The monarchs of seventeenth-century Europe put a surprisingly high priority on the abolition of dueling, seeing its eradication as an important step from barbarism toward a rational state monopoly on justice. But it was one thing to ban dueling and another to stop it. Duelists continued to kill each other with swords or pistols in significant numbers deep into the nineteenth century. In 1883 Maupassant called dueling "the last of our unreasonable customs." As a dramatic and forbidden ritual from another age, the duel retained a powerful hold on the public mind and, in particular, the literary imagination. Many of the greatest names in Western literature wrote about or even fought in duels, among them Corneille, Moliere, Richardson, Rousseau, Pushkin, Dickens, Hugo, Dumas, Twain, Conrad, Chekhov, and Mann. As John Leigh explains, the duel was a gift as a plot device. But writers also sought to discover in duels something more fundamental about human conflict and how we face our fears of humiliation, pain, and death. The duel was, for some, a social cause, a scourge to be mocked or lamented; yet even its critics could be seduced by its risk and glamour. Some conservatives defended dueling by arguing that the man of noble bearing who cared less about living than living with honor was everything that the contemporary bourgeois was not. The literary history of the duel, as Touche makes clear, illuminates the tensions that attended the birth of the modern world.

A collection of legends and spiritual teachings that depict the mysterious manitous, mystical beings who are divine and essential forces in the spiritual life of the Ojibway. From the rich oral culture of his own Ojibway Indian heritage, Basil Johnston presents a collection of legends and tales depicting manitous, mystical beings who are divine and essential forces in the spiritual life of his people. In this collection, the first by a Native American scholar, these lively, sometimes earthy stories teach about manitous who lived in human form among the Ojibway in the early days, after Kitchi-Manitou (the Great Mystery) created all things and Muzzu-Kummik-Quae (Mother Earth) revealed the natural order of the world. With depth and humour, Johnston tells how lasting tradition was brought to the Ojibway by four half-human brothers, including Nana'b'oozoo, the beloved archetypal being who means well but often blunders. He also relates how people are helped and hindered by other entities, such as the manitous of the forests and meadows, personal manitous and totems, mermen and merwomen, Pauguk (the cursed Flying Skeleton), and the Weendigoes, famed and terrifying giant cannibals.

This book fills a significant gap in the literature on eighteenth-century social and cultural history. Starting with their production and trade, Sorge-English looks at the intricacies of the staymaker's craft, the role of gender in the design and manufacture of stays and the changing shape of stays over time.

This book explores the importance of ritual and ritual theory to discourses of authenticity and originality, thereby deepening our insight into concepts of cultural heritage, identity and nation in a globalised world. The volume is the first interdisciplinary attempt to understand the significance of rituals and related performative traditions in the creation of grounded cultural identities, 'home' and heritage as geographically experienceable locations. It assembles perspectives from social and cultural anthropology, performance studies, education and arts that can deal with the politics of revitalisation and preservation of ritualised traditions. While some chapters in this book emphasise on the ritualisation of cultural heritage by concentrating on power relations and politics, as well as actual processes of identification, especially for marginalised ethnic groups or migrant communities, others explore how rituals as intangible heritage are strategically employed by different groups all over the world to make their claims public and to improve and negotiate their position on a local, national or global platform. This book recognises ritualised performances as transnational and cross-cultural phenomena, which are not only tied to and defined via national territories and identities but which also demand new theoretical and methodological approaches towards the discussion of rituals and heritage.

Myth into Art is a comparative study of mythological narrative in Greek poetry and the visual arts. Thirty of the major myths are surveyed, focusing on Homer, lyric poetry and Attic tragedy. On the artistic side, the emphasis is on Athenian and South Italian vases. The book offers undergraduate students an introduction both to mythology and to the use of visual sources in the study of Greek myth.

In an innovative sequence of topics, Ken Dowden explores the uses Greeks made of myth and the uses to which we can put myth in recovering the richness of their culture. Most aspects of Greek life and history - including war, religion and sexuality - which are discernable through myth, as well as most modern approaches, are given a context in a book which is designed to be useful, accessible and stimulating.

