This second book by Nick Snider presents the popular collectible military sweetheart jewelry and collectibles that were so important to the home front during World War I and II. Over 200 color photographs, most of full-page size, display thousands of items of jewelry, banners, pillow covers, paper items and compacts, as well as special sections on the Seabee(Construction Batallion) and WASP(Women's Airforce Service Pilot) items. Experience the human side of warfare through appreciation of the patriotic items displayed herein.

"Scandalous secrets meet riotous hilarity in this glorious 1920s-set romp starring a young dressmaking duo, perfect for readers of nine to 12." The Guardian "Fun, glamorous and absolutely brimming with charm." Catherine Doyle, author of The Storm Keeper's Island "I loved it... A 1920s fairy tale, Cinderella with a lot of luck and a touch of Nancy Mitford." Hilary McKay, author of The Skylarks' War Welcome to The House of Serendipity, where friendships are fashioned and destinies designed amongst the ballgowns, tiaras and trifles! Introducing a gorgeously glamorous new series, perfect for fans of Katherine Woodfine and Robin Stevens. Meet Myrtle Mathers and Sylvia Cartwright: two girls from different worlds bonded by a passion for fashion! They know that the perfect outfit can make dreams come true, and their dazzling designs are the talk of 1920s London... So when Agapantha Portland-Prince wants to escape her glamorous debutante ball for a life of adventure, it's their magical talents she needs. But can the girls make all their secret dreams a reality, or will this be the most stylish scandal of the century? Discover the divine designs that make dreams come true with full-page fashion illustrations.

First published in 1981, In A Glamourous Fashion is not only a fascinating look at film fashion portraying the glamour and glitter of Hollywood's heyday; but is also an invaluable reference source for any student of the film, of costume, or of the social history. It documents some of the best work of the designers - names like Adrian, Cecil Beaton, Edith Head - but tells the often-dramatic story of their careers and their relationships with legendary stars such as Garbo, Dietrich, Monroe and many more. Here are the stories behind the screen's most famous costumes: Walter Plunkett's 'curtain dress' for Scarlett O'Hara; the red Jezebel gown Orry-Kelly designed for Bette Davis; the slinky back satin sheath Rita Hayworth wore in Gilda; and the extravagant gown - 15, 000 worth of mink - worn by Ginger Rogers in Lady in the Dark. The photographs and original sketches are an essential and decorative complement to the text; there is an index, bibliography, and a full list of Academy Award winners for costume design.

Fashion Education explores how the classroom can transform the fashion industry towards body inclusion and social justice. The book is a collection of 16 essays by fashion educators from Australia, Canada, the US and the UK who recount their experiences, struggles and strategies of reimagining the exclusive foundation of fashion pedagogy and redesigning fashion curricula to centre Indigenous, Black, brown, fat, disabled, trans and queer worldviews, histories and bodies. This is the first book to explore the relationships between fashion pedagogy and social justice, and to map out new pedagogical frameworks and tools to redistribute power through fashion education. It shares the teaching practices of fashion educators implementing radical pedagogies and offers practical case studies that engage with a number of intersectional positions. Fashion Education engages with current pressing concerns for educators and is a valuable teaching resource for fashion educators - both theory and practice - working in art and design schools in Europe, the US and the UK. With chapters covering fashion theory, history, business, communication and design curricula to centre Indigenous, Black, brown, fat, disabled, trans, queer worldviews, histories and peoples it will appeal directly to the many disciplines within fashion. The discussions are also relevant to educators in other art, design and creative fields also looking to centre inclusion in their courses and the strategies presented will apply to them. Contributions from Tanveer Ahmed, Kevin Almond, Avalon Acaso, Ben Barry, Mal Burkinshaw, Johnathan Clancy, Robin J. Chantree, Deborah A. Christel, Brittany Dickinson, Greg Climer, Bianca Garcia, Denise Nicole Green, Alicia Johnson, Lucy Jones, Grace Jun, Carmen Keist, Riley Kucheran, Michael Mamp, Krys Osei, Lauren Downing Peters, Alexis Quinney, Kelly L. Reddy-Best, Austin Reeves, Joshua Simon, Colleen Schindler-Lynch, Brandon Spencer and Sang Thai

