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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore
Reynard - a subversive, dashing, anarchic, aristocratic, witty fox
from the watery lowlands of medieval East Flanders - is in trouble.
He has been summoned to the court of King Noble the Lion, charged
with all manner of crimes and misdemeanours. How will he pit his
wits against his accusers - greedy Bruin the Bear, pretentious
Courtoys the Hound or dark and dangerous Isengrim the Wolf - to
escape the gallows? Reynard was once the most popular and beloved
character in European folklore, as familiar as Robin Hood, King
Arthur or Cinderella. His character spoke eloquently for the
unvoiced and disenfranchised, but also amused and delighted the
elite, capturing hearts and minds across borders and societal
classes for centuries. Based on William Caxton's bestselling 1481
English translation of the Middle Dutch, but expanded with new
interpretations, innovative language and characterisation, this
edition is an imaginative retelling of the Reynard story. With its
themes of protest, resistance and duplicity fronted by a
personable, anti-heroic Fox making his way in a dangerous and cruel
world, this gripping tale is as relevant and controversial today as
it was in the fifteenth century.
Today, women everywhere clamor for the latest erotic bestselling
novels--their scenes of daring sexual exploits have fired up our
collective imagination. But before we turned to fiction for our
turn-ons, Nancy Friday unleashed a sexual revolution with her
collections of uninhibited writings--the "real "fantasies of "real
"women, in books that broke "all "the rules. . . .
FORBIDDEN FLOWERS
After "My Secret Garden," Nancy Friday's first boundary-shattering
collection, rocked America and freed women to put their most
private longings and secret desires into words for all to read,
hundreds more were inspired to do just that: From the seeds sown in
"My Secret Garden "grew "Forbidden Flowers," an even more explicit
and colorful gathering of daring imaginings, uninhibited dreamings,
and real-life experimental encounters experienced by women just
like you. More fun than fiction, more supremely sexy than you ever
imagined, here are the kinds of fantasies that dare you to cross a
line and pluck some forbidden flowers of your very own.
Myth is oral, collective, sacred, and timeless. Fantasy is a modern
literary mode and a popular entertainment. Yet the two have always
been inextricably intertwined. Stories about Stories examines
fantasy as an arena in which different ways of understanding myth
compete and new relationships with myth are worked out. The book
offers a comprehensive history of the modern fantastic as well as
an argument about its nature and importance. Specific chapters
cover the origins of fantasy in the Romantic search for localized
myths, fantasy versions of the Modernist turn toward the primitive,
the post-Tolkienian exploration of world mythologies, post-colonial
reactions to the exploitation of indigenous sacred narratives by
Western writers, fantasies based in Christian belief alongside
fundamentalist attempts to stamp out the form, and the emergence of
ever-more sophisticated structures such as metafiction through
which to explore mythic constructions of reality.
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