First Published in 2004. "The Face of Fashion" is a study of fashion and the body which aims to establish the relations between codes and systems of clothing and the conduct of everyday life. Jennifer Craik questions the trickle-down theory that fashion is dictated by elite designers and opinion leaders with evidence of a trickle-up effect from sub-cultures, mass consumer behaviour and everyday bricolage of fashion items. The text addresses the neglected area of men's fashion, as well as women's fashion, within a broad examination of the role of fashion in gender identity. The argument is developed through a number of key agencies and processes: consumerism and everyday fashion; the iconization of the body through fashion models and photography; the use of cosmetics to "make-up" the body; the nexus between fashion and gender; the changing fashions in underwear and swimwear as maps of the revealed body. These topics are approached from an interdisciplinary perspective that treats fashion systems as ethnographic traces of the cultural projection of the body.

This book examines the transformation in US thinking about the role of Ballistic Missile Defence (BMD) in national security policy since the end of the Cold War. The evolution of the BMD debate after the Cold War has been complex, complicated and punctuated. As this book shows, the debate and subsequent policy choices would often appear to reflect neither the particular requirements of the international system for US security at any given time, nor indeed the current capabilities of BMD technology. Ballistic Missile Defence and US National Security Policy traces the evolution of policy from the zero-sum debates that surrounded the Strategic Defense Initiative as Ronald Reagan left office, up to the relative political consensus that exists around a limited BMD deployment in 2012. The book shows how and why policy evolved in such a complex manner during this period, and explains the strategic reasoning and political pressures shaping BMD policy under each of the presidents who have held office since 1989. Ultimately, this volume demonstrates how relative advancements in technology, combined with growth in the perceived missile threat, gradually shifted the contours and rhythm of the domestic missile defence debate in the US towards acceptance and normalisation. This book will be of much interest to students of missile defence and arms control, US national security policy, strategic studies and international relations in general.

Within the English-speaking world, no work of the German High Middle Ages is better known than the Nibelungenlied, which has stirred the imagination of artists and readers far beyond its land of origin. Its international influence extends from literature to music, art, film, politics and propaganda, psychology, archeology, and military history. Now for the first time all references to the vast Nibelungen tradition have been catalogued in this comprehensive encyclopedia containing nearly 1000 entries by several dozen international contributors, including the most distinguished scholars in the field. Readers will find illuminating passages on a variety of topics, including literary and extra-literary references, characters and place names, significant motifs and concepts, historical background, and cultural reception through the centuries. This monumental work is an invaluable guide to a fascinating, age-old tradition.

This book documents the rise (and rise) of fashion design in China. Told through the stories of three generations of designers: those born in the 1950s and early 1960s during the Cultural Revolution when fashion in China was isolated from the rest of the world; those born in the 1970s, who are now attempting to integrate China into the global fashion industry; and those born in the 1980s, who are becoming an emerging force in China.Chinese fashion in the past half-century is a fascinating case study. The country began the period in isolation and went through a phase of militant anti-fashion ideology. However, sixty years on, China is seeking to challenge the world in all fields of endeavour, including fashion design and manufacture. Written by an 'insider', this book provides a fascinating survey based on the personal, professional and creative experiences of the most influential Chinese fashion designers. As such, it will be welcomed by all students of contemporary fashion and design.

This collection explores folklore and folkloristics within the diverse and contested national discourses of Britain and Ireland, examining their role in shaping the islands' constituent nations from the eighteenth century to our contemporary moment of uncertainty and change. This book is concerned with understanding folklore, particularly through its intersections with the narratives of nation entwined within art, literature, disciplinary practice and lived experience. By following these ideas throughout history into the twenty-first century, the authors show how notions of the folk have inspired and informed varied points from the Brothers Grimm to Brexit. They also examine how folklore has been adapting to the real and imagined changes of recent political events, acquiring newfound global and local rhetorical power. This collection asks why, when and how folklore has been deployed, enacted and considered in the context of national ideologies and ideas of nationhood in Britain and Ireland. Editors Cheeseman and Hart have crafted a thoughtful and timely collection, ideal for students and scholars of folklore, history, literature, anthropology, sociology and media studies.