First published in 1966, View of Fashion is a collection of articles on fashions shows, parties and people in London, Paris, Italy and New York, including a section looking back to the surprising sportswomen of Victorian and Edwardian times. Lady M.P.s are observed from the Press Gallery of the House of Commons, the Headmistress and the Board of Governors are studied from the School Hall on Speech Day, tennis champions in the Players' Tearoom at Wimbledon. Fuller figures descend upon Woburn Abbey by helicopter, model girls weather a stormy crossing on the Queen Elizabeth, fancy goods are reviewed at Brighton, costume exhibitions at the Victoria and Albert Museum, corsetry in the River Room at the Savoy. There are profiles of well-known personalities on the fashion scene and a section on men's fashions and male models. Alison Adburgham's view of fashion is both accurate and acute; often unexpected, never distorted. It picks out the essential, mocks the meaningless and notes significance in the nuance. It is view with which Haro is in sensitive accord, and which he here brilliantly illustrates with ten full pages and many incidental drawings. This book will be of interest to students of fashion, journalism and social history.

At first sight, tattoos, nudity, and veils do not seem to have much in common except for the fact that all three have become more frequent, more visible, and more dominant in connection with aesthetic presentations of women over the past thirty years. No longer restricted to biker and sailor culture, tattoos have been sanctioned by the mainstream of liberal societies. Nudity has become more visible than ever on European beaches or on the internet. The increased use of the veil by women in Muslim and non-Muslim countries has developed in parallel with the aforementioned phenomena and is just as striking. Through the means of conceptual analysis, Veils, Nudity, and Tattoos: The New Feminine Aesthetics reveals that these three phenomena can be both private and public, humiliating and empowering, and backward and progressive. This unorthodox approach is traced by the three's similar social and psychological patterns, and by doing so, Veils, Nudity, and Tattoos hopes to sketch the image of a woman who is not only sexually emancipated and confident, but also more and more aware of her cultural heritage.

Polyester's popularity in the 1960s and 1970s ushered in distinctive new styles in colorful print designs. Enthusiastic descriptions are given for hundreds of cheerful dresses, jumpsuits, bellbottoms, hotpants, and disco clothes. The social issues of the times are described to help interpret the moods that helped to popularize these new styles. You will delight in the variety displayed, from the pretty and conservative designs of the early 1960s to the granny dresses, patchwork designs, paisley patterns, and flag fashions of the 1970s. "Vintage" clothing is differentiated from "retro," and original designs by Emilio Pucci, Oscar de la Renta, Geoffrey Beene, Diane Von Furstenberg, Lilly Pulitzer, and others are showcased. A foreword by Richard Martin of the Metropolitan Museum of Art's Costume Institute gives a nostalgic first-hand summary of this colorful era.

The paperback edition of this captivating story of Tudor dress, and the people who made and wore it The Tudors are some of the best-known figures in history. They continue, even today, to spark our curiosity and imagination. Their enduring popularity is no doubt partly due to the iconic portraits in which they are depicted, in farthingales and ruffs, furs and jewels, codpieces and cloaks, and vast expanses of velvet and silk. Far from being mere decoration, fashion was pivotal in the communication of status and power. This paperback edition of Tudor Fashion presents insights into the fashions of the Tudor dynasty. Histories of Kings and Queens complement stories of unsung dressmakers, laundresses, and officials charged with maintaining and transporting the immense Tudor wardrobes from palace to palace. Evidence from rare surviving garments and textiles, original documents, fine and decorative art, and archaeological findings enhance our understanding of the Tudors and their courts. Handsomely illustrated, this sumptuous book contextualizes Tudor dress and fills in gaps in our knowledge of the period and its fascinating historical figures. Published in association with Historic Royal Palaces

