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Books > Fiction > Genre fiction > Crime & mystery
"I didn’t plan to fall in love with an accused serial killer. Nevertheless, my wrists and ankles are bound to a chair, and I can only blame myself. I strain at the ropes, take a deep breath, and prepare to die." Hannah Wilson is embarrassingly unlucky in life and love. Her only comfort comes from the true crime forums she trawls, desperate for more news about the case of serial murders she’s obsessed with. After all, she can’t save herself from more disappointment, but maybe she can figure out who the killer is and save another woman from losing her life. And then handsome lawyer William Thompson is arrested. And Hannah is so full of female rage about everything he’s done and everything she’s going through, that she decides to write him a series of angry letters. She just doesn’t count on him writing back… Each response from William is more surprising than the last. He listens. He cares. And for the first time, Hannah feels seen. When a shocking twist gives Hannah the chance to see William, she can’t resist meeting her pen pal to work out his secrets. But what does she really want him to be – innocent victim, or her own personal monster? Love Letters to a Serial Killer is a surprising, original and deeply entertaining debut. Part thriller, part romance, part satire. Perfect for fans of Yellowface, You and How to Kill Your Family.
THEY'RE BAAAAACK. Their first caper, "The Spellman Files," was a "New York Times" bestseller and earned comparisons to the books of Carl Hiaasen and Janet Evanovich. Now the Spellmans, a highly functioning yet supremely dysfunctional family of private investigators, return in a sidesplittingly funny story of suspicion, surveillance, and surprise. When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She's been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect's name: John Brown), convinced he's up to no good -- even if her parents (the management at Spellman Investigations) are not. When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy's octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth -- as only she, a thirty-year-old licensed professional, can. When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her "best friend," Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler's holiday lawn tableaux perfectly and eerily match a series of crimes from 1991A--92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As "Curse of the Spellmans" unfolds, it's clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases -- her own and that of every other Spellman family member. (Re)meet the Spellmans, a family in which eavesdropping is a mandatory skill, locks are meant to be picked, past missteps are never forgotten, and blackmail is the preferred form of negotiation -- all in the name of unconditional love.
One family . . .
A unique locked-room debut with a memorable intergenerational relationship and gaming angle, about a grandmother and granddaughter who are snowed in at a lavish party at a mansion where the host has been murdered, and the unlikely sleuthing pair must draw on a unique skillset to navigate a dangerous game together Widow Mimi lives on idyllic Mackinac Island where cars are not allowed and a Gibson with three onions at the witching hour is compulsory. Her granddaughter, Addie, is getting over the heartbreak of her fiancé, Brian, dumping her and cutting her out of the deal for the brilliantly successful video game, Murderscape, they invented together (with Addie doing most of the heavy lifting). When Mimi gets an invitation from local socialite Jane Ireland–a seventysomething narcissist who is having an affair with her son-in-law–to a charity auction, it is the perfect excuse to get Addie to join her for the weekend. What Mimi isn’t telling Addie is that a blackmail threat from Jane looms over the party’s invitation. In case the scene wasn’t already set for a turbulent weekend, a big storm rolls in, trapping everyone in the mansion. And then, Jane’s body is found. Soon Mimi and Addie are caught in a dangerous game, relying on their skills (Mimi loves a crossword puzzle, and Addie is a brilliant game designer, after all) to narrow down the suspects. When another body turns up, the sleuthing pair realize someone else is playing a deadly game, and they might not survive the night. . . .
'I hate murders and I hate murderers, but I must admit that the discovery of a bearded corpse would give a fillip to my jaded mind.' Vivian Lestrange - celebrated author of the popular mystery novel The Charterhouse Case and total recluse - has apparently dropped off the face of the Earth. Reported missing by his secretary Eleanor, whom Inspector Bond suspects to be the author herself, it appears that crime and murder is afoot when Lestrange's housekeeper is also found to have disappeared. Bond and Warner of Scotland Yard set to work to investigate a murder with no body and a potentially fictional victim, as E C R Lorac spins a twisting tale full of wry humour and red herrings, poking some fun at her contemporary reviewers who long suspected the Lorac pseudonym to belong to a man (since a woman could apparently not have written mysteries the way that she did). Incredibly rare today, this mystery returns to print for the first time since 1935.
They raised her. Nurtured her. And lied about everything.
15-year-old Billy Davies is found dead in his father's shed. A pair of gardening shears thrust brutally into his chest. DI Hillary Greene tries to get to the bottom of this baffling crime. How had Billy come into contact with such a vicious killer? Who wanted him dead and why? The investigation reveals that the teenager was not such an innocent young man. Meanwhile, Hillary's career seems to have stalled. She's been passed over for promotion, and her reliable constable Tommy Lynch is to be transferred out. But Hillary won't let distractions get in the way of solving crimes. To catch this killer, Hillary will need to dig deep into the dark secrets of a small community. Set at prestigous, ancient Oxford University, drawing on the author's local knowledge of the university's history and the area, and expert research into police procedure. At the heart of the series is Hillary Greene, a hard-working detective who lives on a houseboat, has a reputation for getting the job done right. Her DCI, Philip 'Mellow' Mallow, has her back, even as she battles an ongoing internal investigation.
After a busy year fighting crime, DCI Ryan and his team of murder detectives are enjoying a festive season of goodwill, mulled wine and, in the case of DS Phillips, a stottie cake or two―that is, until a freak snowstorm forces their car off the main road and into the remote heart of Northumberland. Their Christmas spirit is soon tested when they’re forced to find shelter inside England’s most haunted castle, where they’re the uninvited guests at a ‘Candlelit Ghost Hunt’. It’s all fun and games―until one of the guests is murdered. It seems no mortal hand could have committed the crime, so Ryan and co. must face the spectres living inside the castle walls to uncover the grisly truth, before another ghost joins their number…
Daylight is the gripping follow up to Long Road to Mercy and A Minute to Midnight featuring Special Agent Atlee Pine, from one of the world's most favourite thriller writers, David Baldacci. The hunt Ever since Mercy was abducted aged six, Atlee has been relentless in her search for her. Finally, she gets her most promising breakthrough yet - the identity of her sister's kidnapper. The capture As Atlee and her assistant, Carol Blum, race to track down the suspect, they run into Pine's old friend and fellow agent, John Puller, who is investigating the suspect's family for another crime. The kill Working together, Pine and Puller must pull back the layers of deceit, lies and cover-ups that strike at the very heart of global democracy. And the truth about what happened to Mercy will finally be revealed. That truth will shock Atlee Pine to her very core. Continue the gripping series with Mercy.
Vir die eerste keer is vier van Deon Meyer se Afrikaanse filmdraaiboeke nou saam gebundel.
Jakhalsdans:
Die laaste tango:
Die ballade van Robbie de Wee:
Jagveld: |
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