A collection presenting cutting edge research from music, dance, performance art, fashion and visual arts, written by scholar-practitioners working in Southeast Asia. This eclectic monograph explores multi-disciplinarily performativity through the body. Exploring the notion of the body as central to creative practice it draws together conversations centring on innovation through embodied knowledge relating to space, time and place. The authors in this collection are leaders in their field and recognized internationally. Their chapters represent new directions in thought and practice by game-changers in the arts. Underpinned by a central theme of corporeality, it is bold and innovative in its scope and range, bringing diverse disciplines together. It enables connections that create new ways of critically exploring corporeality extending beyond physicality and the traditional body-centred areas of performing arts practice. Insightful and stimulating reading for students, scholars and practitioners across the tertiary arts sector, as well as education, therapy, cultural studies and interdisciplinary arts.

Founded in 1961, Studia Hibernica is devoted to the study of the Irish language and its literature, Irish history and archaeology, Irish folklore and place names, and related subjects. Its aim is to present the research of scholars in these fields of Irish studies and so to bring them within easy reach of each other and the wider public. It endeavours to provide in each issue a proportion of articles, such as surveys of periods or theme in history or literature, which will be of general interest. A long review section is a special feature of the journal and all new publications within its scope are there reviewed by competent authorities.

First published in 1981, In A Glamourous Fashion is not only a fascinating look at film fashion portraying the glamour and glitter of Hollywood's heyday; but is also an invaluable reference source for any student of the film, of costume, or of the social history. It documents some of the best work of the designers - names like Adrian, Cecil Beaton, Edith Head - but tells the often-dramatic story of their careers and their relationships with legendary stars such as Garbo, Dietrich, Monroe and many more. Here are the stories behind the screen's most famous costumes: Walter Plunkett's 'curtain dress' for Scarlett O'Hara; the red Jezebel gown Orry-Kelly designed for Bette Davis; the slinky back satin sheath Rita Hayworth wore in Gilda; and the extravagant gown - 15, 000 worth of mink - worn by Ginger Rogers in Lady in the Dark. The photographs and original sketches are an essential and decorative complement to the text; there is an index, bibliography, and a full list of Academy Award winners for costume design.

A fascinating exploration of beer, ancient and contemporary, and its role in shaping human society Beer is and has always been more than an intoxicating beverage. Ancient beer produced in the Near East, Asia, Africa, Europe, and the Americas was a food that had a remarkable role in shaping the development of agriculture and some of the earliest state-level societies. Its invention 13,000 years ago was one of the fundamental motivations for the domestication of grains around the world. In early states, the control over the technological knowledge and resources to produce beer contributed to social hierarchies. Beer even likely provided the capital to motivate laborers to construct the ancient pyramids and other large-scale public works. The fermentation of beer also provided a healthy and safe alternative to the contaminated drinking water in early states and it continues to do so among rural Indigenous populations today. Beer is a social lubricant that brings people together and, in many Indigenous societies both past and present, is a gift connecting people to their ancestors. The same innovations pioneered by ancient brewers are transforming the types of ingredients and flavors produced by the global craft beer industry. In Beer, archaeologist John W. Arthur takes readers on an exciting global journey to explore the origins, development, and recipes of ancient beer. This unique book focuses on past and present non-industrial beers, highlighting their significance in peoples' lives through four themes: innovating new technologies, ensuring health and well-being, building economic and political statuses, and imbuing life with ritual and religious connections. As this book amply illustrates, beer has shaped our world in remarkable ways for the past 13,000 years.

Sorrow and Solace focuses on the importance of cemeteries in the lives of everyday mourners, and ways in which our bereaved give meaning to and draw value from their commemorative activities. The death of someone dear to us is among the most momentous life event that we experience. In many societies, visiting the grave or memorial is a common behavioural response to bereavement. Memorial sites provide vital connections to our deceased loved ones with whom we wish to maintain ongoing social bonds, and cemeteries are crucial places of deep healing and growth. Millions of visits are made to cemeteries every day, but the extent of this activity and its value to those who mourn - the topics of this volume - have long remained largely unrecognised. Large urban memorial parks are hives of activity for recently bereaved persons, and are among the most visited places in Western communities. Some cemeteries, hosting millions of annual visits, are more popular than many major tourist attractions. Cemetery visitation is a high-participatory, value-laden, expressive activity, and a most significant observable behaviour of the recently bereaved. This work will be invaluable to those seeking a scholarly understanding of bereavement, mourning, and commemoration. Written principally for professionals with a tertiary educational interest in related fields, such as grief educators, nurses, palliative carers, and social workers, it is also an important resource for the further education of other carers and service providers, including psychologists, physicians, counsellors, clergy, funeral directors, cemetery administrators, and monumental masons. The book is also a significant contribution to the field of social anthropology.