This book explores how clothing consumption has changed in Russia in the past 20 years as capitalism has grown in a postsocialist state, bringing with it a "consumer revolution." It shows how there has been and continues to be a massive change in the fashion retail market and how ideal lifestyles portrayed in glossy magazines and other media have contributed to the consumer revolution, as have shifts in the social structure and everyday life. Overall, the book, which includes the findings of extensive original research, including in-depth interviews with consumers, relates changes in fashion and retail to changing outlooks, identities, and ideologies in Russia more generally. The mentioned changes are also linked to the theoretical concept of fashion formed in postsocialist society.

A different take on a popular topic, this book uncovers the exciting history of the jewels and jewellery worn and used by the later medieval and Tudor Queens of England from Margaret of Anjou to Katherine Parr. Enabling general readers to see how jewellery was used by Queens to assert their power and influence in their husband's courts. Dr Tallis is an experienced writer of non-fiction to a public audience; this book is accessibly written for an educated popular audience and undergraduate students. Explores the lives of ten queen consorts across 100 years, providing students and general readers alike with a long duree view into Queenship, women's history and material culture.

This book rethinks Northeast India as a lived space, a centre of interconnections and unfolding histories, instead of an isolated periphery. Questioning dominant tropes and assumptions around the Northeast, it examines socio-political and historical processes, border issues, the role of the state, displacement and development, debates over natural resources, violence, notions of body and belonging, movements, tensions and relations, and strategies, struggles and narratives that frame discussions on the region. Drawing on current and emerging research in Northeast India studies, this work will be of great interest to scholars and researchers of politics, human geography, sociology and social anthropology, history, cultural studies, media studies and South Asian studies.

Reducing Bodies: Mass Culture and the Female Figure in Postwar America explores the ways in which women in the years following World War II refashioned their bodies-through reducing diets, exercise, and plastic surgery-and asks what insights these changing beauty standards can offer into gender dynamics in postwar America. Drawing on novel and untapped sources, including insurance industry records, this engaging study considers questions of gender, health, and race and provides historical context for the emergence of fat studies and contemporary conversations of the "obesity epidemic."

Reducing Bodies: Mass Culture and the Female Figure in Postwar America explores the ways in which women in the years following World War II refashioned their bodies-through reducing diets, exercise, and plastic surgery-and asks what insights these changing beauty standards can offer into gender dynamics in postwar America. Drawing on novel and untapped sources, including insurance industry records, this engaging study considers questions of gender, health, and race and provides historical context for the emergence of fat studies and contemporary conversations of the "obesity epidemic."

This is the first edited collection of its kind to analyse the distinct but overlapping topics of dress, costume, sport and leisure history. For researchers of bodily adornment and movement, sport and costume history are both primarily concerned with industrial practice and embodied experience. The ways in which bodies are adorned, embellished and clothed (or revealed) highlights the hybrid nature of dress history, encompassing as it does the everyday clothing solutions of the mass of people and the unusual or more ceremonial aspects of costume, as well as elite high fashion. Although this is as yet an under-researched area, there are an increasing number of fashion and clothing undergraduate and postgraduate courses that specialise in sport and leisurewear. This publication is intended to give an introductory overview of the historical and contemporary issues as it does for the growing number of sport marketing and sports studies courses concerned with dress, costume history and branding. This book was published as a special issue of Sport in History.

In the first ever book devoted to a critical investigation of the personal style blogosphere, Minh-Ha T. Pham examines the phenomenal rise of elite Asian bloggers who have made a career of posting photographs of themselves wearing clothes on the Internet. Pham understands their online activities as "taste work" practices that generate myriad forms of capital for superbloggers and the brands they feature. A multifaceted and detailed analysis, Asians Wear Clothes on the Internet addresses questions concerning the status and meaning of "Asian taste" in the early twenty-first century, the kinds of cultural and economic work Asian tastes do, and the fashion public and industry's appetite for certain kinds of racialized eliteness. Situating blogging within the historical context of gendered and racialized fashion work while being attentive to the broader cultural, technological, and economic shifts in global consumer capitalism, Asians Wear Clothes on the Internet has profound implications for understanding the changing and enduring dynamics of race, gender, and class in shaping some of the most popular work practices and spaces of the digital fashion media economy.

