-Songwriter Collection. Through a combination of biography and critical analysis, James Perone's groundbreaking new book reveals the many ways in which Stevie Wonder's body of work emerged, developed, reflected its time, and influenced myriad other artists. After revealing the social, cultural, and political context of Wonder's work, the book provides detailed analysis of his compositions and recordings, with a focus on both his well-known songs and those known only to his hardcore fans. The volume also contains discussions of cover versions of Wonder's compositions, a discography of his recordings, a song title index, an annotated bibliography, and a general index.

This is the incredible illustrated story of the Bee Gees, the band that Barry, Maurice and Robin, the brothers Gibb, formed in 1958. The trio were especially successful as a popular music act in the late 1960s and early 1970s, and later as prominent performers of the disco music era in the mid-to-late1970s with the soundtrack album Saturday Night Fever. The group sang recognizable three-part tight harmonies; Robin's clear vibrato lead vocals was the hallmark of their earlier hits, while Barry's R&B falsetto became their signature sound during the mid-to-late 1970s and 1980s. The Bee Gees have sold over 120 million records worldwide making them one of the world's best-selling artists of all time. The boys also wrote all of their own hits, as well as writing and producing several major hits for other artists. They were inducted into the Rock and Roll Hall of Fame in 1997. The Bee Gees' Hall of Fame citation says, "Only Elvis Presley, the Beatles, Michael Jackson, Garth Brooks and Paul McCartney have out sold the Bee Gees." Following Maurice's death in January 2003 at the age of 53, Barry and Robin retired the group's name after 45 years of activity.

In the 1990s, Chicago was at the center of indie rock, propelling bands like the Smashing Pumpkins and Liz Phair to the national stage. The musical ecosystem from which these bands emerged, though, was expansive and diverse. Grunge players comingled with the electronic, jazz, psychedelic, and ambient music communities, and an inventive, collaborative group of local labels-kranky, Drag City, and Thrill Jockey, among others-embraced the new, evolving sound of indie "rock." Bruce Adams, co-founder of kranky records, was there to bear witness. In You're with Stupid, Adams offers an insider's look at the role Chicago's underground music industry played in the transformation of indie rock. Chicago labels, as Adams explains, used the attention brought by national acts to launch bands that drew on influences outside the Nirvana-inspired sound then dominating pop. The bands themselves-Labradford, Godspeed You! Black Emperor, Low-were not necessarily based in Chicago, but it was Chicago labels like kranky that had the ears and the infrastructure to do something with this new music. In this way, Chicago-shaped sounds reached the wider world, presaging the genre-blending music of the twenty-first century. From an author who helped create the scene and launched some of its best music, You're with Stupid is a fascinating and entertaining read.

1979. The dawn of Thatcher' s Britain. It' s a country crippled by strikes, joblessness and economic gloom, divided by race and class - and skanking to a new beat: 2-Tone. The unruly offspring of white boy punk and rude boy ska, the new music' s undeniable leaders were The Specials. Bursting out of Coventry' s concrete jungle, their lyrics spoke of failed marriages, petty violence, crowded dance floors, gangsters and race hate - but with a wit that outshone their angry punk forebears. On stage they were electric, and at the heart of this energy was the vocal chemistry of the ethereal Terry Hall and Jamaican rude boy Neville Staple. In 1961, aged only five, Neville was sent to England to live with his father - a man for whom discipline bordered on child abuse. Growing up black in the Midlands of the Sixties and Seventies wasn' t easy, but then Nev was hardly an angel. His youth was marked by scuffles with skins, compulsive womanising, and a life of crime that led from shoplifting to burglary and eventually borstal and Wormwood Scrubs. But throughout there was music, and now Nev tells how a very bad boy became part of the most important band of the Eighties. He remembers sound system battles; the legendary 2-Tone tour with The Selecter, Madness and Dexy' s - and their clashes with NF thugs. He recalls the band' s increasing tensions and eventual split; his subsequent foray into bubblegum pop with Fun Boy Three; and a new found fame in America, as godfather to bands like Gwen Stefani' s No Doubt. Finally he reflects on The Specials' reunion and how even now, thirty years on, they can' t help tearing themselves apart.Raucous and charming Original Rude Boy is the story of a man who done too much, much too young. Neville Staple was a frontman with The Specials, a member of the hugely successful pop trio Fun Boy Three and now tours the world with own his own ska act The Neville Staple Band. Visit him at: www.nevillestaple.co.uk Tony McMahon is a journalist and TV producer living in south London.

For many, Kim Gordon, vocalist, bassist and founding member of Sonic Youth, has always been the epitome of cool.