When Shoba Narayan - who has just returned to India with her husband and two daughters after years in the United States - asks whether said cow might bless her apartment next, it is the beginning of a beautiful friendship between our author and Sarala, who also sells fresh milk right across the street from that thoroughly modern apartment building. The two women connect over not only cows but also family, food, and life. When Shoba agrees to buy Sarala a new cow, they set off looking for just the right heifer, and what was at first a simple economic transaction becomes something much deeper, though never without a hint of slapstick. The Milk Lady of Bangalore immerses us in the culture, customs, myths, religion, sights, and sounds of a city in which the twenty-first century and the ancient past coexist like nowhere else in the world. It's a true story of bridging divides, of understanding other ways of looking at the world, and of human connections and animal connections, and it's an irresistible adventure of two strong women and the animals they love.

This book examines the ways in which luxury fashion brands use their heritage in their digital storytelling and marketing. With chapters from authors in China and Macau (PRC), India, Romania, Turkey, the United Kingdom, and the United States, covering British, Chinese, French, Japanese, Indian, Italian, and Turkish brands, this truly global collection is the first book of its kind devoted solely to the emerging study of digital heritage storytelling. This method of reaching potential consumers and perpetuating brand identity is a hugely important factor in the marketing of luxury brands and has yet to be studied comprehensively. The book will be of interest to scholars working in fashion studies, fashion history, design history, design studies, digital humanities, and fashion marketing.

Luxury, Fashion and the Early Modern Idea of Credit addresses how social and cultural ideas about credit and trust, in the context of fashion and trade, were affected by the growth and development of the bankruptcy institution. Luxury, fashion and social standing are intimately connected to consumption on credit. Drawing on data from the fashion trade, this fascinating edited volume shows how the concepts of credit, trust and bankruptcy changed towards the end of the early modern period (1500 1800) and in the beginning of the modern period. Focusing on Sweden, with comparative material from France and other European countries, this volume draws together emerging and established scholars from across the fields of economic history and fashion. This book is an essential read for scholars in economic history, financial history, social history and European history.

This book, first published in 1990, studies the oral fiction entertainments of Afghanistan by focusing on aspects of the oral narrative process which can be observed in individual performances.

Ours is the era of "reinvention". From psychotherapy to life coaching, from self-help manuals to cosmetic surgery and from corporate rebranding to urban redesign: the art of reinvention is inextricably interwoven with the lure of the next frontier, the breakthrough to the next boundary - especially boundaries of the self. In this new, updated edition of this remarkable book, Anthony Elliott examines "reinvention" as a key buzzword of our times. Through a wide-ranging and impassioned assessment, Elliott unmasks the ever-increasing globalization of reinvention - from reinvention gurus to business reinvention, from personal makeovers to corporate rebrandings. In doing so, he undertakes a serious if often amusing consideration of contemporary reinvention practices, including super-fast weight-loss diets, celebrity makeovers, body augmentations, speed dating, online relationship therapies, organizational restructurings, business downsizings and many more. The second edition of Reinvention includes a new chapter on the digital revolution and artificial intelligence, which situates reinvention within the context of technological automation. There is also a discussion of how the Covid-19 global pandemic has impacted today's cultures of reinvention. In addition, there is a new concluding chapter in which the author develops further his theoretical account of the nature of reinvention societies. This absorbing book will continue to be the ideal introduction to reinvention for students and general readers alike. Reinvention offers a provocative and radical reflection on an issue (sometimes treated as trivial in the public sphere) that is increasingly politically urgent in terms of its personal, social and environmental consequences.

Ours is the era of "reinvention". From psychotherapy to life coaching, from self-help manuals to cosmetic surgery and from corporate rebranding to urban redesign: the art of reinvention is inextricably interwoven with the lure of the next frontier, the breakthrough to the next boundary - especially boundaries of the self. In this new, updated edition of this remarkable book, Anthony Elliott examines "reinvention" as a key buzzword of our times. Through a wide-ranging and impassioned assessment, Elliott unmasks the ever-increasing globalization of reinvention - from reinvention gurus to business reinvention, from personal makeovers to corporate rebrandings. In doing so, he undertakes a serious if often amusing consideration of contemporary reinvention practices, including super-fast weight-loss diets, celebrity makeovers, body augmentations, speed dating, online relationship therapies, organizational restructurings, business downsizings and many more. The second edition of Reinvention includes a new chapter on the digital revolution and artificial intelligence, which situates reinvention within the context of technological automation. There is also a discussion of how the Covid-19 global pandemic has impacted today's cultures of reinvention. In addition, there is a new concluding chapter in which the author develops further his theoretical account of the nature of reinvention societies. This absorbing book will continue to be the ideal introduction to reinvention for students and general readers alike. Reinvention offers a provocative and radical reflection on an issue (sometimes treated as trivial in the public sphere) that is increasingly politically urgent in terms of its personal, social and environmental consequences.

