When the first lockdown came, finding himself without cricket for the first time in his life, Geoffrey Boycott sat down and began to write a retrospective warts-and-all diary of each of his Test match appearances. It is illuminating and unsparing, characterised by Boycott’s astonishing memory, famous forthrightness and unvarnished, sometimes lacerating, honesty. That 100,000 word document forms the basis for Being Geoffrey Boycott, a device that takes the reader inside Geoffrey’s head and back through cricket history, presenting a unique portrait of the internal and external forces that compelled him from a pit village in Yorkshire to the pinnacle of the world game. Now 81 and still one of the most recognisable cricketers England has ever produced, Boycott has teamed up with award-winning author Jon Hotten in this catalogue of his tumultuous time with the national side. Dropped for scoring a slow double hundred, making himself unavailable to play for England for several years, captain for eight seasons of a group of strong, stroppy and extremely talented players at Yorkshire, bringing up his hundredth hundred at Headingley against the Old Enemy, seeing David Gower and Ian Botham emerge as future greats, playing under Mike Brearley in the 1981 Ashes, in this enlightening book Boycott reveals a host of never-before-heard details regarding his peers and his playing days.

In 1932, England's cricket team, led by the haughty Douglas Jardine, had the fastest bowler in the world: Harold Larwood. Australia boasted the most prolific batsman the game had ever seen: the young Don Bradman. He had to be stopped. The leg-side bouncer onslaught inflicted by Larwood and Bill Voce, with a ring of fieldsmen waiting for catches, caused an outrage that reverberated to the back of the stands and into the highest levels of government. Bodyline, as this infamous technique came to be known, was repugnant to the majority of cricket-lovers. It was also potentially lethal - one bowl fracturing the skull of Australian wicketkeeper Bert Oldfield - and the technique was outlawed in 1934. After the death of Don Bradman in 2001, one of the most controversial events in cricketing history - the Bodyline technique - finally slid out of living memory. Over seventy years on, the 1932-33 Ashes series remains the most notorious in the history of Test cricket between Australia and England. David Frith's gripping narrative has been acclaimed as the definitive book on the whole saga: superbly researched and replete with anecdotes, Bodyline Autopsy is a masterly anatomy of one of the most remarkable sporting scandals.

The life and times of Middlesex and England wicketkeeper-batsman John 'JT' Murray, one of the acknowledged greats of English post-war cricket. Irresistibly cool, glamorous and apparently unapproachable, Murray was Christopher Sandford's consuming hero at the time the author was confined in an English seaside boarding school in the 60s. Twenty or more years later, the two became friends. In 2017 Murray eventually succumbed to a decade-long campaign and agreed to share in full his lifetime's reminiscences, recounting his experiences of a quarter of a century as a professional English sportsman. Murray proved unfailingly generous and humorous (if by no means uncritical) in his accounts of the great Tests, the tours and the parade of celebrities, sporting and otherwise, he encountered. This treasure trove of stories - described not just in the dry accountancy of scores and averages, but in droll anecdotal detail - lies at the heart of a unique cricket book illustrated by photographs, letters and notes from Murray's own collection.

It's Raining Bats and Pads: The Story of Lancashire County Cricket Club 1988-1996 vividly captures the sporting and cultural landscape of the late 1980s to mid-90s, and shows the sea change between then and now. It's a romantic jaunt through the halcyon days of Mike Atherton, Neil Fairbrother and Wasim Akram as seen through the eyes of the author, who as a child and young adult lived through that era. It harks back to the glory days of lazy linseed summers when life was much simpler, time was not strictly of the essence and kids had to entertain themselves. Although primarily a tale of Lancashire's success on the field - punctuated by some lively spectator incidents at the grounds - the book also explores broader societal questions. Is the game in a better place now? Has the standard of cricket improved? Has freedom of choice caused the game's popularity to fall among the young? And is the Hundred an allegory for a society that simply can't wait for better?

Bails and Boardrooms is the story of one of Middlesex cricket's best-loved players - a man who used the sport to change his life. David Nash lived and breathed cricket from a very young age. Touted as a future England star at age 15, he eventually found the strains of life as a professional cricketer too great and suffered severe mental-health issues. But the end of Nashy's 16-year Middlesex career proved to be the beginning of something far greater. Determined to make something more of his life, he set out on a journey that would see him build a multi-million-pound business. It was a business that would be his proudest achievement. This book charts Nashy's extraordinary life, from a cricket career of unfulfilled potential to building a business using the lessons he learnt from sport and raising millions for charity. This is a story for anyone who loves cricket or is interested in entrepreneurship. It's a story that shows how hard work, determination and talent can take you almost anywhere.

