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Books > Social sciences > Sociology, social studies > Social institutions > Customs & folklore
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Don't just see the sights-get to know the people. Malaysia presents
visitors with an exciting and fascinating medley of
cultures--Malay, Chinese, Indian, Arab, Eurasian, Dayak, and
aboriginal. Though very much a modern nation state, its diverse
communities retain a considerable amount of their unique heritage
and, in its customs, religions, festivals, costume, cuisine,
languages, and architecture, Malaysian society perfectly
illustrates the virtues of a vibrant pluralism. Culture Smart!
Malaysia sets out to help you navigate this rich and complex
cultural mix. It provides a succinct and straightforward
introduction to Malaysian history and society, explains the deeper
core values of the different ethnic groups, and guides you through
the maze of Malaysian etiquette and behaviour for both social and
business settings. Have a more meaningful and successful time
abroad through a better understanding of the local culture.
Chapters on values, attitudes, customs, and daily life will help
you make the most of your visit, while tips on etiquette and
communication will help you navigate unfamiliar situations and
avoid faux pas.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Hair is potent. It can be an emotional and intense matter across
gender - it will grow in places you don't like, it may desert you -
suddenly, or gradually. It is a symbol of gender, sexuality,
status, and more. Part memoir, part investigation across history,
politics, religion, and culture, Hair/Power explores the power,
control and ultimate liberation that hair can provide.
This book tells the story of my days in, and my love of, the fields
and countryside, starting when I was just a small lad, learning the
ways and the fine art of poaching. I am in my early fifties now,
with nearly a lifetime of experiences behind me. This book records
all of my antics, my escapades and closely-kept secrets. I tell all
the different ways of rabbit catching, plus many of the poaching
tricks I have mastered over those bygone years. In my opinion, it
is a book to be passed on down the generations, for the
up-and-coming young rabbiting lads who want to learn the fine art
of rabbit catching and mastering the art of growing wild moorland
heather up on the hill tops.
Ku and Hina--man and woman--were the great ancestral gods of heaven
and earth for the ancient Hawaiians. They were life's fruitfulness
and all the generations of mankind, both those who are to come and
those already born. The Hawaiian gods were like great chiefs from
far lands who visited among the people, entering their daily lives
sometimes as humans or animals, sometimes taking residence in a
stone or wooden idol. As years passed, the families of gods grew
and included the trickster Maui, who snared the sun, and fiery Pele
of the volcano. Ancient Hawaiians lived by the animistic philosophy
that assigned living souls to animals, trees, stones, stars, and
clouds, as well as to humans. Religion and mythology were
interwoven in Hawaiian culture; and local legends and genealogies
were preserved in song, chant, and narrative. Martha Beckwith was
the first scholar to chart a path through the hundreds of books,
articles, and little-known manuscripts that recorded the oral
narratives of the Hawaiian people. Her book has become a classic
work of folklore and ethnology, and the definitive treatment of
Hawaiian mythology. With an introduction by Katherine Luomala.
Gorgeous Collector's Edition. India, one of the great, ancient
civilizations, spawned a fascinating canon of myths and legends.
With multiple gods, and a riot of colour and character, this
fantastic new book, Indian Myths & Legends, explores the themes
and landscapes that created the tales, and reveals the boundless
energy that brought us the Ramayana and the Mahabharata, retelling
the stories of Krishna, Buddha and Shiva, and some of the many
different versions of creation. Flame Tree Collector's Editions
present the foundations of speculative fiction, authors, myths and
tales without which the imaginative literature of the twentieth
century would not exist, bringing the best, most influential and
most fascinating works into a striking and collectable library.
Each book features a new introduction and a Glossary of Terms.
Die tradisie van die pryslied het in die afgelope paar jaar wyd
bekend geraak. Hierdie bundle bevat 'n versameling liedere in
hierdie genre, maar dis eiesoortig in die sin dat dit spesifiek
deur Basotho-trekarbeiders geskep is en deur hulle uitgevoer word.
Dit gee die leser 'n wye blik op die verskeurde wereld van hierdie
swerwer-sangers. Aan die een kant is daar die ervarings van hul
landelike wereld van herkoms. Daar is liriese beskrywings van die
natuur en die vanselfsprekende intergrasie tussen die mens, die
tasbare leefwereld en die magiese sfeer. Wanneer die sanger uit
nood besluit om sy brood om die myne to gaan verdien, lei dit tot
'n ontwortelde swerwerbestaan gekenmerk deur vervreemding en
identiteitsverlies. Die werker-sanger is iemand wat tussen twee
werelde leef en nie werklik aan een van die twee behoort nie. Die
sekerste van die twee, maar ook die ontredderendste, is die van die
mynwerker. Hier word hy in werklikheid gereduseer tot 'n implement
of 'n stuk gereedskap: "Ek is die kruiptrekker van die myn, manne";
en "My identiteit het aan my skopgraaf vasgegroei." Die nuwe
realiteit is die van die ontsetting van mynongelukke, die
verbrokkeling van die huislike sfeer, die verlies van 'n geliefde
weens ontrou.
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