First published in 1966, View of Fashion is a collection of articles on fashions shows, parties and people in London, Paris, Italy and New York, including a section looking back to the surprising sportswomen of Victorian and Edwardian times. Lady M.P.s are observed from the Press Gallery of the House of Commons, the Headmistress and the Board of Governors are studied from the School Hall on Speech Day, tennis champions in the Players' Tearoom at Wimbledon. Fuller figures descend upon Woburn Abbey by helicopter, model girls weather a stormy crossing on the Queen Elizabeth, fancy goods are reviewed at Brighton, costume exhibitions at the Victoria and Albert Museum, corsetry in the River Room at the Savoy. There are profiles of well-known personalities on the fashion scene and a section on men's fashions and male models. Alison Adburgham's view of fashion is both accurate and acute; often unexpected, never distorted. It picks out the essential, mocks the meaningless and notes significance in the nuance. It is view with which Haro is in sensitive accord, and which he here brilliantly illustrates with ten full pages and many incidental drawings. This book will be of interest to students of fashion, journalism and social history.

It is broadly recognized that black style had a clear and profound influence on the history of dress in the twentieth century, with black culture and fashion having long been defined as 'cool'. Yet despite this high profile, in-depth explorations of the culture and history of style and dress in the African diaspora are a relatively recent area of enquiry. The Birth of Cool asserts that 'cool' is seen as an arbiter of presence, and relates how both iconic and 'ordinary' black individuals and groups have marked out their lives through the styling of their bodies. Focusing on counter- and sub-cultural contexts, this book investigates the role of dress in the creation and assertion of black identity. From the gardenia corsage worn by Billie Holiday to the work-wear of female African-Jamaican market traders, through to the home-dressmaking of black Britons in the 1960s, and the meaning of a polo-neck jumper as depicted in a 1934 self-portrait by African-American artist Malvin Gray Johnson, this study looks at the ways in which the diaspora experience is expressed through self-image. Spanning the late nineteenth century to the modern day, the book draws on ready-made and homemade fashion, photographs, paintings and films, published and unpublished biographies and letters from Britain, Jamaica, South Africa, and the United States to consider how personal style statements reflect issues of racial and cultural difference. The Birth of Cool is a powerful exploration of how style and dress both initiate and confirm change, and the ways in which they expresses identity and resistance in black culture.

A delightful translation of one of the finest, and most beautiful, examples of a medieval Bestiary. Bestiaries are a particularly characteristic product of medieval England, and give a unique insight into the medieval mind. Richly illuminated and lavishly produced, they were luxury objects for noble families. Their three-fold purpose was to provide a natural history of birds, beasts and fishes, to draw moral examples from animal behaviour (the industrious bee, the stubborn ass), and to reveal a mystical meaning - the phoenix, for instance, as a symbol ofChrist's resurrection. This Bestiary, MS Bodley 764, was produced around the middle of the thirteenth century and is of singular beauty and interest. The lively illustrations have the freedom and naturalistic quality ofthe later Gothic style, and make dazzling use of colour. This book reproduces the 136 illuminations to the same size and in the same place as the original manuscript, fitting the text around them. Richard Barber's translation from the original Latin is a delight to read, capturing both the serious intent of the manuscript and its charm. RICHARD BARBER has written many books on the history of and life in the middle ages, from his Somerset MaughamAward-winning The Knight and Chivalry, by way of biographies of Henry II and the Black Prince, to an anthology of Arthurian literature from England, France and Germany, Arthurian Legends, and an account of the historical Arthur, King Arthur: Hero and Legend.

The hill of Uisneach lies almost exactly at the geographical center of Ireland. Remarkably, a fraction at least of the ancient Irish population was aware of that fact. There is no doubt that the place of Uisneach in Irish mythology, and more broadly speaking the Celtic world, was of utmost importance: Uisneach was - and probably still is - best defined as a sacred hill at the center of Ireland, possibly the sacred hill of the center of Ireland. Uisneach or the Center of Ireland explores the medieval documents connected with the hill and compares them with both archeological data and modern Irish folklore. In the early 21st century, a Fire Festival started being held on Uisneach in connection with the festival of Bealtaine, in early May, arguably in an attempt to echo more ancient traditions: the celebration was attended by Michael D. Higgins, the current president of Ireland, who lit the fire of Uisneach on 6 May 2017. This book argues that the symbolic significance of the hill has echoed the evolution of Irish society through time, be it in political, spiritual and religious terms or, perhaps more accurately, in terms of identity and Irishness. It is relevant for scholars and advanced students in the fields of cultural history, Irish history and cultural studies.