Cuteness is one of the most culturally pervasive aesthetics of the new millennium and its rapid social proliferation suggests that the affective responses it provokes find particular purchase in a contemporary era marked by intensive media saturation and spreading economic precarity. Rejecting superficial assessments that would deem the ever-expanding plethora of cute texts trivial, The Aesthetics and Affects of Cuteness directs serious scholarly attention from a variety of academic disciplines to this ubiquitous phenomenon. The sheer plasticity of this minor aesthetic is vividly on display in this collection which draws together analyses from around the world examining cuteness's fundamental role in cultural expressions stemming from such diverse sources as military cultures, high-end contemporary art worlds, and animal shelters. Pushing beyond prevailing understandings that associate cuteness solely with childhood or which posit an interpolated parental bond as its primary affective attachment, the essays in this collection variously draw connections between cuteness and the social, political, economic, and technological conditions of the early twenty-first century and in doing so generate fresh understandings of the central role cuteness plays in the recalibration of contemporary subjectivities.

Challenging the notion that fashion and furniture were or are separate enterprises and distinct material aesthetic traditions, this collection focuses on three material and conceptual links central to understanding the relationship between interior design and fashion-the body, fabric, and space. The volume considers the changing visual, material and spatial character, methodological challenges posed by, and formal, political and historiographical significance of, a wide range of British, European and North American case studies since the eighteenth century. The volume's eleven case studies allow the reader to understand connecting notions behind the formation of interiors and fashionable clothing. The essays combine a wide range of significant and challenging new examples alongside powerful reversionary analyses of the various periods, artists, designers, and their best and significant objects. Fashion, Interior Design and the Contours of Modern Identity is concerned not only with fabric, but also with the body and the implications of embodiment in the practices of both design domains which are equally invested in the comfort, aesthetic pleasure, extension and support of the body in different and yet seemingly identical ways.

Dandies: Fashion and Finesse in Art and Culture considers the visual languages, politics, and poetics of personal appearance. Dandyism has been most closely associated with influential caucasian Western men-about-town, epitomized by the 19th century style-setting of Oscar Wilde and by Tom Wolfe's white suits. The essays collected here, however, examine the spectacle and workings of dandyism to reveal that these were not the only dandies. On the contrary, art historians, literary and cultural historians, and anthropologists identify unrecognized dandies flourishing among early 19th century Native Americans, in Soviet Latvia, in Africa, throughout the African-American diaspora, among women, and in the art world.

Moving beyond historical and fictional accounts of dandies, this volume juxtaposes theoretical models with evocative images and descriptions of clothing in order to link sartorial self-construction with artistic, social, and political self-invention. Taking into consideration the vast changes in thinking about identity in the academy, Dandies provides a compelling study of dandyism's destabilizing aesthetic enterprise.

Contributors: Jennifer Blessing, Susan Fillin-Yeh, Rhonda Garelick, Joe Lucchesi, Kim Miller, Robert E. Moore, Richard J. Powell, Carter Ratcliffe, and Mark Allen Svede.

Here is an exciting new installment in a series from Schiffer Publishing illustrating fashion trends in America. These books are a fantastic resource for costume designers looking for new ideas to recreate an era, for collectors who want to broaden their search for vintage clothing, and for fashion designers looking to revive retro styles. From hats to handbags, and dresses to dungarees, this book brings to life every necessity of the late 1940s with authentic details from the original Sears catalogs. Displaying the fashions and trends of post-War America. The clothing reflects a social revitalization after years of hardship and strife, with an emphasis on children with the post-War baby boom, the influence of French and European styles, and a return to femininity for women following the 'Rosie the Riveter' era. Juniors' skirts flare in anticipation of circle skirts, complete with big motifs. Men's suits are flatteringly tailored to emphasize long torsos and narrow hips, and casual wear stresses a return to the concerns of bowling and hunting. An excellent visual reference, this book offers more than 300 full-color and black and white photographs, and thousands of items of clothing, shoes, and accessories, along with detailed descriptions. A guide to retail values for these items on today's market is included as well.