Delightful, oft-reprinted guide to the foliate heads so common in medieval sculpture. This was the first-ever monograph dedicated to the Green Man. The Green Man, the image of the foliate head or the head of a man sprouting leaves, is probably the most common of all motifs in medieval sculpture. Nevertheless, the significance of the image lay largely unregarded until KathleenBasford published this book - the first monograph of the Green Man in any language -and thereby earned the lasting gratitude of scholars in many fields, from art history and folklore to current environmental studies. This book has opened up new avenues of research, not only into medieval man's understanding of nature, and into conceptions of death, rebirth and resurrection in the middle ages, but also into our concern today with ecology and our relationship with the green world. It is therefore a work of living scholarship and its publication in paperback will be greatly and justly welcomed.

Escaped slave, Civil War spy, scout, and nurse, and champion of women's suffrage, Harriet Tubman is an icon of heroism. Perhaps most famous for leading enslaved people to freedom through the Underground Railroad, Tubman was dubbed "Moses" by followers. But abolition and the close of the Civil War were far from the end of her remarkable career. Tubman continued to fight for black civil rights, and campaign fiercely for women's suffrage, throughout her life. In this vivid, concise narrative supplemented by primary documents, Kristen T. Oertel introduces readers to Tubman's extraordinary life, from the trauma of her childhood slavery to her civil rights activism in the late nineteenth century, and in the process reveals a nation's struggle over its most central injustices.

This is the first edited collection of its kind to analyse the distinct but overlapping topics of dress, costume, sport and leisure history. For researchers of bodily adornment and movement, sport and costume history are both primarily concerned with industrial practice and embodied experience. The ways in which bodies are adorned, embellished and clothed (or revealed) highlights the hybrid nature of dress history, encompassing as it does the everyday clothing solutions of the mass of people and the unusual or more ceremonial aspects of costume, as well as elite high fashion. Although this is as yet an under-researched area, there are an increasing number of fashion and clothing undergraduate and postgraduate courses that specialise in sport and leisurewear. This publication is intended to give an introductory overview of the historical and contemporary issues as it does for the growing number of sport marketing and sports studies courses concerned with dress, costume history and branding. This book was published as a special issue of Sport in History.

In this book, first published in 1987, Wolfgang Mieder follows the intriguing trail of some of the best known pieces of folk literature, tracing them from their roots to modern uses in advertising, journalism, politics, cartoons, and poetry. He reveals both the remarkable adaptability of these tales and how each variation reflects cultural and historical changes. Fairy tales, legends, folk songs, riddles, nursery rhymes, and proverbs are passed from generation to generation, changing both in form and meaning with each use. This book will be of interest to students of literature.

What does it mean if a cat sits and washes itself in your doorway? And why should women have their hair cut only when the moon is waxing? Belief in superstitions links us to a time when everyday events and objects had magical significance, and knowledge of these could change your fate. If you avoid anything with the number thirteen and cross the road to avoid walking under ladders, then you would be wise to learn about the many other signs that surround us. Whether you wish to increase your good fortune, ward off bad luck, or simply desire to know what today has in store, A Dictionary of Omens and Superstitions provides a complete guide to hundreds of portents, signs and customs from around the world, tracing the origins of our superstitions and explaining their rich symbolism.

Escaped slave, Civil War spy, scout, and nurse, and champion of women's suffrage, Harriet Tubman is an icon of heroism. Perhaps most famous for leading enslaved people to freedom through the Underground Railroad, Tubman was dubbed "Moses" by followers. But abolition and the close of the Civil War were far from the end of her remarkable career. Tubman continued to fight for black civil rights, and campaign fiercely for women's suffrage, throughout her life. In this vivid, concise narrative supplemented by primary documents, Kristen T. Oertel introduces readers to Tubman's extraordinary life, from the trauma of her childhood slavery to her civil rights activism in the late nineteenth century, and in the process reveals a nation's struggle over its most central injustices.

India in the Italian Renaissance provides a systematic, chronological survey of early Italian representations of India and Indians from the late medieval period to the end of the 16th century, and their resonance within the cultural context of Renaissance Italy. The study focuses in particular on Italian attitudes towards the inhabitants of the Indian subcontinent and questions how Renaissance Italians, schooled in the admiration of classical antiquity, responded to the challenge of this contemporary pagan world. Meera Juncu draws from a wide-ranging selection of contemporary travel literature to trace the development of Italian ideas about Indians both before and after Vasco Da Gama's landing in Calicut. After an introduction to the key concepts and a survey of inherited notions about India, the works of a diverse range of writers and editors, including Marco Polo, Petrarch and Giovanni Battista Ramusio, are analysed in detail. Through its discussion of these texts, this book examines whether 'India' came in any way to represent a pagan civilization comparable to the classical antiquity celebrated in Italy during the Renaissance. India in the Italian Renaissance offers a new and exciting perspective on this fascinating period for students and scholars of the Italian Renaissance and the history of India.

