This book tells the story of my days in, and my love of, the fields and countryside, starting when I was just a small lad, learning the ways and the fine art of poaching. I am in my early fifties now, with nearly a lifetime of experiences behind me. This book records all of my antics, my escapades and closely-kept secrets. I tell all the different ways of rabbit catching, plus many of the poaching tricks I have mastered over those bygone years. In my opinion, it is a book to be passed on down the generations, for the up-and-coming young rabbiting lads who want to learn the fine art of rabbit catching and mastering the art of growing wild moorland heather up on the hill tops.

Ku and Hina--man and woman--were the great ancestral gods of heaven and earth for the ancient Hawaiians. They were life's fruitfulness and all the generations of mankind, both those who are to come and those already born. The Hawaiian gods were like great chiefs from far lands who visited among the people, entering their daily lives sometimes as humans or animals, sometimes taking residence in a stone or wooden idol. As years passed, the families of gods grew and included the trickster Maui, who snared the sun, and fiery Pele of the volcano. Ancient Hawaiians lived by the animistic philosophy that assigned living souls to animals, trees, stones, stars, and clouds, as well as to humans. Religion and mythology were interwoven in Hawaiian culture; and local legends and genealogies were preserved in song, chant, and narrative. Martha Beckwith was the first scholar to chart a path through the hundreds of books, articles, and little-known manuscripts that recorded the oral narratives of the Hawaiian people. Her book has become a classic work of folklore and ethnology, and the definitive treatment of Hawaiian mythology. With an introduction by Katherine Luomala.

At the height of the blues revival, Marina Bokelman and David Evans, young graduate students from California, made two trips to Louisiana and Mississippi and short trips in their home state to do fieldwork for their studies at UCLA. While there, they made recordings and interviews and took extensive field notes and photographs of blues musicians and their families. Going Up the Country: Adventures in Blues Fieldwork in the 1960s presents their experiences in vivid detail through the field notes, the photographs, and the retrospective views of these two passionate researchers. The book includes historical material as well as contemporary reflections by Bokelman and Evans on the times and the people they met during their southern journeys. Their notes and photographs take the reader into the midst of memorable encounters with many obscure but no less important musicians, as well as blues legends, including Robert Pete Williams, Mississippi Fred McDowell, Al Wilson (cofounder of Canned Heat), Babe Stovall, Reverend Ruben Lacy, and Jack Owens. This volume is not only an adventure story, but also a scholarly discussion of fieldwork in folklore and ethnomusicology. Including retrospective context and commentary, the field note chapters describe searches for musicians, recording situations, social and family dynamics of musicians, and race relations and the racial environment, as well as the practical, ethical, and logistical problems of doing fieldwork. The book features over one hundred documentary photographs that depict the field recording sessions and the activities, lives, and living conditions of the artists and their families. These photographs serve as a visual counterpart equivalent to the field notes. The remaining chapters explain the authors' methodology, planning, and motivations, as well as their personal backgrounds prior to going into the field, their careers afterwards, and their thoughts about fieldwork and folklore research in general. In this enlightening book, Bokelman and Evans provide an exciting and honest portrayal of blues field research in the 1960s.

A charming and beautifully illustrated book, first published in 1893, covering all aspects of the weather including: Times and Seasons, Months, Days of the week, Winter birds and times of their arrival, Sun, Moon and Stars, Wind, Clouds, Mists, Haze, Dew, Fog, Sky, Air, Sound, Sea, Tide, Heat, Rain, Rainbow, Frost, Hail, Snow, Ice, Thunder and Lightning. Measuring instruments include: Barometer, Thermometer, Hygrometer, Telescope, Spectroscope. Animals include: Quadrupeds, Birds, Fish, Molluscs, Reptiles, Insects, Plants etc. This new edition has been completely redesigned and is fully illustrated with reproductions of woodcuts, photographs and drawings throughout.

Die tradisie van die pryslied het in die afgelope paar jaar wyd bekend geraak. Hierdie bundle bevat 'n versameling liedere in hierdie genre, maar dis eiesoortig in die sin dat dit spesifiek deur Basotho-trekarbeiders geskep is en deur hulle uitgevoer word. Dit gee die leser 'n wye blik op die verskeurde wereld van hierdie swerwer-sangers. Aan die een kant is daar die ervarings van hul landelike wereld van herkoms. Daar is liriese beskrywings van die natuur en die vanselfsprekende intergrasie tussen die mens, die tasbare leefwereld en die magiese sfeer. Wanneer die sanger uit nood besluit om sy brood om die myne to gaan verdien, lei dit tot 'n ontwortelde swerwerbestaan gekenmerk deur vervreemding en identiteitsverlies. Die werker-sanger is iemand wat tussen twee werelde leef en nie werklik aan een van die twee behoort nie. Die sekerste van die twee, maar ook die ontredderendste, is die van die mynwerker. Hier word hy in werklikheid gereduseer tot 'n implement of 'n stuk gereedskap: "Ek is die kruiptrekker van die myn, manne"; en "My identiteit het aan my skopgraaf vasgegroei." Die nuwe realiteit is die van die ontsetting van mynongelukke, die verbrokkeling van die huislike sfeer, die verlies van 'n geliefde weens ontrou.