Cricket is an Indian game accidentally invented by the English, it has famously been said. But India was represented by a cricket team long before it became a nation. Conceived by an unlikely coalition of imperial and local elites, it took twelve years and four failed attempts before the first Indian cricket team made its debut on the playing fields of imperial Britain. Drawing on an unparalleled range of original archival sources, Cricket Country is the story of this first 'All India' national cricket tour of Great Britain and Ireland. It is also simultaneously the extraordinary tale of how the idea of India took shape on the cricket pitch long before the country gained its political independence. Replete with a highly improbable cast of characters, the tour took place against the backdrop of anti-colonial protest and revolutionary terrorism in the high noon of Edwardian imperialism, with an Indian team that included the young, newly enthroned ruler of the most powerful Sikh state in India as its captain and, remarkably for the day, two Dalit cricketers as well. Over the course of their historic tour in the blazing Coronation summer of 1911, these Indian cricketers participated in a collective enterprise that epitomizes the way in which sport - and above all cricket - helped fashion the imagined communities of both nation and empire.

Jonathan Trott was England's rock during one of the most successful periods in the team's history - he scored a century on debut to clinch the Ashes in 2009, and cemented his position as their pivotal batsman up to and beyond the team's ascendancy to the number 1 ranked test team in 2011. Yet shortly after reaching those heights, he started to crumble, and famously left the 2012-13 Ashes tour of Australia suffering from a stress related illness. His story is the story of Team England - it encompasses the life-cycle of a team that started out united by ambition, went on to achieve some of the greatest days in the team's history but then, bodies and minds broken, fell apart amid acrimony. Having seen all of this from the inside, Jonathan's autobiography takes readers to the heart of the England dressing room, and to the heart of what it is to be a professional sportsman. Not only does it provide a unique perspective on a remarkably successful period in English cricket and its subsequent reversal, it also offers a fascinating insight into the rewards and risks faced as a sportsman carrying the hope and expectation of a team and a nation. And it's a salutary tale of the dangers pressure can bring in any walk of life, and the perils of piling unrealistic expecations on yourself.

Know the Game Cricket is the perfect introduction to the sport for all ages, whether you are a keen club player or beginner. It is packed with expert text, clear illustrations and photographs of the professionals in action. The book includes: Playing the game: how to play cricket, the rules, positions on the pitch, how to score The laws of the game: from scoring to umpiring Equipment and pitch: how to choose a bat, positioning of fielders, the wicket The skills: step-by-step guide to all the basic skills, including batting, bowling, wicket keeping and fielding. The Know the Game series is firmly established as the definitive introduction to a wide range of sports and games. Written by the experts, you can be sure that they contain everything you need to know to take part.

This is the story of how one cricketer in Yorkshire started a nationwide conversation, putting a spotlight on a society riddled with bias. Green grass, blue skies, white flannels and the gentle thwack of leather on willow: the quintessential image of Englishness that heralds the start of the cricket season. A so-called gentleman's game developed with the principle of fair play at its heart. All well and true - unless you're a person of colour living in Britain today. Azeem Rafiq, the former Yorkshire cricketer and England youth captain, learnt this the hard way. When, on 16 November 2021, Azeem stood up and courageously spoke out about his experiences of racism at Yorkshire County Cricket Club he was coolly dismissed, told that it was "friendly banter" and that he was a troublemaker. The case blew up, and millions of people voiced their support for Azeem. It's Not Banter, It's Racism will provide a bracing look at the moments that led up to and defined the watershed meeting where Azeem shared his truth. As well as interviewing key figures involved in the case, Azeem, with The Cricketer's George Dobell, will illustrate how the continual denial of racism is sending us backwards as a society, and how pervasive polarisation has become. It is with great sensitivity and determination that Azeem will also unpack his own biases, while also building forgiveness and understanding with the communities he has impacted. Giving voice to the voiceless, Azeem's book stands for accountability and honesty in a world that would prefer to cancel and silence.

