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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore
This book engages with the experience of space and time in youth
cultures across the world. Putting together contemporary case
studies on young transnationalists, young glocals and young
protesters in cities on the five continents, it analyzes new agoras
and chronotopes in global cities. It is based on a selection of
papers first presented to the International Sociological
Association (ISA) Research Committee 34 session on Youth Cultures,
Space and Time that took place during the ISA World Congresses of
Sociology in Gothenburg, Sweden (2010), and in Yokohama, Japan
(2014). The value of this volume for youth researchers worldwide is
twofold. Firstly, the chapters exemplify innovative approaches to
understanding the fluid and dynamic urban space-time dimension in
which young people's cultural and bodily practices are located.
Secondly, the volume offers a transnational perspective. Chapter
contributors come from countries across the world, and give account
of very diverse youth culture phenomena. They represent both
established researchers and new voices in youth research.
Contributors are: Oscar Aguilera Ruiz, Ilenya Camozzi, Carles
Feixa, Vitor Sergio Ferreira, Liliana Galindo Ramirez, Elham
Golpoush-Nezhad, Leila Jeolas, Jeffrey J. Juris, Hagen Kordes,
Sofia Laine, Carmen Leccardi, Pam Nilan, Jordi Nofre, Ndukaeze
Nwabueze, Luca Queirolo Palmas, Yannis Pechtelidis, Geoffrey
Pleyers, Jose Sanchez Garcia, Mahmood Shahabi. Youth, Space and
Time is now available in paperback for individual customers.
In this dazzling history of the imagination, Patrick Harpur links
together fields as far apart as Greek philosophy and depth
psychology, Renaissance magic and tribal ritual, Romantic poetry
and modern models of the Universe, to trace how myths have been
used to make sense of the world. In so doing he uncovers that
tradition which alchemists imagined as a Golden Chain of initiates,
who passed their mysterious 'secret fire' down through the ages. As
this inspiring book shows, the secret of this perennial wisdom is
of an imaginative insight: a simple way of seeing that re-enchants
our existence and restores us to our own true selves..."His
flame-like knowledge is central to the urgent seriousness of this
book; buy a copy before it vanishes." THE LONDON MAGAZINE ..."It
would be hard to overestimate the value of Harpur's book or to
praise it too highly." RESURGENCE MAGAZINE ..."Once we believed
that truth was 'out there', now we hold that it's 'in here', but if
Harpur is right then it lies in the line of vision between the two"
THE INDEPENDENT ON SUNDAY ..."Mr. Harpur links together fields as
far apart as Greek philosophy and depth psychology, Renaissance
magic and tribal ritual, Romantic poetry and the ecstasy of the
shaman, to trace how societies over time have used myths to make
sense of the world. Harpur leads us through history's secret
chambers with such grace of language and insight that we forget the
hour. I would make Harpur's book required reading for every student
of philosophy, depth psychology, and history." DIANNE SKAFTE
In this selective overview of scholarship generated by The Hunger
Games-the young adult dystopian fiction and film series which has
won popular and critical acclaim-Zhange Ni showcases various
investigations into the entanglement of religion and the arts in
the new millennium. Ni introduces theories, methods, and the latest
developments in the study of religion in relation to politics,
audio/visual art, new media, material culture, and popular culture,
whilst also reading The Hunger Games as a story that explores the
variety, complexity, and ambiguity of enchantment. In popular texts
such as this, religion and art-both broadly construed, that is,
beyond conventional boundaries-converge in creating an enchantment
that makes life more bearable and effects change in the world.
Transforming Saints explores the transformation and function of the
images of holy females within wider religious, social, and
political contexts of Old Spain and New Spain from the Spanish
conquest to Mexican independence. The chapters here examine the
rise of the cults of the lactating Madonna, St. Anne, St. Librada,
St. Mary Magdalene, and the Suffering Virgin. Concerned with holy
figures presented as feminine archetypes, images that came under
Inquisition scrutiny, as well as cults suspected of concealing
indigenous influences, Charlene VillaseNor Black argues that these
images would come to reflect the empowerment and agency of women in
viceregal Mexico. Her close analysis of the imagery additionally
demonstrates artists' innovative responses to Inquisition
censorship and the new artistic demands occasioned by conversion.