This detailed study is the first exploration of rural consumption of clothing in early nineteenth-century Britain. Drawing on evidence from a range of sources including newspapers, trade directories, court records, visual sources and surviving garments, Toplis investigates how the apparel of the mass of the British population was acquired.

The clothes we wear tell stories about us and are often imbued with cultural meanings specific to our ethnic heritage. This concise A-to-Z encyclopedia explores 150 different and distinct items of ethnic dress, their history, and their cultural significance within the United States. The clothing artifacts documented here have been or are now regularly worn by Americans as everyday clothing, fashion, ethnic or religious identifiers, or style statements. They embody the cultural history of the United States and its peoples, from Native Americans, white Anglo colonists, and forcibly relocated black slaves to the influx of immigrants from around the world. Entries consider how dress items may serve as symbolic linkages to home country and family or worn as visible forms of opposition to dominant cultural norms. Taken together, they offer insight into the ethnic-based core ideologies, myths, and cultural codes that have played a role in the formation and continued story of the United States."

This book fills a significant gap in the literature on eighteenth-century social and cultural history. Starting with their production and trade, Sorge-English looks at the intricacies of the staymaker's craft, the role of gender in the design and manufacture of stays and the changing shape of stays over time.

An inspiration to countless designers and the stomping ground of fashion's in-crowd, London is the capital of subculture. From Mary Quant to Alexander McQueen, from punks to goths, and from Twiggy to Naomi Campbell, Little Book of London Style is the beautifully illustrated guide to the essential brands, trends and people that make up the style DNA of this unique city.

First Published in 2004. "The Face of Fashion" is a study of fashion and the body which aims to establish the relations between codes and systems of clothing and the conduct of everyday life. Jennifer Craik questions the trickle-down theory that fashion is dictated by elite designers and opinion leaders with evidence of a trickle-up effect from sub-cultures, mass consumer behaviour and everyday bricolage of fashion items. The text addresses the neglected area of men's fashion, as well as women's fashion, within a broad examination of the role of fashion in gender identity. The argument is developed through a number of key agencies and processes: consumerism and everyday fashion; the iconization of the body through fashion models and photography; the use of cosmetics to "make-up" the body; the nexus between fashion and gender; the changing fashions in underwear and swimwear as maps of the revealed body. These topics are approached from an interdisciplinary perspective that treats fashion systems as ethnographic traces of the cultural projection of the body.

This book examines the transformation in US thinking about the role of Ballistic Missile Defence (BMD) in national security policy since the end of the Cold War. The evolution of the BMD debate after the Cold War has been complex, complicated and punctuated. As this book shows, the debate and subsequent policy choices would often appear to reflect neither the particular requirements of the international system for US security at any given time, nor indeed the current capabilities of BMD technology. Ballistic Missile Defence and US National Security Policy traces the evolution of policy from the zero-sum debates that surrounded the Strategic Defense Initiative as Ronald Reagan left office, up to the relative political consensus that exists around a limited BMD deployment in 2012. The book shows how and why policy evolved in such a complex manner during this period, and explains the strategic reasoning and political pressures shaping BMD policy under each of the presidents who have held office since 1989. Ultimately, this volume demonstrates how relative advancements in technology, combined with growth in the perceived missile threat, gradually shifted the contours and rhythm of the domestic missile defence debate in the US towards acceptance and normalisation. This book will be of much interest to students of missile defence and arms control, US national security policy, strategic studies and international relations in general.