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

A hilarious modern fairy-tale mash-up set in a world in which witches are real, magic is real and fairy tales are not only real ... but recent history. Roxy Humperdinck is still reeling from the Great Fairy Tale Cover-up when Cinderella Jones returns with a new mission: to investigate The Missing - the children who followed the Pied Piper into the mountain thirty years ago, never to be seen again. And so begins another crazy adventure that takes the girls up Jack's beanstalk, through Red Riding Hood's Woods ... and to the cottage of the most evil villain of all time, the Gingerbread Witch.

Chronicling the traditions of Chinese life and culture, The Art of Chinese Living is a visual cornucopia and an epic cultural immersion into everything from cuisine and history to art and rituals, calligraphy and music to artefacts and interiors, and from widespread national traditions to the minutiae of daily family life. Spanning over 1,100 stunning pages and divided into the four seasons, this lavish four-volume set in a cloth-bound slipcase is alive with culture. The passion and research that have gone into producing this masterpiece are palpable on every page, from the 10,000 commissioned photographs and illustrations to the incredible gatefold pages and painstaking detail. It is a love letter to Chinese culture written by a mother keen to share her passion for incredible traditions both big and small with her own children, and those of families around the world - whether looking to rekindle a connection with their own traditions or eager to learn more about China, its history and culture. From recipes and home-made gift ideas to an epic timeline of Chinese dynasties and cultural artefacts, The Art of Chinese Living is a joy to behold and a treasure to share. In the words of the author, 'This volume of books is a gift to all the Chinese people, as well as all who have a love for Chinese culture. My objective was to enable everyone to access Chinese culture in their everyday lives, rather than something that could only be appreciated in museums or history books.'

This book is a broad-ranging and provocative study of the human passion for meat. It will intrigue anyone who has ever wondered why meat is important to us; why we eat some animals but not others; why vegetarianism is increasing; why we aren't cannibals; and how meat is associated with environmental destruction.

The culmination of over three decades of investigation into traumatic processes, Repetition and Trauma is the late Max Stern's pioneering reconceptualization of trauma in the light of recent insights into the physiology and psychology of stress and the "teleonomic" character of human evolution in developing defenses against shock. As such, it is a highly original attempt to reformulate certain basic tenets of psychoanalysis with the findings of modern biology in general and neurobiology in particular. At the core of Stern's effort is the integration of laboratory research into sleep and dreaming so as to clarify the meaning of pavor nocturnus. In concluding that these night terrors represent "a defense against stress caused by threatening nightmares," he exploits, though he interpretively departs from, the laboratory research on dreams conducted by Charles Fisher and others in the 1960s. From his understanding of pavor nocturnus as a compulsion to repeat in the service of overcoming a developmental failure to attribute meaning to states of tension, Stern enlarges his inquiry to the phenomena of repetitive dreams in general. In a brilliant reconstruction of Freud's Beyond the Pleasure Principle, he suggests that Freud was correct in attributing the repetitive phenomena of traumatic dreams to forces operating beyond the pleasure principle, but holds that these phenomena can be best illumined in terms of Freud's conception of mastery and Stern's own notion of "reparative mastery."

WINNER OF THE 2021 PEN ACKERLEY PRIZE 'A strange and mesmerising piece of work' Sunday Times 'An absolute masterpiece' Laura Cumming 'An uncommon delight' Observer Claire Wilcox has been a curator of fashion at the Victoria and Albert Museum for most of her working life. In Patch Work, she turns her curator's eye to the fabric of life itself, tugging at the threads of memory: a cardigan worn by a child, a tin button box, the draping of a curtain, a pair of cycling shorts, a roll of lace, a pin hidden in a seam. Through these intimate and compelling close-ups, we see how the stories and the secrets of clothes measure out the passage of time, our gains and losses, and the way we use them to unravel and write our histories. 'Effervescent, poetic, puzzle-like ... Wilcox picks at the heartstrings' Financial Times