The concerns that motivated the twenty-first century protests
against Chicana artists Yolanda LOpez in 2001 and Alma LOpez in
2003 have a long history in the Hispanic world-anxieties about the
humanization of sacred female bodies and fears of indigenous
influences infiltrating Catholicism. In this context Black also
examines a number of important artists in depth, including El
Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and
Naples and Baltasar de Echave IbIa, Juan Correa, CristObal de
Villalpando, and Miguel Cabrera.
In 1933 and 1934, Thomas Minehan, a young sociologist at the
University of Minnesota, joined the ranks of a roving army of
250,000 boys and girls torn from their homes during the Great
Depression. Disguised in old clothes, he hopped freight trains
crisscrossing six midwestern states. While undercover, Minehan
associated on terms of social equality with several thousand
transients, collecting five hundred life histories of the young
migrants. The result was a vivid and intimate portrayal of a
harrowing existence, one in which young people suffered some of the
deadliest blows of the economic disaster. Boy and Girl Tramps of
America reveals the poignant experiences of American youth who were
sent out on the road by grinding poverty, shattered family
relationships, and financially strapped schools that locked their
doors. For these young people, danger was a constant companion that
could turn deadly in an instant. The book documents the hunger and
hardships these youth faced, capturing an appalling spectacle and
social problem in America's history before any effort was made to
meet the problem on a nationwide basis by the federal government.
Boy and Girl Tramps of America is a work unique in its ability to
extend beyond statistical analyses to uncover the opinions, ideas,
and attitudes of the boxcar boys and girls. Originally published in
1934, it remains highly relevant to the turbulent moments of the
twenty-first century. This reprint features an introduction by
scholar Susan Honeyman that puts the work into our current context.
Transforming Saints explores the transformation and function of the
images of holy females within wider religious, social, and
political contexts of Old Spain and New Spain from the Spanish
conquest to Mexican independence. The chapters here examine the
rise of the cults of the lactating Madonna, St. Anne, St. Librada,
St. Mary Magdalene, and the Suffering Virgin. Concerned with holy
figures presented as feminine archetypes, images that came under
Inquisition scrutiny, as well as cults suspected of concealing
indigenous influences, Charlene VillaseNor Black argues that these
images would come to reflect the empowerment and agency of women in
viceregal Mexico. Her close analysis of the imagery additionally
demonstrates artists' innovative responses to Inquisition
censorship and the new artistic demands occasioned by conversion.
The concerns that motivated the twenty-first century protests
against Chicana artists Yolanda LOpez in 2001 and Alma LOpez in
2003 have a long history in the Hispanic world-anxieties about the
humanization of sacred female bodies and fears of indigenous
influences infiltrating Catholicism. In this context Black also
examines a number of important artists in depth, including El
Greco, Murillo, Jusepe de Ribera, and Pedro de Mena in Spain and
Naples and Baltasar de Echave IbIa, Juan Correa, CristObal de
Villalpando, and Miguel Cabrera.
A new colouring book from New York Times bestselling illustrator,
Kerby Rosanes, whose detailed illustrations are loved by adults and
children alike. Mythic World features over 55 mythical creatures
and legends to colour. Showcasing some of the best-known creatures
alongside some you might not have discovered before, each scene
shows them interacting with and morphing out of some of the most
distinctive landscapes in our world today. Warring giants morph out
of The Giant's Causeway in Northern Ireland, petrified trolls come
back to life in Icelandic rock formations, the Bhutanese Druk
emerges from Mount Everest's cloudy summit and much more. Colour
and discover the classical myths of Ancient Greece and Rome; celtic
folklore from Ireland and Scotland; oriental tales from Japan and
China; and norse sagas from across Scandinavia. Pages at the back
of the book provide a brief introduction to each mythical creature
and explain the inspiration and rationale behind each illustration.
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