Sonic Youth is one of the most influential and successful bands to emerge from the post-punk New York scene, and their legacy continues to loom large over the landscape of indie rock and American pop culture. Almost as celebrated as the band's defiantly dissonant sound was the marriage between Gordon and her husband, fellow Sonic Youth founder and lead guitarist Thurston Moore. So when Matador Records released a statement in the fall of 2011 announcing that—after twenty-seven years—the two were splitting, fans were devastated. In the middle of a crazy world, they'd seemed so solid.

What did this mean? What comes next? What came before?

In Girl in a Band, the famously reserved superstar speaks candidly about her past and the future. From her childhood in the sunbaked suburbs of Southern California, growing up with a mentally ill sibling who often sapped her family of emotional capital, to New York's downtown art and music scene in the eighties and nineties and the birth of a band that would pave the way for acts like Nirvana, as well as help inspire the Riot Grrl generation, here is an edgy and evocative portrait of a life in art.

Exploring the artists, musicians, and writers who influenced Gordon, and the relationship that defined her life for so long, Girl in a Band is filled with the sights and sounds of a pre-Internet world and is a deeply personal portrait of a woman who has become an icon.

As one of the most celebrated musicians of our time, Alicia Keys has enraptured the nation with her heartfelt lyrics, extraordinary vocal range, and soul-stirring piano compositions. Yet away from the spotlight, Alicia has grappled with private heartache over the challenging and complex relationship with her father, the people-pleasing nature that characterized her early career, the loss of privacy surrounding her romantic relationships, and the oppressive expectations of female perfection.

Since her rise to fame, Alicia’s public persona has belied a deep personal truth: she has spent years not fully recognizing or honoring her own worth. After withholding parts of herself for so long, she is at last exploring the questions that live at the heart of her story: Who am I, really? And once I discover that truth, how can I become brave enough to embrace it?

More Myself is part autobiography, part narrative documentary. Alicia’s journey is revealed not only through her own candid recounting, but also through vivid recollections from those who have walked alongside her. The result is a 360-degree perspective on Alicia’s path: from her girlhood in Hell’s Kitchen and Harlem, to the process of self-discovery she’s still navigating.

In More Myself, Alicia shares her quest for truth: about herself, her past, and her shift from sacrificing her spirit to celebrating her worth. With the raw honesty that epitomizes Alicia’s artistry, More Myself is at once a riveting account and a clarion call to readers: to define themselves in a world that rarely encourages a true and unique identity.

This book provides in-depth analysis of the words, music, and recordings of Elvis Costello, one of the most enigmatic, eclectic, and critically acclaimed singer-songwriters of the rock era. Elvis Costello is one of the greatest pop songwriters of his generation as well as one of the most significant songwriters of the 20th century. His career's length now approaching four decades, Costello continues to be vital part of pop culture through live performances, recordings, and the iconic nature of his work. The Words and Music of Elvis Costello provides in-depth analysis of this important artist's words, music, and recordings. Arranged chronologically, the book places Costello in the cultural context of his time and place; addresses the overlaps between rock, classical, torch song, and jazz in Costello's highly eclectic range of songs from 1975 to the present; provides a look at the uniquely British aspects of his work; and uniquely spotlights his compositional techniques and approaches to musical form. The book covers everything from Costello's first album My Aim Is True as well as his other albums in the 1970s to his body of work in the '80s and '90s to his continuing eclecticism in the 21st century as he successfully integrates what would appear to be mutually exclusive genres. The concluding chapter provides analysis of the critical commentary about Elvis Costello's work as a performer and songwriter over his long career. Provides expert analysis of the words and music of Elvis Costello within a cultural context that will benefit readers interested in popular music as well as popular music scholars and serious fans of Elvis Costello Explains the uniquely British aspects of Costello's work and illuminates the role that Costello's Irish-Catholic heritage plays in his work Places Costello's work within the context of postmodernism Provides in-depth analysis of Costello's approach to musical form-an approach that is highly unusual among rock musicians

Our cultural darlings make music; we make them mythic. Every musical genre begets a community of listeners, performers, and critics, and quite often those categories are blurred. From the principled punk refusal of celebrity to hip-hop's celebration of its power, the music world is self-obsessed.

Stars Don't Stand Still in the Sky assembles scholars, music writers, industry workers, and musicians, who offer a range of opinions and experience of the nature of fame. The collection focuses on commerce, the crowd, performance and image, history and memory, and romance. Contributors discuss black women icons, love-songs, the legacy of the blues, the image of the tortured rock star, MTV, the politics of the Rock and Roll Hall of Fame, the joy of line-dancing, and more.