SHORTLISTED FOR THE CRICKET SOCIETY AND MCC BOOK OF THE YEAR AWARD 2020 The much-loved former England player, Guardian cricket correspondent and TMS broadcaster tells the story of his life in cricket for the first time. In April 1974 new recruits Viv Richards, Ian Botham, Peter Roebuck and Vic Marks reported for duty at Somerset County Cricket Club. Apart from Richards, 'all of us were eighteen years old, though Botham seemed to have lived a bit longer - or at least more vigorously - than the rest.' In this irresistible memoir of a life lived in cricket, Vic Marks returns to the heady days when Richards and Botham were young men yet to unleash their talents on the world stage while he and Roebuck looked on in awe. After the high-octane dramas of Somerset, playing for England was almost an anti-climax for Marks, who became an unlikely all-rounder in the mercurial side of the 1980s. Moving from the dressing room to the press box, with trenchant observations about the modern game along the way, Original Spin is a charmingly wry, shrewdly observed account of a golden age in cricket.

Of all games, cricket has long prided itself on its ethical traditions, but to modern sceptics the idea of cricket encapsulating a higher morality is actually something of a myth. Playing the Game? looks at the changing ethics of cricket, from its gentlemanly roots right up until the present day. After decades of sledging, intimidatory bowling, blatant gamesmanship and dissent, the MCC adopted `The Spirit of Cricket' in 2000 in an attempt to reclaim the game's original ethos - but was it already too late? While the concept is a noble one, its impact has so far been limited, as award-winning cricket scribe Mark Peel explains. As well as looking back to the infamous Bodyline series of 1932/33, Peel also investigates the effects of Kerry Packer's World Series Cricket; takes the ICC to task on their failure to quell rowdy behaviour and gamesmanship; examines the double standards of Western cricketing nations towards Pakistan; and delves into the recent ball-tampering affair that has tainted Aussie cricket.

This is an exacting social history of Indian cricket between 1780 and 1947. It considers cricket as a derivative sport, creatively adapted to suit modern Indian socio-cultural needs, fulfil political imperatives and satisfy economic aspirations. Majumdar argues that cricket was a means to cross class barriers and had a healthy following even outside the aristocracy and upper middle classes well over a century ago. Indeed, in some ways, the democratization of the sport anticipated the democratization of the Indian polity itself. Boria Majumdar reveals the appropriation, assimilation and subversion of cricketing ideals in colonial and post-colonial India for nationalist ends. He exposes a sport rooted in the contingencies of the colonial and post-colonial context of nineteenth- and twentieth-century India. Cricket, to put it simply, is much more than a 'game' for Indians. This study describes how the genealogy of their intense engagement with cricket stretches back over a century. It is concerned not only with the game but also with the end of cricket as a mere sport, with Indian cricket's commercial revolution in the 1930s, with ideals and idealism and their relative unimportance, with the decline of morality for reasons of realpolitik, and with the denunciation, once and for all, of the view that sport and politics do not mix. This book was previously published as a special issue of the International Journal of the History of Sport

From a tidal strip of sand outside the Ship Inn at Elie, in Fife, to the monumental Melbourne Cricket Ground with its 100,000 capacity, this book features the extraordinary places and venues in which cricket is played, now in a smaller format. Across six of the seven continents on which cricket is played, there are some remarkable cricket grounds. From a tidal strip of sand outside the Ship Inn at Elie, in Fife, to the monumental Melbourne Cricket Ground with its 100,000 capacity, this book features the extraordinary places and venues in which cricket is played. Many grounds have remarkably beautiful settings. There is the rugged Devonian charm of Lynton and Lynmouth Cricket Club set in the Valley of the Rocks, not far from the North Devon coast. Then there is the vividly-coloured, almost Lego-like structure of Dharamshala pavilion in Northern India. In contrast there are under-threat cricket pitches in North Yorkshire, such as Spout House, where Prince Harry played twice, scored 16, and then got bowled by a 12-year-old. Many of England’s greatest players have come from public schools, and there are some wonderful examples of their cricket grounds such as Sedbergh and Milton Abbey. Country houses such as Audley End and Blenheim Palace form the backdrop to many cricket pitches, or castles, such as Bamburgh Castle in Northumberland, or Raby Castle in County Durham. Sri Lanka’s test ground, Galle, has a fort looming above it, while Newlands Stadium in Cape Town, has the unmistakeable Table Mountain as the backdrop. Some of the stunning imagery has a modern feel. Queenstown cricket ground has international jets taking off just yards from the playing action, while Singapore Cricket Club is an oasis of lush green set against a 21st century array of high-rise towers. Then there are cricket grounds in unusual places; Hawaii, Corfu, Berlin, Slovenia and St Moritz to name but a few.

A great depression, worsening Anglo-Australian relations, the declining British Empire and the challenge from an Australia striving to find a national identity are the context which explain bodyline and its repercussions. Bodyline was a watershed in the history of cricket and politics were publicly seen as part of sport. This book offers a radical reappraisal of bodyline which challenges the official interpretations of the events, and places them in a unique social and political context. .