'A great storyteller' Madeline Miller, author of Circe In this powerful new collection, Charlotte Higgins foregrounds Greek mythology's most enduring heroines. Here are the myths of Heracles and Theseus, the Trojan war, Thebes and Argos and Athens. They are stories of love and desire, adventure and magic, destructive gods, helpless humans, fantastical creatures and resourceful witches. In this telling the female characters take centre stage as Athena, Helen, Circe, Penelope and others weave these stories into elaborate imagined tapestries. In Charlotte Higgins's thrilling new interpretation of these ancient stories, their tales combine to form a dazzling, sweeping epic of storytelling. With a series of original drawings by Chris Ofili.

"A love letter to the Welsh language... Ellis' detailed watercolor illustrations are the main attraction, providing fresh artistic representations to inspire a new generation of readers. Mythology fans and art enthusiasts alike will enjoy this beautiful book." - Booklist ''Packed with lore, history, and beautiful illustrations, Welsh Monsters & Mythical Beasts is an indispensable registry of everything that lurks in the shadows, glides just beneath the surface, or goes bump in the night. I love it!'' - Todd Lockwood My first thought upon seeing Welsh Monsters was "Goodness, what a useful book!" -John Howe Upon the dramatic landscape of Wales there have been born many creatures and beings of legend. This lushly illustrated guide delves into the dragons, beasts, fair folk, and spirits of Wales. Tales become blended and one with history, and this history meets illustration with C.C.J. Ellis' rich renderings of these creatures. Detail and colour lift these beings off the page and bring this compendium to life. Now available worldwide, this new edition includes a Welsh language guide so that each of the creatures might be known by their original Welsh names. You may have heard of the Red Dragon (Draig Goch) featured on the national flag of Wales, but have you heard of the Water Leaper (Llamhigyn Y Dwr) or of the Mary White (Mari Lwyd)? Ellis aims to re-introduce the beasts of Welsh myth and legend to the world and bring a touch of Wales to your shelves. Part of the Wool of Bat series focused on the preservation and promotion of folklore and oral history from around the world.

The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the "lore" and the "life" of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent's cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.

Numerous historical and political processes and dynamics have led to the emergence of ethnic minority groups in Central and Eastern Europe, each with its own long history and identity. The breakdown of the Soviet regime, the establishment of new nation-states, and the Eastern enlargement of the European Union have raised new questions for these ethnic groups, questions regarding their feelings of belonging and the main elements of their identity. In contrast to the common assumption that ethnic identities have become prevalent having been suppressed for a long time, this book provides empirical evidence that ethnic minorities typically relate to both their ethnic identity and to the national identity of their country of residence. The contributions reveal that the development and maintenance of ethnic, national and European identities are linked to the socio-economic situation and possible benefits for individuals, their countries, or their specific ethnic minority group. The book also highlights that national and European politics may contribute to ethnic and European identification, particularly in the fields of minority rights (e.g. language rights, voting rights) and integration policies. This book was originally published as a special issue of the Identities journal.

From Cinderella to comic con to colonialism and more, this companion provides readers with a comprehensive and current guide to the fantastic, uncanny, and wonderful worlds of the fairy tale across media and cultures. It offers a clear, detailed, and expansive overview of contemporary themes and issues throughout the intersections of the fields of fairy-tale studies, media studies, and cultural studies, addressing, among others, issues of reception, audience cultures, ideology, remediation, and adaptation. Examples and case studies are drawn from a wide range of pertinent disciplines and settings, providing thorough, accessible treatment of central topics and specific media from around the globe.

A collection of animal myths from thirty-six American Indian tribes.

Sewing patterns have been the principle blueprint for making garments in the home for centuries. From their origins in the tailoring manuals of the 16th century to the widely produced pamphlets of the 18th and 19th centuries, through to the full size packet patterns of today, their history and development has reflected major changes in technology (such as the advent of the sewing machine), retailing and marketing practices (the fashion periodical), and shifts in social and cultural influences. This accessible book explores this history, outlining innovations in patternmaking by the companies who produced patterns and how these reflected the fashions and demands of the market. Showcasing beautiful illustrations from original pattern pamphlets, packets and ads, as well as 9 complete patterns from which readers can reproduce vintage garments of different eras, the book provides a unique visual guide to homemade fashions as well as essential exploration of the industry that produced them.

In Masculinity and Dress in Roman Antiquity, Olson argues that clothing functioned as part of the process of communication by which elite male influence, masculinity, and sexuality were made known and acknowledged, and furthermore that these concepts interconnected in socially significant ways. This volume also sets out the details of masculine dress from literary and artistic evidence and the connection of clothing to rank, status, and ritual. This is the first monograph in English to draw together the myriad evidence for male dress in the Roman world, and examine it as evidence for men's self-presentation, status, and social convention.