The contributors are James Bernard, Anthony DeCurtis, Katherine Dieckmann, Chuck Eddy, Paul Gilroy, Daniel Glass, Lawrence Grossberg, Jessica Hagedorn, Kathleen Hanna, James Hannaham, Dave Hickey, Jon Langford, Greil Marcus, Angela McRobbie, Paul D. Miller (a.k.a. DJ Spooky), Barbara O'Dair, Ann Powers, Toshi Reagon, Simon Reynolds, Robert Santelli, Jon Savage, Danyel Smith, Arlene Stein, Deena Weinstein, and Ellen Willis.

The Word Rhythm Dictionary: A Resource for Writers, Rappers, Poets, and Lyricists is a new kind of dictionary-one that reflects the use of "rhythm rhymes" by rappers, poets, and songwriters of today. This is an eminently practical reference work for all wordsmiths looking to add musicality to their writing. Users of this dictionary can alphabetically look up words in the General Index to find collections of words that have the same rhythm as the original word and are readily useable in ways that are familiar to us in everything from vers libre poetry to the lyrics and music of Bob Dylan and hip hop groups. Professional writers and students have long used traditional rhyming dictionaries for inspiration by perusing lists of rhyming words; they may ask themselves, "I need a word that rhymes with blue," and are led to shoe, flu, or you. These rhyming words evoke through juxtaposition new images, thoughts, and actions that inspire creative directions and pleasing twists as verses and stanzas unfold. For the first time ever, this dictionary now allows writers and poets to ask the same question, but of word rhythm- "I need a word with the same rhythm as butterfly. . . . " Today's lyricists and poets know that there is so much more to the flow of their creations than just matching vowels. The Word Rhythm Dictionary organizes words by additional properties: phonetic similarity (alliteration and literary consonance), the number of syllables in words, and syllable stress patterns. Never has it been easier to locate words that feature similar sounds, matching meters, and rhythmic grooves, from traditional rhymes like "clashing" and "splashing," to near rhymes like "rollover" and "bulldozer," "unrefuted undisputed" to pure metrical matches, like "biology" and "photography." Additional appendixes allow readers to search according to poetic metrical feet and musical rhythm through a visual index of notated rhythms, allowing musicians and lyricists to track down words that match preexisting motives and melodies. This book could become the new fun addiction (or... addiction affliction...constriction conviction...conniption prescription...subscription conscription) for writers, musicians, lyricists, rappers, poets, and wordsmiths alike. Oh, and it's a lot of fun just to browse!

If Benny Goodman was the "King of Swing," then Fletcher Henderson was the power behind the throne. Now Jeffrey Magee offers a fascinating account of Henderson's musical career, throwing new light on the emergence of modern jazz and the world that created it.
Drawing on an unprecedented combination of sources, including sound recordings and hundreds of scores that have been available only since Goodman's death, Magee illuminates Henderson's musical output, from his early work as a New York bandleader, to his pivotal role in building the Kingdom of Swing. He shows how Henderson, standing at the forefront of the New York jazz scene during the 1920s and '30s, assembled the era's best musicians, simultaneously preserving jazz's distinctiveness and performing popular dance music that reached a wide audience. Magee reveals how, in Henderson's largely segregated musical world, black and white musicians worked together to establish jazz, how Henderson's style rose out of collaborations with many key players, how these players deftly combined improvised and written music, and how their work negotiated artistic and commercial impulses.
Whether placing Henderson's life in the context of the Harlem Renaissance or describing how the savvy use of network radio made the Henderson-Goodman style a national standard, Jeffrey Magee brings to life a monumental musician who helped to shape an era.
"An invaluable survey of Henderson's life and music."
--Don Heckman, Los Angeles Times
"Magee has written an important book, illuminating an era too often reduced to its most familiar names. Goodman might have been the King of Swing, but Henderson here emerges as that kingdom's chief architect."
--Boston Globe
"Excellent.... Jazz fans have waited 30 years for a trained musicologist...to evaluate Henderson's strengths and weaknesses and attempt to place him in the history of American music."
--Will Friedwald, New York Sun

ABBA was the biggest selling pop group of the Seventies. Between their first single in 1972, when the group was not yet called ABBA, and their final singles in 1982, ABBA recorded and released 98 unique songs. In addition they recorded versions of some of their biggest hits in Swedish, German, French, and Spanish; performed a number of songs in concert that were never released on record; and recorded a number of songs that didn't see the light of day at the time, but have been released from the archive the decades since the group "took a break" at the end of 1982.Everyone remembers ABBA's biggest hits - songs like 'Waterloo', 'Mamma Mia', 'Fernando', 'Dancing Queen', 'Take A Chance On Me', 'Chiquitita', and 'The Winner Takes It All' - but there are many gems to be found on the eight studio albums and 21 singles released during the group's lifetime. ABBA: Song by Song is a look at every single song by the Swedish supergroup, written by a life-long ABBA fan. Find out what inspired the songs, what went in to recording them, and their impact around the world in the 1970s and 80s and beyond.