Five Trophies and a Funeral: The Building and Rebuilding of Durham County Cricket Club is the story of how English cricket's youngest first-class county quickly became the country's top team, before overstretching themselves financially to the brink of extinction. When Durham joined the professional game in 1992 they aspired to be a major on-field force and a home to top international cricket. The high demands put on them as a condition of entry, together with their own lofty ambitions, pushed the club to five major trophies in seven seasons while providing England with top-quality players reared in the North East. But striving for ever more at a time of economic downturn led them to live beyond their means, and they were heavily punished for overspending that the authorities partly encouraged. Now they are looking to restore past glories under the chairmanship of Sir Ian Botham. Part fairy tale, part cautionary story, Five Trophies explains how Durham arrived where they are, and where they aim to go next.

Since Victorian times, the MCC had embraced the amateur ideal that cricket was more than a game. It was the very essence of camaraderie and good sportsmanship. Yet for all their evangelising, the game's privileged elite were part of a British establishment which revelled in its national prestige and imperial hegemony. And winning at cricket was essential to maintaining that stature. Ambassadors of Goodwill assesses the MCC's attempt to marry these conflicting objectives and foster goodwill within the Empire via long, formal overseas tours. After the war, the amateur ideal suffered when Len Hutton was appointed England's first professional captain. His uncompromising leadership brought success on the field but discord off it. Managers were installed to restore diplomatic harmony but, with the growing upheavals of the late 60s, cricket became increasingly associated with nationality, race and professional cynicism. Ray Illingworth's controversial win in Australia in 1970/71 clearly signalled the MCC's waning influence.

Award-winning cricket writer Mark Peel charts the development of the England captaincy - from the autocratic captains of the post-war years to the dual captaincy of the present, where power is shared between captain and coach. Peel examines the huge demands the England captaincy imposes on the occupant and why few leave office with their reputation enhanced. You'll learn about the long-lasting legacy of the Hutton captaincy of the mid-1950s, the downfall of mavericks such as Brian Close, Tony Greig and Mike Gatting, the success of the Illingworth and Brearley eras and the chaos of the 1980s, when captains came and went with regular abandon, and finally the glory years of Michael Vaughan and Andrew Strauss. The Hollow Crown contains individual portraits of the 43 England captains, exploring their background, philosophy, strengths, weaknesses and the legacy they left, with special attention given to the likes of Hutton, May, Illingworth, Brearley, Atherton, Hussain, Vaughan and Strauss.

What prompts common people to kill a guard and rob an office they thought had some tickets for a Test match? Why does a scholar of medieval Bengali literature remark, 'Had life been a sport, it would be cricket'? Who do journalists vindicate by promoting cricket, the imperial game par excellence, as the lifeforce of the ordinary Indian? This book pursues these threads of the people's uncanny attachment to cricket, seeking to understand the sport's role in the making of a postcolonial society. With a focus on Calcutta, it unpacks the various connotations of international cricket that have produced a postcolonial community and public culture. Cricket, it shows, gave the people a tool to understand and form themselves as a cultural community. More than the outcomes of matches, the beliefs, attitudes and actions the sport generated had an immense bearing on emerging social relationships.

This book is an account of cricket in post-apartheid South Africa; from the tumultuous Gatting tour in which, ironically, the seeds of cricket unity were sown, to the Hansie Cronje saga and the change of leadership from Ali Bacher to Gerald Majola, and more recently to Haroon Lorgat. It is a story of a new pitch; a quick start full of hope, followed by a steady erosion of the commitments needed to fulfil the promise of a level playing field. Economic and political compromises contributed to holding back the piercing of the covers of race and class privilege. Alongside this, the hurried hollowing out of the “politics of cricket”, aided by black administrators assuming the accoutrements of office, saw very little internal challenge to the lack of transformation. Meanwhile, global realignments in cricket initially gave South Africa some respite. But soon, the big three of Australia, England and India were collaborating to claim the lion’s share of global funding, thus limiting even further the resources necessary for development in the domestic game. In a sense, we are back to the Springfield-Kingsmead divide. But there will be no posthumous honours, however grudgingly given, to lovers of the game who are keeping it alive in townships or side streets. Those whose innings are defined by lumpy mats and broken gear garner far less sympathy or note. For is cricket not now open to all, just like the Ritz Hotel; a game of money, dazzle, dancing girls and quick results?